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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
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BOOKS
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CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
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TROMBONE
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UKULELE
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XYLOPHONE
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Time Won
Sheetmusicplus
Not classified
1,112
Piano & keyboards
Piano solo
481
Piano, Voice
153
Easy Piano
137
Piano, Vocal and Guitar
81
C Instruments
34
Piano Accompaniment
11
Organ
11
Piano Trio: piano, violin, cello
10
1 Piano, 4 hands
9
Piano (band part)
8
Accordion
4
Big Note Piano
4
2 Pianos, 4 hands
4
Piano Quintet: piano, 2 violins, viola, cello
2
2 Pianos, 8 hands
2
Organ, Piano (duet)
2
Piano Quartet: piano, violin, viola, cello
1
Organ, Trumpet (duet)
1
Piano Quartet: piano, 2 violins, cello
1
Keyboard
1
+ 15 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
25
Melody line, (Lyrics) and Chords
19
Guitar
18
Guitar (band part)
17
Ukulele
6
2 Guitars (duet)
6
4 Guitars (Quartet)
4
Piano, Guitar (duet)
3
Bass guitar
2
Lyrics and Chords
2
Mandolin, Guitar (duet)
1
Lap Steel Guitar
1
Banjo
1
Ukulele Ensemble
1
Mandolin
1
Dulcimer
1
3 Guitars (trio)
1
+ 12 instrumentations
-
Retract
Voice
Choral Unison
326
Choral SATB
213
Choral 3-part
82
Choral 2-part
61
Choral TTBB
32
Choral SSAA
20
Vocal duet, Piano
16
Voice solo
8
Vocal duet
6
Soprano voice, Piano
5
Choral Instrumental Pak
5
Tenor voice, Piano
4
Baritone voice, Piano
3
High voice
3
Alto voice, Piano
2
Medium voice, Piano
2
Choral SSAATTBB
1
Low voice
1
Choral SSATB
1
Choral SSAB, Piano
1
+ 15 instrumentations
-
Retract
Woodwind
Saxophone Quintet: 5 Saxophones
107
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
94
Saxophone ensemble
60
Saxophone (band part)
59
2 Saxophones (duet)
47
Saxophone Quartet: 4 saxophones
45
Flute and Piano
44
2 Flutes (duet)
41
Flute, Oboe, Clarinet, Bassoon
37
Clarinet Quartet: 4 clarinets
33
Clarinet
32
Flute
30
Clarinet and Piano
30
Clarinet Ensemble
30
Flute Quartet: 4 flutes
26
Oboe, Piano (duet)
26
Saxophone, Clarinet (duet)
25
2 Clarinets (duet)
23
Alto Saxophone and Piano
18
Alto Saxophone
18
Clarinet, Violin (duet)
16
Tenor Saxophone
14
Oboe, Bassoon (duet)
13
Flute Quintet : 5 flutes
13
Flute, Clarinet (duet)
13
Flute ensemble
13
Oboe
12
Tenor Saxophone and Piano
12
Clarinet, Trumpet (duet)
12
Oboe, Clarinet (duet)
10
Oboe, Flute
10
Descant (Soprano) Recorder
9
3 Saxophones (trio)
9
Clarinet and Viola
9
Harmonica
8
3 Clarinets (trio)
8
Flute, Viola (duet)
8
Soprano Saxophone and Piano
8
Flute Trio: 3 flutes
8
Oboe (band part)
7
Flute, Clarinet and Bassoon.
