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DJ GEAR
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End Of Time
Sheetmusicplus
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3,884
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2,016
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1,058
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720
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341
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259
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155
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121
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51
1 Piano, 4 hands
39
2 Pianos, 4 hands
23
Piano Quartet: piano, violin, viola, cello
15
Piano Quartet: piano, 2 violins, cello
10
Piano (band part)
8
Piano Quintet: piano, 2 violins, viola, cello
5
Accordion
4
Organ, Piano (duet)
3
Harpsichord
2
Big Note Piano
1
Organ, Trumpet (duet)
1
+ 14 instrumentations
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Retract
Guitars
Guitar
159
Guitar notes and tablatures
138
2 Guitars (duet)
31
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29
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19
4 Guitars (Quartet)
17
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17
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16
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13
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12
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10
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9
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2
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2
Mandolin, Piano (duet)
2
Guitar, Violin, Cello (trio)
2
2 Mandolins (duet)
1
+ 14 instrumentations
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1,032
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716
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370
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359
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244
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92
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76
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56
Soprano voice, Piano
50
Alto voice, Piano
38
Baritone voice, Piano
35
High voice
11
Voice solo
8
Tenor voice
7
Medium voice, Piano
5
Soprano voice
2
Choral
2
Low voice, Piano
2
Choral SSAATTBB
2
Choral SSAB a cappella
1
Mezzo-Soprano voice, Piano
1
Choral SATBB
1
Choral SATTBB A Cappella
1
Soli, Mixted choir and accompaniment
1
+ 20 instrumentations
-
Retract
Woodwind
Saxophone Quartet: 4 saxophones
327
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
321
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275
2 Saxophones (duet)
274
Flute and Piano
261
Saxophone Quintet: 5 Saxophones
247
Clarinet and Piano
219
Oboe, Piano (duet)
200
Alto Saxophone and Piano
166
2 Flutes (duet)
160
Clarinet
149
Tenor Saxophone and Piano
139
Flute
128
Soprano Saxophone and Piano
118
2 Clarinets (duet)
117
Alto Saxophone
107
Clarinet Quartet: 4 clarinets
104
Saxophone (band part)
96
Flute, Clarinet (duet)
80
Oboe (band part)
79
Tenor Saxophone
74
3 Saxophones (trio)
74
Baritone Saxophone, Piano
72
2 Oboes (duet)
64
Clarinet, Violin (duet)
54
Flute Quartet: 4 flutes
54
Saxophone, Clarinet (duet)
51
Clarinet Ensemble
50
Oboe, Bassoon (duet)
50
Oboe
48
Oboe, Clarinet (duet)
47
3 Clarinets (trio)
46
2 Recorders (duet)
45
English horn, Piano
39
Clarinet Quintet: 5 clarinets
39
Oboe, Cello
36
Flute, Clarinet and Bassoon.
36
Saxophone ensemble
34
Flute ensemble
33
Clarinet, Bassoon (duet)
33
Clarinet, Trumpet (duet)
31
Bass Clarinet, Piano
31
Flute Trio: 3 flutes
30
Descant (Soprano) Recorder
29
Flute, Violin
29
Flute, Viola (duet)
26
Flute Quintet : 5 flutes
25
Clarinet, Cello (duet)
25
Oboe, Flute
24
Flute, Violoncello
24
Clarinet and Viola
24
Treble (Alto) Recorder
20
Flute and Guitar
20
Flute, Oboe (duet)
20
Flute, Oboe, Bassoon
19
Flute, Saxophone (duet)
19
Flute, Oboe, Piano (trio)
16
Flute, Cello, Piano (trio)
15
Soprano Saxophone
15
Flute, Oboe, Clarinet (trio)
15
Flute, Violin, Piano
14
English Horn
14
Flute, Trumpet (duet)
14
Flute, Clarinet, Horn and Bassoon (Quartet)
13
Recorder Quartet
13
Baritone Saxophone
13
Oboe, Clarinet, Bassoon (trio)
13
2 Flutes, Piano
13
Clarinet, Cello, Piano (trio)
12
Flute, Clarinet, Piano (trio)
12
Recorder
11
Flute (band part)
11
Clarinet (band part)
11
Clarinet, Guitar (duet)
11
2 Clarinets, Piano
10
Harmonica
10
Ocarina
9
Oboe, Violin (duet)
8
3 Recorders (trio)
8
Flute, Viola and Piano
8
Treble (Alto) Recorder, Piano
7
5 Recorders
7
Oboe and viola (duet)
7
Flute, Bassoon, and Piano
7
Tenor Recorder
6
Clarinet, Bassoon, Piano (trio)
5
Bass Clarinet
5
Flute, Violin and Violoncello
5
Oboe, Clarinet and Piano (Trio)
5
Flute, trombone and piano
5
Oboe, Cello and Piano
4
Clarinet, Trombone (duet)
4
Clarinette, Viola and Piano (trio)
3
Clarinet, Harp (duet)
3
Clarinet, Tuba
3
Flute, Trombone (duet)
3
Oboe, Violin, Piano
3
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3
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3
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3
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2
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2
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2
3 Oboes
2
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4 Oboes
2
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2
