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In That Moment
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500
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380
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101
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50
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29
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29
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7
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1
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1
Piano Quartet: piano, 2 violins, cello
1
Organ, Trumpet (duet)
1
+ 11 instrumentations
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5
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2
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1
Vocal duet
1
High voice
1
+ 8 instrumentations
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76
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67
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62
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51
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49
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49
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49
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31
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29
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28
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26
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24
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24
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23
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18
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17
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16
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16
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14
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10
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7
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6
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5 Recorders
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3
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2
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2
2 Saxophones, Piano
2
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2
2 Clarinets, Piano
2
2 Flutes, Piano
2
Flute, Oboe (duet)
2
English Horn, Guitar (duet)
1
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1
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1
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1
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1
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1
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1
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1
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1
Clarinet, Cello, Piano (trio)
1
+ 64 instrumentations
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69
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60
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48
Trumpet
41
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39
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35
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35
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34
Tuba and Piano
34
Tuba
30
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15
2 French horns (duet)
15
2 Trumpets (duet)
15
Brass Quartet
10
2 Tubas (duet)
9
Brass quartet : 2 trumpets, trombone, tuba
8
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6
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5
Trumpet (band part)
5
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3
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3
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2
3 Trumpets (trio)
1
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1
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1
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1
2 Euphoniums (duet)
1
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1
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1
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1
Trumpet, Tuba (duet)
1
Tuba and Organ
1
French horn (band part)
1
+ 34 instrumentations
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String Quartet: 2 violins, viola, cello
129
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90
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68
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63
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49
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43
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42
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29
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22
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21
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11
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9
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6
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5
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1
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1
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1
String Quintet: 2 violins, 2 violas, cello
1
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1
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1
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1
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57
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Piano and Orchestra
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You've selected:
In That Moment
Guitar
Sheetmusic to print
24 sheet music found
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1
A Minor Moment
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Guitar
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EASY
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Tim Rushworth
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A Minor Moment
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.943129 Composed by Tim Rushworth. Contemporary,Instructional. Individual part. 1 pages. Tim Rushworth #6...
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Solo Guitar - Level 2 - Digital Download SKU: A0.943129 Composed by Tim Rushworth. Contemporary,Instructional. Individual part. 1 pages. Tim Rushworth #6212021. Published by Tim Rushworth (A0.943129). This is an original composition for classical guitar, which includes some brief full barres. I'd say that it's about grade in difficulty.
$2.99
Moments of Joy
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Guitar
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Denny Dlabal
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Moments of Joy
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Denny Dlabal
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.1000130 Composed by Denny Dlabal. Baroque,Contemporary,Folk,Jazz. Individual part. 2 pages. Denny Dlabal #6492395....
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Solo Guitar - Digital Download SKU: A0.1000130 Composed by Denny Dlabal. Baroque,Contemporary,Folk,Jazz. Individual part. 2 pages. Denny Dlabal #6492395. Published by Denny Dlabal (A0.1000130). This is a song composed for solo pick style guitar. The song could be played in a jazz format with the melody being the head of the tune, and then solos taken afterwards. This melody follows the chord changes and has a nice melodic contour that allows the song to sound nice just as a solo melody. It would be a nice song to teach a student how to incorporate arpeggios and chordal type playing into a solo.
$2.99
Edwin Culver: a bridge a-way, exits within (for solo guitar)
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Guitar
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INTERMEDIATE
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Contemporary
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Edwin Culver
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Edwin Culver: a bridge a-way,
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Edwin Culver
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #434...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032084 Composed by Edwin Culver. 20th Century,Contemporary. Individual part. 4 pages. Edwin Culver #4347575. Published by Edwin Culver (A0.1032084). Classical Guitar Solo - IntermediateComposed by Edwin Culver (1992-) 4 Pages. Duration 7'30Composer's note: Have you ever felt stuck? Trapped by something you can’t fully understand no matter how hard you try? Perhaps it’s something from our past that we never invited...or something we’ve missed in our closest relationships, maybe it’s just the dread we’ve felt waking up early in the morning to repeat the daily grind. We work hard to try and propel ourselves out of this nightmare, but we never seem to get totally free, in fact sometimes it feels like we’re just making ourselves feel worse by failing to overcome it yet again. This piece, ...a bridge a-way, exits within, represents that feedback loop, that stuckness. The piece came to me when I felt stuck in life by several things - old scars, old habits, crippling emotions. I had been wanting to write something in a minimalist style for the guitar for quite some time and the repetition found in so much minimalist music seemed like the obvious way for expressing this stuckness. There’s constant motion in the piece, just like when we try to take constant action in our lives to improve our circumstances. But all this motion never seems to get us anywhere new. We’re spinning our wheels…But one of the interesting things about great minimalist music is that it’s not merely about repetition. I don’t believe the greatest minimalists were concerned with having less stuff in their music for the sake of having less. Instead, what I think they more often aimed for was producing the biggest emotional impact that they could through the tiniest of changes. And if in your mind’s eye you zoom out from one of these minimalist masterworks and perceive it on a grand scale, you realize that despite all the seemingly redundant repetition in the moment the piece actually covers a huge distance because all those tiny changes add up.Likewise, in ...a bridge a-way, exits within, it seems like the performer can’t free himself from the territory of the first position on the guitar for the longest time. Even when he does venture higher up the instrument he’s always inextricably pulled back to the starting point. But small changes can have a profound impact.It doesn’t feel like we’re making headway whenever we’re having to crawl out of our skin - until, suddenly, when it’s all over. And you hear this towards the end of the piece, when there’s a sudden magnetic force that pulls the music from a low A to a high E-natural. From A to E, a bridge to exits eternal. The bridge has been found within, in the One I’ve put my trust in, because I can’t reach my eternal destiny on my own. This is ...a bridge a-way, exits within.
