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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
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TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
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XYLOPHONE
ZITHER
Wagner
Not classified
1,142
Piano & keyboards
Piano, Voice
310
Piano solo
309
Easy Piano
112
Organ
105
Piano Trio: piano, violin, cello
21
Piano Accompaniment
17
Piano, Vocal and Guitar
16
C Instruments
13
1 Piano, 4 hands
9
Organ, Trumpet (duet)
4
Piano Quartet: piano, violin, viola, cello
3
2 Pianos, 4 hands
3
Accordion
2
Big Note Piano
2
Organ, Piano (duet)
1
Piano Quartet: piano, 2 violins, cello
1
Accordion, Voice
1
Keyboard
1
+ 13 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
27
Guitar
21
2 Guitars (duet)
9
Ukulele
5
Melody line, (Lyrics) and Chords
4
Bass guitar
4
Lyrics and Chords
3
4 Guitars (Quartet)
2
Piano, Guitar (duet)
2
Guitar (band part)
1
Mandolin
1
+ 6 instrumentations
-
Retract
Voice
Choral SATB
239
Choral 3-part
152
Voice solo
72
Choral 2-part
71
Choral
47
Choral Unison
18
Choral TTBB
16
Soprano voice, Piano
12
Tenor voice, Piano
9
Choral SSAA
8
Baritone voice, Piano
7
Choral Instrumental Pak
6
High voice
2
Medium voice, Piano
1
High voice, Piano
1
Soprano voice, Orchestra
1
Low voice, Piano
1
+ 12 instrumentations
-
Retract
Woodwind
Clarinet (band part)
337
Saxophone (band part)
300
Clarinet Ensemble
188
Saxophone Quartet: 4 saxophones
165
Flute, Oboe, Clarinet, Bassoon
155
Flute (band part)
132
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
131
Oboe (band part)
109
Saxophone ensemble
96
Clarinet Quartet: 4 clarinets
90
Saxophone Quintet: 5 Saxophones
84
Flute ensemble
84
Flute and Piano
73
Clarinet and Piano
48
Oboe, Piano (duet)
39
Clarinet
37
Flute Quartet: 4 flutes
36
Alto Saxophone and Piano
30
Flute
30
Soprano Saxophone and Piano
28
Tenor Saxophone and Piano
26
2 Saxophones (duet)
22
Clarinet Quintet: 5 clarinets
19
Alto Saxophone
18
Saxophone
15
Oboe
15
2 Flutes (duet)
14
2 Recorders (duet)
13
Baritone Saxophone, Piano
13
Flute, Clarinet, Horn and Bassoon (Quartet)
12
English horn, Piano
11
Bass Clarinet, Piano
11
Piccolo
10
2 Clarinets (duet)
8
Flute, Clarinet (duet)
8
Recorder
6
Flute Trio: 3 flutes
6
Recorder Quartet
6
Tenor Saxophone
5
3 Clarinets (trio)
5
Flute, Cello, Piano (trio)
4
5 Recorders
4
Flute, Clarinet, Piano (trio)
4
Flute and Guitar
4
Harmonica
3
Descent (Soprano) Recorder, Piano
3
3 Saxophones (trio)
3
Saxophone and Guitar
3
Flute, Violin
3
Flute, Violin, Piano
3
Clarinet, Bassoon (duet)
3
2 Saxophones, Piano
3
Saxophone, Clarinet (duet)
2
Flute, Bassoon, and Piano
2
Tenor Recorder
2
Recorder, Guitar (duet)
2
Treble (Alto) Recorder, Piano
2
Flute, Violin, Guitar
2
Clarinet, Cello (duet)
2
Flute, Oboe, Piano (trio)
2
Oboe, Clarinet (duet)
2
Flute, Clarinet and Bassoon.
