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TWELVE
Guitar
Sheetmusic to print
89 sheet music found
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76
Twelve Studies in 12 Major Keys for Guitar
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Guitar
#
INTERMEDIATE/ADVANCED
#
Kenneth Pasciak
#
Twelve Studies in 12 Major Key
#
Kenneth Pasciak
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Ken...
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Solo Guitar - Level 4 - Digital Download SKU: A0.820286 Composed by Kenneth Pasciak. Contemporary,Instructional,Standards. Individual part. 23 pages. Kenneth Pasciak #4312085. Published by Kenneth Pasciak (A0.820286). Twelve Studies in 12 Major Keys features twelve etudes for solo guitar. Each unique etude features a different major key, including rarely seen keys such as F#, Db, Ab, Eb and Bb. Beginning with a rag in C Major, Twelve Studies takes the performer through each key by ascending fifths. Highlights include: 2-against-3 study in G, a Terry Riley inspired etude in D, an up tempo waltz in Db, a quintuplet study in Eb and an Astor Piazzolla inspired piece in F major. For intermediate to advanced guitarists. Kenneth Pasciak Music Publishing, ASCAP
$6.99
Bourée in Twelve Keys (for Solo Guitar)
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Guitar
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INTERMEDIATE/ADVANCED
#
Classical
#
Johann Sebastian Bach
#
Kenneth Pasciak
#
Bourée in Twelve Keys
#
Kenneth Pasciak
#
SheetMusicPlus
Guitar, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Ke...
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Guitar, classical guitar, fingerstyle guitar - Advanced Intermediate - Digital Download Composed by Johann Sebastian Bach (1685-1750). Arranged by Kenneth Pasciak. Baroque Period, Etudes and Exercises, Repertoire, Recital. 15 pages. Published by Kenneth Pasciak
Boureé in Twelve Keys is a harmonic and technical study for classical guitar based on transpositions of Johann Sebastian Bach's Boureé from Suite in E minor (BWV 996). Boureé in Twelve Keys presents 12 versions of the original piece, each in a different minor key, transporting the performer through the circle of fifths. An excellent resource for sight reading or for practice working in a particular key, the realization of each transposition poses unique challenges and leads the player to explore a range of possibilities for the guitar. Includes the original piece plus eleven transpositions with suggested fingerings and string designations. Note: Retuning required for two of the studies (6=D or 6=D# for the keys of D and D# minor). Some transpositions have been modified slightly to accommodate the range of the guitar.
$5.99
Twelve Bar Blues in guitar
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Guitar
#
BEGINNER
#
Tommy Emmanuel/ Chet Atkin
#
arranged by Kee Kai
#
Twelve Bar Blues in guitar
#
KeeKai
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1311057 By Tommy Emmanuel/ Chet Atkin. By arranged by Kee Kai. Arranged by arranged by Kee Kai. 20th Cen...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1311057 By Tommy Emmanuel/ Chet Atkin. By arranged by Kee Kai. Arranged by arranged by Kee Kai. 20th Century,Blues,Comedy,Country,Funk. Individual part. 1 pages. KeeKai #900037. Published by KeeKai (A0.1311057). One chord shape through out the whole song in the style of Chet Atkin and Tommy Emmanuel, suitable for beginners.
$5.00
Twelve Preludes
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Guitar
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ADVANCED
#
Contemporary
#
Mark Houghton
#
Twelve Preludes
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Composed by Mark Houghton. Score. 29 pages. Les Productions d'OZ - Digital #DZ 4133. Published by Les Productions d'OZ - Digital ...
