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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
I Ain century
Not classified
664
Piano & keyboards
Piano solo
563
Piano, Voice
378
Piano, Vocal and Guitar
125
C Instruments
100
Easy Piano
67
1 Piano, 4 hands
61
2 Pianos, 4 hands
41
Organ
35
Piano Accompaniment
16
Piano Trio: piano, violin, cello
7
Piano Quartet: piano, 2 violins, cello
4
Piano Quintet: piano, 2 violins, viola, cello
2
Piano Quartet: piano, violin, viola, cello
2
1 Piano, 6 hands
2
2 Pianos, 8 hands
2
Accordion
1
+ 11 instrumentations
-
Retract
Guitars
Guitar
84
Guitar notes and tablatures
52
Melody line, (Lyrics) and Chords
16
2 Guitars (duet)
9
3 Guitars (trio)
6
Ukulele
5
Bass guitar
4
Dulcimer
4
Piano, Guitar (duet)
3
Mandolin
2
4 Guitars (Quartet)
2
Banjo
1
Guitar, Orchestra
1
+ 8 instrumentations
-
Retract
Voice
Choral SATB
228
Choral 3-part
44
Choral 2-part
29
Choral TTBB
22
Soprano voice, Piano
14
Choral SSAA
9
Vocal duet
8
High voice
6
Choral Unison
5
Vocal duet, Piano
4
Baritone voice, Piano
4
Alto voice, Piano
3
Tenor voice, Piano
2
Voice solo
1
Choral SSAB, Piano
1
Soprano voice
1
Medium voice, Piano
1
Choral SSATBB
1
+ 13 instrumentations
-
Retract
Woodwind
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
91
Saxophone Quintet: 5 Saxophones
76
Flute and Piano
52
Clarinet and Piano
48
Saxophone ensemble
46
Oboe, Piano (duet)
36
Clarinet
32
Alto Saxophone and Piano
30
Flute
29
Saxophone Quartet: 4 saxophones
28
Clarinet Quartet: 4 clarinets
28
Flute and Guitar
22
Oboe (band part)
21
Tenor Saxophone and Piano
19
Clarinet Ensemble
19
Soprano Saxophone and Piano
19
Alto Saxophone
18
Flute, Oboe, Clarinet, Bassoon
18
Clarinet, Guitar (duet)
17
Saxophone (band part)
16
Tenor Saxophone
15
2 Clarinets (duet)
13
Baritone Saxophone, Piano
13
Flute Quartet: 4 flutes
10
Saxophone
9
2 Flutes (duet)
9
Flute ensemble
9
Flute Quintet : 5 flutes
7
3 Saxophones (trio)
6
Flute, Clarinet (duet)
6
3 Clarinets (trio)
5
Flute (band part)
5
English horn, Piano
4
Recorder
4
Flute Trio: 3 flutes
4
Bass Clarinet, Piano
3
Clarinet, Cello (duet)
3
English Horn, Guitar (duet)
3
Flute, Viola (duet)
2
2 Saxophones (duet)
2
Descant (Soprano) Recorder
2
Soprano Saxophone
2
Flute, Clarinet, Piano (trio)
2
Oboe and viola (duet)
2
Oboe, Cello
2
Flute, Violoncello
2
Piccolo
2
Clarinet (band part)
2
Tenor Recorder
2
Oboe, Clarinet, Bassoon (trio)
2
Saxophone and Guitar
2
Clarinet, Bassoon (duet)
2
Flute, Oboe, Clarinet (trio)
2
Clarinet Quintet: Clarinet, String Quartet
1
Oboe, Guitar (duet)
1
Flute, Violin
1
Flute and Strings Trio
1
Clarinet Quintet: 5 clarinets
1
Saxophone and Organ
1
Flute, Clarinet, Violin (trio)
1
Flute, Violin, Piano
1
Clarinet and Viola
1
Recorder Quartet
1
Oboe, Violin, Piano
1
Flute, Clarinet and Bassoon.
