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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
above all
Not classified
1,095
Piano & keyboards
Piano solo
277
Piano, Voice
184
Easy Piano
80
Piano, Vocal and Guitar
54
Piano Accompaniment
48
C Instruments
47
Organ
35
Piano (band part)
26
Piano Trio: piano, violin, cello
16
1 Piano, 4 hands
10
2 Pianos, 4 hands
8
Big Note Piano
7
Piano Quartet: piano, violin, viola, cello
3
+ 8 instrumentations
-
Retract
Guitars
Guitar (band part)
53
Guitar notes and tablatures
28
Ukulele
27
Melody line, (Lyrics) and Chords
26
Guitar
24
Dulcimer
10
Bass guitar
9
Lyrics and Chords
4
4 Guitars (Quartet)
3
Guitar Ensemble
2
3 Guitars (trio)
2
2 Ukuleles
1
Mandolin
1
Mandolin, Guitar (duet)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
250
Choral 3-part
40
Choral 2-part
27
Choral TTBB
17
Choral Unison
17
Choral Instrumental Pak
15
Choral
9
Choral SSAA
9
Soprano voice, Piano
7
Vocal duet, Piano
7
High voice
5
Vocal duet
3
Alto voice, Piano
2
Choral SSATTB
1
Tenor voice, Piano
1
Voice solo
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
Voice, Guitar
1
+ 14 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
504
Saxophone, Clarinet (duet)
282
2 Clarinets (duet)
207
Clarinet, Violin (duet)
181
2 Flutes (duet)
169
Saxophone (band part)
147
Clarinet, Trumpet (duet)
146
Flute, Clarinet (duet)
104
2 Oboes (duet)
96
Flute, Saxophone (duet)
94
Oboe, Clarinet (duet)
93
Clarinet and Viola
89
Flute, Violin
89
Oboe, Bassoon (duet)
87
Flute and Piano
87
Oboe, Flute
82
Flute, Trumpet (duet)
73
Clarinet and Piano
66
Flute, Viola (duet)
66
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
62
Oboe, Piano (duet)
61
Clarinet
51
Alto Saxophone and Piano
50
Tenor Saxophone and Piano
45
2 Recorders (duet)
44
Flute
41
Soprano Saxophone and Piano
38
Alto Saxophone
31
Flute (band part)
29
English horn, Piano
28
Saxophone Quartet: 4 saxophones
25
Clarinet Quartet: 4 clarinets
21
Bass Clarinet, Piano
20
Flute, Oboe, Clarinet (trio)
19
Baritone Saxophone, Piano
18
Oboe (band part)
18
Tenor Saxophone
17
Flute, Oboe, Clarinet, Bassoon
15
Descant (Soprano) Recorder
14
Clarinet (band part)
13
Saxophone
12
3 Clarinets (trio)
11
Clarinet, Trombone (duet)
11
Clarinet Ensemble
11
Flute Quartet: 4 flutes
9
Flute ensemble
9
English Horn
9
Clarinet Quintet: 5 clarinets
7
Flute Trio: 3 flutes
7
Clarinet, Guitar (duet)
6
Clarinet, Cello (duet)
6
Flute and Guitar
5
Descent (Soprano) Recorder, Piano
5
Flute, Violin and Violoncello
4
Oboe
4
Recorder Quartet
3
Clarinet, Cello, Piano (trio)
3
Flute, Oboe, Bassoon
3
Clarinet Quintet: Clarinet, String Quartet
3
Flute, Oboe (duet)
3
Recorder
3
Saxophone Quintet: 5 Saxophones
2
Flute, Clarinet, Piano (trio)
2
Flute, Violin, Piano
2
English Horn, Guitar (duet)
2
Saxophone and Guitar
2
Flute Quintet : 5 flutes
2
Flute, Oboe, Piano (trio)
2
Saxophone ensemble
2
Clarinet, Bassoon (duet)
2
Flute, Violoncello
2
Bass Clarinet
2
Flute, harp and violin
2
Treble (Alto) Recorder, Piano
2
Wind ensemble
2
Flute, Clarinet and Bassoon.