$11.99
London
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Guitar
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EASY
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Pasquale Di Caro
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Pasquale Di Caro
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London
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Pasquale Di Caro
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1467818 Composed by Pasquale Di Caro. Arranged by Pasquale Di Caro. 21st Century. Individual part. 4 pag...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1467818 Composed by Pasquale Di Caro. Arranged by Pasquale Di Caro. 21st Century. Individual part. 4 pages. Pasquale Di Caro #1046118. Published by Pasquale Di Caro (A0.1467818). This little guitar piece was written in London, in the silence of my room, while I watched the rain from the window. The trend is slow, and decrive the mood that at that moment pervaded me.
$5.00
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
RAMEAU - Nouvelles Suites de Pièces de Clavecin | Guitar | Hard
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Guitar
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ADVANCED
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Classical
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Jean-Philippe Rameau
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Maël Fauvy
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RAMEAU - Nouvelles Suites de P
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Mfp Éditions
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 2...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1458187 Composed by Jean-Philippe Rameau. Arranged by Maël Fauvy. Baroque,Classical. Individual part. 20 pages. Mfp Éditions #1037163. Published by Mfp Éditions (A0.1458187). Composer : Jean-Philippe RameauArrangement & fingerings : Maël FauvyLevel : Advanced - Grades III & highter4 pieces for guitar : Sarabande, Les Trois Mains, L’Enharmonique, L’Égyptienne — 8 pages […] The effect that we experience in the twelfth measure of the reprise of the Enharmonic will perhaps not initially be to everyone's taste; However, we become accustomed to it as long as we give ourselves to it, and we even feel all the beauty of it when we have overcome the first repugnance that the lack of habit can cause in this case. The harmonic which causes this effect is not thrown at random; it is founded on reasons, and authorized by nature itself: for connoisseurs it is the most piquant thing; but the execution must support the intention of the Author, by softening the touch, and by suspending the Coulés more and more as we approach the striking feature, where we must stop for a moment. moment, […] ” Jean-Philippe Rameau, Preface, New Suites of Harpsichord Pieces.
$30.00
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Una Caja de Cristal (A crystal box)
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Guitar
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EASY
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Federico Viel
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Una Caja de Cristal
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Federico Viel
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.947084 By Federico Viel. By Federico Viel. Classical,Contemporary,Film/TV,Multicultural,World. Individua...
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Solo Guitar - Level 2 - Digital Download SKU: A0.947084 By Federico Viel. By Federico Viel. Classical,Contemporary,Film/TV,Multicultural,World. Individual part. 2 pages. Federico Viel #552813. Published by Federico Viel (A0.947084). Esta es una composición inspirada en nuestro ser creativo, en esas miles de horas que podemos pasar haciendo eso que nos hace sentir y olvidar el tiempo, en la fragilidad de los momentos, en los estudiantes llenos de preguntas. This is a composition inspired by our creative being, in those thousands of hours that we can spend doing what makes us feel and forget time, in the fragility of moments, in students full of questions.
$2.00
Pluck for guitar
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Guitar
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ADVANCED
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Contemporary
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Robert M
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Pluck for guitar
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Robert M. Greenberg
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #11...
