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824
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270
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114
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15
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14
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10
Piano (band part)
9
1 Piano, 4 hands
8
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2
Piano Quartet: piano, 2 violins, cello
2
Piano Quintet: piano, 2 violins, viola, cello
2
Organ, Piano (duet)
1
+ 12 instrumentations
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Retract
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52
Ukulele
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3
Dulcimer
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+ 9 instrumentations
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Retract
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1,241
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39
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1
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+ 16 instrumentations
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Retract
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93
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71
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57
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48
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7
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6
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4
Flute (band part)
4
Flute and Guitar
4
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4
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4
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Harmonica
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3
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3
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3
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3
3 Clarinets (trio)
3
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3
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2
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2
Clarinet, Cello (duet)
2
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Piccolo
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3 Recorders (trio)
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2
Saxophone ensemble
2
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1
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1
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1
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1
Flute, harp and violin
1
2 Recorders (duet)
1
Recorder Quartet
1
Oboe
1
Oboe, Cello
1
Flute, Viola and Piano
1
Clarinet (band part)
1
Pennywhistle
1
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1
Saxophone and Organ
1
Flute, Oboe, Bassoon
1
English horn, Harp (duet)
1
Ocarina
1
Descent (Soprano) Recorder, Piano
1
Flute, Violin, Guitar
1
Recorder
1
Piccolo, Piano
1
+ 82 instrumentations
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Retract
Woodbrass
Brass quartet : 2 trumpets, trombone, tuba
88
Brass Quintet: 2 trumpets, horn, trombone, tuba
72
Trombone and Piano
46
Trombone (band part)
43
Trumpet, Piano
41
French Horn and Piano
37
Trumpet
34
Trumpet (band part)
31
Euphonium, Piano (duet)
19
Trombone
16
English horn, Piano
16
French horn
16
Brass Quartet: 2 trumpets, horn, trombone
14
Trumpet ensemble
13
Tuba
11
Tuba and Piano
10
2 Trombones (duet)
9
2 Trumpets (duet)
8
Trumpet, Saxophone (duet)
6
Trumpet, Trombone (duet)
6
2 French horns (duet)
6
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4
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French horn (band part)
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1
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1
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2 Euphoniums and 2 Tubas
1
English horn, Harp (duet)
1
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1
Horn, Cello and Piano
1
+ 35 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
187
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118
Viola, Piano
67
Violin
65
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64
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62
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44
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39
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21
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9
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8
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2
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2
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1
Harp, Trombone (duet)
1
Harp, Violin (duet)
1
String Trio: 3 violins
1
Piano Trio: Violin, Viola, Piano
1
String Quartet : 4 violas
1
Harp, Cello (duet)
1
Cello, Guitar (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Flute, Doublebass (duet)
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
391
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256
String Orchestra
246
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86
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78
Chamber Orchestra
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29
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11
Percussion Ensemble
8
School Ensemble
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3
Drums
3
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2
Piano and Orchestra
1
Xylophone
1
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44 sheet music found
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1
26
Jesu, Joy of Man's Desiring (from Herz und Mund und Tat und Leben, BWV 147)
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Guitar
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INTERMEDIATE
#
Classical
#
Johann Sebastian Bach
#
Matthew Nace
#
bass line
#
Jesu, Joy of Man's Desiring
#
Matthew Nace
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1343840 Composed by Johann Sebastian Bach. Arranged by Matthew Nace. Advent,Baroque,Christmas,Classical,Religious. Individual part. 69 pages. Matthew Nace #929349. Published by Matthew Nace (A0.1343840). This dual arrangement of one of Bach’s best-known compositions includes a solo arrangement for classical/finger-style guitar (with optional duet part) and an arrangement for guitar ensemble.  It has been prepared with reference to Bach’s original score, respecting Bach’s original key, harmony, and form, and can be performed together with other faithful arrangements of the piece, such as Alfred Reed’s arrangement for concert band.The solo part is optimized for performance by a guitarist of intermediate skill, at times prioritizing the chorale over the triplet accompaniment.  The optional duet part covers the missing accompaniment and is suitable for a guitarist of late-beginner skill.The guitar ensemble has been arranged for three to six independent guitar parts (triplet melody; bass line; a separate, chordal part for the chorale; two optional inner-harmony parts; and an optional continuo part that could also be played on any other chordal instrument) plus an optional part for bass guitar (or other bass instrument).  Alternatively, the solo guitar arrangement covers the Guitar 4 and 5 (bassline and chorale) parts and doubles most of the Guitar 1 (triplet melody) parts.  All parts for the guitar ensemble are intended for late beginner guitarists.  They are provided in standard notation (fully edited with extensive fingerings) and in tablature.The package also includes many additional parts to reinforce the chorale (either the melody or the complete, four-part texture), including choir (in the original German or in English) or a variety of possible instrumental quartets, including woodwinds, saxophones, brass, chamber orchestra, or recorder consort.  These parts allow a valuable and rare opportunity for a solo guitarist or a guitar ensemble to perform together with other ensembles.
