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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
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EUPHONIUM
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GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
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TROMBONE
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VIBRAPHONE
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VIOLIN - FIDDL…
VIOLONCELLO - …
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ZITHER
Strong
Not classified
1,137
Piano & keyboards
Piano solo
1,057
Piano, Vocal and Guitar
534
Piano, Voice
332
Easy Piano
280
Organ
73
C Instruments
73
Accordion
72
1 Piano, 4 hands
22
Big Note Piano
21
Piano Accompaniment
13
Piano (band part)
13
Piano Trio: piano, violin, cello
10
2 Pianos, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
4
Piano Quartet: piano, 2 violins, cello
3
Organ, Trumpet (duet)
3
Piano Quartet: piano, violin, viola, cello
3
Melody line, Piano
1
Keyboard
1
Solo instrument and Organ
1
Organ, Piano (duet)
1
+ 16 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
218
Melody line, (Lyrics) and Chords
170
Guitar
118
Lyrics and Chords
52
Bass guitar
50
Ukulele
45
Guitar (band part)
14
Dulcimer
7
Mandolin
4
Piano, Guitar (duet)
3
2 Guitars (duet)
3
Banjo
3
4 Guitars (Quartet)
2
3 Guitars (trio)
2
Baritone Ukulele
1
+ 10 instrumentations
-
Retract
Voice
Choral SATB
680
Choral 3-part
248
Choral TTBB
140
Choral 2-part
102
Choral SSAA
83
Choral Unison
59
Choral Instrumental Pak
48
Voice solo
33
Choral
30
Vocal duet, Piano
20
Vocal duet
8
Alto voice, Piano
8
High voice
6
Soprano voice, Piano
6
Baritone voice, Piano
4
Soprano voice
3
Medium voice, Piano
3
Choral SSAB a cappella
2
Choral SSAATTBB
2
Tenor voice, Piano
2
Low voice
2
Choral SSAATB
1
Tenor voice
1
+ 18 instrumentations
-
Retract
Woodwind
Flute
112
Saxophone
103
Clarinet
100
Saxophone (band part)
86
Saxophone Quartet: 4 saxophones
80
2 Saxophones (duet)
70
Flute and Piano
65
Clarinet and Piano
58
Oboe, Piano (duet)
55
Alto Saxophone
53
Flute, Oboe, Clarinet, Bassoon
47
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
46
2 Clarinets (duet)
41
Clarinet Quartet: 4 clarinets
39
Tenor Saxophone
38
Alto Saxophone and Piano
36
2 Flutes (duet)
32
Recorder
30
Saxophone, Clarinet (duet)
28
Tenor Saxophone and Piano
26
Flute Quartet: 4 flutes
25
Clarinet (band part)
24
Clarinet, Violin (duet)
22
Soprano Saxophone and Piano
22
3 Clarinets (trio)
21
Saxophone Quintet: 5 Saxophones
20
Oboe
18
Oboe (band part)
17
Flute, Clarinet (duet)
17
English horn, Piano
16
2 Oboes (duet)
15
Clarinet, Trumpet (duet)
13
Flute, Trumpet (duet)
13
Flute, Violin
13
Eb Instruments
13
Baritone Saxophone, Piano
12
Saxophone ensemble
12
Oboe, Clarinet (duet)
12
Flute ensemble
12
Clarinet Quintet: 5 clarinets
11
Flute (band part)
11
Flute, Saxophone (duet)
10
Oboe, Bassoon (duet)
10
Clarinet and Viola
9
Clarinet Ensemble
9
Flute Trio: 3 flutes
7
3 Saxophones (trio)
7
Flute and Guitar
7
Oboe, Flute
6
Soprano Saxophone
6
Harmonica
5
Flute, Oboe (duet)
5
Bass Clarinet, Piano
5
Flute, Viola (duet)
5
Oboe, Trumpet (duet)
4
Saxophone, Violin (duet)
4
Oboe, Violin (duet)
4
Clarinet, Bassoon (duet)
4
2 Recorders (duet)
3
Ocarina
3
Recorder Quartet
3
Descent (Soprano) Recorder, Piano
2
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2
Bass Clarinet
2
Clarinet, Cello (duet)
2
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2
Flute, Oboe, Clarinet (trio)
2
Clarinet, Cello, Piano (trio)
2
Flute, harp and violin
2
Flute, Trombone (duet)
1
Recorder, Guitar (duet)
1
Bagpipe
1
Flute, Oboe, Violin
1
Pennywhistle
1
Descant (Soprano) Recorder
1
Flute, Clarinet, Piano (trio)
1
Flute, Clarinet, Violin (trio)
1
Flute, Clarinet and Bassoon.
