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chorus
Not classified
6,429
Piano & keyboards
Piano, Voice
2,168
Piano solo
977
Easy Piano
375
Piano, Vocal and Guitar
253
C Instruments
140
Organ
82
Piano Accompaniment
70
1 Piano, 4 hands
60
Piano (band part)
50
Piano Trio: piano, violin, cello
43
Accordion
27
Big Note Piano
14
Harpsichord
8
Piano Quartet: piano, violin, viola, cello
8
2 Pianos, 4 hands
6
Organ, Trumpet (duet)
6
Solo instrument and Organ
2
1 Piano, 6 hands
2
Piano Quintet: piano, 2 violins, viola, cello
2
2 Accordions
2
Keyboard
1
2 Pianos, 8 hands
1
Organ, Piano (duet)
1
+ 18 instrumentations
-
Retract
Guitars
Guitar (band part)
91
Guitar notes and tablatures
81
Melody line, (Lyrics) and Chords
62
Guitar
50
Bass guitar
30
Ukulele
20
4 Guitars (Quartet)
6
2 Guitars (duet)
4
Dulcimer
4
Piano, Guitar (duet)
4
Lyrics and Chords
3
Banjo
1
Guitar Ensemble
1
Band Scores
1
2 Dulcimers (duet)
1
Mandolin
1
+ 11 instrumentations
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Voice
Choral SATB
8,570
Choral 3-part
2,884
Choral TTBB
2,633
Choral 2-part
1,824
Choral SSAA
1,358
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1,085
Vocal duet, Piano
87
Choral SSATB
84
Choral
70
Soli, Mixted choir and accompaniment
47
Choral SSAATTBB
41
Choral SSAB a cappella
34
Vocal duet
30
Voice solo
26
Choral SSAB, Piano
15
Choral Instrumental Pak
15
Choral SSATTB
15
Tenor voice, Piano
5
Choral SSAATB
5
Baritone voice, Piano
5
High voice
5
Soprano voice, Piano
4
Choral SATBB
4
Low voice, Piano
2
Medium voice, Piano
2
Alto voice, Piano
2
Mezzo-Soprano voice, Piano
2
Choral SSAATB A Cappella
1
Choral, Organ
1
Choral SATTBB A Cappella
1
Soprano voice
1
Tenor voice
1
High voice, Piano
1
+ 28 instrumentations
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Retract
Woodwind
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291
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140
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106
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
100
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86
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85
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77
Alto Saxophone and Piano
71
Clarinet and Piano
69
Clarinet
61
Flute
61
Oboe, Piano (duet)
57
Flute, Oboe, Clarinet, Bassoon
52
2 Flutes (duet)
50
Alto Saxophone
49
Clarinet (band part)
48
2 Clarinets (duet)
44
Flute (band part)
43
Saxophone ensemble
43
Flute Quartet: 4 flutes
43
Tenor Saxophone and Piano
39
Saxophone, Clarinet (duet)
31
Clarinet Ensemble
30
Soprano Saxophone and Piano
30
Tenor Saxophone
29
Flute, Clarinet (duet)
28
Saxophone
27
Oboe (band part)
25
Clarinet, Violin (duet)
23
3 Clarinets (trio)
22
Clarinet, Trumpet (duet)
20
Recorder
19
Flute ensemble
18
3 Saxophones (trio)
18
Flute Quintet : 5 flutes
16
Clarinet Quintet: 5 clarinets
16
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12
Clarinet and Viola
11
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11
Flute, Saxophone (duet)
11
Flute, Viola (duet)
11
2 Oboes (duet)
11
Oboe, Clarinet (duet)
11
Baritone Saxophone, Piano
11
Oboe, Bassoon (duet)
11
Recorder Quartet
10
Flute, Violin
10
Oboe
10
Flute, Violin, Piano
8
Oboe, Flute
8
Flute, Trumpet (duet)
8
2 Recorders (duet)
7
2 Saxophones, Piano
7
Piccolo
6
Descant (Soprano) Recorder
6
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6
English Horn
6
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5
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5 Recorders
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2
Flute, Bassoon, and Piano
2
Flute, Clarinet, Piano (trio)
2
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1
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1
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1
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1
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1
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1
2 Recorders, Guitar
1
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1
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1
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1
3 Recorders (trio)
1
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1
Oboe, Cello
1
Flute, Clarinet and Bassoon.