$9.99
A Man Without Love (quando M'innamoro)
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Guitar
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EASY
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Classical
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Engelbert Humperdinck
#
Sergio Vettore
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A Man Without Love
#
Sergio Vettore
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.934297 By Engelbert Humperdinck. By D. Pace, M. Panzeri, and R. Livraghi. Arranged by Sergio Vettore. Ro...
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Solo Guitar - Level 2 - Digital Download SKU: A0.934297 By Engelbert Humperdinck. By D. Pace, M. Panzeri, and R. Livraghi. Arranged by Sergio Vettore. Romantic Period. Individual part. 4 pages. Sergio Vettore #6854521. Published by Sergio Vettore (A0.934297). Engelbert Humperdinck a man without love easy arrangements for guitar duet.
$4.99
Have You Ever Really Loved A Woman?
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Guitar
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INTERMEDIATE/ADVANCED
#
Rock
#
Bryan Adams
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Tondi Rangkuti a
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Have You Ever Really Loved A W
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ToRa Swarna Diva
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Tondi Ran...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1274042 By Bryan Adams. By Bryan Adams, Michael Kamen, and Robert John Mutt Lange. Arranged by Tondi Rangkuti a.k.a Tondi. FR. 20th Century,21st Century,Classical,Standards,Traditional. Individual part. 9 pages. ToRa Swarna Diva #866177. Published by ToRa Swarna Diva (A0.1274042). Tondi Rangkuti A.K A Tondi. FR arranged 'Have You Ever Really Loved a Woman' by Bryan Adams for solo guitar. The original song featured Paco Delucia, a Maestro Flamenco in history. This arrangement manages to capture Rumba Flamenco very well. And we know that the arragement of guitar solo for this song is very rare. And very few are able to transcribe well into guitar instrumental.
$17.90
Wellerman
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Guitar
#
INTERMEDIATE/ADVANCED
#
Nathan Evans
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Adam Bilchik
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Wellerman
#
Adam Bilchik
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1322703 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Adam Bilchik. C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1322703 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Adam Bilchik. Classical,Folk,Pop,Traditional. Individual part. 1 pages. Adam Bilchik #910984. Published by Adam Bilchik (A0.1322703). This arrangement is for solo classical and fingerstyle guitar and is based on the Nathan Evans performance.  Played in the original key of C minor, this arrangment showcases the character of this viral sea shanty with the elegance and grace of classical guitar.  It also features detailed tablature and chord diagrams.The Wellerman song is a traditional New Zealand sea shanty dating back to the mid 19th century. It was traditionally sung by sailors while they worked aboard ships to boost morale and coordinate tasks. Wellerman speifically refers to the supply ships that brought essential provisions such as tea, sugar and rum to whaling ships in the South Pacific.  Perfect for intermediate to advance players, this sheet music arrangement promises an engaging musical journey that will elevate your repertoire and captivate audiences.
$6.99
Pachelbel's Carol - Easy Guitar Sextet
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Guitar
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BEGINNER
#
Classical
#
Johann Pachelbel + Traditional
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Derek Hasted
#
Pachelbel's Carol - Easy Guita
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classi...