2
Clarinet, Guitar (duet)
2
2 Oboes (duet)
2
Flute, Violoncello
2
Descant (Soprano) Recorder
2
English Horn
2
Treble (Alto) Recorder
2
Recorder, Piano
2
Flute, Oboe (duet)
1
Clarinet, Trumpet (duet)
1
Saxophone, Bassoon (duet)
1
Flute, Organ (duet)
1
Oboe, Clarinet, Bassoon (trio)
1
3 Recorders (trio)
1
Clarinet, Trombone (duet)
1
Flute, Saxophone (duet)
1
Flute, Oboe, Clarinet (trio)
1
Ocarina
1
Piccolo, Piano
1
Flute, Oboe, Violin
1
Flute, Trumpet (duet)
1
Clarinet, Violin (duet)
1
2 Recorders, Guitar
1
3 Oboes
1
Clarinet Quartet: Clarinet, Violin, Viola, Cello
1
Wind ensemble
1
Oboe, Bassoon (duet)
1
Bass Clarinet
1
Flute, Trombone (duet)
1
2 Flutes, Piano
1
2 Clarinets, Bassoon
1
+ 87 instrumentations
-
Retract
Woodbrass
Trombone (band part)
305
Brass Quintet: 2 trumpets, horn, trombone, tuba
253
Trumpet (band part)
158
Tuba (band part)
149
French horn (band part)
147
Trombone and Piano
38
Trumpet, Piano
37
Trumpet
33
French Horn and Piano
30
French horn
29
Tuba
28
Brass Quartet: 4 horns
27
Trombone
25
Horn Ensemble
25
Brass quartet : 2 trumpets, trombone, tuba
24
Brass Quartet
22
Euphonium, Piano (duet)
20
Brass Quartet: 4 trombones
20
Trombone ensemble
16
Brass Quartet: 2 trumpets, horn, trombone
15
Tuba and Piano
12
English horn, Piano
11
Brass Quartet: 4 trumpets
10
2 Euphoniums and 2 Tubas
9
Trumpet ensemble
8
2 Trumpets (duet)
8
4 Tubas
7
Euphonium
7
Cornet
6
Trumpet, Trombone (duet)
6
Brass Trio
5
2 Trombones (duet)
4
2 Trumpets, Keyboard (piano or organ)
4
2 French horns (duet)
4
3 Trumpets (trio)
3
3 Trombones (trio)
3
Euphonium, Tuba (duet)
3
Trumpet, Saxophone (duet)
2
Horn, Tuba (duet)
2
Trumpet, Horn (duert)
2
English Horn
2
Trombone, Horn (duet)
1
Trombone, Violin (duet)
1
Horn, Cello and Piano
1
Trumpet, violin (duet)
1
2 Tubas (duet)
1
Bass Trombone and Piano
1
4 Euphoniums
1
Tuba and Organ
1
Trumpet, Bassoon (duet)
1
Trombone, Organ
1
3 French horns (trio)
1
+ 47 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
276
Violin (band part)
189
Violin and Piano
84
Doublebass (band part)
59
Cello, Piano
58
Cello (band part)
51
Viola
47
Viola, Piano
46
Violin
41
Viola (band part)
30
String Quintet: 2 violins, viola, cello, bass
28
Cello
28
Violin, Cello (duet)
25
Harp
19
2 Violins (duet)
17
String Trio: violin, viola, cello
9
Double Bass
9
Violin, Guitar (duet)
8
2 Cellos (duet)
7
String Quartet : 4 violas
7
Double bass, Piano (duet)
7
4 Cellos
7
Violin, Viola (duet)
7
2 Violas (duet)
6
Viola, Cello (duet)
4
Cello, String Bass (duet)
4
String quartet: 4 violins
4
String Trio: 2 violins, cello
4
2 Violins, Piano
4
Cello, Guitar (duet)
4
3 double basses
2
String Trio: 3 violins
2
Viola, Guitar (duet)
2
2 Double basses (duet)
1
Violin, Bassoon (duet)
1
String Trio: 3 cellos
1
Harp and Piano
1
Piano Trio: Violin, Viola, Piano
1
Violin, Organ
1
String Trio: 3 violas
1
String Trio: 2 violins, viola
1
Viola and Bassoon
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
1,855
Percussion (band part)
198
Handbells
183
Orchestra
176
String Orchestra
174
Timpani (band part)
90
Percussion
58
Brass ensemble
47
Woodwind Quintet
30
Chamber Orchestra
13
Marching band
4
Timpani
3
Woodwind Quartet: any 4 woodwinds
3
Drum (band part)
3
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
2
Jazz Ensemble
1
Marimba
1
Flexible Instrumentation
1
Drums
1
Jazz combo
1
+ 15 instrumentations
-
Retract
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Wagner
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Sheetmusic to print
21 sheet music found
<
1
Short wedding motif for guitar solo (based on Mendelssohn and Wagner)
#
Guitar
#
EASY
#
Felix Mendelssohn, Richard Wag
#
David Warin Solomons
#
Short wedding motif for guitar
#
David Warin Solomons
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.578128 Composed by Felix Mendelssohn, Richard Wagner. Arranged by David Warin Solomons. 20th Century,Classical,Romantic Period,Wedding. Individual part. 1 pages. David Warin Solomons #3541615. Published by David Warin Solomons (A0.578128). This little solo was originally used as an introduction for a song for my parents' 40th wedding anniversary,
$4.00
J.F. Wagner: Under The Double Eagle for guitar solo
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Guitar
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INTERMEDIATE
#
Classical
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J.F. Wagner
#
Virtualsheetmusic
Instantly printable sheet music by Josef Franz Wagner for guitar solo of MEDIUM skill level. / classical,patriotic,standards,festival
Instantly printable sheet music by Josef Franz Wagner for guitar solo of MEDIUM skill level. / classical,patriotic,standards,festival
$5.97
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
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Guitar
#
Richard Wagner
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Bridal Chorus from Lohengrin
#
Musicnotes
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instrum...