1
Clarinet, Harp (duet)
1
Flute, Trombone (duet)
1
Flute, Cello, Piano (trio)
1
Flute, trombone and piano
1
Recorder Ensemble
1
Flute, Viola and Piano
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Bassoon, and Piano
1
Flute, Violin, Violoncello and Piano
1
Clarinet, Tuba
1
Clarinet, Double bass (duet)
1
Oboe, Violin (duet)
1
Tenor Recorder
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
2 Clarinets, Bassoon
1
Piccolo, Piano
1
+ 87 instrumentations
-
Retract
Woodbrass
Trumpet, Saxophone (duet)
196
Trombone (band part)
138
Trumpet (band part)
102
2 Trombones (duet)
100
2 Trumpets (duet)
97
Trumpet, Trombone (duet)
93
Trumpet
40
Brass Quintet: 2 trumpets, horn, trombone, tuba
38
Trombone and Piano
37
Trumpet, Piano
36
Trombone
34
Euphonium, Piano (duet)
34
French horn (band part)
31
English horn, Piano
28
French Horn and Piano
27
Tuba (band part)
24
French horn
16
Brass quartet : 2 trumpets, trombone, tuba
16
Tuba and Piano
11
2 Euphoniums (duet)
10
English Horn
9
Brass Quartet: 4 trombones
8
Euphonium
5
Brass Quartet: 2 trumpets, horn, trombone
4
Brass Quartet
4
3 Trumpets (trio)
3
Tuba
3
Horn Ensemble
2
English Horn, Guitar (duet)
2
Brass Quartet: 4 horns
2
Bb Instruments
2
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone ensemble
1
Trumpet and Guitar
1
2 Euphoniums and 2 Tubas
1
2 French horns (duet)
1
Bass Trombone
1
4 Tubas
1
Brass Quartet: 4 trumpets
1
+ 34 instrumentations
-
Retract
Strings
Harp
108
Violin and Piano
103
Violin, Cello (duet)
102
2 Violas (duet)
99
Violin, Viola (duet)
96
2 Violins (duet)
95
2 Cellos (duet)
89
String Quartet: 2 violins, viola, cello
60
Cello, Piano
56
Viola, Piano
55
Violin
44
Cello
44
Doublebass (band part)
32
Viola
20
String Trio: violin, viola, cello
18
Violin (band part)
8
Viola (band part)
6
Cello (band part)
4
String Trio: 2 violins, cello
4
Violin, Guitar (duet)
4
4 Cellos
3
Double Bass
3
Viola, Cello (duet)
2
Cello, String Bass (duet)
2
String trio
2
Harp, Voice
2
Double bass, Piano (duet)
2
String quartet: 4 violins
2
String Trio: 3 cellos
1
2 Harps (duet)
1
String Trio: 3 violins
1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 2 violins, viola
1
2 Double basses (duet)
1
Harp and Piano
1
Harp, Flute (duet)
1
Cello, Guitar (duet)
1
Harp (band part)
1
Piano Trio: Violin, Viola, Piano
1
Flute, Doublebass (duet)
1
Violin, Clarinet, Piano (trio)
1
+ 36 instrumentations
-
Retract
Orchestra & Percussion
Concert band
190
Jazz Ensemble
114
Orchestra
56
Brass ensemble
35
Drum (band part)
27
String Orchestra
27
Handbells
20
Chamber Orchestra
10
Percussion (band part)
9
Jazz combo
7
Percussion Ensemble
5
Drums
4
Timpani (band part)
3
Xylophone, Piano
2
Percussion
1
Timpani
1
Piano and Orchestra
1
Xylophone
1
Marimba
1
Woodwind Quartet: any 4 woodwinds
1
Orchestra, Violin
1
Marching band
1
+ 17 instrumentations
-
Retract
Others
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--INSTRUMENTS--
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You've selected:
above all
Guitar
Sheetmusic to print
24 sheet music found
<
1
Above All
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Sacred music
#
Rebecca St
#
Paul Brooks Horn
#
Above All
#
Paul Brooks Horn
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1125748 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Paul Brooks Horn. Christian...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1125748 By Rebecca St. James. By Lenny Leblanc and Paul Baloche. Arranged by Paul Brooks Horn. Christian,Praise & Worship,Religious,Sacred,Spiritual. Individual part. 2 pages. Paul Brooks Horn #726487. Published by Paul Brooks Horn (A0.1125748). Above All is a praise and worship song by Paul Baloche and Lenny Leblanc. This is an intermediate to advance arrangement for the classical (or fingerstyle) guitar. Above All is a delightful worship song.