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Guitar - Level 1 - Digital Download SKU: A0.797757 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 14 pages. Derek Hasted #4847685. Published by Derek Hasted (A0.797757). PACHELBEL'S CAROL - a piece with a twist in the tail - 6 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 6 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 5 parts. You can find it most easily from my website (below) - select the quintet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 6 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
Pachelbel's Carol - Easy Guitar Quintet
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Guitar
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BEGINNER
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Classical
#
Johann Pachelbel + Traditional
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Derek Hasted
#
Pachelbel's Carol - Easy Guita
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 1 - Digital Download SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classi...
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Guitar - Level 1 - Digital Download SKU: A0.797758 Composed by Johann Pachelbel + Traditional Cornish. Arranged by Derek Hasted. Baroque,Christmas,Classical. 12 pages. Derek Hasted #4848031. Published by Derek Hasted (A0.797758). PACHELBEL'S CAROL - a piece with a twist in the tail - 5 GUITARS/LARGE ENSEMBLE For Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes Pachelbel's Carol - a piece for 5 guitars (or a large ensemble) with a twist in the tail!Before you purchase - please note that I have also arranged this piece in 6 parts - the additional part is suitable for a complete beginner. You can find it most easily from my website (below) - select the sextet page.It was quite a few years ago that I conceived and arranged this fun little Christmas piece. Since then I’ve performed it many times in concert with my Guitar Workshop, and it’s always particularly well received.The arpeggios and countermelodies are inspired by the repeating sequences in Pachelbel’s Canon, and they end up providing a rich and totally unexpected accompaniment to a verse and chorus of the famous Christmas Carol 'The First Nowell'.This piece is just perfect as a special item in a Christmas concert, because the title conceals the surprise in the piece - each phase brings in another guitar part, making the piece build slowly before the final guitar launches into the well-known carol. The parts are easy and suitable for an ensemble with limited experience or one with limited chances to rehearse. In a mixed ability ensemble, there’s something for everyone; in a school guitar group, the teacher can take the Guitar 5 part if no-one in the group is comfortable in fifth position - all the other parts are first position.I hope you enjoy playing this piece!
$2.99
Bach to Africa
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Guitar
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ADVANCED
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Classical
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Johann Sebastian Bach
#
Richard Hirsch
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Bach to Africa
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Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,S...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
Patios de Córdoba
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Guitar
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EASY
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional...
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
Big Drum
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Guitar
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INTERMEDIATE/ADVANCED
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New Age
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Contemporary
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Richard Hirsch
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Big Drum
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1202804 Composed by Richard Hirsch. 20th Century,Contemporary,New Age. Individual part. 9 pages. Richard Hirsch #801568. Published by Richard Hirsch (A0.1202804). I offer an original composition for solo acoustic guitar that I have carried with me over several decades and through several changes in living situation. I started working with the piece already back in the 1970s when I was living in Frankfurt/Main, Germany and kept developing it when I moved to Stockholm and from there to Gothenburg, Sweden. A first recording of the composition was made in a private studio just outside Gothenburg in 1987. I have only recently been able to transmit the piece to musical notation in preparation for publication.The piece has a relaxed nature and contains many repetitions of simple themes that are meant to evoke a sense of monotonous spaciousness. One musician who listened to the first recording said he thought it sounded minimalistic, which I thought was a good description, although at the time I was unaware that minimalism was a term used to describe a whole style of music. The piece has a rather meditative character in the first part, turning more rhythmic in the second part. The third part is a swing version of the first part and the piece ends with a return to the meditative straight first part. The piece is meant to be primitive in the sense of primordial and goes in something resembling a pentatonic scale based on A. The rhythmic second part should be played so that the guitar starts to hum an A tone, the humming carrying over into and through the more melodic sections. The composition has an organic development with slight variations in the basic themes as the piece progresses.Depending on the mood of the interpreting performer, the repetitions might be played in a different order or a different number of times. I seldom play the composition exactly the same every time myself. The piece has also worked as a basis for jam sessions with accompaniment of drums and a base, although the guitar had to have some sort of amplification. The piece can be played on either steel string or nylon string acoustic guitars, or electric guitars. I chose the title Big Drum because of the recurring base A that is a dominant feature of the piece, reminding me of the big drums played by people all over the world. The piece has a participatory character, especially in the more rhythmic and swing parts, inviting the listeners to clap, stamp their feet, or drum on whatever is available,As the notation is accompanied by tablature, I refrain from giving left hand fingering. The right hand fingering consists basically of base notes played by the thumb and treble notes played by alternating index and middle fingers in combination with the ring finger.
