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DJ GEAR
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LAP STEEL GUIT…
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Piano John
Sheetmusicplus
Not classified
4,349
Piano & keyboards
Piano solo
12,507
Piano, Voice
7,160
Easy Piano
4,085
Piano, Vocal and Guitar
3,532
Piano Accompaniment
361
Big Note Piano
288
1 Piano, 4 hands
261
Piano Trio: piano, violin, cello
184
Piano (band part)
136
Organ
113
C Instruments
91
Piano Quartet: piano, violin, viola, cello
46
2 Pianos, 4 hands
44
Piano Quartet: piano, 2 violins, cello
39
Piano Quintet: piano, 2 violins, viola, cello
28
Organ, Piano (duet)
19
Harpsichord
17
1 Piano, 6 hands
7
2 Pianos, 8 hands
5
Accordion
2
Organ, Trumpet (duet)
2
+ 16 instrumentations
-
Retract
Guitars
Melody line, (Lyrics) and Chords
152
Piano, Guitar (duet)
79
Guitar notes and tablatures
20
Guitar
17
Guitar (band part)
4
2 Guitars (duet)
3
Ukulele
3
Lyrics and Chords
3
+ 3 instrumentations
-
Retract
Voice
Choral SATB
2,245
Choral 3-part
610
Choral 2-part
521
Vocal duet, Piano
259
Choral TTBB
219
Choral Unison
169
Soprano voice, Piano
95
Tenor voice, Piano
90
Vocal duet
86
Baritone voice, Piano
82
Alto voice, Piano
74
Choral SSAA
63
High voice
61
Choral
35
Choral Instrumental Pak
34
Low voice, Piano
27
Medium voice, Piano
19
Soli, Mixted choir and accompaniment
9
Choral SSAB, Piano
5
Mezzo-Soprano voice, Piano
3
Voice solo
3
Tenor voice
3
High voice, Piano
1
Low voice
1
Choral SSAATTBB
1
Choral SSATB
1
+ 21 instrumentations
-
Retract
Woodwind
Flute and Piano
841
Clarinet and Piano
670
Oboe, Piano (duet)
602
Alto Saxophone and Piano
589
Tenor Saxophone and Piano
570
Soprano Saxophone and Piano
312
Baritone Saxophone, Piano
128
Saxophone Quartet: 4 saxophones
97
Flute, Oboe, Clarinet, Bassoon
91
English horn, Piano
87
2 Flutes, Piano
72
Flute, Clarinet, Piano (trio)
64
Clarinet
63
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
60
Flute, Violin, Piano
55
Clarinet, Cello, Piano (trio)
54
Flute, Cello, Piano (trio)
54
Bass Clarinet, Piano
48
2 Clarinets, Piano
47
Saxophone Quintet: 5 Saxophones
42
2 Saxophones (duet)
41
Saxophone (band part)
39
Flute
37
2 Flutes (duet)
33
Flute, trombone and piano
33
2 Clarinets (duet)
33
Flute, Oboe, Piano (trio)
30
Alto Saxophone
28
Flute, Viola and Piano
27
Clarinet, Violin (duet)
25
Clarinet, trumpet and piano
23
Piccolo, Piano
22
Flute, Violin, Violoncello and Piano
21
Descent (Soprano) Recorder, Piano
21
Flute, Bassoon, and Piano
21
Clarinet Quartet: 4 clarinets
20
Tenor Saxophone
20
2 Saxophones, Piano
20
3 Saxophones (trio)
20
Flute, Clarinet (duet)
20
Clarinet Ensemble
17
Treble (Alto) Recorder, Piano
16
Flute Quartet: 4 flutes
15
Oboe (band part)
15
Descant (Soprano) Recorder
12
Oboe, Cello and Piano
11
2 Oboes (duet)
11
Flute ensemble
11
Recorder, Piano
11
Clarinet (band part)
10
Tenor Recorder
10
3 Clarinets (trio)
8
Flute, Oboe, Clarinet (trio)
8
Clarinet, Bassoon, Piano (trio)
8
Flute (band part)
7
Flute Trio: 3 flutes
7
Soprano Saxophone
6
Treble (Alto) Recorder
6
Oboe, Clarinet, Bassoon (trio)
6
Oboe
5
Pennywhistle
5
Oboe, Flute
5
Clarinette, Viola and Piano (trio)
4
Flute, Violin
4
Baritone Saxophone
4
Recorder
4
Clarinet Quintet: 5 clarinets
4
Oboe, Bassoon and Piano
3
Recorder Quartet
3
Flute and Guitar
3
English Horn
2
Saxophone, Clarinet (duet)
2
Clarinet, Trumpet (duet)
2
Oboe, Clarinet and Piano (Trio)
2
Flute, Trumpet (duet)
2
Saxophone and Piano
2
Harmonica, Piano
2
Saxophone ensemble
2
Oboe, Guitar (duet)
2
Flute, Organ (duet)
1
Flute, Viola (duet)
1
Recorder Ensemble
1
Clarinet, Bassoon (duet)
1
Oboe, Bassoon (duet)
1
Clarinet, Saxophone, Piano
1
Flute, Saxophone (duet)
1
Clarinet and Viola
1
Flute and String Quartet
1
Flute, Clarinet and Bassoon.