$4.99
Far Above Cayuga's Waters (solo classical guitar)
#
Guitar
#
INTERMEDIATE
#
melody H
#
John Pinno
#
Far Above Cayuga's Waters
#
John Pinno
#
SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.775495 Composed by melody H. S. Thompson. Arranged by John Pinno. Concert,Graduation,Holiday. Individual...
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Solo Guitar - Level 3 - Digital Download SKU: A0.775495 Composed by melody H. S. Thompson. Arranged by John Pinno. Concert,Graduation,Holiday. Individual part. 1 pages. John Pinno #6254091. Published by John Pinno (A0.775495). An arrangement for solo classical guitar of the alma mater song for Cornell University, which was also the alma mater song for my high school of Marlin, Texas in 1964. Cornell calls it Far Above Cayuga's Waters, not sure what it was called in Marlin. The actual melody was for a song, Annie Lisle, composed in 1857 by H. S. Thompson.
$5.00
Silvius Leopold Weiss Suite 5 Allemande
#
Guitar
#
ADVANCED
#
Classical
#
S
#
Benjamin Grace
#
Silvius Leopold Weiss Suite 5
#
Benjamin Grace
#
SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1168958 By S.L. Weiss. By S.L. Weiss. Arranged by Benjamin Grace. Baroque. Individual part. 2 pages. Ben...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1168958 By S.L. Weiss. By S.L. Weiss. Arranged by Benjamin Grace. Baroque. Individual part. 2 pages. Benjamin Grace #769303. Published by Benjamin Grace (A0.1168958). This suite encompasses deep, dark, and meloncholic overtones with rich harmonies which underlie the delicate and sombre like melodies above. Originally written in the key of C minor for the Lute. This work is arranged for the classical guitar in the key of D minor.
$3.99
Guitar Tutor eBoox - Level 2 (Debut)
#
Guitar
#
BEGINNER
#
Alison Jackson, Jonathan Eno B
#
Guitar Tutor eBoox - Level 2
#
Jonathan Eno
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan ...
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Solo Guitar - Level 1 - Digital Download SKU: A0.936705 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 21 pages. Jonathan Eno #6077325. Published by Jonathan Eno (A0.936705). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Guitar Tutor eBoox - Level 4 (Debut)
#
Guitar
#
EASY
#
Alison Jackson & Jonathan Eno
#
Guitar Tutor eBoox - Level 4
#
Jonathan Eno
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.936703 Composed by Alison Jackson & Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan...
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.936703 Composed by Alison Jackson & Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077329. Published by Jonathan Eno (A0.936703). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument or… even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Don’t Stop Me Now – QueenHold My Hand – Jess GlynneSuper Mario Theme – Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Guitar Tutor eBoox - Level 3 (Debut)
#
Guitar
#
EASY
#
Instructional
#
Alison Jackson, Jonathan Eno B
#
Guitar Tutor eBoox - Level 3
#
Jonathan Eno
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan ...