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Composed by Mark Houghton. Score. 29 pages. Les Productions d'OZ - Digital #DZ 4133. Published by Les Productions d'OZ - Digital
$11.95
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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ADVANCED
#
Classical
#
Konstantin Bliokh
#
Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
#
SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published b...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95
Mauro Giuliani: Dodici Monferrine opera 12 (Composte e Dedicate a Madamigella Vicenziana de Rainer)
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Guitar
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EASY
#
Classical
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Mauro Giuliani
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Socrates Arvanitakis
#
Mauro Giuliani: Dodici Monferr
#
Socrates Arvanitakis
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual ...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1254575 Composed by Mauro Giuliani (1781-1829). Arranged by Socrates Arvanitakis. Classical. Individual part. 34 pages. Socrates Arvanitakis #848175. Published by Socrates Arvanitakis (A0.1254575). PREFACE & Editorial NotesThe Dodici Monferrine op.12  by Mauro Giuliani are in general of a lower moderate difficulty and are written as twelve small entertaining pieces in 6/8 rhythm all following the same uniform structure consisting of four phrases: A1, A2 – [B1, A2]*2 which is used extensively  by Giuliani as the basic structure for many of his more elaborate variation sets. Due consideration is also given to a carefully thought out tonal scheme for all twelve pieces as follows: E, A, D, G, C, F, Dm, D, A, D, G, C.For these given structural reasons op. 12 may be considered as a very good introduction to Giuliani’s later output of more complex and difficult works. Notes1 Dynamics have all been copied from the first “Artaria†edition of Vienna.2 Metronome marks are editorial suggestions and should not be taken too literally.3 This volume is offered  with decorated and undecorated pages (as two books in one) so that the user can chose which version he prefers and construct his printed or digital book accordingly. Blank pages have been added to be used or omitted for the arrangement of left and right hand pages.4 A live performance of all twelve pieces selected at random in YoutubeNavigating the Thematic Index1 click on the photo of the theme: Go to undecorated page2 click header of any titled  page: Return to the index3 click on the title of any piece: Interchange between decorated/undecorated pages.
$8.00
Auguste Franchomme - Three Cello Pieces Arranged for Guitar
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Guitar
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INTERMEDIATE/ADVANCED
#
Classical
#
Auguste Franchomme
#
Eric J Roth
#
Auguste Franchomme - Three Cel
#
Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914746 Composed by Auguste Franchomme (1808-1884). Arranged by Eric J Roth. Romantic Period. Individual part. 10 pages. Eric J Roth #5178787. Published by Eric J Roth (A0.914746). Auguste Franchomme was one of the most well-known and respected cellists in 19th century France. He was born in 1808 in Lille and went on to have a long, celebrated career in Paris as a performer, teacher and composer. Of the three pieces arranged here for guitar, one is drawn from the Twelve Caprices, Op. 7 and two are from the Twelve Etudes, Op. 35. The Caprice, No. 9, Larghetto con dolore, retains its original key of B minor. Etudes, No. 5, Allegretto, and No. 6, Andante con moto, have been transposed to new keys. All transfer well to the guitar, offering novel textures while still seeming idiomatic to the instrument. .
$5.99
Matteo Carcassi: 12 Easy Pieces Op.10 (COMPLETE) instantly for guitar solo
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Guitar
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INTERMEDIATE
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Classical
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Matteo Carcassi
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Virtualsheetmusic
Instantly downloadable sheet music by Matteo Carcassi for guitar solo of MEDIUM skill level. Contents: opus 10, op. 10, twelve pieces, etudes, studies / classical,instructional...
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Instantly downloadable sheet music by Matteo Carcassi for guitar solo of MEDIUM skill level. Contents: opus 10, op. 10, twelve pieces, etudes, studies / classical,instructional
$4.99
Matteo Carcassi: 12 Easy Pieces Op.10, part II instantly for guitar solo
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Guitar
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INTERMEDIATE
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Classical
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Matteo Carcassi
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Virtualsheetmusic
Instantly downloadable sheet music by Matteo Carcassi for guitar solo of MEDIUM skill level. Contents: opus 10, op. 10, twelve pieces, etudes, studies / classical,instructional...
