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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
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ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
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RECORDER
SAXOPHONE
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TROMBONE
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VIBRAPHONE
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XYLOPHONE
ZITHER
Dram
Not classified
986
Piano & keyboards
Piano solo
642
Piano, Voice
217
Easy Piano
80
Piano, Vocal and Guitar
58
Organ
41
Piano Accompaniment
26
Piano Trio: piano, violin, cello
22
1 Piano, 4 hands
21
C Instruments
16
2 Pianos, 4 hands
9
Piano Quintet: piano, 2 violins, viola, cello
5
Piano Quartet: piano, violin, viola, cello
5
Organ, Piano (duet)
3
Piano Quartet: piano, 2 violins, cello
3
2 Accordions
2
Piano (band part)
2
Keyboard
1
Accordion ensemble
1
Accordion
1
Harpsichord
1
+ 15 instrumentations
-
Retract
Guitars
Guitar
32
Guitar notes and tablatures
23
Melody line, (Lyrics) and Chords
9
Piano, Guitar (duet)
6
2 Guitars (duet)
3
Dulcimer
3
Ukulele
2
Guitar (band part)
2
4 Guitars (Quartet)
2
Lyrics and Chords
1
3 Guitars (trio)
1
Bass guitar
1
Guitar Ensemble
1
Mandolin, Piano (duet)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
554
Choral 3-part
132
Choral 2-part
128
Choral Unison
69
Choral TTBB
57
Choral SSAA
38
Vocal duet, Piano
38
Vocal duet
28
Soprano voice, Piano
23
High voice
22
Medium voice, Piano
12
Low voice, Piano
9
Tenor voice, Piano
8
Alto voice, Piano
8
Baritone voice, Piano
4
Soprano voice
3
Choral SSAB a cappella
2
Mezzo-Soprano voice, Piano
2
Voice solo
2
Baritone voice
1
Soprano voice, Orchestra
1
Tenor voice
1
Choral SSAATTBB
1
Low voice
1
+ 19 instrumentations
-
Retract
Woodwind
Flute and Piano
55
Oboe, Piano (duet)
52
Clarinet and Piano
51
Alto Saxophone and Piano
44
Saxophone Quartet: 4 saxophones
42
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
37
Tenor Saxophone and Piano
36
2 Saxophones (duet)
33
Clarinet Quartet: 4 clarinets
31
Soprano Saxophone and Piano
25
Clarinet (band part)
21
2 Clarinets (duet)
19
Clarinet
19
Flute
19
2 Flutes (duet)
19
Oboe (band part)
18
Clarinet Quintet: 5 clarinets
17
Alto Saxophone
14
Flute, Oboe, Clarinet, Bassoon
14
3 Saxophones (trio)
12
Clarinet Ensemble
12
Saxophone (band part)
11
Baritone Saxophone, Piano
11
Flute Quartet: 4 flutes
11
Saxophone Quintet: 5 Saxophones
10
Tenor Saxophone
9
Flute, Clarinet (duet)
9
Flute (band part)
9
3 Clarinets (trio)
9
Clarinet, Cello, Piano (trio)
7
Flute ensemble
7
English horn, Piano
7
Flute Quintet : 5 flutes
6
Bass Clarinet, Piano
6
Flute, Cello, Piano (trio)
5
Saxophone ensemble
5
Clarinet, Cello (duet)
4
Flute Trio: 3 flutes
4
Flute and Guitar
4
2 Oboes (duet)
4
2 Flutes, Piano
4
Clarinet, Violin (duet)
4
Clarinet, Guitar (duet)
3
2 Clarinets, Piano
3
Flute, Clarinet, Piano (trio)
3
Flute, Viola and Piano
3
Clarinet, Bassoon (duet)
3
2 English horns and Pianoforte
2
3 Recorders (trio)
2
Flute, Violoncello
2
Flute, Saxophone (duet)
2
Flute, Violin and Violoncello
2
2 Recorders (duet)
2
Clarinet and Viola
2
Flute, Violin
2
Flute, Viola (duet)
2
Saxophone, Clarinet (duet)
2
Flute, trombone and piano
2
Recorder Quartet
2
Flute, Oboe, Piano (trio)
2
Flute, Violin, Piano
2