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.936704 Composed by Alison Jackson, Jonathan Eno BEM. Instructional. Individual part. 25 pages. Jonathan Eno #6077327. Published by Jonathan Eno (A0.936704). This contemporary tutor book is part of the amazing Hot House eBOOX series. Featuring input from the international award-winning team at Hot House, the guitar BOOX were principally authored and curated by Alison Jackson. As an integral member of the Hot House team, Alison is currently the Director of ALL the Hot House Music Schools based in the West Midlands and is an expert pedagogist.Each BOOX has been designed to help you learn to play your instrument both individually and as part of a band. We want you to love playing both written music and improvising i.e. music without notes (making it up). Each level features band music, you can play this with your teacher on the same instrument orâ?¦ even better your friends around the world on different instruments.Above all, remember that music should be fun, it is always more fun when you play with a friend. Why not record yourselves playing and post it on our social media platforms, we would love to hear you:https://www.facebook.com/bigbangsheet#joinourtribe #bbmusic #boox #eboox #hhmusicNeed help???Tel: 03303 200 880Email: info@bigbangsheetmusic.co.ukWeb: www.bbmusic.co.ukIf you enjoy this tutor boox, why not check out some of the other titles from the Big Bang Music including:Donâ??t Stop Me Now â?? QueenHold My Hand â?? Jess GlynneSuper Mario Theme â?? Nintendowww.twitter.com/hhyouthjazzwww.twitter.com/jonenowww.instagram.com/HHMusicSchoolwww.facebook.com/bigbangsheetwww.twitter.com/bigbangsheetwww.hhmusic.co.ukwww.bbmusic.co.uk
$9.99
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Donut Music
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Guitar
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ADVANCED
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Roger Aldridge
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Donut Music
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Roger Aldridge
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger A...
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Solo Guitar - Level 5 - Digital Download SKU: A0.979661 Composed by Roger Aldridge. Blues,Contemporary,Folk,Jazz,World. Individual part. 6 pages. Roger Aldridge #484355. Published by Roger Aldridge (A0.979661). Donut Music is an extended piece for solo guitar. It was commissioned by Keith Calmes and is on his CD All We Know is Now. The music was inspired by a line in a story written by my granddaughter Eillonwy (then 8 years old): Sitting in a dark room, eating a chocolate donut. The music represents a stream of memories, images, and thoughts as one’s life is contemplated over a donut. The composition is in 9 movements...or bites. The movements have varied lengths, from miniatures to developed pieces, and draw upon various roots-based musical styles including blues, Appalachian, tango, jazz, and samba. Miniature compositions have been an interest to me for many years. Donut Music's imagery gave me an opportunity to have several miniature compositions along with the longer movements. Above all, this piece is meant to be fun and playful -- especially, in how old and new styles are juxtaposed. CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI VIDEO: https://youtu.be/he_aw8XV_s4 WEBSITE: http://www.rogeraldridge.com/ DURATION: around 8:00 to 10:00. YEAR OF RELEASE: 2012 PERFORMANCE: The lead sheet format enables performers have the freedom to shape this music to their vision and personal style. The score has optional improvisation in movements 2 (blues), 7 (tango), and 9 (samba). In addition, Donut Music can be performed as a complete composition or by using individual movements.
$5.00
Graded Guitar Duos, Volume 1
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Guitar
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BEGINNER
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Classical
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Mark Small
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Graded Guitar Duos, Volume 1
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by Mark Small. For Guitar (Classical). Classic. Beginning. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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Composed by Mark Small. For Guitar (Classical). Classic. Beginning. E-book. 32 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609742041. This volume contains sixteen pieces for the beginning classical guitar duo. Efforts have been made to include composers of note from various periods such as Tchaikovsky, Dowland, Beethoven, Bartok, and Bach, yet the music is not above the abilities of beginning readers. By and large, the key signatures have only one sharp or flat and the accidentals are minimal. The music falls within first position and difficult bar chords have been avoided. The book will provide beginning duos access to music by great composers that is not beyond their capabilities. Written in standard notation only with suggested left hand fingering. This book contains the score and parts for guitars I and II.
$17.99
Dulce dolor del amor , sweet love pains , classic guitar
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Guitar
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INTERMEDIATE/ADVANCED
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Alfred Feenstra
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Dulce dolor del amor , sweet l
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Alfred Feenstra
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.978002 Composed by Alfred Feenstra. 20th Century,Concert,Holiday,Love,World. Individual part. 4 pages. A...
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Solo Guitar - Level 4 - Digital Download SKU: A0.978002 Composed by Alfred Feenstra. 20th Century,Concert,Holiday,Love,World. Individual part. 4 pages. Alfred Feenstra #4983205. Published by Alfred Feenstra (A0.978002). This romantic classical guitar piece is very suitable for people in love.Dulce dolor del amor , sweet love pains. Above all, if the person that they love does not respond.Maybe playing nicely this piece she might pay attention to you, that dream is the sweetness of the pain.