7
Flute, Saxophone (duet)
7
Flute, Oboe, Clarinet (trio)
7
2 Oboes (duet)
7
English Horn
6
Flute, Violin
6
Flute and Guitar
6
Clarinet Quintet: 5 clarinets
5
Bass Clarinet, Piano
5
Clarinet, Guitar (duet)
4
Clarinet, Bassoon (duet)
4
Baritone Saxophone, Piano
3
Baritone Saxophone
3
Soprano Saxophone
3
Flute, Violoncello
3
Oboe, Cello
2
Clarinet, Cello (duet)
2
2 Clarinets, Piano
2
Recorder Quartet
2
Flute, Oboe, Bassoon
2
5 Recorders
2
Flute (band part)
2
2 Recorders (duet)
2
English horn, Piano
2
Oboe, Guitar (duet)
2
Clarinet (band part)
2
Oboe, Clarinet, Bassoon (trio)
1
Clarinet, Tuba
1
2 Saxophones, Piano
1
Bass Clarinet
1
Oboe, Violin (duet)
1
Flute, Trombone (duet)
1
Recorder Ensemble
1
Oboe and viola (duet)
1
2 English horns and Pianoforte
1
Clarinet, Harp (duet)
1
Pennywhistle
1
Flute, Trumpet (duet)
1
Flute, Oboe, Piano (trio)
1
Flute, Oboe (duet)
1
Flute, Oboe, Violin
1
+ 76 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
128
Brass quartet : 2 trumpets, trombone, tuba
77
Trombone (band part)
52
Trumpet ensemble
52
Trumpet (band part)
43
Brass Quartet: 2 trumpets, horn, trombone
35
Trombone ensemble
27
Trumpet, Piano
26
Trumpet
24
Trombone
21
Brass Quartet
21
Trombone and Piano
21
Trumpet, Saxophone (duet)
19
French horn
17
Tuba
17
2 Trumpets (duet)
13
French Horn and Piano
12
2 Trombones (duet)
11
Euphonium
9
Horn Ensemble
9
Trumpet, Trombone (duet)
9
Tuba and Piano
8
English Horn
6
Euphonium, Piano (duet)
6
Tuba (band part)
5
French horn (band part)
4
3 Trumpets (trio)
3
Brass Quartet: 4 trombones
3
Trumpet and Guitar
2
Brass Quartet: 4 trumpets
2
Tuba and Organ
2
2 Tubas (duet)
2
Bass Trombone
2
Brass Trio
2
English horn, Piano
2
Horn, Cello (duet)
2
2 English horns and Pianoforte
1
2 Euphoniums and 2 Tubas
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trumpet, Tuba (duet)
1
Trombone and Orchestra
1
French horn and Basson (duet)
1
Brass Quartet: 4 horns
1
+ 38 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
119
Violin and Piano
52
Violin
51
Cello, Piano
44
Cello
40
Violin, Cello (duet)
34
Viola, Piano
34
String Trio: violin, viola, cello
33
Viola
24
2 Violins (duet)
23
String Trio: 2 violins, cello
18
String Quintet: 2 violins, viola, cello, bass
17
Harp
15
Violin ensemble
13
Violin, Viola (duet)
13
Double Bass
12
Viola ensemble
11
Doublebass (band part)
11
2 Cellos (duet)
10
Double bass, Piano (duet)
10
Viola (band part)
7
Violin (band part)
7
String Trio: 2 violins, viola
6
2 Violas (duet)
6
2 Harps (duet)
5
Viola, Cello (duet)
5
String Quintet: 2 violins, 2 violas, cello
4
Harp, Voice
4
Violin, Bassoon (duet)
3
String Trio: 3 cellos
2
Viola and Bassoon
2
4 Harps
2
4 Cellos
2
Violin, Guitar (duet)
2
String Trio: 3 violins
2
Cello, Organ
1
Cello, Guitar (duet)
1
Harp, Flute (duet)
1
Cello, String Bass (duet)
1
Cello (band part)
1
Cello Ensemble
1
4 Double Basses
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
332
String Orchestra
52
Orchestra
52
Jazz Ensemble
50
Brass ensemble
46
Handbells
33
Jazz combo
10
Marching band
9
Drum (band part)
9
Chamber Orchestra
8
Percussion Ensemble
7
Percussion (band part)
3
Vibraphone
2
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Flexible Instrumentation
1
Vibraphone (band part)
1
Drums
1
Piano and Orchestra
1
+ 13 instrumentations
-
Retract
Others
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FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
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LUTE, THEOR…
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18 sheet music found
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1
'A golden time ...' from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
'A golden time ...' from Ariad
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
"Winter Won't Let Me Go"
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Dale K
#
Dale K
#
"Winter Won't Let Me Go"
#
Dale K. Rodgers
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodgers. Arranged by Dale K. Rodgers. 20th Century,Chamber,Classical,Contest...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1309543 Composed by Dale K. Rodgers. Arranged by Dale K. Rodgers. 20th Century,Chamber,Classical,Contest,Festival,Wedding. Individual part. 6 pages. Dale K. Rodgers #898703. Published by Dale K. Rodgers (A0.1309543). This is a lively solo for finger-style or classical guitar. One of my best. Key of Am with well developed chords (maj7, add 9, flat 5ths, etc), harmonics, the entire fretboard is utilized.  4/4 time, Tempo 120 with some rapid time signature changes. Good piece to include in concert programs. Audiences have reacted most favorably to it. Two versions are provided: one in standard notation with extensive fingerings, and another with TAB also included.