$4.99
Danzas Filipinas (12 Arrangements for Solo Guitar)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Asia
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Filipino Traditional Music
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Paul Adrian Moldez
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Danzas Filipinas
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Paul Adrian Moldez
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SheetMusicPlus
Composed by Filipino Traditional Music. Arranged by Paul Adrian Moldez. Romantic Period, Repertoire. Solo Part. 49 pages. Published by Paul Adrian Moldez...
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Composed by Filipino Traditional Music. Arranged by Paul Adrian Moldez. Romantic Period, Repertoire. Solo Part. 49 pages. Published by Paul Adrian Moldez
Paul Adrian Moldez's personal transcriptions from his album Danzas Filipinas. It's packed with 12 quality arrangements of Filipino traditional music for solo guitar. From the Tagalog and Visayan region of the Philippines?where much of the music has been influenced by the 333 year-long-colonial legacies of Spain. Enjoyable arrangements that are a welcome addition to every guitarist's repertoire.
$49.99
La Caroline by CPE Bach
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Guitar
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INTERMEDIATE
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Classical
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Caroline by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. In...
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Solo Guitar - Level 3 - Digital Download SKU: A0.914748 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 2 pages. Eric J Roth #6017047. Published by Eric J Roth (A0.914748). La Caroline, H. 98 (Wq. 117/36) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and most ornaments, except for trills, have been written out rather than notated with a symbol. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the tempo as Allegro ma con tenerezza (fast but with tenderness) and most keyboardists take it a moderate to quick tempo. On the guitar, which has a different resonance, the piece can also be convincing played at somewhat slower tempos, but certainly nothing slower than a true andante.
$2.99
La Philippine by CPE Bach
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Guitar
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Classical
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Carl Philipp Emanuel Bach
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Eric J Roth
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La Philippine by CPE Bach
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual p...
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Solo Guitar - Digital Download SKU: A0.914749 Composed by Carl Philipp Emanuel Bach (1714-1788). Arranged by Eric J Roth. Baroque,Classical. Individual part. 1 pages. Eric J Roth #6017141. Published by Eric J Roth (A0.914749). La Philippine, H. 96 (Wq. 117/34) is one of dozens of short character pieces of great charm written by the Carl Philipp Emanuel Bach (1714-1788), oldest son of Johann Sebastian Bach. As a composer, CPE Bach occupied an interesting transitional space between baroque and classical music and certainly helped to usher in the stylistic traits of the latter into general popular usage. The piece here is arranged for classical guitar solo at an intermediate level. It is more a transcription than a true arrangement, and every attempt has been made to keep the music as close to the original as possible. All fingerings are editorial, and ornaments kept simple. However, many expert pianists embellish these ornaments (sometimes very lavishly), particularly on repeats, and expert guitarists will likely want to do the same. Since the original music was written an octave higher, and to be played on the delicate-sounding keyboard instruments of the 18th century, some guitarists may want to experiment with using a capo to better create a more period-appropriate sound.Bach marks the style as Arioso (between an aria and recitative). In terms of tempo, various keyboardists interpret it very differently. Some play it quick and light while others opt for a slower, more lyrical approach. Guitarists should feel free to experiment with what sounds best on their instrument.
$2.99
André (Guitar)
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Guitar
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INTERMEDIATE
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Rudesindo Soutelo
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Guitar
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André
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Publisher by Rudesindo Soutelo
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary....