1
Clarinet, Cello, Piano (trio)
1
Oboe
1
5 Recorders
1
Treble (Alto) Recorder, Piano
1
Clarinet, Trombone (duet)
1
English Horn
1
Piccolo, Piano
1
2 Clarinets, Piano
1
Oboe, Bassoon (duet)
1
+ 69 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
64
Brass quartet : 2 trumpets, trombone, tuba
54
Trombone and Piano
34
Trumpet, Piano
30
Trumpet
26
Trombone
21
Brass Quartet: 2 trumpets, horn, trombone
18
French Horn and Piano
18
French horn
17
Tuba
17
Tuba and Piano
16
Trombone ensemble
11
Euphonium, Piano (duet)
8
Trumpet ensemble
8
Brass Quartet
6
Horn Ensemble
5
English horn, Piano
4
Brass Quartet: 4 horns
4
Trumpet, Trombone (duet)
4
Trumpet, Horn (duert)
3
English Horn, Guitar (duet)
3
2 Euphoniums and 2 Tubas
2
Brass Trio
2
Brass Quartet: 4 trombones
1
Trumpet (band part)
1
2 Trumpets (duet)
1
Bass Trombone
1
2 French horns (duet)
1
Tuba ensemble
1
Bass Trombone and Piano
1
Trombone (band part)
1
English Horn
1
+ 27 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
121
Violin and Piano
58
Violin
42
Cello, Piano
40
Viola, Piano
31
Harp
30
Cello
30
String Trio: violin, viola, cello
23
Violin, Cello (duet)
21
Viola
17
Double Bass
14
String Quintet: 2 violins, viola, cello, bass
13
2 Violins (duet)
11
Violin, Guitar (duet)
11
Double bass, Piano (duet)
10
2 Cellos (duet)
9
Viola ensemble
8
Violin, Viola (duet)
8
Violin ensemble
8
Cello, Guitar (duet)
7
4 Cellos
5
Viola (band part)
5
String Trio: 2 violins, cello
4
Piano Trio: Violin, Viola, Piano
4
Violin, Bassoon (duet)
2
Viola, Guitar (duet)
2
Harp, Voice
2
Violin (band part)
1
Cello Ensemble
1
Cello, String Bass (duet)
1
String Trio: 3 violas
1
Harp and Piano
1
+ 27 instrumentations
-
Retract
Orchestra & Percussion
Orchestra
97
Concert band
79
String Orchestra
77
Chamber Orchestra
42
Brass ensemble
20
Jazz Ensemble
7
Handbells
5
Marching band
5
Percussion Ensemble
4
Xylophone, Piano
3
Drums
2
Xylophone
1
Vibraphone
1
Jazz combo
1
Marimba
1
2 Marimbas
1
+ 11 instrumentations
-
Retract
Others
Instruments
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LUTE, THEOR…
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Sheetmusic to print
84 sheet music found
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1
26
51
76
The Entertainer (Excerpt)
#
Guitar
#
BEGINNER
#
Ragtime
#
Scott Joplin
#
Brian Streckfus
#
The Entertainer
#
Brian Streckfus
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtim...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1171119 Composed by Scott Joplin. Arranged by Brian Streckfus. 20th Century,Barbershop,Blues,Folk,Ragtime. Individual part. 2 pages. Brian Streckfus #771449. Published by Brian Streckfus (A0.1171119). 1. 2 page arrangement for guitar. I'm sorry to say this is not the full version, but a 16 page version is long winded for my purposes.2. Guitar Tab added. 3. Slurs and slides added. 4. Re-harmonized to be idiomatic for guitar, be less cliche,  and to emphasize the main melody more. 5. Some composers indications added when really necessary.  6. Left hand fingerings added.7. Chord nomenclature added.8. Overly excessive ties removed.9. Some octaves changes to better suit guitar.Tips:1. Be very careful of the difference between slurs and ties! Sometimes I don't show slurs on the tab, but this time I had to.2. The rests are real and they are suggested because they lead to a jazzier rag time sound. I feel like it goes without saying that sustain is ultimately up to the performer, which is why I removed a lot of pedantic ties; they seem to add confusion half the time. 3. The D7 is a slight key change because it has an F# in the chord. It's a secodary dominace chord, V7/V, and often a vii7b5 can replace it. In other words, the F# goes gravitates into the next chord, a G Major chord.4. G6 is really just the 3 thinnest strings of the guitar open. It's a great transition chord.5. The D# is part of the C major blues scale.6. Adding more 7th chords than originally there is almost always an interesting pursuit. Going from G to G7 can certainly aid in helping things sound more goofy.