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
$2.99
Dick Wagner: Only Women Bleed for guitar
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Guitar
#
INTERMEDIATE
#
Dick Wagner
#
Virtualsheetmusic
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
$2.99
Dick Wagner: Only Women Bleed for guitar
#
Guitar
#
INTERMEDIATE
#
Dick Wagner
#
Virtualsheetmusic
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
Instantly downloadable sheet music by Dick Wagner for guitar of MEDIUM skill level.
$2.99
Bridal Chorus (Here Comes the Bride), Trumpet Voluntary & Wedding March
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Guitar
#
EASY
#
Richard Wagner, Jeremiah Clark
#
Keith W
#
Bridal Chorus
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490033 Composed by Richard Wagner, Jeremiah Clarke & Felix Mendelssohn. Arranged by Keith W. Gehle. Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1490033 Composed by Richard Wagner, Jeremiah Clarke & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066896. Published by Keith Gehle (A0.1490033). Three wedding classics for the price of one!
$5.99
Wedding March, Trumpet Voluntary & Bridal Chorus (Here Comes the Bride)
#
Guitar
#
EASY
#
Felix Mendelssohn, Jeremiah Cl
#
Keith W
#
Wedding March, Trumpet Volunta
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490037 Composed by Felix Mendelssohn, Jeremiah Clarke & Richard Wagner. Arranged by Keith W. Gehle. Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1490037 Composed by Felix Mendelssohn, Jeremiah Clarke & Richard Wagner. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066900. Published by Keith Gehle (A0.1490037). Three wedding classics for the price on one!
$5.99
Trumpet Voluntary, Bridal Chorus (Here Comes the Bride) & Wedding March
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Guitar
#
EASY
#
Jeremiah Clarke, Richard Wagne
#
Keith W
#
Trumpet Voluntary, Bridal Chor
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490035 Composed by Jeremiah Clarke, Richard Wagner & Felix Mendelssohn. Arranged by Keith W. Gehle. Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1490035 Composed by Jeremiah Clarke, Richard Wagner & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066898. Published by Keith Gehle (A0.1490035). Three wedding classics for the price of one!
$5.99
"Bridal Chorus (Here Comes the Bride) from Lohengrin" for solo classical fingerstyle guitar
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Guitar
#
BEGINNER
#
Richard Wagner
#
Keith W
#
"Bridal Chorus
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 2 pages. Keith Gehle #997811. Published by Keith Gehle (A0.1416125). Love it or hate it, “Bridal Chorus†(also known as “here comes the brideâ€) is a time tested classic for wedding ceremonies and this version is sure to please players and listeners alike. Easy and straight forward, this arrangement includes detailed fingerings and interpretation in standard notation. There's also a version with TAB available on this site. Classical and acoustic wedding guitarists will get many miles out of this useful piece of music.
$1.99
Wedding March
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Guitar
#
EASY
#
Classical
#
Richard Wagner
#
Martin Hegel
#
Wedding March
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - easy - Digital Download SKU: S9.Q44865 From: Lohengrin. Composed by Richard Wagner. Arranged by Martin Hegel. This edition: Sheet music. ...
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Guitar - easy - Digital Download SKU: S9.Q44865 From: Lohengrin. Composed by Richard Wagner. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44865. Published by Schott Music - Digital (S9.Q44865). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
Prelude to Lohengrin
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Wagner
#
Rod Whittle
#
5 pages
#
Prelude to Lohengrin
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. M...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899125 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #32829. Published by Maggie Creek Music (A0.899125). Arrangement for solo classical guitar; 5 pages; includes chords and notes on the form of the piece; published by Maggie Creek Music.
$9.00
Klassische Loog Gitarre
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Guitar
#
BEGINNER
#
Classical
#
Ludwig van Beethoven, Mit Musi
#
Javier Marcó
#
Klassische Loog Gitarre
#
Javier Marco
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfga...