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Solo Guitar - Level 3 - Digital Download SKU: A0.1315103 Composed by Rudesindo Soutelo. Arranged by Guitar. 21st Century,Children,Classical,Contemporary. Individual part. 17 pages. Publisher by Rudesindo Soutelo #903830. Published by Publisher by Rudesindo Soutelo (A0.1315103). A André Vidal CapomRudesindo SouteloAndré - 5 peças para uma criança / 5 pieces for a child. (Guitar, ca. 14'40) 1. (A) Prelúdio da manhã / Morning prelude 2. (n) Alvorecer na janela / Dawn in the window 3. (d) Valsa dos soldadinhos de chumbo / Little lead soldiers’ waltz 4. (r) A catedral imergente / The immersing cathedral 5. (é) Marcha da formiga atónita / March of the astonished antISWC: T-045.522.026-4ISMN: 979-0-707704-19-6This work was written as a birthday present for André, a very restless and impulsive 8-year-old, but with great emotional capacity and original thoughts.The “Morning prelude†is the restless awakening; the “Dawn in the window†is the light of the new day enlightening the spirit. Creative imagination manifests itself in the “Little lead soldiers’ waltzâ€, who turn rifles into pairs to dance with. From the hill where he lives, the boy contemplates the city crowned by “The immersing cathedralâ€, which was once a spiritual fortress and now the bells echo its inexorable decline, diluting into the surrounding criminal urbanism. The “March of the astonished ant†is about the adventures of an ant who wanders off the path and meets a playful child who likes to put so many obstacles in her way that she is astonished; however, she doesn’t give up her endeavour, takes a deep breath, gains courage and, although exhausted, manages to free herself.The complexes that organise the work are [5, 5, 5, 8] and [9, 7].The original version is for piano. See https://soutelo.eu--oOo--Esta obra foi composta como prenda de anos para André, uma criança de 8 anos muito inquieta e impulsiva, mas com grande capacidade emocional e reflexões originais. O “Prelúdio da manhã†é o acordar buliçoso; o “Alvorecer na janela†é a luz do novo dia a esclarecer o espÃrito. A imaginação criativa manifesta-se na “Valsa dos soldadinhos de chumbo†que transformam as espingardas em pares com quem dançar.Desde a colina onde mora, o menino contempla a cidade coroada por “A catedral imergente†que outrora foi fortaleza espiritual e, agora, os sinos ecoam seu inexorável declÃnio, diluindo-se no criminoso urbanismo circundante. A “Marcha da formiga atónita†são as peripécias duma formiga que se desvia do carreiro e encontra uma criança brincalhona que gosta de lhe pôr tantos obstáculos no caminho que ela fica atónita; no entanto, não desiste do seu empenho, respira fundo, ganha coragem e, ainda que exhausta, consegue libertar-se.Os complexos que organizam a obra são [5, 5, 5, 8] e [9, 7].A versão original é para Piano. Consulte https://soutelo.eu
$8.00
Collection of polyphonic music for guitars. European composers of 17-18 centuries.
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Guitar
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EASY
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Arcangelo Corelli, Daniel Gott
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Valery Dzyabenko
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Collection of polyphonic music
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Valery Dzyabenko
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Tel...
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Solo Guitar - Level 2 - Digital Download SKU: A0.978129 Composed by Arcangelo Corelli, Daniel Gottlob Turk, Dionisio Aguado, Dzyabenko, Georg Philipp Telemann, Hurlebush, I.S.Bach, Jean-Philippe Rameau, Johann Pachelbel, Krieger, Wiese, Wittgauer, and Wolfgang Amadeus Mozart. Arranged by Valery Dzyabenko. Baroque,Country,Instructional,World. Individual part. 86 pages. Valery Dzyabenko #5354397. Published by Valery Dzyabenko (A0.978129). The collection of polyphonic pieces for classical guitar is intended for students of children's music schools. The complexity of the pieces is designed so that you can start learning polyphony even from 1st grade, and then up to 5th or 7th. Here you will find guitar arrangements of music by European composers of the 17th and 18th centuries. The collection contains many works that are not found in other publications. For example, the famous JS Bach's aria from Suite No. 3. The arrangement is performed in a comfortable key in C major, in good harmony with the transmission of almost all voices of this masterpiece of Bach. Or the famous Sarabande from JS Bach's suite. In other publications, it is presented in the key of B minor. In this edition, the Sarabande has been converted to the key minor. Sarabande became available to children. The collection also includes guitar arrangements by composers Mozart, Krieger, Türk, Rameau, Telemann, Aguado, Wiese, Corelli, Vitgauer, Hurlebusch and others.
$11.00
...empty mind, open heart...
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Guitar
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Contemporary
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David Leisner
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...empty mind, open heart...