1
Recorder, Guitar (duet)
1
Clarinet, Harp (duet)
1
Tenor Recorder
1
+ 87 instrumentations
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249
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195
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188
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88
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74
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70
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63
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52
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48
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45
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40
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40
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39
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37
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33
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29
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29
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28
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27
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21
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21
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18
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14
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13
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11
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10
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9
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9
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8
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8
3 Trombones (trio)
8
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7
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5
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4
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3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
3 Trumpets (trio)
3
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3
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2
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2
Horn, Tuba (duet)
2
Trumpet, violin (duet)
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Horn, Cello (duet)
1
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1
3 Tubas (trio)
1
Tuba ensemble
1
Clarinet, Horn (duet)
1
4 Euphoniums
1
Tuba or Euphonium or Saxhorn
1
Bass Trombone
1
Trombone, Horn (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Organ
1
Trumpet, Cello, Piano
1
3 French horns (trio)
1
+ 56 instrumentations
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330
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162
Violin
114
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103
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79
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78
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69
Cello
62
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57
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54
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46
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46
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45
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34
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33
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31
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27
2 Violas (duet)
24
4 Cellos
14
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14
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14
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10
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9
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6
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5
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1
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1
Viola, Organ
1
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1
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1
String Trio: 3 cellos
1
+ 44 instrumentations
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Retract
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349
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317
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238
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125
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109
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107
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38
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27
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13
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11
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5
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5
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5
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5
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Xylophone, Piano
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50 sheet music found
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1
26
Chorus and Aria from Ariadne auf Naxos
#
Guitar
#
INTERMEDIATE/ADVANCED
#
Classical
#
Richard Strauss
#
Rod Whittle
#
for solo classical guitar
#
Chorus and Aria from Ariadne a
#
Maggie Creek Music
#
SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899109 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25787. Published by Maggie Creek Music (A0.899109). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register o.
$7.00
"Bridal Chorus (Here Comes the Bride) from Lohengrin" for solo classical fingerstyle guitar
#
Guitar
#
BEGINNER
#
Richard Wagner
#
Keith W
#
"Bridal Chorus
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part...
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Solo Guitar - Level 1 - Digital Download SKU: A0.1416125 Composed by Richard Wagner. Arranged by Keith W. Gehle. Classical,March,Wedding. Individual part. 2 pages. Keith Gehle #997811. Published by Keith Gehle (A0.1416125). Love it or hate it, “Bridal Chorus†(also known as “here comes the brideâ€) is a time tested classic for wedding ceremonies and this version is sure to please players and listeners alike. Easy and straight forward, this arrangement includes detailed fingerings and interpretation in standard notation. There's also a version with TAB available on this site. Classical and acoustic wedding guitarists will get many miles out of this useful piece of music.
$1.99
The Chorus - Vois sur ton chemin (Easy/Intermediate Level, Solo Guitar)
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Guitar
#
EASY
#
Film/TV
#
Broadway
#
Petits chanteurs de Saint-Marc
#
Les Choristes
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
The Chorus - Vois sur ton chemin (Very Easy Level, Solo Guitar)
#
Guitar
#
BEGINNER
#
Film/TV
#
Broadway
#
Petits chanteurs de Saint-Marc
#
Les Choristes
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
The Chorus - Vois sur ton chemin (Easy Level, Solo Guitar)
#
Guitar
#
EASY
#
Film/TV
#
Broadway
#
Petits chanteurs de Saint-Marc
#
Les Choristes
#
Tomplay
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Pla...