$4.00
Mastering the Guitar - Technique Studies
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Guitar
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EASY
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Instructional
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William Bay
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Mastering the Guitar - Techniq
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By William Bay. For Guitar (All). All Styles. 152 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By William Bay. For Guitar (All). All Styles. 152 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609741617. William Bay and Mike Christiansen have collaborated to produce an outstanding comprehensive guitar method addressing all styles of both flatpicking and fingerstyle technique. Guitar teachers, take note: Mastering the Guitar series is the ideal method for the beginning student who has yet formed a stylistic preference, or for the intermediate player limited to one particular style who wishes to expand his horizons and improve his technique. An impressive extended length online audio recording with more than 160 tracks is offered with both books 1A and 1B. Each written example in the books is carefully cross-referenced to its corresponding audio sample on the recording by means of an audio track number printed above each piece. The student is encouraged to learn to read standard notation and tablature as both systems are used throughout this 3-volume series. The "Technique Studies" book provides supplementary, more challenging pieces including chord studies in various keys as well as a few pieces in dropped-D tuning. Together, these three books comprise a powerful learning tool for Mastering the Guitar in a contemporary idiom.
$19.99
Heartbeats
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Guitar
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INTERMEDIATE/ADVANCED
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Jose Gonzalez
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Pablo Alcázar
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Heartbeats
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Pablo Alcázar
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21s...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1268428 By Jose Gonzalez. By Karin Dreijer Andersson and Olof Dreijer. Arranged by Pablo Alcázar. 21st Century,Pop,Singer/Songwriter,Wedding. Individual part. 6 pages. Pablo Alcázar #860970. Published by Pablo Alcázar (A0.1268428). Arrangement for solo guitar of the famous song Heartbeats. This arrange by Pablo Alcázar, professional guitarist arranger and composer, is for intermediate players that want a challenge to play or for professional guitarist that want some new repertoire for wedding gigs or concerts. It includes the full voice melody line aswell as the full guitar line from the original song. This arrangement uses the 3º string on F# and the 6º string on D and the reading doesn't include the real notes you are playing but the translation of a normal tuning reading to make things easier. Also you can check the strings on the tablature in case you need to play in different positions.This is the Lyrics of the song:One night to be confusedOne night to speed up truthWe had a promise, babeFour hands and then awayBoth under influenceWe had divine senseTo know what to sayMind is a razor bladeTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noOne night of magic rushThe start a simple touchOne night to push and screamAnd then reliefTen days of perfect huesThe colors red and blueWe had a promise, babeWe were in loveTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enoughAnd youYou knew the hand of the devilAnd youKept us awake with wolves teethSharing different heartbeatsIn one nightTo call for hands of aboveTo lean onWouldn't be good enoughFor me, noTo call for hands of aboveTo lean onWouldn't be good enough.
$4.99
Modern Jazz Guitar Styles
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Guitar
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EASY
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Jazz
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Andre Bush
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Modern Jazz Guitar Styles
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Composed by Andre Bush. Technique, Theory, Reference and Rhythm. Jazz. E-book...
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Guitar (all) - Beginning-Intermediate - Digital Download SKU: M0.99917BCDEB Composed by Andre Bush. Technique, Theory, Reference and Rhythm. Jazz. E-book and online audio. Mel Bay Publications - Digital Sheet Music #99917BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.99917BCDEB). ISBN 9781610658300. 8.75x11.75 inches.A unique book and audio package including extensive chapters on soloing, chords, rhythm and effects. With in-depth exercises on modern scale applications and intervallic choices, developing individual chord voicings, incorporating rock and funk concepts, exploring elements from world music such as odd meters and polyrhythms, and ideas for developing your own sonic textures and approach to tonal manipulation. Each section features an essay illustrating the musical history and specific innovations of modern jazz guitar masters, with insightful commentary accompanying each concept and example. The last section thoroughly analyzes studio performances of two original compositions incorporating all the above materials. Modern Jazz Guitar Styles provides the serious student or professional seeking to broaden his palette with a comprehensive overview of the current state of jazz guitar. Extensive chapters on soloing, chords, rhythm and effects In-depth exercises on modern scale applications and intervallic choices Ideas for developing your own sonic textures and approach to tonal manipulation Covers developing individual chord voicings, incorporating rock and funk concepts and exploring elements from world music Provides serious student/professional a comprehensive overview of current state of jazz guitar Includes access to online audio.