Flute, Tuba (duet)
2
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1
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1
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Flute, Cello, Guitar
1
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1
Saxophone
1
Flute, Clarinet, Violin (trio)
1
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1
Oboe, Harp
1
2 Oboes, Piano
1
Flute and Strings Trio
1
Flute, Oboe, Violin
1
Bagpipe
1
Clarinet, trumpet and piano
1
Piccolo
1
+ 122 instrumentations
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Retract
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394
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202
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170
Trumpet
167
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155
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136
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104
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96
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89
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81
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81
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76
Tuba
74
2 Trombones (duet)
70
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54
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51
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49
Trombone (band part)
47
2 French horns (duet)
43
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41
English horn, Piano
39
Trumpet (band part)
36
2 Tubas (duet)
24
Trumpet, Horn (duert)
24
Trombone ensemble
22
Brass Quartet: 4 trombones
19
Brass Quartet: 4 trumpets
18
Brass Quartet: 4 horns
17
Brass Trio
16
English Horn
14
Horn, Cello (duet)
13
3 Trumpets (trio)
12
French horn (band part)
11
Tuba (band part)
11
Trumpet, Cello (duet)
10
3 Trombones (trio)
10
Horn Ensemble
9
4 Tubas
7
Euphonium
6
Trombone, Horn (duet)
6
Trumpet, Cello, Piano
6
Trumpet, Bassoon (duet)
5
Trumpet, Tuba (duet)
5
Trumpet, Trombone, Piano
5
French horn and Basson (duet)
5
Bass Trombone and Piano
5
Brass Quartet: 2 trumpets, 2 trombones
5
Tuba and Organ
4
2 Euphoniums and 2 Tubas
4
3 French horns (trio)
3
Trombone, Tuba (duet)
3
3 Tubas (trio)
2
Bass Trombone
2
Horn, Tuba (duet)
2
2 English horns and Pianoforte
2
2 Euphoniums (duet)
1
French Horn and Harp
1
2 French horns, Piano
1
Trumpet, Harp
1
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1
Tuba ensemble
1
English Horn, Guitar (duet)
1
2 Trumpets, Keyboard (piano or organ)
1
Trombone, Violin (duet)
1
+ 59 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
656
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316
Viola, Piano
217
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207
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173
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172
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164
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161
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114
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114
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105
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97
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83
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73
String Trio: 2 violins, cello
72
2 Violas (duet)
71
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66
Double Bass
64
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36
Violin (band part)
30
Viola (band part)
28
4 Cellos
23
Piano Trio: Violin, Viola, Piano
22
String Trio: 3 violins
21
String Trio: 3 cellos
19
Doublebass (band part)
19
Violin, Bassoon (duet)
19
String Quartet : 4 violas
17
2 Double basses (duet)
16
String quartet: 4 violins
13
String Quintet: 2 violins, viola, 2 cellos
11
Viola and Bassoon
11
String Trio: 3 violas
11
String Trio: 2 violins, viola
10
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9
Viola ensemble
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7
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6
2 Harps (duet)
6
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5
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4
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3
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2
Harp, Violin (duet)
2
4 Harps
2
Viola and Harp
2
Harp, Trombone (duet)
2
Flute, Doublebass (duet)
2
Violin, Tuba (duet)
2
3 Harps
1
Cello Ensemble
1
4 Double Basses
1
Violin, Cello, Clarinet
1
2 Violins, Piano
1
Harp and mandolin
1
Cello, Orchestra
1
Harp, Cello (duet)
1
2 Cellos, Piano
1
+ 55 instrumentations
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Retract
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613
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238
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213
Jazz Ensemble
147
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140
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81
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80
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78
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47
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28
Marimba
22
Drums
21
Xylophone
18
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13
Xylophone, Piano
11
Drum (band part)
8
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
6
Vibraphone
3
School Ensemble
2
2 Xylophones
2
Brass Quintet: other combinaisons