Saxophone and Organ
1
Oboe, Clarinet (duet)
1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Oboe and viola (duet)
1
Piccolo
1
Flute, Bassoon, and Piano
1
Recorder Ensemble
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
Clarinet, Trombone (duet)
1
Clarinet, Organ
1
Oboe, Violin (duet)
1
English Horn, Guitar (duet)
1
Treble (Alto) Recorder
1
Oboe, Guitar (duet)
1
Flute and Strings Trio
1
Flute, Oboe (duet)
1
Flute, Oboe, Bassoon
1
Flute, Organ (duet)
1
Recorder, Piano
1
Oboe, Clarinet, Bassoon (trio)
1
+ 77 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
69
Trombone and Piano
49
Brass quartet : 2 trumpets, trombone, tuba
43
Trumpet, Piano
41
French Horn and Piano
25
Trumpet
20
Trombone (band part)
19
Trombone ensemble
17
Trumpet (band part)
16
French horn (band part)
15
2 Trumpets (duet)
10
Tuba (band part)
10
Trombone
10
Tuba and Piano
9
Trumpet ensemble
9
French horn
9
English horn, Piano
7
Brass Quartet: 2 trumpets, horn, trombone
7
2 Trombones (duet)
6
Brass Quartet: 4 horns
5
2 French horns (duet)
5
Brass Quartet: 4 trombones
4
Euphonium, Piano (duet)
4
Brass Quartet
4
Trumpet, Trombone (duet)
3
Horn Ensemble
3
2 English horns and Pianoforte
2
Trombone and Orchestra
2
Euphonium, Tuba (duet)
2
Brass Quartet: 4 trumpets
2
Trumpet, Saxophone (duet)
2
2 Euphoniums (duet)
2
Trumpet, Cello, Piano
1
4 Tubas
1
Bass Trombone
1
3 Trumpets (trio)
1
Trumpet, Horn (duert)
1
Tuba
1
3 French horns (trio)
1
Brass Quartet: 2 trumpets, 2 trombones
1
English Horn, Guitar (duet)
1
2 Tubas (duet)
1
2 Euphoniums and 2 Tubas
1
Trombone, Tuba (duet)
1
+ 39 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
169
Violin and Piano
77
Cello, Piano
60
Viola, Piano
48
Violin (band part)
42
Violin
35
Harp
30
Viola (band part)
19
Cello
18
2 Violins (duet)
17
Violin, Cello (duet)
16
String Trio: violin, viola, cello
15
Doublebass (band part)
15
Cello (band part)
12
String Trio: 2 violins, cello
11
Double bass, Piano (duet)
11
Viola
9
2 Cellos (duet)
9
2 Violas (duet)
7
Viola, Cello (duet)
6
String Trio: 3 cellos
5
Violin, Guitar (duet)
5
Cello, Guitar (duet)
4
String Trio: 3 violins
4
Violin, Viola (duet)
4
String quartet: 4 violins
3
Double Bass
3
4 Cellos
3
String Trio: 3 violas
3
Viola, Guitar (duet)
2
String Quartet : 4 violas
2
String Trio: 2 violins, viola
2
Piano Trio: Violin, Viola, Piano
2
Viola and Bassoon
1
Harp, Cello (duet)
1
4 Harps
1
2 Double basses (duet)
1
Harp, Violin (duet)
1
2 Violins, Piano
1
String Quintet: 2 violins, viola, cello, bass
1
Violin, Bassoon (duet)
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,485
Orchestra
189
String Orchestra
170
Brass ensemble
71
Chamber Orchestra
48
Handbells
32
Jazz Ensemble
29
Jazz combo
13
Percussion (band part)
12
Marching band
10
Percussion Ensemble
7
Marimba
3
Vibraphone
2
Orchestra, Violin
2
Drum (band part)
1
Xylophone
1
Drums
1
2 Xylophones
1
Marimba, Piano (duet)
1
2 Snare Drums (duet)
1
+ 15 instrumentations
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Retract
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32 sheet music found
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1
26
The Vampire: A Dramatic Theme
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Sol Paul Levy
#
Eric J Roth
#
The Vampire: A Dramatic Theme
#
Eric J Roth
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Peated Waltzes