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Solo Guitar - Level 5 - Digital Download SKU: A0.987853 Composed by Robert M. Greenberg. 20th Century. Individual part. 21 pages. Robert M. Greenberg #115407. Published by Robert M. Greenberg (A0.987853). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 21 minutes Year of composition: 1996 Program Note: I. Toccata/Hands of Steel II. Strum/Serenade III. O Tanenbaum (Toccata reprise) IV. Two-Part Contention V. John Doe VI. True Pluck A number of years ago, the great English guitarist Julian Bream told David Tanenbaum - the dedicatee of tonight's premiere - not to premiere a guitar work unless he knew for a fact it was the composer's second guitar work. Sage advice. The guitar is an instrument that gives up its secrets to a non-guitar playing composer only reluctantly. Indeed, the timbral, digital and chordal subtleties of this most subtle and intimate instrument are truly understood by the guitarist only. Pity the outlander who composes for the guitar for the first time! With this last thought in mind I had, until last fall, managed to avoid writing a guitar piece. However, even the most abject compositional coward will relent when a musician like David Tanenbaum asks for a piece and offers his assistance and critical judgement in its composition. So it was with PLUCK, composed between November of 1995 and January of 1996. Bream's advice notwithstanding, PLUCK is my first guitar piece. Tanenbaum is brave. The title, PLUCK, thus refers to both the action of plucking strings as well as pluck - bravery, grit, true grit. PLUCK is written in six interrelated movements. The first movement, Toccata/Hands of Steel introduces much of the essential pitch and harmonic material of the piece, as well as Flamenco-style rasgueado strumming which, try as I might, I could not resist using. Movement two, Strum/Serenade, explains itself in its title. Movement three, O Tanenbaum (a designation for which David has forgiven me) reprises the Toccata and describes, well, a sort of musical tree (David has forgiven me for this, too). Two-Part Contention is a combatative, argumentative movement that pits the treble strings of the guitar against the bass. Movement 5, John Doe is a lyric and mysterious moment of rest before the manic finale. Movement 6, True Pluck, is a fast, furious and virtuosic finale. PLUCK is dedicated, with greatest respect and affection, to my friend David Tanenbaum. May he only want to play my second guitar piece.
$16.00
All You Need Is Love
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Guitar
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INTERMEDIATE
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The Beatles
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Keith W
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1413879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Roc...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1413879 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 2 pages. Keith Gehle #995661. Published by Keith Gehle (A0.1413879). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings in standard notation. There's also a version with TAB on this site at no extra charge. Itâ??s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
All You Need Is Love
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Guitar
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INTERMEDIATE
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Rock
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The Beatles
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Keith W
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All You Need Is Love
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1313612 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Roc...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1313612 By The Beatles. By John Lennon and Paul McCartney. Arranged by Keith W. Gehle. Classical,Pop,Rock,Wedding. Individual part. 6 pages. Keith Gehle #902345. Published by Keith Gehle (A0.1313612). Released as a single in 1967 during the famed Summer of Love, this Beatles hippie era classic is one of the songs that best captures that unique moment in time. Today, its beauty lives on as a real crowd pleaser at festive gatherings and a popular recessional at weddings for all generations. The arrangement includes detailed fingerings, standard notation with tablature for ease of learning as well as a two page NOTES ONLY version for more experienced music readers. It’s just one of many Lennon/McCartney songs tastefully arranged for solo guitar by Keith Gehle.
$4.99
Shadow Of The Day
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Guitar
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INTERMEDIATE
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Linkin Park
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Patommavat Thammachard
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Shadow Of The Day
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PTNote Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1150977 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Ro...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1150977 By Linkin Park. By Brad Delson, Chester Bennington, Dave Farrell, Joe Hahn, Mike Shinoda, and Rob Bourdon. Arranged by Patommavat Thammachard. Classical,Contemporary,Pop,Rock. Individual part. 3 pages. PTNote Music #751163. Published by PTNote Music (A0.1150977). ‘Shadow Of The Day’ one of ballads from Linkin Park's 2007 album Minutes To Midnight. a song that tells about the frustration in the hearts of people experiencing despair, however in the end, the moment will pass like the sun that rises and sets every day. This arrangement is for solo guitar, which more suitable for intermediate and Advance players. Patommavat Thammachard (PTNoteMusic).
$13.90
Timeless Solos for Guitar
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Guitar
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INTERMEDIATE
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Contemporary
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William Bay
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Timeless Solos for Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Com...