2
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1
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1
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1
2 Marimbas
1
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You've selected:
End Of Time
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Guitar
Sheetmusic to print
159 sheet music found
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1
26
51
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151
It's Been A Long, Long Time
#
Guitar
#
EASY
#
Bing Crosby
#
André Nusa
#
It's Been A Long, Long Time
#
Andre_Nusa
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1171157 By Bing Crosby. By Jule Styne and Sammy Cahn. Arranged by André Nusa. 20th Century,Film/TV,Ja...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1171157 By Bing Crosby. By Jule Styne and Sammy Cahn. Arranged by André Nusa. 20th Century,Film/TV,Jazz. Individual part. 1 pages. Andre_Nusa #771495. Published by Andre_Nusa (A0.1171157). Experience the nostalgic and heartfelt melodies of It's Been a Long, Long Time with this enchanting arrangement for classical guitar. This sheet music brings the timeless beauty of the song to life, allowing you to immerse yourself in its emotional depth and grace. The guitar strings resonate with warmth and richness, bringing out the soulful qualities of the melody. Perfect for solo performances, intimate gatherings, or personal enjoyment, this arrangement allows you to showcase your guitar skills and share the emotional resonance of It's Been a Long, Long Time with your audience. The classical guitar's intimate and expressive nature adds depth and nuance to the song, creating a truly unforgettable musical experience. Whether you're an experienced classical guitarist or an aspiring musician, this arrangement invites you to explore the delicate balance between technique and emotion. This is song is heard in the end of Avengers: Endgame.
$4.99
The Walls of Jericho
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Guitar
#
INTERMEDIATE/ADVANCED
#
Traditional
#
Richard Hirsch
#
The Walls of Jericho
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Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1402631 Composed by Traditional. Arranged by Richard Hirsch. Blues,Jazz,Multicultural,Ragtime,Spiritual,World. Individual part. 8 pages. Richard Hirsch #985855. Published by Richard Hirsch (A0.1402631). I offer an arrangement for solo acoustic guitar of the Spiritual “The Battle of Jericho†in a rendition that takes inspiration from Mississippi Delta Ragtime Blues and Django Reinhardt. The thumb pounds out a steady beat of alternating bases to a swing rhythm with the melody played by alternating middle and index fingers running over the top. There are lots of pull-offs and vibrato-bends in the melody line together with half-tone chord shifts, mutes, and holds (fermatas) that make for a lively and exciting musical rendering of the Old Testament story. However, as opposed to the message of the Old Testament story, I like to think of my arrangement as a message of hope that through music the walls of ignorance separating peoples will “come tumbling downâ€.The arrangement is within reach of advanced intermediate students of nylon or steel string acoustic guitar.
$4.99
Making Friends
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Guitar
#
INTERMEDIATE/ADVANCED
#
Rock
#
Bradley Powell
#
Making Friends
#
Geofonica Artistworks
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual...
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Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #6856481. Published by Geofonica Artistworks (A0.948712). Guitar solo (in standard notation) composed by Bradley Powell (The Candlelight Guitarist), from his CD Beatitude Bridge. Intermediate to advanced level blend of folk-jazz and classical finger-style guitar (a trademark style blend of The Classical Guitarist.) It's a positive, moving, yet reflective guitar instrumental, inspired by the many biblical verses about friendship (incl. Ecclesiastes 4:9-10, John 15:15, John 15:12-15, Job 6:14, Proverbs 18:24, Proverbs 27:10, John 15:13). Wonderful for an offertory or musical interlude in a church service, spiritual gathering, concert or recital.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
"Lavender Sky" for solo classical fingerstyle guitar
#
Guitar
#
BEGINNER
#
Keith Gehle
#
"Lavender Sky" for solo classi
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1413643 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 2 pages. Keith Gehle #995...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1413643 By Keith Gehle. By Keith W. Gehle. Classical,New Age. Individual part. 2 pages. Keith Gehle #995427. Published by Keith Gehle (A0.1413643). This solo guitar version of “Lavender Sky†was written and recorded as part of Keith’s 2006 Christmas/seasonal recording Songs of December. A few years later, a portion of this tune was used as part of the musical score for the award winning short film by David Field entitled Caterpillar. A third rendering of this piece with various instruments appears on Keith’s 2016 album Space and Time. This relatively easy solo version captures beautifully the colors of the December sky and is popular with students learning classical or fingerstyle guitar. The PDF print out includes standard notation with detailed fingerings. There's also a version with TAB on this site.