1
Clarinet, Guitar (duet)
1
3 Recorders (trio)
1
Flute, Violin and Violoncello
1
Oboe, Clarinet (duet)
1
Flute, Oboe (duet)
1
2 Recorders (duet)
1
Flute, Violoncello
1
Wind ensemble
1
2 Recorders, Piano
1
Piccolo
1
+ 94 instrumentations
-
Retract
Woodbrass
Trumpet, Piano
583
Trombone and Piano
572
French Horn and Piano
334
Tuba and Piano
163
Trumpet
119
English horn, Piano
87
Euphonium, Piano (duet)
69
Brass Quintet: 2 trumpets, horn, trombone, tuba
57
2 Trombones (duet)
39
Brass Quartet: 2 trumpets, horn, trombone
34
Trumpet, Cello, Piano
33
Brass quartet : 2 trumpets, trombone, tuba
27
Trombone
25
2 Trumpets, Keyboard (piano or organ)
25
2 Trumpets (duet)
22
Bass Trombone and Piano
21
Brass Quartet
20
Trumpet (band part)
18
Trombone (band part)
18
Trumpet, Trombone (duet)
15
2 French horns (duet)
15
Trumpet, Horn (duert)
11
Tuba
10
Trumpet, Trombone, Piano
9
French horn
8
Tuba and Organ
8
Brass Quartet: 2 trumpets, 2 trombones
6
Tuba (band part)
5
Euphonium
5
Brass Quartet: 4 horns
5
Horn, Cello and Piano
5
French horn (band part)
5
Brass Trio
4
3 Trombones (trio)
3
Brass Quartet: 4 trombones
3
2 Trombones, Piano
3
Trumpet, Saxophone (duet)
2
English Horn
2
Euphonium or Saxhorn and Piano
1
Trombone, Violin (duet)
1
Cornet and Piano
1
3 French horns (trio)
1
2 Tubas (duet)
1
3 Trumpets (trio)
1
2 Euphoniums and 2 Tubas
1
+ 40 instrumentations
-
Retract
Strings
Violin and Piano
1,051
Cello, Piano
716
Viola, Piano
651
String Quartet: 2 violins, viola, cello
171
Double bass, Piano (duet)
166
Piano Trio: Violin, Viola, Piano
89
String Quintet: 2 violins, viola, cello, bass
65
Violin
57
Cello
42
2 Cellos (duet)
38
2 Violins (duet)
23
2 Violins, Piano
19
Harp
18
Viola
18
Violin, Clarinet, Piano (trio)
18
Harp and Piano
16
2 Violas (duet)
16
Violin, Cello (duet)
16
String Trio: violin, viola, cello
15
Violin (band part)
11
Doublebass (band part)
9
Violin, Trumpet and Piano
8
Cello, Organ
8
Viola (band part)
8
Violin, Viola (duet)
7
2 Cellos, Piano
7
Double Bass
7
String Quintet: 2 violins, viola, 2 cellos
4
String Trio: 2 violins, cello
4
Viola, Cello (duet)
3
String Trio: 2 violins, viola
2
2 Harps (duet)
2
4 Cellos
2
String Quintet: 2 violins, 2 violas, cello
2
Harp, Flute (duet)
2
Violin, Guitar (duet)
2
2 Double basses (duet)
1
String Trio: 3 violins
1
Harp, Violin, Violoncello
1
String Quartet : 4 violas
1
Cello, Guitar (duet)
1
Viola and Bassoon
1
Cello, String Bass (duet)
1
Cello (band part)
1
Viola, Guitar (duet)
1
+ 40 instrumentations
-
Retract
Orchestra & Percussion
Jazz Ensemble
509
Orchestra
185
Concert band
168
String Orchestra
117
Handbells
66
Jazz combo
57
Brass ensemble
51
Chamber Orchestra
46
Drums
29
Marching band
10
Xylophone, Piano
6
Percussion (band part)
5
Vibraphone, Piano
3
Drum (band part)
3
Vibraphone
2
Percussion Ensemble
2
Piano and Orchestra
1
2 Marimbas
1
Vibraphone and Marimba
1
Xylophone
1
+ 15 instrumentations
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Retract
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Piano John
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17 sheet music found
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1
23 Arcangelo Corelli piano pieces, - classical guitar
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Guitar
#
INTERMEDIATE
#
Arcangelo Corelli
#
John Trie
#
23 Arcangelo Corelli piano pie
#
john Trie
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.966128 Composed by Arcangelo Corelli. Arranged by John Trie. Baroque,Classical,Renaissance,Romantic Peri...