#
Guitar
#
ADVANCED
#
the Broad Bay
#
Luciano Lima
#
Peated Waltzes
#
Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les ...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4303 Composed by Luciano Lima. Score. 8 pages. Les Productions d'OZ - Digital #DZ 4303. Published by Les Productions d'OZ - Digital (ZZ.DZ-4303). Dedicated to world renowned guitarist David Russell, Peated Waltzes is a three-movement piece that pays homage to the peated whiskies of Islay, the southernmost island of the Inner Hebrides of Scotland. The opening movement, Earthy Smoke, Sea Salt and Iodine, attempts to portray the distinctive character of the single malts of that region. Based on the Gaelic folk song The Praise of Islay (Moladh na Landaidh), the second movement’s title comes from one the song’s last verses, O, may long their wild notes flow. The third movement’s theme was extracted from the letters of Laphroaig, one of the most iconic Scotch whiskies, whose name’s meaning inspired the title, By the Broad Bay. In the second part, the traditional Celtic melody, An Islay Pipe Reel, is quoted. At the end, themes of the previous movements are recalled and intertwined, as if trying to emulate the long and lingering finish of an Islay dram.Dédié au guitariste de renommée mondiale David Russell, « Peated Waltzes » est une pièce en trois mouvements qui rend hommage aux whiskies tourbés d’Islay, l’île la plus méridionale des Hébrides intérieures d’Écosse. Le mouvement d'ouverture, « Earthy Smoke, Sea Salt and Iodine », tente de dépeindre le caractère distinctif des single malts de cette région. Basé sur la chanson folklorique gaélique « L'éloge d'Islay » (Moladh na Landaidh), le titre du deuxième mouvement vient de l'un des derniers couplets de la chanson, « O, que leurs notes sauvages coulent longtemps ». Le thème du troisième mouvement est extrait des lettres de Laphroaig, l’un des whiskies écossais les plus emblématiques, dont la signification du nom a inspiré le titre « By the Broad Bay ». Dans la deuxième partie, la mélodie celtique traditionnelle « An Islay Pipe Reel » est citée. À la fin, les thèmes des mouvements précédents sont rappelés et entrelacés, comme pour tenter d'imiter la finale longue et persistante d'un drame d'Islay.
$5.95
[Cameron-Wolfe] Heretic
#
Guitar
#
Richard Cameron-Wolfe
#
[Cameron-Wolfe] Heretic
#
American Composers Alliance Inc.
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.952203 Composed by Richard Cameron-Wolfe. 20th Century,Contemporary,Opera. Individual part. 19 pages. American Com...
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Solo Guitar - Digital Download SKU: A0.952203 Composed by Richard Cameron-Wolfe. 20th Century,Contemporary,Opera. Individual part. 19 pages. American Composers Alliance Inc. #4569677. Published by American Composers Alliance Inc. (A0.952203). A micro-opera for solo guitar embedded in an intense psycho-drama of disillusionment and alienation. All texts are by the composer, except for brief quote from Arthur Machen’s 1907 novel, The Hill of Dreams. The guitarist is frequently called-upon to speak (rhythmically or freely) and there is a brief passage of singing. This micro-opera is intended to be staged, and it is strongly recommended that the guitarist collaborate with an adventurous drama coach.