(+)
Download this music sheet with backing tracks recorded by professional musicians. Free Unlimited Access to 80,000 music sheets for 14 days (cancel anytime). Play online and print
5.99€
Bridal Chorus (Here Comes the Bride), Trumpet Voluntary & Wedding March
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Guitar
#
EASY
#
Richard Wagner, Jeremiah Clark
#
Keith W
#
Bridal Chorus
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490033 Composed by Richard Wagner, Jeremiah Clarke & Felix Mendelssohn. Arranged by Keith W. Gehle. Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1490033 Composed by Richard Wagner, Jeremiah Clarke & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066896. Published by Keith Gehle (A0.1490033). Three wedding classics for the price of one!
$5.99
Wedding March, Trumpet Voluntary & Bridal Chorus (Here Comes the Bride)
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Guitar
#
EASY
#
Felix Mendelssohn, Jeremiah Cl
#
Keith W
#
Wedding March, Trumpet Volunta
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490037 Composed by Felix Mendelssohn, Jeremiah Clarke & Richard Wagner. Arranged by Keith W. Gehle. Cla...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1490037 Composed by Felix Mendelssohn, Jeremiah Clarke & Richard Wagner. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066900. Published by Keith Gehle (A0.1490037). Three wedding classics for the price on one!
$5.99
Trumpet Voluntary, Bridal Chorus (Here Comes the Bride) & Wedding March
#
Guitar
#
EASY
#
Jeremiah Clarke, Richard Wagne
#
Keith W
#
Trumpet Voluntary, Bridal Chor
#
Keith Gehle
#
SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1490035 Composed by Jeremiah Clarke, Richard Wagner & Felix Mendelssohn. Arranged by Keith W. Gehle. Cla...
(+)
Solo Guitar - Level 2 - Digital Download SKU: A0.1490035 Composed by Jeremiah Clarke, Richard Wagner & Felix Mendelssohn. Arranged by Keith W. Gehle. Classical,Wedding. Individual part. 4 pages. Keith Gehle #1066898. Published by Keith Gehle (A0.1490035). Three wedding classics for the price of one!
$5.99
Chorus of the Hebrew Slaves
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Guitar
#
EASY
#
Giuseppe Verdi
#
Martin Hegel
#
Chorus of the Hebrew Slaves
#
Schott Music - Digital
#
SheetMusicPlus
Guitar - easy - Digital Download SKU: S9.Q44854 From: Nabucco. Composed by Giuseppe Verdi. Arranged by Martin Hegel. This edition: Sheet music. Co...
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Guitar - easy - Digital Download SKU: S9.Q44854 From: Nabucco. Composed by Giuseppe Verdi. Arranged by Martin Hegel. This edition: Sheet music. Copyright 2012 Schott Music GmbH & Co. KG, Mainz. Downloadable. 1 pages. Schott Music - Digital #Q44854. Published by Schott Music - Digital (S9.Q44854). Digital publication of the piece found in the following print music collection: Classical Music for Children - 58 Easy Pieces for Guitar.