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Solo Guitar - Level 3 - Digital Download SKU: A0.966128 Composed by Arcangelo Corelli. Arranged by John Trie. Baroque,Classical,Renaissance,Romantic Period. Individual part. 38 pages. John Trie #2961283. Published by john Trie (A0.966128). Arcangelo Corelli - 23 sheet music arrangements for Classical Guitar All arrangements come with a free, downloadable mp3-file
$12.95
Sorry Seems To Be The Hardest Word
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Guitar
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INTERMEDIATE/ADVANCED
#
Rock
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Elton John
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David Jaggs
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Sorry Seems To Be The Hardest
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David Jaggs
#
SheetMusicPlus
Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Ja...
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Guitar, Classical Guitar - Advanced Intermediate - Digital Download By Elton John. Arranged by David Jaggs. Solo Part. 5 pages. Published by David Jaggs
Here is a unique arrangement of Elton John's hit, "Sorry Seems to be the Hardest Word" arranged for classical guitar by David Jaggs. Some arrangements don't come easily but this one seems to sit perfectly on the guitar, from the melody line to the piano instrumental part and gels together into a great arrangement. Due to popular demand, as with all of David's new arrangements it also comes in a version with tablature available on this website. Both right and left hands are fingered in the trickier passages.
$7.99
Armer Mann by N. Von Wilm Arranged for Guitar Notes Only
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Guitar
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Nicolai Von Wilm
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John Murphy
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Armer Mann by N. Von Wilm Arra
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John Murphy
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.841179 Composed by Nicolai Von Wilm. Arranged by John Murphy. Concert,Romantic Period. Individual part. 1 pages. J...
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Solo Guitar - Digital Download SKU: A0.841179 Composed by Nicolai Von Wilm. Arranged by John Murphy. Concert,Romantic Period. Individual part. 1 pages. John Murphy #4641895. Published by John Murphy (A0.841179). Armer Mann (Op81 N0 3) by N. Von Wilm (1834-1911) is a beautiful melodic piece with subtle harmonies that suit the intimate characteristics of the solo guitar version. I was able to use the original piano key of A minor in this guitar arrangement because the melody sits so perfectly on the 1st and 2nd strings of the guitar. A unique opportunity to explore inspiring music written for piano but that sounds equally at home on the guitar. Guitar Level: intermediate This Guitar arrangement is available in 3 versions: 1. Score (notes and Tab) 2. Notes Only 3. Tab only for Guitar
$3.99
Daniel
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Guitar
#
INTERMEDIATE
#
Elton John
#
Michael J
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Daniel
#
Michael J. Miles
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1429415 By Elton John. By Bernie Taupin and Elton John. Arranged by Michael J. Miles. 20th Century,Folk,...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1429415 By Elton John. By Bernie Taupin and Elton John. Arranged by Michael J. Miles. 20th Century,Folk,Pop. Individual part. 3 pages. Michael J. Miles #1010118. Published by Michael J. Miles (A0.1429415). An instrumental, fingerstyle guitar arrangement of classic hit by Elton John and Bernie Taupin. Here the guitar takes on both the melody of the song as well as the beautifully nuanced piano lines from Elton John.