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Guitar (fingerpicking) - Intermediate-Advanced - Digital Download SKU: M0.22041EB Seven Contemplative Guitar Solos Written in Free-Form Style. Composed by William Bay. Style. Contemporary. E-book and online audio. Mel Bay Publications - Digital Sheet Music #22041EB. Published by Mel Bay Publications - Digital Sheet Music (M0.22041EB). ISBN 9781619111653. 8.75x11.75 inches.Timeless Solos is a play on words. The solos in this volume contain no time signatures or bar lines. I did this because I wanted the solos to be very expressive in interpretation yet free-form in structure. The companion recording presents my interpretation of these works. You may interpret them differently and that is fine! All solos are in notation and tablature. When writing these solos I first envisioned the form as an extended cadenza. However, from my earlier trumpet playing days I recalled that, especially in the 19th century, a cadenza was a momentary break in a solo which gave the performer a chance to dazzle the audience with his or her virtuosity. These solos are not about that. Rather, they are a vehicle to give the guitarist an opportunity to move the listener with the performer's expressive ability. I also thought of these solos in the form of a chant. However, most chants are monophonic in form and these solos in various parts present a fairly lush harmonic structure. While the solos were written for a 7 string guitar, they may be played successfully on a 6 string guitar. Alternate notes for those found on the 7th string are shown in the tablature part. Also, the solo, Peace, is written in Dropped D tuning and makes little use of the 7th string pedal tones. The solos are contemplative in nature and provide ample opportunity for individual expression and interpretation. I hope you enjoy playing and performing these works.
$9.99
Reflections: Ten Solos for Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Amigo do peito Op. 30
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Guitar
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INTERMEDIATE/ADVANCED
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Ivan Lyran
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Amigo do peito Op. 30
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IVAN LYRAN
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1202604 Composed by Ivan Lyran. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. I...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202604 Composed by Ivan Lyran. 21st Century,Chamber,Classical,Contemporary. Individual part. 8 pages. IVAN LYRAN #801364. Published by IVAN LYRAN (A0.1202604). Amigo do peito (Friend of the chest) is a declared tribute by the composer to the guitar, his friend and faithful companion in many good and bad moments of adolescence. The piece is characterized by a mixture of rhythm and lyricism well distributed among the movements. The first of them Guitar companion uses a rhythmic motif in sixteenth and eighth notes combined with ripped lines in most of the movement, in addition to our most famous rhythm, samba. In part B, we find a slightly more lyrical melody that develops until the initial rhythmic theme is resumed. The second movement Interlúdio has a more romantic character, well singable, a simple and succinct melody that conveys a feeling of nostalgia. The third movement is an Etude in E minor, the initial idea came about as an exercise for the index and middle fingers making a downward movement from the first to the sixth string in an E minor chord.
$4.99
Suite de Maré: II. Baixa
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Guitar
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ADVANCED
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Leo Costa
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Leo Costa
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Suite de Maré: II. Baixa
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Leo Costa
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1260848 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Conte...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1260848 By Leo Costa. By Leonardo Costa Dela Coleta. Arranged by Leo Costa. 21st Century,Classical,Contemporary,Jazz,Latin. Individual part. 3 pages. Leo Costa #853989. Published by Leo Costa (A0.1260848). SuÃte de Maré: II. Baixa was composed in Paris in 2014 and released in 2023 on the album Na Densidade do Ar, performed by guitarist Leo Costa. It translates the natural and chaotic movement of a low tide (Maré Baixa) to the guitar with strong erudite, jazz and contemporary influences in a dynamic arrangement that mixes moments of great feeling with moments of agitation.
$5.00
Fingerstyle Thoughts
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Guitar
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EASY
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Timothy Royal
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Fingerstyle Thoughts
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guitaroffice
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1313486 Composed by Timothy Royal. 21st Century,Classical. Individual part. 18 pages. Guitaroffice #9022...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1313486 Composed by Timothy Royal. 21st Century,Classical. Individual part. 18 pages. Guitaroffice #902246. Published by guitaroffice (A0.1313486).            Fingerstyle Thoughts by Timothy RoyalThe titles are self explanatory.  I guess you could say these pieces arrive from moments that sing to a page.   That done, the guitar has to capture a performer to unfold the gift.Played on the classical guitar the involvement with tone, sensitivity and touch will bring resonance and meaning to the titles of each piece in performance.Dreamer 2 is dedicated to Ms Samantha Browning teaching at Redmaids’ Junior High School. Sam has always been so generous with her wonderful words of encouragement and support.