1
Flute Quintet : 5 flutes
1
Clarinet, Harp (duet)
1
Flute, Violin, Violoncello and Piano
1
Treble (Alto) Recorder, Piano
1
Oboe, Cello
1
Oboe, Bassoon and Piano
1
+ 79 instrumentations
-
Retract
Woodbrass
Trumpet
196
Brass Quintet: 2 trumpets, horn, trombone, tuba
86
Trumpet (band part)
83
Trombone (band part)
72
Trombone
64
Trumpet, Piano
49
Brass quartet : 2 trumpets, trombone, tuba
44
Trombone and Piano
40
French Horn and Piano
30
French horn
30
Tuba
23
Trumpet, Saxophone (duet)
22
2 Trumpets (duet)
22
2 Trombones (duet)
22
Brass Quartet: 2 trumpets, horn, trombone
19
English horn, Piano
16
Euphonium
16
Brass Quartet
15
Bb Instruments
13
French horn (band part)
13
Bass Clef Instruments
12
Euphonium, Piano (duet)
11
2 French horns (duet)
10
Brass Quartet: 4 trombones
10
Trumpet, Trombone (duet)
9
Tuba (band part)
9
Tuba and Piano
8
Brass Quartet: 4 horns
6
Trombone, cello (duet)
4
Trumpet, violin (duet)
4
3 Trumpets (trio)
4
3 Trombones (trio)
4
Trombone ensemble
3
2 Tubas (duet)
2
Brass Trio
2
Tuba and Organ
2
2 Euphoniums and 2 Tubas
2
Trumpet, Horn (duert)
2
F Instruments
1
Brass Quartet: 2 trumpets, 2 trombones
1
3 Euphoniums
1
Brass Quartet: 4 trumpets
1
Horn, Cello (duet)
1
2 Euphoniums (duet)
1
Bass Trombone
1
2 French horns, Piano
1
Brass quartet : Horn, Trombone, Tuba, B-Flat Trumpet
1
Trumpet, Tuba (duet)
1
Cornet and Orchestra
1
Trombone, Organ
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
236
Violin
92
Cello
80
Violin and Piano
79
String Trio: violin, viola, cello
56
Viola
56
Cello, Piano
53
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50
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43
2 Violins (duet)
32
Harp
25
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23
2 Cellos (duet)
21
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21
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18
2 Violas (duet)
17
Viola (band part)
13
String Trio: 2 violins, cello
9
String Quintet: 2 violins, viola, cello, bass
9
Double Bass
8
Viola, Cello (duet)
8
String Trio: 3 violins
7
Double bass, Piano (duet)
6
Cello (band part)
5
String trio
5
Piano Trio: Violin, Viola, Piano
5
String Trio: 3 cellos
4
4 Cellos
4
String Trio: 2 violins, viola
4
Violin, Guitar (duet)
4
Harp, Flute (duet)
2
String quartet: 4 violins
2
Harp, Violin (duet)
2
Harp, Voice
2
Viola and Bassoon
1
Harp, Trombone (duet)
1
String Quartet : 4 violas
1
Violin, Bassoon (duet)
1
String Quintet: 2 violins, 2 violas, cello
1
Viola, Guitar (duet)
1
Violin, Clarinet, Piano (trio)
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
833
Marching band
130
Jazz Ensemble
108
String Orchestra
100
Orchestra
94
Brass ensemble
67
Handbells
49
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25
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25
Jazz combo
25
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18
Percussion Ensemble
12
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10
Marimba
6
Timpani (band part)
3
Vibraphone
2
Piano and Orchestra
1
3 Percussions
1
Flexible Instrumentation
1
2 Xylophones
1
Snare drums
1
Percussion
1
+ 17 instrumentations
-
Retract
Others
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Strong
Guitar
Sheetmusic to print
118 sheet music found
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1
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51
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101
Mountains of Stowe, I Stand Strong
#
Guitar
#
Apostolos Paraskevas
#
Mountains of Stowe, I Stand St
#
Silver Sickle Publications
#
SheetMusicPlus
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Si...