$1.99
Landscape I - Standard Guitar Edition
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Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Pablo Emiliano Fedele
#
Landscape I - Standard Guitar
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the standard guitar edition with tuning D A D G B E. (Originally written for 10 strings classical guitar F# G# A# D E A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
Performance suggestion: This music could be performed with an additional media, like a video animation, a painting, a short film or live presentation, if possible.
$4.99
Landscape I - New Edition
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Guitar
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Pablo Emiliano Fedele
#
Landscape I - New Edition
#
Pablo Fedele
#
SheetMusicPlus
Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, ...
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Guitar - Advanced Intermediate - Digital Download Composed by Pablo Emiliano Fedele. 21st Century, 20th Century, Contemporary Classical, Repertoire, World. Score. 4 pages. Published by Pablo Fedele
Landscape I is a contemporary piece for guitar written by Argentine-born American composer Pablo Emiliano Fedele.
This is the 10 strings classical guitar F# G# A# D E A D G B E (Standard guitar edition with tuning D A D G B E, also available).
Written in a modern language, it's time signature is 6/4 without a key signature indication. The piece explores chords and textures in combination with single notes passages, creating layers of sound.
The piece was written for an intermediate and advanced level. This edition contains a suggested fingering and positions to create the sound the composer believes is the essence of the piece. Students, teachers and artists are welcome to visit Pablo Fedele's website and social media to get in contact and ask all the questions about practice and performance of the piece.
$5.99
Як тебе не любити, Києве мій / How can I not to love you, my Kyiv guitar score / tabs
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Guitar
#
INTERMEDIATE
#
Eugen Sedko
#
Eugen Sedko
#
Як тебе Ð
#
Eugen Sedko
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1041207 By Eugen Sedko. By Ihor Shamo. Arranged by Eugen Sedko. 20th Century,Multicultural,Patriotic,Wor...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1041207 By Eugen Sedko. By Ihor Shamo. Arranged by Eugen Sedko. 20th Century,Multicultural,Patriotic,World. Individual part. 3 pages. Eugen Sedko #645938. Published by Eugen Sedko (A0.1041207). This beautiful song about Kyiv was composed 60 years ago by Ukrainian composer Ihor Shamo, lyrics by Dmytro Lutsenko. This song became an official anthem of Kyiv, capital of Ukraine. Guitar arrangement by Eugen Sedko. See more arrangements on my profile here or on http://eugensedko.com/en/.
$7.99
Over The Rainbow
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Broadway
#
Film/TV
#
Judy Garland
#
Richard Hirsch
#
and 3&
#
Over The Rainbow
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1165227 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Richard Hirsch. 20th Century,Broadway,Multicultural,Musical/Show,Standards,World. Individual part. 7 pages. Richard Hirsch #765578. Published by Richard Hirsch (A0.1165227). With inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement of the song Over the Rainbow for solo acoustic guitar. In my childhood The Wizard of Oz was one of my favourite fairy tales, especially as I spent a few of my early years in the little town of Winfield Kansas where tornadoes were a constant threat. I still remember huddling in the cellar with my mother and little brother when a tornado warning had been broadcast.With this in mind, the first part of the arrangement is meant to resemble a whirlwind that takes us up to the dreamland of Oz portrayed in the slower second part. In the third part, we come back down to waking reality in another mirror image whirlwind. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The piece ends with a chord of natural harmonics on the 3& upbeat. The natural harmonics in the rhythmic fingerpicking resembling a kalimba (thumb harp) add an African touch to the piece.The piece is within reach of advanced intermediate students of fingerstyle or classical acoustic guitar. Besides the polyrhythmic fingerpicking, in the second dreamland part the piece offers the opportunity to play a broken chord of right hand harmonics, usually a real hit with listening audiences. I give suggestions for left and right hand fingering where I think necessary. The suggested tempo is presto for the fast first and third parts, but they could be played even faster for dramatic effect. The slow dreamland second part should be played with the melody floating lazily over the beat.The piece is a good follow up to my arrangements, also available at SheetMusicDirect and SheetMusicPlus of Freight Train and What a Wonderful World that use the same fingerpicking techniques.
$4.99
Ain't Always The Cowboy
#
Guitar
#
INTERMEDIATE
#
Jon Pardi
#
Kyle Pudenz
#
Ain't Always The Cowboy
#
ViolinVagabond Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary...