$19.99
Capricio No 8
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Guitar
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INTERMEDIATE
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Nicolo Paganini
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John Hurford
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Capricio No 8
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John Hurford
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.905285 Composed by Nicolo Paganini. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards....
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Solo Guitar - Level 3 - Digital Download SKU: A0.905285 Composed by Nicolo Paganini. Arranged by John Hurford. Contemporary,Instructional,Rock,Standards. Individual part. 6 pages. John Hurford #4830307. Published by John Hurford (A0.905285). Caprice No 8 - This piece is a challenging one and has been arranged to help you work on both legato and 2 hand tapping ideas. Musically it's a fun piece and would suit an intermediate player and above. Good for both educational and performance. For more products go to https://www.johnhurfordmusic.com/ mp3 track available under title name in listings.
$3.99
Six Guitar Duets for the development of Sight Reading Intermediate Level
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Guitar
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EASY
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Dennis Greensmith
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Dennis Greensmith
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Six Guitar Duets for the devel
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Dennis Greensmith
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pag...
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Solo Guitar - Level 2 - Digital Download SKU: A0.954714 Composed by Dennis Greensmith. Arranged by Dennis Greensmith. Latin,World. Individual part. 7 pages. Dennis Greensmith #4361477. Published by Dennis Greensmith (A0.954714). Six Spanish and Latin American duets written for finger style guitar for sight reading development at Intermediate level (Trinity College London Grade 3 to 5). I have arranged and written a number of popular Spanish and Latin American songs specifically to help the development of Sight Reading at Intermediate Level - this means you should be able to read and play finger style guitar from Early intermediate levee (Grade 3 Trinity College) or above. In the range Grade 3 to 5 the keys used in sight reading exams are C major/A minor, G Major /E minor (one sharp) and F Major/D Minor (one flat) and this book contains songs using these keys. This verison of the book contains no marking on the music at all except the key and time signature in order to develop sight reading and note recognition skills. Both parts of the duet are written at the same level so you can interchange which part you wish to play. This book will also be made available on the SMP with full supporting information for those players who wish to play the songs as normal notation reading.The audio tracks to listen to the songs can be found at https://www.greensmith.info/duet-and-ensemble-materials/six-duets-for-sight-reading/and further information about other fingers style duets I have written and arranged can be found at https://www.guitarfingers.co.uk
$16.00
Etude no 2- With Moderate Sadness
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Guitar
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Apostolos Paraskevas
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Etude no 2- With Moderate Sadn
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Silver Sickle Publications
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SheetMusicPlus
Guitar - Digital Download SKU: A0.1070397 Composed by Apostolos Paraskevas. Contemporary,Instructional. Full Performance. Duration 73. Silver Sickle Publ...
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Guitar - Digital Download SKU: A0.1070397 Composed by Apostolos Paraskevas. Contemporary,Instructional. Full Performance. Duration 73. Silver Sickle Publications #6384419. Published by Silver Sickle Publications (A0.1070397). The Guitar ÉtudesDimitris Kotronakis, Guitar, Apostolos Paraskevas, Composer, Silver Sickle PublicationsThe 24 Études adopt all of the above-mentioned practices and styles and utilize three or
$1.99
Penthouse Serenade
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Guitar
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ADVANCED
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Jazz
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Contemporary
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Val Burton and Will Jason
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Christopher J
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Penthouse Serenade
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contempora...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1350480 Composed by Val Burton and Will Jason. Arranged by Christopher J. Malin. 20th Century,Contemporary,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #935289. Published by Christopher J. Malin (A0.1350480). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful melody. I think this one will make you a cut above the rest! A challenging but fullfilling piece of jazz music. This piece makes you stand out as a solo jazz guitarist of all idioms. This is for the chord expert. There are 44 different chords in this piece! Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This was on of Nat King Cole's signature pieces.I love this tune! Hope you will too.