$4.99
"The movement of time." Prelude in A Minor for Guitar.
#
Guitar
#
INTERMEDIATE
#
Valery Dzyabenko
#
"The movement of time." Prelud
#
Valery Dzyabenko
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.978115 Composed by Valery Dzyabenko. Contemporary,Country,World. Individual part. 9 pages. Valery Dzyabe...
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Solo Guitar - Level 3 - Digital Download SKU: A0.978115 Composed by Valery Dzyabenko. Contemporary,Country,World. Individual part. 9 pages. Valery Dzyabenko #5347659. Published by Valery Dzyabenko (A0.978115). Very beautiful dynamic polyphonic music for classical guitar. The combination arpeggio style is applied to the performance. This composition has won numerous awards at guitar competitions.
$3.70
It's The Most Wonderful Time Of The Year
#
Guitar
#
INTERMEDIATE
#
Christmas
#
Eddie Pola and George Wyle
#
Chris Richter
#
It's The Most Wonderful Time O
#
Chris Richter
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1438094 Composed by Eddie Pola and George Wyle. Arranged by Chris Richter. Christmas. Individual part. 4...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1438094 Composed by Eddie Pola and George Wyle. Arranged by Chris Richter. Christmas. Individual part. 4 pages. Chris Richter #1018190. Published by Chris Richter (A0.1438094). It's the Most Wonderful Time of the Year arranged for solo fingerstyle guitar.
$7.99
What A Wonderful World
#
Guitar
#
INTERMEDIATE
#
Louis Armstrong
#
Richard Hirsch
#
and 3&
#
What A Wonderful World
#
Richard Hirsch
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Centu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1155054 By Louis Armstrong. By Bob Thiele and George David Weiss. Arranged by Richard Hirsch. 20th Century,Multicultural,Pop,Standards,World. Individual part. 8 pages. Richard Hirsch #755336. Published by Richard Hirsch (A0.1155054). Taking inspiration in Isreal Kamakawiwo’ole’s Somewhere Over the Rainbow and What a Wonderful World mashup, I offer an arrangement in polyrhythmic 4/4 time of What a Wonderful World for solo acoustic guitar. The arrangement has an afro-flamenco character with two tiers of rhythm. Tier one is the normal 4/4 rhythm with accents at 1 and 3. Tier two consists of accents falling on beats 2 and 2& and 3& of the 4 beat measures. Tier two can be highlighted by clapping or tapping with a table knife on a bottle at beats 2 and 2& and 3&, with the strongest accent on 3& (an upbeat). The tune is really happy and up-lifting. If there are any little folks (kids two to four years old) around listening, they will have a hard time sitting still. My grandson (two and a half) really got going when I played it for him. I can hardly resist the urge to dance to the tune while playing myself! The arrangement is in the spirit of the Canarios by Gaspar Sanz for classical guitar and is meant to have the nature of a dance. The repetitive alternating thumb and index and middle finger cycle going through the broken chords with the melody woven in works to give the arrangement an almost hypnotic character. The fingering for the right hand is given in first section and is basically the same throughout the piece. The fingering for the left hand can, I believe, be easily figured out from the tablature. The arrangement is within the reach of intermediate students of the acoustic guitar; anyone who has mastered the basics of fingerstyle fingerpicking guitar, and can be played on both nylon and steel string acoustic guitars. The short and long glissandos and the arpeggios of natural harmonics resembling the kalimba (thumb harp) together with the drone effects of the enharmonic tones in the chords give an added dash of African spice to the piece.