$4.99
Alfie
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Guitar
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INTERMEDIATE/ADVANCED
#
Cher
#
John Fries
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Alfie
#
John Fries
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Stan...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1271506 By Cher. By Burt Bacharach and Hal David. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Individual part. 2 pages. John Fries #863904. Published by John Fries (A0.1271506). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John. Alfie is a song written by Burt Bacharach and Hal David to promote the 1966 film Alfie. Cilia Black states that, rather than declining outright to record the song, she decided to set conditions: I said I'd only do it if Burt Bacharach himself did the arrangement, never thinking for one moment that he would. When the reply came back from America that he'd be happy to...I said I would only do it if Burt came over to London for the recording session. 'Yes,' came the reply. Next I said that as well as the arrangements and coming over, he had to play piano on the session. To my astonishment it was agreed that Burt would do all three. So by this time, coward that I was, I really couldn't back out. The song was a major hit for Cilla Black (UK) and Dionne Warwick (US).
$4.99
Imagine
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Guitar
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INTERMEDIATE
#
John Lennon And The Plastic On
#
Blue Morris
#
Imagine
#
Blue Morris
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.525317 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Blue Morris. 20th Century,Fo...
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Solo Guitar - Level 3 - Digital Download SKU: A0.525317 By John Lennon And The Plastic Ono Band. By John Lennon. Arranged by Blue Morris. 20th Century,Folk,Holiday,Pop,Rock. Individual part. 3 pages. Blue Morris #135856. Published by Blue Morris (A0.525317). Solo guitar arrangement of John Lennon's Imagine. This arrangement includes both standard notation and tablature. You'll be playing both the accompaniment and the main melody at the same time. Written for fingerstyle guitar, the intro mimics the original piano, and the verses continue this figure but with the vocal melody arranged along with it. Arranged by Vancouver guitar teacher, Blue Morris, for use in guitar lessons. The four-page arrangement is now available for sale online.
$6.99
Élégie
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Guitar
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INTERMEDIATE
#
Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
#
Les Editions Doberman-Yppan
#
SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Recuerdos de la Alhanbra for Classical Guitar
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Guitar
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contes...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
Your Song
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Guitar
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INTERMEDIATE/ADVANCED
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Elton John
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Guilherme Facchetti
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Your Song
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Guilherme Facchetti
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1353466 By Elton John. By Bernie Taupin and Elton John. Arranged by Guilherme Facchetti. 20th Century,Bl...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1353466 By Elton John. By Bernie Taupin and Elton John. Arranged by Guilherme Facchetti. 20th Century,Blues,Pop,Rock,Singer/Songwriter. Individual part. 4 pages. Guilherme Facchetti #938201. Published by Guilherme Facchetti (A0.1353466). This arrangement of Your Song for Classical Guitar is an artistic recreation, made from the information contained in the piano score published in 1969 freely available in https://cdn.preterhuman.net/ on October 20th 2022.
