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You've selected:
Mary E
Guitar
Sheetmusic to print
9 sheet music found
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1
Mary Blane for Classical Guitar
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catha…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444395 By Keith Terrett. By Catharina Josepha Pratten (15 November 1824 – 10 October 1895. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 5 pages. Keith Terrett #1022785. Published by Keith Terrett (A0.1444395). Catharina Josepha Pratten (15 November 1824 – 10 October 1895) was a German guitar virtuoso, composer, and teacher, also known as Madame Sidney Pratten.She was born Catharina Josepha Pelzer in Mülheim on 15 November 1824, the daughter of the German guitarist and music teacher Ferdinand Pelzer. Her family moved to England in 1829. On 24 September 1854, she married the English flautist Robert Sidney Pratten.Catharina began touring in Europe from the age of eight, and by 1844 was well known in England as a composer and guitar teacher. She soon established her school - Madame Sidney Pratten's Guitar School - and published tutorials, including Guitar School: a Book of Methods (1859) and Learning the Guitar: Simplified (1874), which advocated the use of alternative tuning in E major. Her pupils included Queen Victoria’s daughters Louise, Princess of Wales and Beatrice, and the actor, singer, guitarist, and composer Ernest Shand.She composed some 250 works, most of them for solo guitar or voice and guitar. Heike Matthiesen has recorded some of the guitar pieces, including the variations on Carnaval de Venise, the two Fairy Sketches, and the Serenade.Her residence in London was 22 Dorset Street, Portman Square, where she lived after the death of her husband in 1868, and where she died on 10 October 1895. Her sister, Giulia Pelzer (also a teacher), continued to run the guitar school after Catharina’s death. Catharina is buried at Brompton Cemetery, London.She owned many guitars herself and selected others for her pupils, often with her label inside. One - in splendid condition - was advertised for sale in The Times in 1939.
$1.99
1.83 €
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Guitar
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Keith Terrett
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Mary Blane for Classical Guitar
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Keith Terrett
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SheetMusicPlus
Traditional Irish: Be Thou My Vision for guitar solo
Guitar
Instantly printable sheet music by Mary E. Byrne for guitar solo of MEDIUM skill level. / …
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Instantly printable sheet music by Mary E. Byrne for guitar solo of MEDIUM skill level. / christian,easter,irish,traditional,hymn
$5.97
5.5 €
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Guitar
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Traditional Irish
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Virtualsheetmusic
Be Thou My Vision - "Bí Thusa 'mo Shúile" - Easy Guitar and Piano
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1157237 Composed by Mary E. Byrne …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1157237 Composed by Mary E. Byrne / Eleanor H. Hull. Arranged by Daniel H Rosa. Children,Christian,Praise & Worship,Religious,Sacred. Individual part. 2 pages. Daniel H Rosa #757562. Published by Daniel H Rosa (A0.1157237). Easy Intermediate arrangement.
$2.99
2.75 €
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Guitar
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Mary E
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Be Thou My Vision - "Bí Thusa 'mo Shúile" - Easy Guitar and Piano
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Daniel H Rosa
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SheetMusicPlus
Be Thou My Vision - "Bí Thusa 'mo Shúile" - Easy Guitar
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.1157144 Composed by Mary E. Byrne …
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Solo Guitar - Level 2 - Digital Download SKU: A0.1157144 Composed by Mary E. Byrne / Eleanor H. Hull. Arranged by Daniel H Rosa. Children,Christian,Praise & Worship,Religious,Sacred. Individual part. 1 pages. Daniel H Rosa #757472. Published by Daniel H Rosa (A0.1157144). Easy Intermediate solo.
$1.99
1.83 €
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Guitar
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Mary E
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Be Thou My Vision - "Bí Thusa 'mo Shúile" - Easy Guitar
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Daniel H Rosa
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SheetMusicPlus
CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
Guitar
Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publica…
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Guitar - Intermediate - Digital Download Classical. E-book. 49 pages. Mel Bay Publications - Digital Sheet Music #30947EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459844. 8.75x11.75 inches.<br> <br> This book presents 42 English folk songs arranged for the intermediate classic guitarist in standard notation with phrase and dynamic markings plus light fingering. The collection includes popular melodies like Sprig of Thyme, Seventeen Come Sunday, and Blow the Wind Southerly, but also lesser known but no less beautiful tunes like Cupid the Pretty Ploughboy, Dabbling in the Dew and Saucy Sailor. All the arrangements present the basic tune faithfully and simply before offering more elaborate and sophisticated variations suitable for concert performance. Without compromising their sophistication, these polyphonic arrangements are elegant and idiomatic to the guitar, all but devoid of excessive physical demands; even barre chords are kept to a minimum so the player can relax and focus on tone and interpretation. The primary objective of this collection is to draw attention to these deserving melodies, some of which are now rarely heard. Longtime fans of the genre will recognize a few songs once performed by folk-rock groups like Steeleye Span and The Fairport Convention, here presented anew for the solo classic guitar. Its an excellent collection - good to play for pleasure, good for learning and consolidating rhythm, good for sight-reading. Just marvelous. It should meet a lot of needs. Gilbert Biberian These are very accessible arrangements of 42 English folk tunes, some of which are familiar and many others which deserve to be better known. They are all tuneful and have interesting harmonies and rhythms in arrangements which will be well within the reach of intermediate guitarists. These fine settings would be useful pieces for a teacher looking for supplementary material and also for the performer looking for unhackneyed repertoire. They are thoughtfully presented with good fingering and phrasing, with idiomatic guitar writing and interesting harmonies. Congratulations to Peter Worley for presenting this compendium of gems from a lesser known tradition. Gerald Garcia.