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Instantly downloadable sheet music by Matteo Carcassi for guitar solo of MEDIUM skill level. Contents: opus 10, op. 10, twelve pieces, etudes, studies / classical,instructional
$2.99
Matteo Carcassi: 12 Easy Pieces Op.10, part I instantly for guitar solo
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Guitar
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INTERMEDIATE
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Classical
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Matteo Carcassi
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Virtualsheetmusic
Instantly downloadable sheet music by Matteo Carcassi for guitar solo of MEDIUM skill level. Contents: opus 10, op. 10, twelve pieces, etudes, studies / classical,instructional...
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Instantly downloadable sheet music by Matteo Carcassi for guitar solo of MEDIUM skill level. Contents: opus 10, op. 10, twelve pieces, etudes, studies / classical,instructional
$2.99
Christmas and Carols to download for guitar solo
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Guitar
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EASY
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Christmas
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o co...
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas, etc.,no.3,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$7.75
Christmas and Carols to download for guitar solo
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Guitar
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EASY
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Christmas
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Christmas and Carols to downlo
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Virtualsheetmusic
This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wence...
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This is an exclusive arrangements for guitar solo of EASY/MEDIUM skill level from the original composition by Miscellaneous. This title is available as instant sheet music download. Contents: angels we have heard on high,away in a manger,carol of the birds,god rest ye merry gentlemen,good king wenceslas,hark the herald angels sing,i heard the bells on christmas day,it came upon the midnight clear,o come o come immanuel,o come o come emmanuel, o holey night,o holly night,pat a pan,pat-a-pan,sussex carol,we gather together to ask the lord blessing ,jingle bells, o come all ye faithful, the first nowell, joy to the world, we wish you a merry christmas, the coventry carol, deck the halls, what child is this, o christmas tree, silent night, carol of the bells, twinkle twinkle little star, jesu joy of man desiring, Greensleeves, greensleaves, jesu joy of man desiring, green sleeves, greensleves, the first noel,o holy night,o little town of bethlehem,angels from the realms of glory,go tell it on the mountain,i saw three ships,o come little children,once in royal david's city,the friendly beasts,the holly and the ivy,the huron carol,the snow lay on the ground,the three kings of the orient are,the twelve days of christmas,wexford carol, The 12 days of Christmas,etc.,no.1,no.2,no.3,douce nuit, sainte nuit,oh little town of bethlehem / christmas,winter,holiday,christian,inspirational,traditional,hymn,sacred,advent,carol,festival
$14.99
Waltz For Guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Frank Zappa
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Conor John Stevens
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Waltz For Guitar
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C J Stevens
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.941271 Composed by Frank Zappa. Arranged by Conor John Stevens. Contemporary. Individual part. 2 pages. ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.941271 Composed by Frank Zappa. Arranged by Conor John Stevens. Contemporary. Individual part. 2 pages. C J Stevens #5325435. Published by C J Stevens (A0.941271). An early work by composer Frank Zappa (1940 - 1993) for guitar. The piece is a twelve-tone composition, inspired by serial works from composers Zappa enjoyed as a teen. Originally published without guitar-specific notation, this edition provides phrasing and fingering for ease of reading and performing. Suitable for players looking for an entry into modern/serial music for the guitar. Conor Stevens stevenscj.music@gmail.com
$4.99
Californication
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Guitar
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INTERMEDIATE
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The Red Hot Chili Peppers
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Rohan Hayes
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Californication
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Rohan Hayes
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1163134 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1163134 By The Red Hot Chili Peppers. By Anthony Kiedis, Chad Smith, Flea, and John Frusciante. Arranged by Rohan Hayes. Pop,Ragtime,Rock,Singer/Songwriter. Individual part. 3 pages. Rohan Hayes #763488. Published by Rohan Hayes (A0.1163134). Chord Melody / Fingerstyle arrangement of Californication (2000), by Rohan Hayes (Twelve Foot Ninja). Play everything simultaneously on one guitar!