$4.99
The Vampire: A Dramatic Theme
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Guitar
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INTERMEDIATE/ADVANCED
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Sol Paul Levy
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Eric J Roth
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The Vampire: A Dramatic Theme
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Ind...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914739 Composed by Sol Paul Levy (1881-1920). Arranged by Eric J Roth. 20th Century,Romantic Period. Individual part. 6 pages. Eric J Roth #4593125. Published by Eric J Roth (A0.914739). 6 pages (2 pages of music) formatted for 8.5x11 printing.Sol Paul Levy, born in Chicago, Illinois in 1881, was a composer, arranger and performer of silent film music. He attended All Hallows College in Dublin, Ireland and served as first clarinetist in bands led by John Philip Sousa and Arthur Pryor. Levy led the foreign orchestrating department for Victor Records – which was the first music company to produce the disc record – and was a founder of Belwin Music. Levy compiled a series of photoplay cues for piano that was published in H.S. Gordon’s 1914 Motion Picture Collection. He also wrote songs, the most famous of which was That Naughty Waltz. Sol Paul Levy died in New York in 1920. During the Silent Film Era (1896-1936), showings usually featured live music, which helped to provide dramatic and emotional cues for the audience. The first public silent film shown in 1895 was accompanied by a guitarist. Soon after, films were commonly accompanied by either a pianist, organist, or chamber orchestra. Accompanists often improvised or compiled music from the classical, theatrical or popular repertories using a cue sheet identifying the effects or moods to be conveyed. While some films produced full scores or detailed cue sheets containing excerpts of music unique to that film, a repertoire of generic music soon developed to provide accompanists with music that they could adapt as needed. With titles such as Dramatic Conflict, Dramatic Tension, Heavy Mysterioso, and Weird Oriental Theme, Sol Paul Levy’s scores clearly served this purpose. The Vampire: A Dramatic Theme, composed in 1917, could have been easily adapted to any of the more than twenty films about vampires that appeared between 1909 and 1930. The score exists in three versions: one for small orchestra with piano conductor, one for chamber orchestra without piano, and one for chamber orchestra without timpani. Instruments included piano, flute, clarinet, two cornets, trombone, two timpani, two violins, viola, cello, and bass. Despite being composed for small orchestra, the piece, composed in A minor, is well suited to the guitar once instrumental and octave doublings are removed. While a solo guitar cannot produce the power and volume of a chamber orchestra, it certainly can evoke the intended mood. Except in a few instances owing to the limitations of the guitar, all original dynamic markings have been retained. All fingerings, of course, are editorial. Please note that some of the fingerings in the score may differ than those used in the linked YouTube Video.
$3.99
Nadir
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Guitar
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Apostolos Paraskevas
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Nadir
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle ...
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Solo Guitar - Digital Download SKU: A0.942099 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Individual part. 9 pages. Silver Sickle Publications #6227369. Published by Silver Sickle Publications (A0.942099). Nadir (1994) is written for prepared guitar, a term usually associated with a piano in which certain objects have been placed on the strings in order to alter the conventional sound of the instrument. Many composers have written music for prepared piano, among them John Cage, who, according to Mr. Paraskevas, was the inspiration for his transferring of the same technique to the guitar. It is quite possible that nobody has used this kind of technique on the guitar before. After experimenting with various materials, he decided on the use of two metal paper clips, which he puts at specific locations on the fingerboard, so that they best produce the desired sound effect, a sound both harmonic and percussive. Nadir suggests the lowest point, here associated with the notion of death. The piece bears many programmatic references to the struggle between good and evil, life and death, musically portrayed in the persistent ostinato rhythms and the fragmented melodic phrases. Death cuts through in the form of an abrupt strike on the wood, the fingers continue to play but no sound is heard, until two more strikes make their movement stop. Little by little life and sound start again, but the final strike brings about the pessimistic message that fate and death predominate in the end. The piece ends with the inscription ...but sooner or later we live forever - a final optimistic touch. Nadir was the outcome of continuous experimentation on the capabilities of the guitar as an instrument, and all the potential sound effects that one can draw from it. ...Dr. Paraskevas, is an amazingly versatile guitarist. He conquers the many technical challenges of this repertoire with ease, he can sing with the purest tone (try the opening work, Alfonsina y el Mar, and see). What makes Visions of Azure a wonderful guitar CD rather than simply a good one is the last 18 minutes. The guitarist saves his own compositions for last, and if the ear is fatigued at this point in the recital. Paraskevas gives it good reason to wake up....I am sold on Paraskevas's playing, and do not think hunting down the alternatives is necessary. In short, this is an essential CD for those interested in modern classical guitar.
$8.99
All My Loving
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Guitar
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EASY
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The Beatles
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Artur Freire
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All My Loving
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MP Sheet Music
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Ro...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1472193 By The Beatles. By John Lennon and Paul McCartney. Arranged by Artur Freire. Country,Folk,Pop,Rock,Wedding. Individual part. 2 pages. MP Sheet Music #1049894. Published by MP Sheet Music (A0.1472193). All My Loving is a Beatles song, composed by Paul McCartney (although it is credited to Lennon/McCartney) for the 1963 album With the Beatles.It was one of the few examples of compositions where McCartney wrote the lyrics before the music; the text was apparently conceived as a poem, composed while he was shaving.McCartney originally envisioned it as a country & western song, and it was written on piano during a rehearsal for the Beatles' tour with Roy Orbison; George Harrison added his Nashville-style guitar solo to the recording. Using the letter format in the song's lyrics, also used in P.S. I Love You.