$12.99
11.96 €
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Guitar
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CLASSICAL GUITAR TUNES - ENGLISH FOLK SONGS
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Study: Secondary Dominance
Guitar
Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian…
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Easy Guitar (no TAB) - Level 1 - Digital Download SKU: A0.1163714 Composed by Brian Streckfus. Classical,Contemporary,Instructional,Romantic Period. Score. 1 pages. Brian Streckfus #764059. Published by Brian Streckfus (A0.1163714). This piece gives practice in understanding sophisticated chord progressions that use secondary dominance (temporary key changes). For Example:Key of E minor:G E7 Am The E7 chord does not belong (diatonic) in the key of E minor. However, it is the V7 chord of the A minor chord. Therefor, the E7 chord is a dominant chord, it is just not the primary dominant 7th chord in the key of e minor, it's a secondary one. In measure 13 of this piece there is a G#dim7 chord that leads steretypically to A minor. This is the same trick explained earlier, just the chords are ever so slightly different by one note, drastically changing the name of the chord. G#dim7 does not belong (diatonic) in the key of E minor. Tips:1. Secondary dominance allows a composer to get to any chord and key in a seamless sounding way.2. Secondary dominance is a common way to incorporate more chromaticism in compositions.
$1.99
1.83 €
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Guitar
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Brian Streckfus
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Study: Secondary Dominance
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Brian Streckfus
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SheetMusicPlus
Kapsberger
Guitar
Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 4 - Digital Download SKU: A0.1263239 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme Oliveira e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 4 pages. Joabe Guilherme Oliveira #856198. Published by Joabe Guilherme Oliveira (A0.1263239). It is with great pleasure that we present the piece entitled Kapsberger. This composition, transcribed and notated by Joabe Guilherme and Alexandre Ribeiro, is a selection from the renowned Kapsberger, taken from his Libro quarto d'intavolatura di chitarrone. This piece has been carefully chosen to offer a unique and enchanting musical experience. We would like to dedicate this piece to a talented and admirable musician, Henrique Carvalho. Henrique is an exceptional interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skill have captivated audiences around the world. It is an honor to pay tribute to him with this piece, which will undoubtedly inspire him to continue enchanting everyone with his art. Kapsberger showcases the mastery and expressiveness of Kapsberger's genius. A special characteristic of this piece is the attention given to the technical resources and features of the theorbo. An example of this is the use of campanelas, which are seldom employed in modern guitar playing but play a fundamental role in this transcription. In summary, Kapsberger is a carefully chosen piece from the Libro quarto d'intavolatura di chitarrone. This composition was selected with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar. This piece is the result of our dedication to conveying the authenticity and beauty of the original work. We hope you enjoy this musical journey with us and are enchanted by the richness of sound and technique that Kapsberger provides.
$1.99
1.83 €
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Guitar
#
GIOVANNI GIROLAMO KAPSBERGER
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Kapsberger
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Joabe Guilherme Oliveira
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SheetMusicPlus
Suite in G
Guitar
Solo Guitar - Level 3 - Digital Download SKU: A0.1263227 Composed by GIOVANNI GIROL…
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Solo Guitar - Level 3 - Digital Download SKU: A0.1263227 Composed by GIOVANNI GIROLAMO KAPSBERGER. Arranged by Joabe Guilherme e Alexandre Ribeiro. Baroque,Early Music,Renaissance. Individual part. 9 pages. Joabe Guilherme Oliveira #856195. Published by Joabe Guilherme Oliveira (A0.1263227). It is with great pleasure that we publish this collection of pieces entitled Suite in G. This compilation, transcribed and fingered by Joabe Guilherme and Alexandre Ribeiro, brings together selected pieces from the renowned Kapsberger's Libro quarto d'intavolatura di chitarrone. Each piece has been carefully chosen to offer a unique and delightful musical experience. We would like to dedicate this collection to a talented and admirable musician, Henrique Carvalho. Henrique is an exquisite interpreter of classical guitar and has made a name for himself in the world of classical music. His dedication, passion, and technical skills have captivated audiences around the world. It is an honor to pay tribute to him with this Suite, which will undoubtedly inspire him to continue enchanting everyone with his art. Our collection features five distinct pieces, each one showcasing the mastery and expressiveness of Kapsberger's genius. A special feature of this collection is the attention given to the technical resources and characteristics of the theorbo. An example of this is the use of campanelas, which are rarely employed in modern guitar playing but are a fundamental element in this transcription. In summary, Suite in G is a collection that presents a carefully chosen selection of pieces from the Libro quarto d'intavolatura di chitarrone. Compiled with the aim of honoring Henrique Carvalho, a talented interpreter of classical guitar, this collection is the result of our dedication to conveying the authenticity and beauty of the original works. We hope you enjoy this musical journey with us and are enchanted by the rich sound and technical prowess that the Suite in G provides.
$10.00
9.21 €
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Guitar
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GIOVANNI GIROLAMO KAPSBERGER
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Suite in G
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Joabe Guilherme Oliveira
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SheetMusicPlus
Patios de Córdoba
Guitar
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Ar…
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
3.67 €
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Guitar
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Traditional
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
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