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - avancé - Digital Download SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published...
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Guitar - avancé - Digital Download SKU: ZY.DO-1521 Composed by David Leisner. Score. 13 pages. Les Editions Doberman-Yppan (digital) #DO 1521. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1521). Dedicated to the luminary Steve Cowan, ?empty mind, open heart? is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.Dédiée à la sommité Steve Cowan, ? esprit vide, c?ur ouvert? est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d?ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d?arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme.
$7.95
Suite in E Minor
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Guitar
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Classical
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José Mora-Jiménez
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Jose Mora
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Suite in E Minor
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Jose Mora-Jimenez
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.502651 By José Mora-Jiménez. By Johann Pachelbel. Arranged by Jose Mora. Baroque. Individual part. 5 pages. ...
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Solo Guitar - Digital Download SKU: A0.502651 By José Mora-Jiménez. By Johann Pachelbel. Arranged by Jose Mora. Baroque. Individual part. 5 pages. Published by Jose Mora-Jimenez (A0.502651). Suite in E Minor by Johann Pachelbel, original for keyboard. Transcribed for the classical guitar Includes: Allemande Courante Sarabande I Sarabande II Gavotte Gigue.
$5.00
Sad Dreams #1
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Guitar
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INTERMEDIATE
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Kojiro Yuan
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Sad Dreams #1
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Kojiro Y
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #478310...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1032373 Composed by Kojiro Yuan. Multicultural,New Age,World. Individual part. 2 pages. Kojiro Y #4783101. Published by Kojiro Y (A0.1032373). Sad Dreams #1 is one of my Solo Guitar Compositions. It depicts the sad dreams created by the human mind. Every phrase and section expresses different sad dreams of the human mind. This piece is suitable for Classical Guitar players at the Intermediate Level. It contains arpeggios, scales, 2 part harmony, 3rds, 10ths and more. This sheet music of it contains tempo markings, dynamics, ritardando, etc. The fingerings for this piece can be adjusted to suit the needs and abilities of the individual Guitar Player. The recommendation is to use open strings when possible to give the Left-Hand space to relax between the notes and to keep the shifts of the scales to a minimum. The recommendation also is to use Right-Hand Fingerings that are natural and fit the space between the strings.
$12.00
Komet
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Guitar
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BEGINNER
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Udo Lindenberg X Apache 207
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Franz Beckert
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Komet
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Franz Beckert
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SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1444111 By Udo Lindenberg X Apache 207. By Aris Apkar Aram Pehlivanian, Chris James, Lennard Oestmann, M...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1444111 By Udo Lindenberg X Apache 207. By Aris Apkar Aram Pehlivanian, Chris James, Lennard Oestmann, Marco Tscheschlok, Udo Lindenberg, and Volkan Yaman. Arranged by Franz Beckert. Disco,Hip-Hop,Pop. Individual part. 3 pages. Franz Beckert #1024057. Published by Franz Beckert (A0.1444111).
$4.99
Reflections: Ten Solos for Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Michael Reardon
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Reflections: Ten Solos for Gui
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Songburd Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1411011 Composed by Michael Reardon. Classical,Jazz. Individual part. 35 pages. Songburd Music #993382. Published by Songburd Music (A0.1411011). Reflections is a set of ten solo pieces for classical guitar that focuses on connecting compositional ideas and moments expressed in the framework of each piece of this collection.Vesta, Gaia and Lakshmi assume some connection to mythology as these titles take their names from three notable Roman, Greek and Hindu goddesses.  Vesta, Gaia and Lakshmi are classical pieces, but they are not without jazz influence, using the major scale modes to convey a sense of mood and atmosphere that is commonly found in impressionism.  Pulse No. 1 and No. 2 follow the idea of maintaining a steady beat over changing meter to influence the way the music is perceived.  The melody at the end of Pulse No. 1 creates the melodic material of Pulse No. 2, which can be thought of as an extension to No. 1.  Inspired by minimalist and popular music these pieces are not melodically and harmonically complex, and what makes them of interest is how the feeling of the beat is different in each piece.Chiasma Nos. 1, 2 and 3 are pieces that find common ground in “linking,†created by using similar compositional devices such as chord shapes and patterns, which gives the impression of crossing over or exchanging information from one piece to another.Sleeping Muse is a three-movement work inspired by the famous 1910 bronze sculpture of Constantin Brâncuși’s “Sleeping Muse,†with each movement expressing some reflection or meditation on Brâncuși’s work, illustrating the notion of drifting off to sleep, dreaming and waking, while characterizing the impact of our dreams on reality.Synesthesia is a highly chromatic piece with distantly related harmonic progressions that gives the listener the sense of seeing the different colors in the score and/or hearing the colors in the music.The abstract nature of these pieces encourages the performer to reflect and draw their own conclusions of imagery and story within the music.