$4.99
No Time To Die
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Pop music
#
Billie Eilish
#
Colin Tommis
#
No Time To Die
#
Colin Tommis
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop...
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Solo Guitar - Level 4 - Digital Download SKU: A0.961511 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Colin Tommis. Pop. Individual part. 4 pages. Colin Tommis #6114397. Published by Colin Tommis (A0.961511). This intermediate /advanced version of the new James Bond song lasts towards 4 minutes and is unusual in so much that the 3rd string is detuned to F#. This makes it trickier to read but much more fun to play. There are some large stretches and unusual hammer techniques. In the latter, the player creates a note from nothing by hammering a left-hand finger down on a string. I have employed a lot of off-beats, and the idea is to keep it licking along, almost like a piece of dance reggae-style music. This makes it wonderful for the listener and challenging for the player. This is offered in notation only, there is no tab.
$5.99
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Shallow
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Guitar
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INTERMEDIATE
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Lady Gaga
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Barry McCormick
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Shallow
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B. McCormick
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1372204 By Lady Gaga. By Andrew Wyatt, Anthony Rossomando, Mark Ronson, and Stefani Germanotta. Arranged by Barry McCormick. Film/TV,Pop,Wedding. Individual part. 7 pages. B. McCormick #956465. Published by B. McCormick (A0.1372204). Shallow is a hit song by Lady Gaga and Bradley Cooper from the 2018 musical drama film A Star is Born. The song won several awards, including an Oscar, a Golden Globe, and four Grammys. It is a powerful duet that showcases the vocal talents and emotional connection of the two singers. Lady Gaga is one of the most influential and versatile artists of our time, with a range of genres and styles in her repertoire.This guitar fingerstyle sheet music arrangement of Shallow captures the essence and beauty of the original song, while adding some unique touches and embellishments. It is a higher intermediate level guitar piece that requires some technical skills and expressive playing. The arrangement closely follows the structure of the original song. The performance markings indicate the dynamics, tempo, articulation, and other aspects of how to play the piece. The piece also comes with a performance note that provides more details and tips on how to interpret the arrangement.This sheet music is perfect for guitarists who want to impress their audience with a stunning rendition of this popular song. It can be used as a solo piece or as part of a set list for various occasions. Whether you are a fan of Lady Gaga, A Star is Born, or just love beautiful music, this guitar fingerstyle sheet music arrangement of Shallow will make you feel the emotions and depth of this masterpiece.
$5.99
The Old Man and the Sea
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Guitar
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INTERMEDIATE
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Apostolos Paraskevas
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The Old Man and the Sea
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Silver Sickle Publications
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.942112 Composed by Apostolos Paraskevas. 20th Century,Children,Contemporary,World. Individual part. 10 p...
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Solo Guitar - Level 3 - Digital Download SKU: A0.942112 Composed by Apostolos Paraskevas. 20th Century,Children,Contemporary,World. Individual part. 10 pages. Silver Sickle Publications #6598285. Published by Silver Sickle Publications (A0.942112). It is based on Ernest Hemingway's book the Old man and the Sea. The music describes Santiago's emotions, thoughts and actions in his last journey. The magnitude of the vast ocean, the anticipation of catching the fish, memories of a distant waltz and the exciting fight that ends in triumph. Now it's time to return home with his valuable possession. He already won the last and most important fight of his life.
$11.99
Guitar Sonata No. 7 in D minor homage to Blind Willie Johnson
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Guitar
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ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 7 in D minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. P...