$1.99
Mountains of Stowe, I Stand Strong
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Guitar
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Apostolos Paraskevas
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Mountains of Stowe, I Stand St
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Silver Sickle Publications
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Si...
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Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Mountains of Stowe, and The Sky is The Limit
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Guitar
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Apostolos Paraskevas
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Mountains of Stowe, and The Sk
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Silver Sickle Publications
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Si...
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Modern Times
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Guitar
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EASY
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Classical
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Modern Times
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Chanterelle
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SheetMusicPlus
60 Original Graded Contemporary Works for classroom or concert. Modern Times. Downloadable. Chanterelle #Q570285. Published by Chanterelle...
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60 Original Graded Contemporary Works for classroom or concert. Modern Times. Downloadable. Chanterelle #Q570285. Published by Chanterelle
English • German.
This new edition of our complete series 'Modern Times' is an extremely attractive collection of contemporary graded guitar solos with an international flavour. A steady seller throughout the years which is highly recommended. Includes works by Biberian, Carlevar, Kleynjans, Domeniconi and others.
$17.99
End Credits
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Guitar
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INTERMEDIATE/ADVANCED
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Film/TV
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Bruno Coulais
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Eduardo Arantes
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End Credits
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Eduardo Arantes
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.509419 Composed by Bruno Coulais. Arranged by Eduardo Arantes. Film/TV. Individual part. 2 pages. Eduard...
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Solo Guitar - Level 4 - Digital Download SKU: A0.509419 Composed by Bruno Coulais. Arranged by Eduardo Arantes. Film/TV. Individual part. 2 pages. Eduardo Arantes #120259. Published by Eduardo Arantes (A0.509419). Coraline Soundtrack by Bruno Coulais - End Credits Hello, my friends, this is the only arrangement of End Credits for Fingerstyle guitar I've seen in the internet. don't waste time and guarantee your copy now!
$7.00
Time On My Hands (you In My Arms)
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Guitar
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INTERMEDIATE/ADVANCED
#
Ana Zingoni
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Christopher J
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Time On My Hands
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1292699 By Ana Zingoni. By Harold Adamson, Mack Gordon, and Vincent Youmans. Arranged by Christopher J. Malin. 20th Century,Jazz,Standards. Individual part. 1 pages. Christopher J. Malin #883262. Published by Christopher J. Malin (A0.1292699). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful slow swing tune that is danceable! Unusual for a solo piece but could be fun? Beautiful head and really interesting tag at the end. Should be repeated a few times.This piece will make you stand out from the rest. Takes a bit of practise to make it swing smoothly.Sounds great on acoustic and electric guitars.This is the song by Vincent Youmans written in 1930. An oldy, but for sure a goody!
$4.99
Christmas Time Is Here
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Guitar
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BEGINNER
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Christmas
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Lee Mendelson and Vince Guaral
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Rodrigo Faleiros
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Christmas Time Is Here
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Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,F...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1315740 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904488. Published by Rodrigo Faleiros (A0.1315740). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Chord symbols: The sheet music includes chord symbols, allowing for harmonic creativity and festive musicality by another musician. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Christmas Time Is Here
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Guitar
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BEGINNER
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Christmas
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Lee Mendelson and Vince Guaral
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Rodrigo Faleiros
#
Christmas Time Is Here
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Rodrigo Faleiros
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,F...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1315983 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Rodrigo Faleiros. Children,Christmas,Film/TV,Holiday,Jazz. Individual part. 1 pages. Rodrigo Faleiros #904524. Published by Rodrigo Faleiros (A0.1315983). Embrace the enchantment of the holiday season with our special guitar solo arrangement of Christmas Time Is Here from the beloved A Charlie Brown Christmas soundtrack. This arrangement is tailored for guitar players seeking to capture the timeless magic of the Peanuts gang's holiday adventures.Key Features: Beginner and Intermediate Level: Easy to follow for newcomers and a delightful challenge for those with some experience. Instant Digital Download: Begin your holiday journey instantly with our convenient PDF download. Immerse yourself in the warmth and nostalgia of this classic melody with your guitar. Whether you're performing for a holiday gathering, a recital, or simply for your own holiday enjoyment, this arrangement encapsulates the essence of the season.And don't forget to check out my other christmas and holiday music arrangements by clicking here!