(+)
Guitar - Digital Download SKU: A0.1070387 Composed by Apostolos Paraskevas. 20th Century,Romantic Period,World. Full Performance. Duration 203. Silver Sickle Publications #6102999. Published by Silver Sickle Publications (A0.1070387). Mountains of Stowe, 2015 is a two-movement piece commissioned by and dedicated to guitarist Adam Holzman. The first movement I Stand Strong reflects the serenity and isolation someone might feel when surrounded by the mountains of Stowe, Vermont in the U.S.A. The second movement …and the Sky is the Limit written in an ABA cyclic form is full of rhythmic gestures starting with the combination of 7/8, 2/4, 5/8 and 3/4 in the first four measures that leads to a slow movement as an attempt to sing a Greek song in those vast territories and to portray the thankfulness of being there and experience the presence of the amazing beauty of it. When asked why he commissioned this piece, Holzman replied, My wife and I spend our summers in Stowe. We love being there, celebrate the summer and spend time outside. We have family and friends who come and share a few days with us and Apostolos is a dear friend who has been coming for several years. We talked about the possibility of him writing a piece that reflected Stowe and the mountains. When asked about the piece, Paraskevas responded, I always write music for the person behind the instrument, so while composing every note of this piece I had Adam in my mind; the way he plays, the way he breathes the way he lives his life. The work is written for the mountains of Stowe through Adam’s eyes and heart and I am the vehicle who translates it.
$1.99
What a Wonderful World (Easy/Intermediate Level, Solo Guitar)
#
Guitar
#
EASY
#
Jazz
#
Louis Armstrong
#
What a Wonderful World
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
What a Wonderful World (Very Easy Level, Solo Guitar)
#
Guitar
#
BEGINNER
#
Jazz
#
Louis Armstrong
#
What a Wonderful World
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Mack the Knife
#
Guitar
#
EASY
#
Jazz
#
Louis Armstrong
#
Mack the Knife
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
3.99€
Mack the Knife (Beginner Level, Solo Guitar)
#
Guitar
#
BEGINNER
#
Jazz
#
Louis Armstrong
#
Mack the Knife
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
2.99€
Mack the Knife (Very Easy Level, Solo Guitar)
#
Guitar
#
BEGINNER
#
Jazz
#
Louis Armstrong
#
Mack the Knife
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
4.99€
Strong Enough
#
Guitar
#
INTERMEDIATE
#
Sheryl Crow
#
Gary Wolk
#
Strong Enough
#
Gary Wolk Music
#
SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1350733 By Sheryl Crow. By Bill Bottrell, Brian MacLeod, David Baerwald, David Ricketts, Kevin Gilbert, and S...
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Guitar - Level 3 - Digital Download SKU: A0.1350733 By Sheryl Crow. By Bill Bottrell, Brian MacLeod, David Baerwald, David Ricketts, Kevin Gilbert, and Sheryl Crow. Arranged by Gary Wolk. 20th Century,Folk,Rock. 7 pages. Gary Wolk Music #935557. Published by Gary Wolk Music (A0.1350733). An instrumental version of the Sheryl Crow song, arranged for Guitar Quartet.
$19.99
He is My Stronghold
#
Guitar
#
Sacred music
#
Mark Greer
#
He is My Stronghold
#
The CHOSEN Company, LLC
#
SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.980803 Composed by Mark Greer. Children,Christian,Praise & Worship,Sacred. Individual part. 2 pages. The CHOSEN Co...
(+)
Solo Guitar - Digital Download SKU: A0.980803 Composed by Mark Greer. Children,Christian,Praise & Worship,Sacred. Individual part. 2 pages. The CHOSEN Company, LLC #5022597. Published by The CHOSEN Company, LLC (A0.980803). Beautiful song about how God is our support through all of life's ups and downs.
$3.99
Stronger (What Doesn't Kill You) - Guitars 1 & 2
#
Guitar
#
Glee Cast
#
Ed Lojeski
#
Pop
#
Stronger
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Glee Cast. Arranged by Ed Lojeski. Concert; Pop. EPak. 4 pages. Published by Hal Leonard - Digital Sheet Music ...