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Solo Guitar - Level 1 - Digital Download SKU: A0.842801 Composed by Ludwig van Beethoven, Mit Musik von Bach, Vivaldi und anderen Komponisten, and Wolfgang Amadeus Mozart. Arranged by Javier Marcó. Baroque,Classical,Romantic Period. Individual part. 28 pages. Javier Marco #6357209. Published by Javier Marco (A0.842801). Diese Sammlung bietet eine Auswahl an klassischen Stücken von den weltweit renommiertesten Komponisten: Johann Sebastian Bach, Ludwig van Beethoven, George Frideric Handel, Wolfgang Amadeus Mozart, Antonio Lucio Vivaldi, Piotr Ilyich Tchaikovsky, Johann Strauss II, Edvard Grieg, Johann Pachelbel, Giuseppe Verdi, Edward Elgar, Richard Wagner und Johannes Brahms.18 leichte Themen zum Solos, die in einer vereinfachten Version für den Anfänger präsentiert werden, die von Klavier oder Gitarre begleitet werden können (Akkordsymbole).In Tabulatur und Noten.Enthält:1812 Overture, Op. 49An der schönen blauen Donau, Op. 314Chorfantasie, Op. 80Dance of the Flowers, Op. 71aEine kleine Nachtmusik, K.525Für Elise, WoO 59GreensleevesGuten Abend, gut’ NachtI Dovregubbens hallJesus bleibet meine Freude, BWV 147La Donna è MobileMenuett, BWV Anh 114Ode an die Freude, Op. 125la Primavera, RV. 269Pomp and Circumstance March Nº1, Op. 39Tannhäuser OvertureTreulich geführtWater Music, HWV 349
$9.99
Prelude to Parsifal
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Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Wagner
#
Rod Whittle
#
Prelude to Parsifal
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Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. M...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899130 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 4 pages. Maggie Creek Music #3141147. Published by Maggie Creek Music (A0.899130). Solo classical guitar transcription 4 pp.
$7.00
Prelude to Lohengrin
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Guitar
#
INTERMEDIATE
#
Classical
#
Richard Wagner
#
Rod Whittle
#
Prelude to Lohengrin
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. M...
(+)
Solo Guitar - Level 3 - Digital Download SKU: A0.899128 Composed by Richard Wagner. Arranged by Rod Whittle. Romantic Period. Individual part. 5 pages. Maggie Creek Music #3037171. Published by Maggie Creek Music (A0.899128). Transcription for solo classical guitar. 5 pages. Study arrangement.
$9.00
Chorus and Aria from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
#
for solo classical guitar
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Chorus and Aria from Ariadne a
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Deuxiéme Sonata by Benjamin Godard (1849-1895)
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Benjamin Godard
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Eric J Roth
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Deuxiéme Sonata by Benjamin G
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Eric J Roth
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual par...
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Solo Guitar - Level 4 - Digital Download SKU: A0.914747 Composed by Benjamin Godard (1849-1895). Arranged by Eric J Roth. Romantic Period. Individual part. 14 pages. Eric J Roth #5867073. Published by Eric J Roth (A0.914747). Benjamin Godard (1849-1895) was a French violinist and composer of Jewish heritage. He wrote hundreds of works, including symphonies, operas, concertos, chamber and solo pieces, and songs. Today he is most remembered for his five symphonies and the Berceuse from his opera, Jocelyn. In style, Godard's music is reminiscent of the early Romantic period rather than the more grandiose style of Wagner. Godard wrote two sonatas for solo violin. The first dates from the 1870s. The second was composed in the 1890s and published after his death. Both sonatas contain four movements and employ baroque dance forms. The Deuxiéme (second) Sonata, arranged here for guitar solo, opens with a Sarabande in A minor, marked molto moderato e pompasamente (very moderately and pompously). The following Rigodon in C major is quick and convivial, although a contrasting section in C minor tempers the mood. The third movement, Adagio non ma troppo, begins in a tranquil F major. The texture soon thickens and makes striking use of the instrument’s lower register. A sudden modulation to F minor provides the sonata's most introspective moment. The piece returns to A minor and ends in a dramatic cliffhanger on the dominant. The rhythmic Bourrée serves as a true finale and includes a frenetic contrapuntal section recalling the violin sonatas of J. S. Bach.
$9.99
Deux élégies
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Guitar
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ADVANCED
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Classical
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Claude Debussy and Richard Wag
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Tristan Manoukian
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Deux élégies
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Pr...
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Guitar - Advanced - Digital Download SKU: ZZ.DZ-2324 Composed by Claude Debussy and Richard Wagner. Arranged by Tristan Manoukian. Score. 4 pages. Les Productions d'OZ - Digital #DZ 2324. Published by Les Productions d'OZ - Digital (ZZ.DZ-2324). ISBN 9782897372415.
$3.95
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Bridal Chorus / Here Comes the Bride! for easy guitar solo
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Guitar
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EASY
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Classical
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R
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K
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Bridal Chorus / Here Comes the
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Amadeus Music
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SheetMusicPlus
Composed by R. Wagner (1813-1883). Arranged by K. Krantz. For Guitar. Romantic Period,Wedding. Early Intermediate. Score. Published by Amadeus Music ...
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Composed by R. Wagner (1813-1883). Arranged by K. Krantz. For Guitar. Romantic Period,Wedding. Early Intermediate. Score. Published by Amadeus Music
$3.50
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