$4.99
Spanish Guitar Study
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Guitar
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Spanish Guitar Study
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1444500 By Keith Terrett. By Isaac Manuel Francisco Albéniz y Pascual. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 3 pages. Keith Terrett #1024393. Published by Keith Terrett (A0.1444500). Isaac Manuel Francisco Albéniz y Pascual (Spanish pronunciation: [iˈsak alˈβeniθ]; 29 May 1860 – 18 May 1909) was a Spanish virtuoso pianist, composer, and conductor. He is one of the foremost composers of the Post-Romantic era who also had a significant influence on his contemporaries and younger composers. He is best known for his piano works based on Spanish folk music idioms. Isaac Albéniz was close to the Generation of '98.Transcriptions of many of his pieces, such as Asturias (Leyenda), Granada, Sevilla, Cadiz, Córdoba, Cataluña, Mallorca, and Tango in D, are important pieces for classical guitar, though he never composed for the guitar. Some of Albéniz's personal papers are held in the Library of Catalonia.As one of the leading composers of his era, Albéniz's influences on both contemporary composers and on the future of Spanish music are profound. As a result of his extended stay in France and the friendship he formed with numerous composers there, his composition technique and harmonic language influenced aspiring younger composers such as Claude Debussy and Maurice Ravel. His activities as conductor, performer and composer significantly raised the profile of Spanish music abroad and encouraged Spanish music and musicians in his own country.Albéniz's works have become an important part of the repertoire of the classical guitar, many of which have been transcribed by Francisco Tárrega, Miguel Llobet and others. Asturias (Leyenda) in particular is heard most often on the guitar, as are Granada, Sevilla, Cadiz, Cataluña, Córdoba, Mallorca, and Tango in D. Gordon Crosskey and Cuban-born guitarist Manuel Barrueco have both made solo guitar arrangements of all the eight-movements in Suite española. Selections from Iberia have rarely been attempted on solo guitar but have been very effectively performed by guitar ensembles, such as the performance by John Williams and Julian Bream of Iberia's opening Evocation. The Doors incorporated Asturias into their song Spanish Caravan; also, Iron Maiden's To Tame a Land uses the introduction of the piece for the song bridge. More recently, a guitar version of Granada functions as something of a love theme in Woody Allen's 2008 film Vicky Cristina Barcelona.The theme from Asturias was incorporated or adapted in several soundtracks including the 2008 horror film Mirrors, composed by Javier Navarrete, and the Netflix TV show Godless, composed by Carlos Rafael Rivera.In 1997 the Fundación Isaac Albéniz was founded to promote Spanish music and musicians and to act as a research centre for Albéniz and Spanish music in general.A street in Quito, Ecuador, is named after him.
$1.99
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitar
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INTERMEDIATE
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Classical
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Chris...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
Satin Doll
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Guitar
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INTERMEDIATE
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Duke Ellington
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Christopher J
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Satin Doll
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christophe...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. Christopher J. Malin #933670. Published by Christopher J. Malin (A0.1348935). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This is a jazz classic! When I hear or play this song I think of my parents dancing to Satin Doll at Navy Pier in Chicago with the Duke's orchestra! His intro opening lick on the piano to that generation is like Clapton's Layla riff to my generation!I love this tune! Hope you will too.
$4.99
Guitar Sonata No. 5 in G major (open G tuning)
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Guitar
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ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Pu...
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Espana: Opus 165 by Albeniz
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Isaac Albeniz
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Espana: Opus 165 by Albeniz
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Isaac Albeniz (1860-1909). For Guitar (Classical and Fingerpicking). Classic. 32 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Isaac Albeniz (1860-1909). For Guitar (Classical and Fingerpicking). Classic. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743208. As one of the leaders in the renaissance of Spanish music at the turn of the twentieth century, Isaac Albeniz was regarded as the founder of the Spanish "national school." Always fascinated with the music of Andalucia, Albeniz composed numerous small but beautifully performed portraits of his native Spain. These brightly colored piano pictures of his native land are sufficient reason for him to be called "the Liszt of Spanish music." Six pieces or "pages from an album" from his opus 165 "Espana" appear in this volume for solo guitar, as they have been transcribed and arranged by John Griggs in notation only.
$12.99
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