$6.99
Patios de Córdoba
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Guitar
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EASY
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Traditional
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Richard Hirsch
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Patios de Córdoba
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional...
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Solo Guitar - Level 2 - Digital Download SKU: A0.594506 Composed by Traditional. Arranged by Richard Hirsch. Folk,Instructional,Multicultural,Traditional,World. Individual part. 5 pages. Richard Hirsch #203776. Published by Richard Hirsch (A0.594506). An arrangement of the Flamenco Soleares style (palo) for the dance (baile). The musical material for the arrangement is taken from standard traditional themes for the Soleares style of Flamenco. The arrangement is meant for guitarists and students of guitar that are new to Flamenco and want to learn the basics for one of the most important palos in Flamenco. The arrangement can be used to accompany a solo dance, customary in serious (jondo) Flamenco, often performed by a woman dancer. The Soleares rhythm consists of a repetition of a twelve beat phrase the Flamencos refer to as a compás where accents fall on the third, sixth, eight, tenth, and twelfth beats of the phrase (1 2 3 4 5 6 7 8 9 10 11 12). I notate the compás as a series of five measures that comprises two 3/4 measures followed by three 2/4 measures. Throughout the notation there is, therefore, a fluctuating between two measures in 3/4 and three measures in 2/4 time. The first beat of the compás falls on the second beat of the first 3/4 measure in the series and the first accented beat falls on the first beat of the second 3/4 measure. The sixth, eight, and tenth accented beats fall on the first beats of the 2/4 measures in the series. The twelfth beat falls on the first beat of the next series beginning with a 3/4 measure. Notating the compás in this manner allows the guitarist a total grasp of the underlying structure of the music, something that is often lost in other notations I have studied for Soleares. A command of the compás is essential for the guitarist to be able to work with Flamenco singers and dancers. The Soleares is a stately dance that moves at a moderate pace, but often ends in a finale (macho por BulerÃas) that is more than twice as fast as the first sections of the dance. The finale also contains a key change from the Phrygian mode of the llamadas and corridas to the key of E major. The arrangement contains essential basic techniques for Flamenco guitar, the rasqueado, the legato with hammering on, the four finger tremolo that rips at the strings before a full chord with the thumb, alzapúa where the thumb strikes in triplets down, up, down in rapid succession, etc. Students should dedicate themselves to a close and careful study of the notation to gain full mastery of these techniques. The arrangement consists of several sections, the llamadas which are calls to the dancer to take the stage, corridas where the dancer moves in a circle executing various heel and toe steps together with hand, arm, and body gestures, and the macho where the dance ends in a storm of stamping and a fit of wild abandon. The corrida sections consist of melodies Flamencos call “falsetasâ€. One of these is simply a series of broken chords while another is a melody taken from a song called “Caña†that is a member of the Soleares family. The notation ends, as is prescribed for the dance, on the tenth beat of the last compás (the first beat of the last 2/4 measure in the last five measure series). The Soleares was the first palo my maestro Juan González “Triguito†introduced me to in my studies with him in Madrid in the late 1960’s and is considered to be the “mother†of true forms of Flamenco. The title of the arrangement is in celebration of the beautiful patios of Córdoba, home of the Flamenco palo Soleares.
$3.99
Kusch kalyny
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Guitar
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INTERMEDIATE
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Mihajlo Vihula
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Kusch kalyny
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Mihajlo Vihula
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.993071 Composed by Mihajlo Vihula. Folk,World. Individual part. 34 pages. Mihajlo Vihula #6140291. Publi...
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Solo Guitar - Level 3 - Digital Download SKU: A0.993071 Composed by Mihajlo Vihula. Folk,World. Individual part. 34 pages. Mihajlo Vihula #6140291. Published by Mihajlo Vihula (A0.993071). Kusch kalyny it's a music score album of twelve (12) concert pieces based on ukrainian ethnic/folk songs. Every piece in this music book wrote in free form (not variations). .