(+)
By Glee Cast. Arranged by Ed Lojeski. Concert; Pop. EPak. 4 pages. Published by Hal Leonard - Digital Sheet Music
$7.00
Craig Armstrong: Glasgow Love Theme (from Love Actually) (arr. David Jaggs) - guitar solo
#
Guitar
#
INTERMEDIATE
#
New Age
#
Craig Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Craig Armstrong for guitar solo of MEDIUM skill level. / new age,pop
Instantly printable sheet music by Craig Armstrong for guitar solo of MEDIUM skill level. / new age,pop
$5.97
Billie Joe Armstrong: Stuck With Me - guitar solo
#
Guitar
#
EASY
#
Rock
#
Billie Joe Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Billie Joe Armstrong for guitar solo of EASY skill level. / pop,rock,children
Instantly printable sheet music by Billie Joe Armstrong for guitar solo of EASY skill level. / pop,rock,children
$5.97
Billie Joe Armstrong: Longview - guitar solo
#
Guitar
#
EASY
#
Rock
#
Billie Joe Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Billie Joe Armstrong for guitar solo of EASY skill level. / pop,rock,children
Instantly printable sheet music by Billie Joe Armstrong for guitar solo of EASY skill level. / pop,rock,children
$5.97
Louis Armstrong: What A Wonderful World - guitar solo
#
Guitar
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / jazz,pop,standards
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / jazz,pop,standards
$6.97
Louis Armstrong: Muskrat Ramble - guitar solo
#
Guitar
#
INTERMEDIATE
#
Pop music
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / pop
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / pop
$6.97
Louis Armstrong: When It's Sleepy Time Down South - guitar solo
#
Guitar
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / jazz,standards
$6.97
Louis Armstrong: Cool Yule - guitar solo
#
Guitar
#
INTERMEDIATE
#
Christmas
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / christmas,holiday,winter,advent,carol,festival
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / christmas,holiday,winter,advent,carol,festival
$5.97
Louis Armstrong: What A Wonderful World - guitar solo
#
Guitar
#
INTERMEDIATE
#
Gospel/Spiritual
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / inspirational,standards
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / inspirational,standards
$6.97
Louis Armstrong: What A Wonderful World - guitar solo
#
Guitar
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / standards
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / standards
$6.97
Louis Armstrong: Hello, Dolly! - guitar solo
#
Guitar
#
INTERMEDIATE
#
Broadway
#
Louis Armstrong
#
Virtualsheetmusic
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / musical/show,standards,broadway
Instantly printable sheet music by Louis Armstrong for guitar solo of MEDIUM skill level. / musical/show,standards,broadway
$6.97
What A Wonderful World
#
Guitar
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong With Kenny G
#
Antonius Agung Setiawan
#
What A Wonderful World
#
Antonius Agung Setiawan
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.788055 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Antonius Agung...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.788055 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Antonius Agung Setiawan. Jazz. Individual part. 3 pages. Antonius Agung Setiawan #4790505. Published by Antonius Agung Setiawan (A0.788055). What A Wonderful World by Louis AmstrongSolo guitar arrangement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playinstagram @pakagung#guitaronlybypakagung.
$5.50
What A Wonderful World
#
Guitar
#
INTERMEDIATE
#
Jazz
#
Louis Armstrong With Kenny G
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Antonius Agung Setiawan
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What A Wonderful World
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Antonius Agung Setiawan
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.788057 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Antonius Agung...
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Solo Guitar - Level 3 - Digital Download SKU: A0.788057 By Louis Armstrong With Kenny G. By Bob Thiele and George David Weiss. Arranged by Antonius Agung Setiawan. Jazz. Individual part. 3 pages. Antonius Agung Setiawan #4790507. Published by Antonius Agung Setiawan (A0.788057). What A Wonderful World by Louis AmstrongDuet guitar arragement by Antonius Agung SetiawanFingerstyle guitar arrangement, Easy to playinstagram @pakagung#guitaronlybypakagung.
$5.50
What A Wonderful World
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Guitar
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INTERMEDIATE
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Louis Armstrong
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Richard Hirsch
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and 3&
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What A Wonderful World
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Centu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
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