$17.95
Wanderkantate
#
Guitar
#
EASY
#
Waldram Hollfelder
#
Wanderkantate
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - easy - Digital Download SKU: S9.Q38398 Composed by Waldram Hollfelder. This edition: separate part. Downloadable, Individual part. Duration 12 m...
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Guitar - easy - Digital Download SKU: S9.Q38398 Composed by Waldram Hollfelder. This edition: separate part. Downloadable, Individual part. Duration 12 minutes, 30 seconds. Schott Music - Digital #Q38398. Published by Schott Music - Digital (S9.Q38398). German.
$3.99
Maurice Ravel - Prelude (1913), transcr. for guitar
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Guitar
#
ADVANCED
#
Contemporary
#
Maurice Ravel
#
Aleksander Wilgos
#
Maurice Ravel - Prelude
#
Aleksander Wilgos
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.905198 Composed by Maurice Ravel. Arranged by Aleksander Wilgos. 20th Century. Individual part. 1 pages....
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Solo Guitar - Level 5 - Digital Download SKU: A0.905198 Composed by Maurice Ravel. Arranged by Aleksander Wilgos. 20th Century. Individual part. 1 pages. Aleksander Wilgos #3604553. Published by Aleksander Wilgos (A0.905198). Ravel has composed this marvelous miniature for the piano sight reading competition at Paris Conservatory in 1913.This is my own transcription for guitar. You can listen to my recording here: https://www.youtube.com/watch?v=HNEPyDrAmaQCheck my other transcriptions: https://www.youtube.com/user/aleksanderwilgos
$5.50
Shallow
#
Guitar
#
INTERMEDIATE
#
Lady Gaga
#
Barry McCormick
#
Shallow
#
B. McCormick
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
Sonata No. 2
#
Guitar
#
ADVANCED
#
Olli Mustonen
#
Sonata No. 2
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - advanced - Digital Download SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gita...
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Guitar - advanced - Digital Download SKU: S9.Q50413 For guitar. Composed by Olli Mustonen. This edition: single sheet. Guitar Archive. Für Gitarre. Downloadable, Separate edition. Duration 10 minutes. Schott Music - Digital #Q50413. Published by Schott Music - Digital (S9.Q50413). Unlike its predecessor Jehkin Iivana, which draws its inspiration from the world of Finnish myths and the ancient tradition of poet singers, the sources of the Sonata N° 2 are more abstract. The first movement starts with dissonant intervals, full of drama and conflict while the second has a dream-like atmosphere as if the guitar has been left alone in the forest. After a nightmarish episode, more hopeful music suddenly starts to appear. In the last movement the guitar returns to fight its tormentors from the first movement with renewed energy and takes its way heroically through all obstacles to a triumphant end. Olli Mustonen.
$7.99
Chorus and Aria from Ariadne auf Naxos
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Somewhere In Time
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Guitar
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INTERMEDIATE/ADVANCED
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Allen Comyns
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John Fries
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Somewhere In Time
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John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,F...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271471 By Allen Comyns. By B.A. Robertson and John Barry. Arranged by John Fries. 20th Century,Celtic,Film/TV,Irish,Jazz,Standards. Individual part. 2 pages. John Fries #863872. Published by John Fries (A0.1271471). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  Somewhere in Time is a 1980 American romantic fantasy drama film directed by Jeannot Szwarc. It is a film adaptation of the 1975 novel Bid Time Return by Richard Matheson, who also wrote the screenplay. The film stars Christopher Reeve, Jane Seymour, and Christopher Plummer. The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini also appears several times.