$8.99
Clair de Lune by Debussy - Guitar Solo
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Guitar
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EASY
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Classical
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Claude Debussy
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Glauco Fernandes
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Clair de Lune by Debussy - Gui
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Glauco Fernandes
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1365140 By Claude Debussy. By Claude Debussy. Arranged by Glauco Fernandes. 20th Century,Chamber,Classic...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1365140 By Claude Debussy. By Claude Debussy. Arranged by Glauco Fernandes. 20th Century,Chamber,Classical,Instructional,Wedding. Individual part. 2 pages. Glauco Fernandes #949446. Published by Glauco Fernandes (A0.1365140). Discover the timeless beauty of classical music with the exclusive sheet music for the arrangement of Clair de Lune by Claude Debussy. This arrangement has been carefully crafted to meet the needs of musicians at all levels, making it the perfect choice for students seeking accessible challenges, teachers in search of high-quality teaching materials, and professionals looking for charming repertoire for various events, including weddings.With an easy and accessible approach, the Clair de Lune sheet music stands out for its practicality, allowing musicians of different skill levels to explore the harmonic and emotional richness of the piece. The notes are arranged in a clear and understandable manner, facilitating interpretation and providing an enriching musical experience.Ideal for inclusion in recitals, social events, and especially weddings, this sheet music offers a touch of sophistication and romance. The arrangement preserves the essence of the original composition while adapting the complexity to ensure a smooth and engaging performance.Get the Clair de Lune sheet music now and enhance your repertoire with a timeless piece that will captivate audiences and elevate your performances to a new level. Invest in musical quality, practicality, and versatility – the perfect choice for musicians aiming to exceed expectations and create memorable moments through classical music.If you wish to explore more high-quality sheet music, consider searching for Glauco Fernandes in the website's search bar. Contact: glaucofernandes.arrangements@gmail.com.Don't forget to check out my YouTube channel to explore engaging performances and discover more about our arrangements: [EnchantedSheetMusic](https://www.youtube.com/@EnchantedSheetMusic).
$2.99
The Runaway
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Guitar
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INTERMEDIATE
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Contemporary
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Emmanuel Danielson
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The Runaway
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Emmanuel Danielson
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.997503 Composed by Emmanuel Danielson. Contemporary. Individual part. 9 pages. Emmanuel Danielson #59556...
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Solo Guitar - Level 3 - Digital Download SKU: A0.997503 Composed by Emmanuel Danielson. Contemporary. Individual part. 9 pages. Emmanuel Danielson #5955691. Published by Emmanuel Danielson (A0.997503). This is a piece composed that was later named by a family neighbor, after his initial hearing of the work performed in front of him. He entitled my composition, The Runaway. This composition may sound like a depiction of a young teen who runs away from their home in melancholy. As the character of the runaway seems to go further away, moments of happiness are found as well as tension from harsh experiences the runaway may have encountered. The tremolos illustrate constant motion of running which finally ends in a final calmed bliss when the running comes to an end.
$2.50
New Wave Latin Guitar
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Guitar
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INTERMEDIATE
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Latin/World Music
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John Zaradin
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New Wave Latin Guitar
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Mel Bay Publications, Inc - Digital Sheet Music
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SheetMusicPlus
Composed by John Zaradin. For Guitar (Classical and Fingerpicking). Latin American. Intermediate. E-book and online audio. 52 pages. Published by Mel Bay Public...
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Composed by John Zaradin. For Guitar (Classical and Fingerpicking). Latin American. Intermediate. E-book and online audio. 52 pages. Published by Mel Bay Publications, Inc - Digital Sheet Music
ISBN 9781619112483. The book is presented with both music notation and guitar tablature staff so that fingering and fingerboard positions can be easily cross-referenced. The accompanying on-line audio recording allows the player immediately to appreciate the feel of the music of the New Wave Latin Guitar. Chord symbols are shown to indicate background voice leadings and harmony. In creating songs or dances within the Latin/Jazz idiom, the composer is continually fine-tuning the music until he commits to print or sound recording. At this moment he has a version that is definitive for other musicians to see, hear and play. However, the earlier explorations are not forgotten and can be used in different performances of the music.
$12.99
Toccata & Elegie
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Guitar
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INTERMEDIATE
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Classical
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Georg Schmitz
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Toccata & Elegie
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Chanterelle
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SheetMusicPlus
Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Chanterelle #Q49820. Published by Chanterel...
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Guitar - difficult - Digital Download Composed by Georg Schmitz. This edition: Sheet music. Downloadable. Chanterelle #Q49820. Published by Chanterelle
English - German.
The Toccata true to its title has been written in the traditional spirit, that is, as music driven relentlessly by the force of momentum. it is full of tension and expectation, virtuosity, and builds to an exhilarating climax. Unusually here it is followed by an Elegie, which eases gently out of the emotional heights of the Toccata, only to deliver us once more into a deep musical experience.
$10.99
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