$4.99
Jesus, Joy of Man's Desiring
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Richard Hirsch
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Jesus, Joy of Man's Desiring
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Count...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1234273 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Classical,Country,Folk. Individual part. 7 pages. Richard Hirsch #829813. Published by Richard Hirsch (A0.1234273). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring for solo acoustic or classical guitar. I have arranged the piece in 4/4 time in a folk-fingerpicking style giving it something of an American folk-country character, perhaps verging on a gospel. The arrangement follows the original as faithfully as possible with the melody and choral sections interwoven. I think the piece survives the time-change operation beautifully, retaining the joyful and praiseful character of Bach’s original. The piece is a joy to play and to listen to.The arrangement is accessible to intermediate to advanced students of acoustic or classical guitar. Any student of guitar who has mastered the basics of thumb-index-middle fingerpicking  (thumb, thumb, index, middle, thumb, index) will have fun with the piece.I give extensive left hand fingering accompanied by tabs as a guide to the intermediate students of guitar. Right hand fingering is given for the first playing of the repetitive passages and in passages where it might be difficult for the performer to find appropriate  fingering. Otherwise I expect the fingering to be more or less self-evident, leaving it to the individual taste and style of the interpreting guitarist.I have set the tempo to Presto for the arrangement to keep close to lively nature of the original, but the arrangement can also be played much slower, somewhere around Metronome 130. This results in a shift in mood towards a ragtime blues, verging on a spiritual. This great music is a never-ending source of inspiration.The piece is a nice follow-up to my folk-fingerpicking arrangements for Freight Train and The Entertainer.
$4.99
Scenes From the Life of Death, Part 1
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Guitar
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Apostolos Paraskevas
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#
Scenes From the Life of Death,
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Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickl...
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Guitar - Digital Download SKU: A0.1070391 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 389. Silver Sickle Publications #6103007. Published by Silver Sickle Publications (A0.1070391). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 3
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Guitar
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Apostolos Paraskevas
#
#
Scenes From the Life of Death,
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Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickl...
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Guitar - Digital Download SKU: A0.1070392 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 264. Silver Sickle Publications #6103011. Published by Silver Sickle Publications (A0.1070392). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Scenes From the Life of Death, Part 2
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Guitar
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Apostolos Paraskevas
#
#
Scenes From the Life of Death,
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickl...
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Guitar - Digital Download SKU: A0.1070390 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Full Performance. Duration 205. Silver Sickle Publications #6103009. Published by Silver Sickle Publications (A0.1070390). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life Of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life! Put down your beloved instrument Mr. Reaper! It's time to pay a visit to a fellow musician down the street as if he had all the time in the world!
$1.99
Tales of Greiffenberg
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Guitar
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INTERMEDIATE/ADVANCED
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Dale Kavanagh
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Tales of Greiffenberg
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Edition Chanterelle - Digital
#
SheetMusicPlus
Guitar - intermediate to advanced - Digital Download SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Pub...
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Guitar - intermediate to advanced - Digital Download SKU: S9.Q588559 Composed by Dale Kavanagh. Downloadable. Edition Chanterelle - Digital #Q588559. Published by Edition Chanterelle - Digital (S9.Q588559). English â?¢ German.Tales of Greiffenbergâ? was published in 2012 and written in 2010. On the Lake, The Forest and Wind Danceâ?, describe my experiences around Greiffenberg, a village,one hour outside of Berlin, in the direction of Poland. Here, I would visit my fine, longtime friend, Carlo Domeniconi and his friend, Justus Werden. They shared a house in Greiffenberg at the time.Carlo Domeniconi was my main teacher for composition and our visits would consist of working on ideas and pieces and also, long walks in the surrounding forest and fishing on the lake. Thus the movement names. Wind Dance is about the leaves flying through the forest in the autumn. Greiffenberg is a beautiful place, with fine memories and a piece of music was born giving thanks to Carlo and Justus for their friendship. (Dale Kavanagh).