$19.99
Valse en spirale
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Guitar
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INTERMEDIATE
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Fabian Packo
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Sebastien Vachez
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Valse en spirale
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Les Editions Doberman-Yppan
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SheetMusicPlus
By Fabian Packo. Arranged by Sebastien Vachez. For solo guitar. Level 3.5. 6 pages. Published by Les Editions Doberman-Yppan (digital) ...
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By Fabian Packo. Arranged by Sebastien Vachez. For solo guitar. Level 3.5. 6 pages. Published by Les Editions Doberman-Yppan (digital)
$6.95
Guitar Crosspicking Technique
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Guitar
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Bluegrass
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Mickey Cochran
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Guitar Crosspicking Technique
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.97177EB Composed by Mickey Cochran. Bluegrass. E-book. Mel Bay Publications - Di...
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Guitar (flatpicking) - Beginning-Intermediate - Digital Download SKU: M0.97177EB Composed by Mickey Cochran. Bluegrass. E-book. Mel Bay Publications - Digital Sheet Music #97177EB. Published by Mel Bay Publications - Digital Sheet Music (M0.97177EB). ISBN 9781609743567. 8.75x11.75 inches.Crosspicking technique on guitar is similar to bluegrass banjo, filling in all of the spaces between melody notes with a steady stream of harmony notes. With applied crosspicking technique, the guitar becomes a forceful solo instrument capable of filling a room with colorfully supported melodies. Not only does the guitar support itself, but crosspicking technique also works effectively for supporting other lead instruments and vocals in many styles of music including classical, rock, country, bluegrass, jazz, and new age. The methodology section of this eBook offers the intermediate to advanced guitarist many new ideas which can be added to their arsenal. The book also includes a full songbook section with an even wider repertoire to pursue. All of the lessons and songs are written in tablature only, so you don't have to read music, just count!
$22.99
Carlos Barbosa-Lima: 30 Short Pieces for Guitar
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Guitar
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Classical
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John Griggs
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Carlos Barbosa-Lima: 30 Short
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Beginning-Intermediate - Digital Download SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publicati...
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Guitar - Beginning-Intermediate - Digital Download SKU: M0.97038MEB Composed by John Griggs. Classical. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #97038MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.97038MEB). ISBN 9781619116795. 8.75x11.75 inches.Brazilian guitar virtuoso Carlos Barbosa-Lima and guitarist/ instructor John Griggs present this collection of short pieces by various Classical composers, plus a few of their own original compositions. Beginning to intermediate in difficulty, each piece has been meticulously set for solo guitar in standard notation and tablature. Selections include works by Handel, Purcell, Jeremiah Clark, Corelli, Scarlatti, Pachelbel, Zipoli, Mozart, Telemann, and J.S. Bach. The online audio offers performances of all 30 pieces by Carlos Barbosa-Lima. A fine addition to any classic guitarist's library! Includes access to online audio.
$14.99
Opus 8, No. 6 - mp3
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Guitar
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H
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John Trie
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Opus 8, No. 6 - mp3
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john Trie
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1064625 Composed by H. Pachulski. Arranged by John Trie. 20th Century,Baroque,Classical,Renaissance,Romantic Period. Fu...
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Guitar - Digital Download SKU: A0.1064625 Composed by H. Pachulski. Arranged by John Trie. 20th Century,Baroque,Classical,Renaissance,Romantic Period. Full Performance. Duration 50. John Trie #36601. Published by john Trie (A0.1064625). Opus 8, No. 6 by H. Pachulski. Guitar arrangement by John Trie.
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