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Solo Guitar - Level 5 - Digital Download SKU: A0.985329 Composed by Jeremiah Lawson. Contemporary. Individual part. 21 pages. Jeremiah Lawson #6063881. Published by Jeremiah Lawson (A0.985329). This guitar sonata is a four-movement work in open D tuning throughout. The performance time is between 17 to 18 minutes. I worked on this sonata from 2016 through 2019 as an homage to Blind Willie Johnson. The movements are as follows.I. Andante (a fugue in triple counterpoint)II. ScherzoIII. Largo trionfante (a ragtime sonata whose recapitulation leads seamlessly into)IV. Variations on Restoration from William Walker's Southern HarmonyThe work is written in cumulative setting after the model of Charles Ives but in a Haydnesque homage to not just Blind Willie Johnson but also with musical tributes to Stevie Wonder, Bach (the triple counterpoint), Louis Armstrong and Lil Harden. The fourth movement is a bravura set of variations on the shape note hymn Restoration that is the foundation of the entire sonata, using bottleneck technique throughout as an homage to Blind Willie Johnson.Owing to the use of bottleneck technique and the open D tuning throughout this is a pretty tough sonata to play but it's fun to play and I've filmed myself playing through it to demonstrate its practicality in performance.
$9.95
Joyful, Joyful, We Adore Thee
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Guitar
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EASY
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Ludwig van Beethoven
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Malachi Giese
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Joyful, Joyful, We Adore Thee
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Malachi Giese
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1472898 Composed by Ludwig van Beethoven. Arranged by Malachi Giese. 19th Century,20th Century,Baroque,C...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1472898 Composed by Ludwig van Beethoven. Arranged by Malachi Giese. 19th Century,20th Century,Baroque,Christian,Christmas. Individual part. 1 pages. Malachi Giese #1050526. Published by Malachi Giese (A0.1472898). Joyful, Joyful, We Adore Thee, which has been arranged for guitar. This popular piece has been enjoyed for long time, often played on piano or organ. With some tweaks to voicing, Joyful, Joyful fits wonderfully on guitar, and is quite playable.
$2.99
Guitar Sonata No. 2 in C major
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Guitar
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INTERMEDIATE
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 2 in C major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Pu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.985324 Composed by Jeremiah Lawson. Contemporary. Individual part. 6 pages. Jeremiah Lawson #6012227. Published by Jeremiah Lawson (A0.985324). I composed my second guitar sonata in 2010. Guitar Sonata No. 2 in C major is six pages long, has two movements, and its estimated performance time is 8:30 to 9:00. The first movement, Inner Visions & Power Puffs, is a zippy sonata form opening with a 12-bar blues Theme 1. After a conventional modulating transition Theme 2 appears in the traditional key of G major. The title of the movement alludes to the Stevie Wonder album Innervisions and, of course, the Powerpuff Girls. The sonata form has a climax by way of three Bartok pizzicati on the dominant pedal to depict the girls defeating Mojo Jojo and putting him in jail. The second movement is a lullaby with variations. The lullaby is an original song I used to sing for one of my nieces to help her fall asleep. The complete sonata has been recorded by Daniel Estrem and is available on the Magnatune release Estrem Plays Lawson.http://magnatune.com/artists/albums/estrem-estremlawson/I played movement 1 at a Seattle Classic Guitar Society open mic in 2012 on a warm summer Friday night and there were kids playing and screaming in the background, which helped set the mood of the sonata rather than break it.
$5.00
Making Friends
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Guitar
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INTERMEDIATE/ADVANCED
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Rock
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Bradley Powell
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Making Friends
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Geofonica Artistworks
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual...