$2.99
Bach to Africa
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Guitar
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ADVANCED
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Classical
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Johann Sebastian Bach
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Richard Hirsch
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Bach to Africa
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Richard Hirsch
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,S...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1237543 Composed by Johann Sebastian Bach. Arranged by Richard Hirsch. Baroque,Christian,Multicultural,Spiritual,World. Individual part. 11 pages. Richard Hirsch #833059. Published by Richard Hirsch (A0.1237543). I offer an arrangement of Bach’s all-time favourite Jesus, Joy of Man’s Desiring in an African inspired rendering for solo classical or acoustic guitar. The arrangement uses lots of natural harmonics in an attempt to mimic the African kalimba style of music. The arrangement goes in 4/4 time in polyrhythm with a second tier of accents at 2, 2&, and 4 with a slight swing. The polyrhythm makes the final chord sound like an upbeat! The low bases are notated as quarter notes and should be played so that they do not ring out. They are not muted (staccato), except where notated, but they should be kept short to give the piece a bouncy character.The arrangement contains the main melody and chorus sections of the original in G major, although I have changed the original in a number of ways. The first melody and chorus section in G major is prefaced by several bars of natural harmonics and is repeated only after the melody and chorus section in the key of A minor. Natural harmonics appear in many places in the piece interwoven with Bach’s original melody and chorus. I think the natural harmonics give the piece a really glorious ring. The present arrangement incorporates many sections of a sister arrangement of the piece that I published recently that follows the original more closely and works as an introduction to the music with extensive left and right hand fingerings and tablature for intermediate students of guitar. This arrangement, considering the many natural harmonics, staccatos, tempo, and swing, is perhaps better suited for advanced intermediate students of classical or acoustic guitar. With that in mind, I therefore refrain from any extensive left and right hand fingerings for the present arrangement. The piece is a real joy to play and listen to! The tempo for the present arrangement has been set to 140 bpm. I think the pace gives a real swing to the music. The piece may however be played at a faster tempo, e.g. Presto, or somewhere in between. With this great music you can hardly go wrong.The title I have chosen for the arrangement aims to be a play on words as in many English speaking parts of the world the name Bach often rhymes with the word ‘back’ as in a return to some place or time. ‘Bach to Africa’ is then an allusion to humanity’s primordial roots in Africa. Rejoice!
$4.99
'A golden time ...' from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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'A golden time ...' from Ariad
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899112 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25789. Published by Maggie Creek Music (A0.899112). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the so.
$7.00
Excerpt from the Last Part of Ariadne Auf Naxos
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Guitar
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INTERMEDIATE
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Classical
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Richard Strauss
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Rod Whittle
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Excerpt from the Last Part of
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Mag...
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Solo Guitar - Level 3 - Digital Download SKU: A0.899127 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 4 pages. Maggie Creek Music #3037161. Published by Maggie Creek Music (A0.899127). Transcription for solo classical guitar. 4 pages. Richard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …' Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the soprano voices, som.
$7.00
Overture from Ariadne auf Naxos
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Richard Strauss
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Rod Whittle
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for solo classical guitar
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Overture from Ariadne auf Naxo
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Maggie Creek Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Mag...
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Solo Guitar - Level 4 - Digital Download SKU: A0.899111 Composed by Richard Strauss. Arranged by Rod Whittle. 20th Century. Individual part. 2 pages. Maggie Creek Music #25793. Published by Maggie Creek Music (A0.899111). 2 pages; for solo classical guitar; published by Maggie Creek MusicRichard Strauss (1864 -1949) Strauss's music amounts to a huge body of symphonic and operatic work written over 60 years. Full of vitality, endlessly melodic, brilliantly orchestrated, it begins and ends in the romantic tradition, but for the most part expresses something more modern and individualistic, not without controversy in its time. Variation of style and structure is drawn from the descriptive (literary) nature of compositions, and an extraordinary inventiveness enlivens the scenes, moods and situations. Strauss said once that he produced music the way cows give milk, and indeed his music rarely seems contrived. The opera Strauss wrote 15 operas on a variety of subjects and across the whole spectrum of drama. He acknowledged being enchanted by the soprano voice, and his writing for it highlights many of the works, including Adriane auf Naxos (composed in 1912). The opera has been described as 'sparkling', which sums it up well, and passages influenced by Bach, Mozart, Puccini, and Wagner add to the interest. The storyline is a play within a play, the second part being the mythological 'Opera' staged in the story. The