$4.00
All Of Me
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Guitar
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INTERMEDIATE
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Soul/R&B
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John Legend
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Robert Jeffery
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All Of Me
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Robert Jeffery Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.926835 By John Legend. By John Stephens and Toby Gad. Arranged by Robert Jeffery. R & B,Soul. Individual...
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Solo Guitar - Level 3 - Digital Download SKU: A0.926835 By John Legend. By John Stephens and Toby Gad. Arranged by Robert Jeffery. R & B,Soul. Individual part. 3 pages. Robert Jeffery Music #3879769. Published by Robert Jeffery Music (A0.926835). Suitable for an intermediate level guitar ensemble of three to twelve players.
$12.99
Stinkfist
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Guitar
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INTERMEDIATE/ADVANCED
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Tool
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Rohan Hayes
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Stinkfist
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Rohan Hayes
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1163130 By Tool. By Adam Jones, Daniel Carey, Maynard James Keenan, and Paul D'amour. Arranged by Rohan ...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1163130 By Tool. By Adam Jones, Daniel Carey, Maynard James Keenan, and Paul D'amour. Arranged by Rohan Hayes. New Age,Rock. Individual part. 6 pages. Rohan Hayes #763484. Published by Rohan Hayes (A0.1163130). Fingerstyle guitar / chord melody full song arrangement of Tools 'Stinkfist' (1996), by Rohan Hayes (Twelve Foot Ninja).
$7.99
Sacred Music for Solo Guitar
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Guitar
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INTERMEDIATE
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Rick Foster
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Sacred Music for Solo Guitar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30797EB Right-Hand Simplified. Composed by Rick Foster. Gospel/Sacred, Christian....
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Guitar (fingerpicking) - Intermediate - Digital Download SKU: M0.30797EB Right-Hand Simplified. Composed by Rick Foster. Gospel/Sacred, Christian. Style. E-book. Mel Bay Publications - Digital Sheet Music #30797EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30797EB). ISBN 9781619119611. 8.75x11.75 inches.This book presents sixteen right-hand simplified arrangements of sacred music that can be played with just the thumb or both the thumb and fingers. The first twelve arrangements are written for thumb-only playing and will allow you to appreciate the beauty of simplicity, something often overlooked on the guitar. The music is written in standard notation and tablature.
$9.99
Sonata No.12
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Guitar
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INTERMEDIATE/ADVANCED
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Spence Bundy
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Spence Bundy
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Sonata No.12
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Spencer Bundy
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1260711 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 23 pages. Spencer B...
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Guitar - Level 4 - Digital Download SKU: A0.1260711 By Spence Bundy. By Arcangelo Corelli. Arranged by Spence Bundy. Baroque,Chamber. 23 pages. Spencer Bundy #853904. Published by Spencer Bundy (A0.1260711). From Corelli's first set of twelve sonatas for string trio & continuo, this lovely piece will be enjoyed by the players and any audience.
$4.50
Trio Sonata No.4
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Guitar
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INTERMEDIATE
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Spence Bundy
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Spence Bundy
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Trio Sonata No.4
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Spencer Bundy
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1238222 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy...
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Guitar - Level 3 - Digital Download SKU: A0.1238222 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy #833697. Published by Spencer Bundy (A0.1238222). Boyce composed a set of twelve trio sonatas he described as being in the 'Italian' style. They were published in 1747 and proved very popular. They can still be enjoyed today by both the performers and any audience.
$4.50
Excerpt from the Lyric Suite
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Alban Berg
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Rod Whittle
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4 pp
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Excerpt from the Lyric Suite
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899136 Composed by Alban Berg. Arranged by Rod Whittle. Contemporary. Individual part. 4 pages. Maggie Creek Music #3874083. Published by Maggie Creek Music (A0.899136). For solo classical guitar; 4 pp; first part of 2nd movement of the Lyric SuiteAlban Berg 1885 -1935Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
Trio Sonata No.7
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Guitar
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INTERMEDIATE/ADVANCED
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Spence Bundy
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Spence Bundy
#
Trio Sonata No.7
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Spencer Bundy
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SheetMusicPlus
Guitar - Level 4 - Digital Download SKU: A0.1240757 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 29 pages. Spencer Bundy...