$4.99
Break Up With Your Girlfriend, I'm Bored
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Guitar
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INTERMEDIATE/ADVANCED
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Ariana Grande
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Maxwell Morrison
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Break Up With Your Girlfriend,
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MAXWELL MORRISON
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1319882 By Ariana Grande. By Ariana Grande, Ilya, Kandi Burruss, Kevin Briggs, Max Martin, and Savan Kot...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1319882 By Ariana Grande. By Ariana Grande, Ilya, Kandi Burruss, Kevin Briggs, Max Martin, and Savan Kotecha. Arranged by Maxwell Morrison. Contemporary,Hip-Hop,Pop,R & B,Soul. Individual part. 8 pages. MAXWELL MORRISON #908442. Published by MAXWELL MORRISON (A0.1319882). A Fingerstyle transcription of Ariana Grande's 'Break up with your Girlfriend, I'm Bored'. This rendition remains highly faithful to the original, adapting Ariana's signature virtuosic vocal runs for guitar. This, in addition to this arrangement's use of polyphony provides a fun challenge for players intermediate and above.
$4.99
Etude for Guitar no V.1 in A Major: A damp afternoon
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Guitar
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Rob Reeves
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Rob Reeves
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Etude for Guitar no V.1 in A M
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Rob Reeves
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SheetMusicPlus
Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arranged by Rob Reeves. 20th Century,Contemporary,Instructional. Individual p...
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Solo Guitar - Digital Download SKU: A0.484627 By Rob Reeves. By Rob Reeves. Arranged by Rob Reeves. 20th Century,Contemporary,Instructional. Individual part. 1 pages. Published by Rob Reeves (A0.484627). Solo piece for plectrum style guitar. I seek to evoke a strange combination of ennui and mild rapture resulting from the enforced idleness of a damp afternoon contemplating the beauty of drizzle and grey skies. The composition is built around the major scale harmonised in sixths, or inverted thirds, played vertically along the neck on the first and third strings. After repetition of A and B phrases, the same melody is largely repeated a fourth higher, in the key of D, with the final section replaced by desending sixths to the dominant chord, E, before repeating the melody again. In the second repeat of the melody, the descending sixths are replaced by ascending sixths finishing on the root an octave above. A middle eight follows of desending chords, starting on the fourth, which becomes minor, and moving through various shapes to a dominant chord, E. The first theme is repeated again, and concludes with descending sixths over an E pedal tone, before resolving to A major to end.
$1.99
Llamas Negras Siguiriyas
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Guitar
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INTERMEDIATE
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Flamenco
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Traditional
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Richard Hirsch
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Llamas Negras Siguiriyas
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Richard Hirsch
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SheetMusicPlus
Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Publis...
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Composed by Traditional. Arranged by Richard Hirsch. Folk, Multicultural, Traditional, World. Individual part. 7 pages. Richard Hirsch #309165. Published by Richard Hirsch
An arrangement of traditional themes for the Flamenco style Siguiriyas for solo Flamenco guitar based on material I gathered in my studies in Flamenco guitar in Madrid in the late 1960s. I call the piece Llamas Negras (Black Flames) as the dance for Siguiriyas is often performed by a woman dancer (bailaora) dressed in a long flowing black dress, her hands twirling above her head likes flames. Such were the performances I witnessed at the Flamenco tablao La Zambra where my guitar maestro Juan González “Triguito” played. Siguiriyas is the most tragic of all the serious (jondo) styles of Flamenco for guitar. The piece moves therefore at a moderately slow pace, although there are passages where the tempo increases for dramatic effect. The piece is in the Phrygian modal of D minor and notated in standard 6/8 time. Siguiriyas embodies par excellence what Manuel de Falla called the “sonidos negros” or black sounds in Flamenco!
$4.99
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