three pieces transcribed* are from this Opera. The guitar arrangements All classical guitar pieces are compromises. The instrument has only six strings, the left hand four fingers able to be used, and with the right hand its rare to use more than three fingers and the thumb. So, despite the amount of noise possible, it's inevitable that passages occur where either harmony, bass or fragments of counterpoint that would be beneficial are left out. In particular, the higher up the neck music is played the simpler it tends to be, if harder to play, and unless the low bass is an open string there wont be any. So I think the main part of attaining a fair transcription (better to be called an arrangement if the original musical structure is not strictly followed, as in this case) is determining how a good compromise can be reached. Melody, counterpoint, bass and main harmonies demand inclusion, and register is important. One may generally assume the original score can't be improved on. However, if the music may sound well on guitar, and the above elements can be incorporated without the playing becoming very difficult, something enjoyable to play and worthwhile listening to should be able to be achieved. Overture; 'A golden time …'Here the Mozart influence, better, inspiration, is wonderfully evident. A gentle waltz time (only the first section of the overture is transcribed) carries the colourful harmonies, strong melodic threads and connecting flourishes that stamp both pieces. The aria is alluded to in the Overture several times, which as you would expect, is intricately woven with the hints themes later to be established in the Opera. It has a kind of 'jazzy' freedom, and it's always miraculous to me that composition so involved can retain its musical line, here done in Strauss's inimitable way. The aria, sung not far into the Opera, has the perfect inevitability of Mozart, but again it is Strauss. As explained, keys have been changed to suit the guitar. Chorus and Aria This selection from the finale has features well worth trying to translate. The device of having a strong chorus, in the style of a Bach chorale, stated and then counterpointed by a solo voice in a restatement, is potent, and that in the opera the chorus (of the three nymphs) isn't immediately followed by the accompanying aria (of Ariadne) means the latter comes as a moment of surprising beauty. Neither parts are complicated, and lovely arpeggios, a feature Strauss's music, often impart the assured progressions. A problem was to capture the distinct register of the sopr.
$7.00
Here Comes The Sun
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Guitar
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INTERMEDIATE
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The Beatles
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Rick Alexander
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Here Comes The Sun
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Rick Alexander
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1455647 By The Beatles. By George Harrison. Arranged by Rick Alexander. 20th Century,Pop,Rock. Individua...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1455647 By The Beatles. By George Harrison. Arranged by Rick Alexander. 20th Century,Pop,Rock. Individual part. 4 pages. Rick Alexander #1034741. Published by Rick Alexander (A0.1455647). This is an arrangement for solo classical guitar or fingerstyle acoustic guitar of The Beatles, Here Comes the Sun by George Harrison. I've based this arrangement closely on the acoustic guitar accompaniment played on the original song by George Harrison but have made changes in a few places in order to play the vocal melody.I've decided to start the piece slowly and sparsely for the introdution and first chorus and to then build during the first verse and second chorus. I recommend playing the piece with either no capo or a capo on the second fret. This is a standard notation version - there is also a tab version available.
$4.99
Bridal Chorus from Lohengrin by Richard Wagner - Guitar Solo
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Guitar
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Richard Wagner
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Bridal Chorus from Lohengrin
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Musicnotes
Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instrum...
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Richard Wagner - Bridal Chorus from Lohengrin Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Wedding, Traditional~~Wedding~~Classical~~Romantic~~Special Use
$2.99
Chorus of the Hebrew Slaves (Va, pensiero) [Excerpt] by Giuseppe Verdi - Guitar Solo
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Guitar
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Giuseppe Verdi
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Chorus of the Hebrew Slaves (V
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Musicnotes
Giuseppe Verdi - Chorus of the Hebrew Slaves (Va, Pensiero) [Excerpt] - from Nabucco Digital Sheetmusic plus an interactive, downloadable digital sheet music fi...
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Giuseppe Verdi - Chorus of the Hebrew Slaves (Va, Pensiero) [Excerpt] - from Nabucco Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Guitar; 1 pages -- Opera~~Romantic~~Classical
$2.99
The Fool On The Hill
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Guitar
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INTERMEDIATE
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The Beatles
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Richard Charlton
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The Fool On The Hill
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Richard Charlton
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1477341 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Charlton. Instructional,P...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1477341 By The Beatles. By John Lennon and Paul McCartney. Arranged by Richard Charlton. Instructional,Pop,Singer/Songwriter,Standards. Individual part. 1 pages. Richard Charlton #1054765. Published by Richard Charlton (A0.1477341). Another Lennon & McCartney classic - In E major with mostly easy open bass notes, one full barre, chorus melody in the bass (Thumb).