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Guitar - Level 3 - Digital Download SKU: A0.1320099 By Jon Pardi. By Brandon Kinney and Josh Thompson. Arranged by Kyle Pudenz. 21st Century,Contemporary,Country,Pop,Wedding. Chords/Lyrics. 6 pages. ViolinVagabond Music #908657. Published by ViolinVagabond Music (A0.1320099). Just here doing my part to help my fellow musician by providing lead sheets and instrumental adaptations of those slightly obscure tunes by famous artists that your next wedding or cocktail hour client just CAN'T live without hearing. Bear in mind that I am, in fact, a professional arranger so I can promise you that if nothing else this arrangement comes with the following guarantees.This chart is 3 things:- ACCURATE (nobody got time for incorrect transcriptions)- UNIVERSAL (you'll get lead sheets with AND without guitar chords and lyrics, in order to best fit your ensemble's needs)- SIGHT READABLEOh, and most importantly, it's cheap. So for the low low price of 5 bucks, save yourself a couple hours of headache transcribing this tune yourself and proceed to your gig with confidence. Consider this my small act of paying it forward to the next poor sap who unexpectedly finds this tune on a set list.Vocal version (with guitar chords) and instrumental version (treble clef) included. And yes, I tabbed out the fiddle leads for you :).
$4.99
Mountains of Stowe, I Stand Strong
#
Guitar
#
Apostolos Paraskevas
#
Mountains of Stowe, I Stand St
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Si...
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Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Mountains of Stowe, and The Sky is The Limit
#
Guitar
#
Apostolos Paraskevas
#
Mountains of Stowe, and The Sk
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Si...
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Guitar - Digital Download SKU: A0.1070388 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 260. Silver Sickle Publications #6103003. Published by Silver Sickle Publications (A0.1070388). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
Raindrops Keep Fallin' On My Head
#
Guitar
#
INTERMEDIATE
#
B
#
Christopher J
#
Raindrops Keep Fallin' On My H
#
Christopher J. Malin
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348275 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Christopher J. Malin. 20th Century,Film/TV,Pop,Standards. Individual part. 1 pages. Christopher J. Malin #933060. Published by Christopher J. Malin (A0.1348275). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable cheerful melody. One of Burt Bacharach's many fine pieces. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.I tend to play the triad chords using a little hand vibrato, makes them sing a bit. I also slide up to the single notes at times. The tag at the end, is a nice jam in itself if playing with another guitar or bass, if solo I play it 4 times. Listeners will love this tune! Hope you will too.
$4.99
Jacques Cameron - Stendhal Syndrome (Legacy Artists Fanfare): Rhythm Guitar I and II
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Guitar
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INTERMEDIATE
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Jacques Cameron
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Elad Regev, Raphaël Hinojos
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Jacques Cameron - Stendhal Syn
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Legacy Artists
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1379183 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hin...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1379183 By Jacques Cameron. By Josh Williams, Dylan Hunter Olson. Arranged by Elad Regev, Raphaël Hinojosa. 21st Century,Classical,Contemporary,Film/TV,Rock. Individual part. 1 pages. Legacy Artists #963861. Published by Legacy Artists (A0.1379183). This sheet music features the rhythm guitar partitions for the radical, high-gain, symphonic art-rock single Stendhal Syndrome, the Legacy Artists studio fanfare soundtrack, from Jacques Cameron's debut release performed and recorded with the Czech National Symphony Orchestra. Brought tactilely to life in breathtaking compositions by Josh Williams and Dylan Hunter Olson with inspired transcription and arrangements by Elad Regev and Raphaël Hinojosa, Stendhal Syndrome is the prolific dawn of a prodigious cinematic legacy.Titles: 130 BPM *Stendhal Syndrome.Instrumental Arrangements: Rhythm Guitar I and II.
$2.99
Counterpoint I for Classical Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Esteban Peretz
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Counterpoint I for Classical G
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Esteban Peretz
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1094838 Composed by Esteban Peretz. 20th Century,Baroque,Classical,Contemporary. Individual part. 2 page...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1094838 Composed by Esteban Peretz. 20th Century,Baroque,Classical,Contemporary. Individual part. 2 pages. Esteban Peretz #698905. Published by Esteban Peretz (A0.1094838). Youth composition by Esteban Peretz for Classical Guitar, it's a plain free counterpoint.