$4.99
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
In My Life
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Guitar
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INTERMEDIATE
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Rock
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The Beatles
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André Nusa
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In My Life
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Andre_Nusa
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1200259 By The Beatles. By John Lennon and Paul McCartney. Arranged by André Nusa. 20th Century,Pop,R...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1200259 By The Beatles. By John Lennon and Paul McCartney. Arranged by André Nusa. 20th Century,Pop,Rock. Individual part. 3 pages. Andre_Nusa #799062. Published by Andre_Nusa (A0.1200259). This arrangement is designed for a skilled guitarist with advanced technical abilities and a deep understanding of musical expression. The arrangement features a fingerstyle technique that captures the intricacies of the song's melody and rhythm. The performer may choose to incorporate variations in tempo, dynamics, and phrasing to build tension and drama, creating a powerful and emotional performance. It is a testament to the performer's technical and musical abilities, and a valuable addition to any advanced guitarist's repertoire.
$5.99
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
For your endless love
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Guitar
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EASY
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Filippo Bombonato
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For your endless love
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Filippo Bombonato
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1029014 Composed by Filippo Bombonato. Baroque,Classical,Instructional,Romantic Period. Individual part....
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Solo Guitar - Level 2 - Digital Download SKU: A0.1029014 Composed by Filippo Bombonato. Baroque,Classical,Instructional,Romantic Period. Individual part. 1 pages. Filippo Bombonato #4605069. Published by Filippo Bombonato (A0.1029014). A heartfelt, romantic and solemn 3/4 composition in Do for classical guitar suitable for ceremonies, for touching movie and drama scenes. .
$2.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
'Golaud's Letter' from Pelleas et Melisande
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Guitar
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INTERMEDIATE
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Classical
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Claude Debussy
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Rod Whittle
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for solo classical guitar
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'Golaud's Letter' from Pelleas
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Magg...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899117 Composed by Claude Debussy. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25803. Published by Maggie Creek Music (A0.899117). 2 pages; for solo classical guitar; published by Maggie Creek MusicClaude Debussy (1862 – 1918) Debussy’s compositions form part of an art movement known as French Impressionism that evolved in France at the end of the 19th Century. He was its leading musical exponent and a seminal influence on modern music. The aim of Impressionism was to reflect mood, which Debussy did with the use of unusual chords and modes which nevertheless progress unerringly through evocative landscapes to peaks of tension. Careful attention to form gives impalpable sentiments a sense of direction and completion. The excerpt 'Golaud's Letter' from early in Debussy's only opera, the hugely influential ‘Pelleas and Melisande’, demonstrates this, and exhibits his masterful expression of mood and drama. Exquisite without being flowery, forceful but not overblown, the Letter's spoken voice recitative style is a natural accompaniment to the Letter's contents, while it accentuates the arrival of cadences.
$7.00
Lullaby for true friends
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Guitar
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Filippo Bombonato
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Lullaby for true friends
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Filippo Bombonato
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1029015 Composed by Filippo Bombonato. Baroque,Classical,Instructional,Renaissance,Romantic Period. Individual par...
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Solo Guitar - Digital Download SKU: A0.1029015 Composed by Filippo Bombonato. Baroque,Classical,Instructional,Renaissance,Romantic Period. Individual part. 1 pages. Filippo Bombonato #4607685. Published by Filippo Bombonato (A0.1029015). A sweet and emotional 3/4 lullaby for classical guitar suitable for teaching methods, movie and drama scenes.
$1.99
Times
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Guitar
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ADVANCED
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Contemporary
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Plamen Petrov
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Plamen Petrov
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Times
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Plamen Petrov
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1361863 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Contemporary. Individua...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1361863 By Plamen Petrov. By Plamen Petrov. Arranged by Plamen Petrov. Classical,Contemporary. Individual part. 3 pages. Plamen Petrov #946323. Published by Plamen Petrov (A0.1361863). A virtuoso, dramatic and melodic piece for classical guitar.
$7.00
Poor Heinrich (solo guitar)
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Guitar
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INTERMEDIATE
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Contemporary
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Paul SanGregory
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Poor Heinrich
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Distant Engraver Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.977028 Composed by Paul SanGregory. 20th Century,Contemporary. Individual part. 8 pages. Distant Engrave...