$4.99
Alice In Wonderland
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Guitar
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ADVANCED
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Bill Evans
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Christopher J
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Alice In Wonderland
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Co...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1459406 By Bill Evans. By Bob Hilliard and Sammy Fain. Arranged by Christopher J. Malin. 20th Century,Contemporary,Film/TV,Jazz,Standards. Individual part. 2 pages. Christopher J. Malin #1038354. Published by Christopher J. Malin (A0.1459406). Solo jazz guitar chord/melody arrangement with tablature. This one is by Sammy Fain/Bob Hilliard in 1951. I believe this was written for an early Disney animated film. Watching this piece (available online) may help you get a feel for it. It’s in a ¾ jazz waltz time signature. I also believe Dave Brubeck covered it.I interpreted many chords to be played as triads or eliminated, and single notes are used. I tend to use a minimalist style that keeps the important parts of the music. I arranged it to be played an octave above as written (8 va.). It sounds great on electric guitars. Accurate intonation is important on this song. You do need access to the upper notes. It explores the upper register of the guitar. I also play many of the chords as arpeggios (varying between high note to low note and vice versa). It is a very beautiful tune! I hope you will like it! I certainly do!P.S. I have to admit, I like using chorus and delay on the electric guitar, it gives an ethereal quality to this one!
$4.99
"Jesu, Joy of Man's Desiring" for solo classical fingerstyle guitar
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Guitar
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EASY
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Classical
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Johann Sebastian Bach
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Keith W
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"Jesu, Joy of Man's Desiring"
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Keith Gehle
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacre...
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Solo Guitar - Level 2 - Digital Download SKU: A0.1413902 Composed by Johann Sebastian Bach. Arranged by Keith W. Gehle. Baroque,Classical,Religious,Sacred,Wedding. Individual part. 2 pages. Keith Gehle #995682. Published by Keith Gehle (A0.1413902). This shortened version of J.S. Bach’s most familiar melody is perfect for weddings where a player just needs the opening theme and chorus as a processional or recessional. This rendition includes detailed fingerings in standard notation. There's also a version with TAB available on this site. Jesu, Joy of Man's Desiring is an essential piece for guitarists playing for weddings, church services and gigs.
$1.99
The Lord is Faithful
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Guitar
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EASY
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Sacred music
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Elizabeth Vecchione
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The Lord is Faithful
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Elizabeth Vecchione
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SheetMusicPlus
Guitar - Level 2 - Digital Download SKU: A0.1184238 Composed by Elizabeth Vecchione. Christian,Praise and Worship. Chords/Lyrics. 2 pages. Elizabeth Vecc...
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Guitar - Level 2 - Digital Download SKU: A0.1184238 Composed by Elizabeth Vecchione. Christian,Praise and Worship. Chords/Lyrics. 2 pages. Elizabeth Vecchione #783954. Published by Elizabeth Vecchione (A0.1184238). Lovely, soothing praise chorus based on 2 Thessalonians 3:3 and I John 5:18.
$4.99
At The Mambo Inn
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Guitar
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INTERMEDIATE/ADVANCED
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Latin/World Music
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Jazz
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Bobby Woodlen, Grace Sampson,
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Nicola Corso
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At The Mambo Inn
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Nicola Corso Music
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1233587 Composed by Bobby Woodlen, Grace Sampson, and Mario Bauza. Arranged by Nicola Corso. Instruction...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1233587 Composed by Bobby Woodlen, Grace Sampson, and Mario Bauza. Arranged by Nicola Corso. Instructional,Jazz,Latin,Standards. Individual part. 2 pages. Nicola Corso Music #829171. Published by Nicola Corso Music (A0.1233587). George Benson's last solo chorus, the one that follows the sung part, in which he performs one of his most iconic combinations: vocal scat and guitar together. From the legendary record Tenderly (1989) with McCoy Tyner, Ron Carter, Herlin Riley, and Lenny Castro.For C intruments.
$4.99
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