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Solo Guitar - Level 4 - Digital Download SKU: A0.948712 Composed by Bradley Powell (The Candlelight Guitarist). Concert,Folk,Sacred,Spiritual. Individual part. 5 pages. Geofonica Artistworks #6856481. Published by Geofonica Artistworks (A0.948712). Guitar solo (in standard notation) composed by Bradley Powell (The Candlelight Guitarist), from his CD Beatitude Bridge. Intermediate to advanced level blend of folk-jazz and classical finger-style guitar (a trademark style blend of The Classical Guitarist.) It's a positive, moving, yet reflective guitar instrumental, inspired by the many biblical verses about friendship (incl. Ecclesiastes 4:9-10, John 15:15, John 15:12-15, Job 6:14, Proverbs 18:24, Proverbs 27:10, John 15:13). Wonderful for an offertory or musical interlude in a church service, spiritual gathering, concert or recital.ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation â?? the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$3.99
Twenty Etudes For Guitar Vol.1 No.1-10
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Guitar
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Neal Fitzpatrick
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Twenty Etudes For Guitar Vol.1
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Neal Fitzpatrick Editions
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 27 pages. Neal Fitzpatrick Editi...
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Solo Guitar - Digital Download SKU: A0.955439 Composed by Neal Fitzpatrick. Contemporary,Instructional. Individual part. 27 pages. Neal Fitzpatrick Editions #6169435. Published by Neal Fitzpatrick Editions (A0.955439). This set of Etudes For Guitar is Vol.1 No.1-10 from Twenty Etudes for Guitar by Neal Fitzpatrick. These are performance etudes that also provide conventional technical demands associated with playing the guitar. These pieces engage some of the wonderful idiomatic elements of the guitar-arpeggios, scales, tremolo, harmonics, tonal contrast and harmonic richness while at times exploring possibilities outside of conventional forms. They can be performed alone or in any set desired by the performer. These works are in standard notation. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com
$19.99
Annie's Song
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Guitar
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EASY
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Pop music
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John Denver
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Gerardo Perez Capdevila
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Annie's Song
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Gerardo Perez Capdevila
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pag...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1473706 By John Denver. By John Denver. Arranged by Gerardo Perez Capdevila. Pop. Individual part. 3 pages. Gerardo Perez Capdevila #1051418. Published by Gerardo Perez Capdevila (A0.1473706). Annie's Song by John Denver is a timeless and beautiful piece that resonates with listeners through its heartfelt melody and emotive lyrics. My solo guitar arrangement aims to capture the essence of this classic song, translating its rich harmonies and lyrical beauty into a captivating guitar performance.For intermediate and advanced guitarists, this arrangement offers a delightful challenge that is both rewarding and enriching. Intermediate players will find it an excellent opportunity to hone their fingerstyle techniques and explore expressive dynamics, while advanced players can appreciate the intricate voicings and subtle nuances that bring the song to life.Playing this arrangement allows guitarists to deeply connect with the music, expressing the song’s emotion through their instrument. It's a piece that not only showcases technical skill but also the ability to convey profound emotion, making it a must-learn for any guitarist looking to expand their repertoire with a beautiful and iconic song.Whether performed in an intimate setting or for a larger audience, Annie's Song on solo guitar is sure to captivate and move listeners, making it a wonderful addition to any guitarist’s repertoire.
$9.99
The Complete Anthology of Lute Music from Musick's Monument
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Guitar
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ADVANCED
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Classical
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Thomas Mace
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The Complete Anthology of Lute
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Thomas Mace (1612-1706). For Guitar (Classical). Early Music/Renaissance. 64 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Thomas Mace (1612-1706). For Guitar (Classical). Early Music/Renaissance. 64 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609743734. The first complete anthology of lute music contained within Thomas Mace's historic treatise Musick's Monument (1676), transcribed and edited for classical guitar by Andrew Shepard-Smith. An exquisite and intriguing collection of early English Baroque lute music containing twelve preludes, eight complete lute suites, transcription notes, and a detailed table of ornaments (as outlined in Musick's Monument). Originally written as a pedagogical text for lute and theorbo, Mace's lute music contains wonderful insights into the performance practice of the time. A very valuable addition both the performance repertoire and to the guitar reference literature. Staff notation; moderate to advanced.
$17.99
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