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Solo Guitar - Level 3 - Digital Download SKU: A0.977028 Composed by Paul SanGregory. 20th Century,Contemporary. Individual part. 8 pages. Distant Engraver Music #3534579. Published by Distant Engraver Music (A0.977028). This is a suite of short simple classical guitar solos that were composed to be used as incidental music for an audio book-a dramatic reading of a Medieval story read in Medieval German. As some of the movement titles suggest, the music's character is inspired by characters or situations in the story. Similarly, although no attempt was made to actually compose stylistically appropriate Medieval music, the modal flavors used in these pieces help give them a somewhat ancient-feeling, or ambiance. The movement titles are:Prelude
$5.00
Over The Rainbow
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Guitar
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INTERMEDIATE/ADVANCED
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Broadway
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Film/TV
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Judy Garland
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Richard Hirsch
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and 3&
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Over The Rainbow
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Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Black Falcon
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Guitar
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Contemporary
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Frank A
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Black Falcon
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Gyre Music
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Pu...
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Solo Guitar - Digital Download SKU: A0.1015930 Composed by Frank A. Wallace. 20th Century,Contemporary. Individual part. 8 pages. Gyre Music #5022343. Published by Gyre Music (A0.1015930). Black Falconby Frank A. Wallaceguitar soloDuration: 9 minutes; 7 pagesSkill level: large stretches and fast scalesWritten: March, 2013, for Edel MuñozInstrumentation: classical guitar soloRecording: on Elemental CD by Frank Wallace for Gyre, 2014; and a single FLAC file also by Frank Wallace on GyreBlack Falcon is a guitar solo written for Cuban guitarist Edel Muñoz, who I first met at the 2011 St. Joseph Guitar Festival. Edel had returned to St. Joseph to perform his competition winner’s concert. We met again at Classical Minds in Houston in June 2012 at which point we got to hear each others’ concerts. Edel is one of the most suave and subtle yet powerful players I have ever heard. I was thrilled that he asked me to write a piece for him.At the time of composition I generally used various techniques for generating musical ideas developed over the previous years. But I tossed those ideas out the door and wrote from pure inspiration. The result is my first piece that uses the octatonic, or diminished scale. It alternates between dramatic chordal outbursts and flowing bass melodies. Black Falcon is in two sections: Larghissimo in 4/2 and Allegro in 12/8. This is a pattern I have used in several solo works and one duo that I call my Raptor Series.All Gyre Publications are ASCAPGyre PublicationsCopyright ©2013 Frank A. WallaceCover photography and design by Nancy KnowlesAll rights reserved.
$10.95
Scenes from the Life of Death
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Guitar
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INTERMEDIATE/ADVANCED
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Apostolos Paraskevas
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#
Scenes from the Life of Death
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99
Hymn And Dance For The Forgotten
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Guitar
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ADVANCED
#
Doug Smith
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Hymn And Dance For The Forgott
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Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1183820 Composed by Doug Smith. 20th Century,Blues,Classical,Contemporary,Jazz. Individual part. 7 pages. Doug Smith Guitar Studio #783510. Published by Doug Smith Guitar Studio (A0.1183820). Hymn & Dance for the Forgotten is a tribute giving thanks to all of the generations that came before us. The Hymn is reflective and supportive in tone, using four part harmonies like a chorale that gently moves to form a sense of wholeness. After a dramatic pause, this transitions abruptly to the rhythmic shifting impulses of a modern reality flowing over the top of many of the same harmonies of the past.
$3.99
Deuxiéme Sonata by Benjamin Godard (1849-1895)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
#
Benjamin Godard
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Eric J Roth
#
Deuxiéme Sonata by Benjamin G
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual par...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
Scenes From the Life of Death, Part 1
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Guitar
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Apostolos Paraskevas
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Scenes From the Life of Death,
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Silver Sickle Publications
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickl...
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Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
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