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Guitar - Level 4 - Digital Download SKU: A0.1240757 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 29 pages. Spencer Bundy #836147. Published by Spencer Bundy (A0.1240757). Boyce composed a set of twelve trio sonatas for string trio & continuo in the 'Italian' style. They were published in 1747 and proved to be very popular. They can still be enjoyed today, ideal for concerts but also very enjoyable for any group getting together to play.
$4.50
Trio Sonata No.1
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Guitar
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INTERMEDIATE
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Spence Bundy
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Spence Bundy
#
Trio Sonata No.1
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Spencer Bundy
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SheetMusicPlus
Guitar - Level 3 - Digital Download SKU: A0.1233657 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy...
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Guitar - Level 3 - Digital Download SKU: A0.1233657 By Spence Bundy. By William Boyce. Arranged by Spence Bundy. Baroque,Chamber. 19 pages. Spencer Bundy #829245. Published by Spencer Bundy (A0.1233657). In 1747, William Boyce published his set of twelve trio sonatas for string trio & continuo, composed in the 'Italian' style. They proved to be very popular and will still be enjoyed to day by the performers and any audience.
$4.50
'Change of scene' from Act III of Wozzeck
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Alban Berg
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Rod Whittle
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'Change of scene' from Act III
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie C...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899135 Composed by Alban Berg. Arranged by Rod Whittle. 20th Century. Individual part. 3 pages. Maggie Creek Music #3874077. Published by Maggie Creek Music (A0.899135). For solo classical guitar; 3 ppAlban Berg 1885 -1935 Berg was a student of Arnold Schoenberg, and came to prominence with compositions using the atonalism of that school. He incorporated chromaticism and an absence of tonality into his compositions with complete facility, if not to public acclaim. His creativity was interrupted by World War 1, during which he served in the Austrian Army. He returned to composition as a champion of modern music, with his opera Wozzeck (1923) bringing both fame and notoriety. He died of blood poisoning in 1935. Over the past century dissonance increased in the compositions of serious music to a point where the semitones had equal value, which is harmonically a kind of wall. Berg was an early innovator. However, if when strictly followed such serialism reaches an ultimate dissonance that effectively sees off melody and harmony as emotional and structural entities, that still leaves elements around form, dynamics and rhythm for the purposes of expression, and these together with adroit note selection prove to be surprisingly potent for articulation and cohesion. The Lyric Suite (1927), which uses Schoenberg's twelve-tone technique, is a case in point. The very name seems incongruous for an atonal work, yet lyric it is, and if the forms used are necessarily masked by the characteristics of serial writing they are not eliminated by them. In this excerpt a rondo form is used with the principle subject repeated on the third page (noted in the score) after a digression to more remote regions than this form usually adopts, due to the atonality. As well, Berg's writing is rarely purely atonal. In fact the integration of consonant elements are one of the music's most alluring features. It would be so easy, one feels, for melodic material to coagulate the mix, but in his hands the very opposite is generated, an increased clarity of mood. The music remains consistent, as it should, and the incorporation of (often only relatively) thematic material, if often arresting after so much dissonance, doesn't always always mean less intensity or gloom. It is simply effective, either way. Having said all that, it can hardly be denied that the substance of atonality (dissonance, clashing semitones, unharmonic bass) gives it a special suitability to express dark outlooks, and Berg is the author of Wozzeck and Lulu, no downtown musicals. It is hard to determine if Berg chose atonality because it could deliver the angst or because he was bored with obvious forms and romanticism. Probably both.
$5.00
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