$5.99
Over The Rainbow
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Guitar
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INTERMEDIATE
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Broadway
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Film/TV
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Judy Garland
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Christopher J
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Over The Rainbow
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Christopher J. Malin. 20th Ce...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1310272 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Christopher J. Malin. 20th Century,Film/TV,Jazz,Pop,Standards. Individual part. 2 pages. Christopher J. Malin #899389. Published by Christopher J. Malin (A0.1310272). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. One of Harold Arlen's finer pieces. In the film The Wizard of Oz. Sung by Judy Garland.This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars.
$4.99
Three-dimensional study I
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Guitar
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Alejandro Goldenberg
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Three-dimensional study I
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Alejandro Goldenberg
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro...
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Solo Guitar - Digital Download SKU: A0.1025538 Composed by Alejandro Goldenberg. 20th Century,Contemporary,Standards. Individual part. 5 pages. Alejandro Goldenberg #4832485. Published by Alejandro Goldenberg (A0.1025538). The main idea was to write a music material with a study structure that allowed it to be performed by two players, but also by only one. This characteristic inspired the name of the studies, as I imagined each part of the duet as a dimension, and the whole of it, the union of both, as the third dimension. This score include the two guitars version and the one guitar version.Moreover with the Three-Dimensional, I searched for a diversity of composition styles, starting by the music of our American Continent and reflecting some of its traces.Thus sometimes in an explicit way, others only suggesting, River Plate, Brazilian, Caribbean and North American atmospheres are present. It is basically an integrating music, and because of its construction it asks the performer to improvise, compose and do whatever he likes with it.
$1.99
I Saw Her Again
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Guitar
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The Mamas And The Papas
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Steven Michael King
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I Saw Her Again
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STEVEN KING
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.483624 By The Mamas And The Papas. By Dennis Doherty and John Phillips. Arranged by Steven Michael King. 20th Cent...
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Solo Guitar - Digital Download SKU: A0.483624 By The Mamas And The Papas. By Dennis Doherty and John Phillips. Arranged by Steven Michael King. 20th Century,Contemporary,Pop,Rock. Individual part. 12 pages. Published by STEVEN KING (A0.483624). Solo Fingerstyle Guitar includes treble and tab clefs, arranged by Winfield Championship Winner Steven King, in his style that creates simultaneous melody, bass lines, chords and rhythms.
$4.99
I Will Always Love You
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Guitar
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INTERMEDIATE
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Dolly Parton
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juan carlos esteve /Gran Coda
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I Will Always Love You
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Juan Carlos Esteve
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1077152 By Dolly Parton. By Dolly Parton. Arranged by juan carlos esteve /Gran Coda. 20th Century,Broadw...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1077152 By Dolly Parton. By Dolly Parton. Arranged by juan carlos esteve /Gran Coda. 20th Century,Broadway,Film/TV,Musical/Show,Pop. Individual part. 2 pages. Juan Carlos Esteve #681312. Published by Juan Carlos Esteve (A0.1077152). • Transcription of handwritten score for Guitar (accompaniment) with chord numbers of the theme I will always love you • The download contains 2 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original Tone: A • Total number of bars: 62 • Degree of difficulty: Intermediate.
$5.00
Guitar album - volume 2 (17 pieces for guitar solo and duo), edition I - 2012 (Romanian language edi
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Guitar
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INTERMEDIATE
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Andrei Lucian Dragoi
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Guitar album - volume 2
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Andrei-Lucian Dragoi
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.912983 Composed by Andrei Lucian Dragoi (Drăgoi). 20th Century,Multicultural,Standards,World. Individ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.912983 Composed by Andrei Lucian Dragoi (Drăgoi). 20th Century,Multicultural,Standards,World. Individual part. 52 pages. Andrei-Lucian Dragoi #2937263. Published by Andrei-Lucian Dragoi (A0.912983). I am a Romanian composer. This is second published album for guitar solo and duo which contains 17 miniatures, exposed in a relative ascending order of interpretation difficulty level.The attached audio sample is actually the first piece from this album, called Mic mozaic melodic (Little melodic mosaic): this audio sample was generated using a NN-XT virtual instrument called Acoustic Megalom from Reason 5.0.This album can be listened integrally on this personal blog page: https://acdecojocullumii.wordpress.com/2013/01/14/albumul-meu-de-chitara-solo-si-duete-pentru-incepa....
$7.00
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Alice In Wonderland
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Guitar
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ADVANCED
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Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Co...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
Big Drum
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Guitar
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
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