$10.99
Dm Times
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Guitar
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INTERMEDIATE
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Doug Smith
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Dm Times
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Doug Smith Guitar Studio
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Classical,Folk,Instructional. Individual part. 6 pages. Doug Smith Guita...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1164883 Composed by Doug Smith. Classical,Folk,Instructional. Individual part. 6 pages. Doug Smith Guitar Studio #765219. Published by Doug Smith Guitar Studio (A0.1164883). Dm Times is set in the first and second positions in 6/8 time. The rhythmic piece begins with a section of strummed chords that work harmonies off of varying the fingerings to a basic chord pattern. The progression includes some half barres on the first and third frets. A middle section slows the tempo down, and sets a contrasting mood with a melody that moves over the top of a step wise bass line. The piece energetically rerturns to the strumming section and ends in a scalar flourish with lots of slurs to set up the final chords.
$1.99
Timeless Solos for Guitar
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Guitar
#
INTERMEDIATE
#
Contemporary
#
William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Com...
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
Scenes from the Life of Death
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Guitar
#
INTERMEDIATE/ADVANCED
#
Apostolos Paraskevas
#
#
Scenes from the Life of Death
#
Silver Sickle Publications
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.942098 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Halloween,World. Individual part. 14 pages. Silver Sickle Publications #6212247. Published by Silver Sickle Publications (A0.942098). Scenes from the Life of Death is the solo version of Apostolos Paraskevas' Fourth Guitar Concerto, The Life of Death. A three-movement work which describes the life of Death. In this highly dramatic and sometimes humorous work, the composer portrays Death in a human attitude via twists, turns, variations, technical challenges and surprises. Death is a guitarist, a composer, and a disgruntled employee. He complains all the time and wants to retire. Death's only consolation is to go home to his soul mates, his friends, and with them perform his favorite pieces with them. I. Awakening of Mournful Feelings on Arrival at Work II. A Visit at the Playground, andIII. Sad and Ungrateful Feelings After the Visit - What A Life!
$11.99
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Lullaby For Gwendolyn
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Guitar
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INTERMEDIATE/ADVANCED
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Dale K
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Lullaby For Gwendolyn
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Dale K. Rodgers
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.943800 Composed by Dale K. Rodgers. Concert,Holiday,Love,Wedding. Individual part. 4 pages. Dale K. Rodg...
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Solo Guitar - Level 4 - Digital Download SKU: A0.943800 Composed by Dale K. Rodgers. Concert,Holiday,Love,Wedding. Individual part. 4 pages. Dale K. Rodgers #4836449. Published by Dale K. Rodgers (A0.943800). Guitar Solo for Classical or finger-style players. Key of D Major, drop D tuning, in 4/4 and 6/4 time. Advanced intermediate level, approximately 4 1/2 - 5 minutes. Haunting melody...
$3.99
Christmas Time Is Here
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Guitar
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INTERMEDIATE
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Christmas
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Lee Mendelson and Vince Guaral
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Bill Swick
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Christmas Time Is Here
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Bill Swick
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1305281 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Bill Swick. 20th Century,Christmas,Fil...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1305281 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Bill Swick. 20th Century,Christmas,Film/TV,Holiday,Jazz. Individual part. 5 pages. Bill Swick #894719. Published by Bill Swick (A0.1305281). This arrangement of Christmas Time Is Here is written for solo guitar and may be performed on an electric guitar, steel string acoustic, or nylon string guitar. Â It is written in both standard notation with chord symbols as well as tablature.
$4.99
Christmas Time Is Here
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Guitar
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EASY
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Lee Mendelson and Vince Guaral
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Luke Taylor
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Christmas Time Is Here
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Lukas Taylor
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490249 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Luke Taylor. Film/TV,Holiday,Jazz. Ind...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1490249 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Luke Taylor. Film/TV,Holiday,Jazz. Individual part. 2 pages. Lukas Taylor #1067089. Published by Lukas Taylor (A0.1490249). Simple guitar arrangement of a classic tune.
$5.99
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