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1,170
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3,297
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1,552
Piano solo
1,030
Easy Piano
460
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129
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122
Piano, Vocal and Guitar
112
Piano Accompaniment
59
Keyboard
59
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25
C Instruments
16
Piano Trio: piano, violin, cello
15
Piano (band part)
11
Piano Quartet: piano, violin, viola, cello
10
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2 Pianos, 8 hands
2
Harpsichord
2
Piano Quintet: piano, 2 violins, viola, cello
1
Accordion
1
Piano Quartet: piano, 2 violins, cello
1
+ 15 instrumentations
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Guitars
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21
Guitar
20
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Bass guitar
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Lyrics and Chords
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Banjo
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58
Choral 3-part
29
Choral 2-part
27
Choral Unison
26
Vocal duet, Piano
9
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6
Vocal duet
4
Soprano voice, Piano
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High voice
2
Medium voice, Piano
1
Choral SSAA
1
Low voice, Piano
1
Choral SSATTB
1
+ 9 instrumentations
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Retract
Woodwind
Flute and Piano
148
Oboe, Piano (duet)
81
Clarinet and Piano
73
Flute
59
Clarinet
54
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37
2 Saxophones (duet)
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2 Flutes, Piano
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24
Flute, Oboe, Clarinet, Bassoon
23
Descant (Soprano) Recorder
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English Horn
14
Clarinet Quartet: 4 clarinets
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Alto Saxophone
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11
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10
English horn, Piano
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9
2 Clarinets (duet)
9
Baritone Saxophone, Piano
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7
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7
2 Oboes (duet)
7
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6
Clarinet, Violin (duet)
6
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5
Flute, Saxophone (duet)
5
Bass Clarinet, Piano
5
Treble (Alto) Recorder
5
3 Clarinets (trio)
5
Tenor Recorder
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Saxophone Quintet: 5 Saxophones
4
Flute Trio: 3 flutes
4
Flute, Violin
3
Flute, Trumpet (duet)
3
3 Saxophones (trio)
3
Oboe, Bassoon (duet)
3
Flute, Oboe, Piano (trio)
3
Clarinet and Viola
3
Oboe, Clarinet (duet)
3
Recorder Quartet
3
Harmonica
2
Flute, Violin, Violoncello and Piano
2
Oboe
2
Flute ensemble
2
2 Clarinets, Piano
2
Oboe, Bassoon and Piano
2
Oboe, Flute
2
Descent (Soprano) Recorder, Piano
2
Flute, Viola (duet)
2
Recorder
2
Clarinet Quintet: Clarinet, String Quartet
1
Recorder Ensemble
1
Oboe, Clarinet and Piano (Trio)
1
Clarinet, Bassoon (duet)
1
2 Oboes, Piano
1
Flute (band part)
1
Flute, Oboe (duet)
1
Treble (Alto) Recorder, Piano
1
Flute, Clarinet and Bassoon.
1
Clarinet, Cello (duet)
1
Saxophone ensemble
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Oboe, Clarinet (trio)
1
Piccolo, Piano
1
+ 66 instrumentations
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Retract
Woodbrass
Trumpet, Piano
66
Trombone and Piano
57
Trombone
46
French Horn and Piano
35
Tuba and Piano
30
Trumpet
23
Brass Quintet: 2 trumpets, horn, trombone, tuba
21
English Horn
14
Trumpet (band part)
14
Trombone (band part)
10
English horn, Piano
10
Brass quartet : 2 trumpets, trombone, tuba
9
Euphonium
8
2 Trumpets (duet)
8
2 Trombones (duet)
7
Euphonium, Piano (duet)
7
Trumpet, Saxophone (duet)
6
Trumpet, Trombone (duet)
4
Tuba
3
French horn
3
Trumpet, Horn (duert)
3
Brass Quartet: 2 trumpets, horn, trombone
3
Brass Quartet: 4 trombones
2
Brass Quartet: 4 horns
2
Tuba and Organ
2
French horn (band part)
2
Bass Trombone and Piano
1
Brass Quartet: 4 trumpets
1
Brass Quartet
1
Tuba (band part)
1
4 Tubas
1
Trombone, Tuba (duet)
1
2 Tubas (duet)
1
Trumpet, Euphonium (duet)
1
2 Euphoniums and 2 Tubas
1
+ 30 instrumentations
-
Retract
Strings
Violin and Piano
151
Cello, Piano
90
Viola, Piano
81
String Quartet: 2 violins, viola, cello
57
Harp
43
Violin
27
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24
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20
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14
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13
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10
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10
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9
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8
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6
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5
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4
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3
4 Cellos
3
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2
Double Bass
2
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2
String Trio: 2 violins, cello
2
Harp, Cello (duet)
2
Viola (band part)
2
2 Harps (duet)
2
2 Violins, Piano
2
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1
String Trio: 3 cellos
1
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1
2 Cellos, Piano
1
String Quintet: 2 violins, 2 violas, cello
1
Cello (band part)
1
Cello, Guitar (duet)
1
String Trio: 2 violins, viola
1
2 Violas, Piano
1
+ 34 instrumentations
-
Retract
Orchestra & Percussion
Handbells
269
Jazz Ensemble
49
Chamber Orchestra
48
Concert band
39
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30
String Orchestra
23
Jazz combo
20
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9
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3
School Ensemble
3
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2
Drum (band part)
2
Marching band
1
Xylophone, Piano
1
Percussion (band part)
1
Piano and Orchestra
1
Marimba
1
+ 13 instrumentations
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20 sheet music found
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1
Pieces Froides : No. 1. Airs a faire fuir: I. D'une maniere particuliere (In a Very Unusual Manner)
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Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Classical
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Brad Rau
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Brad Rau
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Pieces Froides : No. 1. Airs a
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Brad Rau
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad R...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1243618 By Brad Rau. By Erik Satie. Arranged by Brad Rau. 20th Century. Individual part. 3 pages. Brad Rau #838582. Published by Brad Rau (A0.1243618). D'une Manière Très Particulière was originally written for solo piano and has been arranged for solo guitar by Brad Rau. Fingering suggestions have been added to make it easier to play. The original piece was notated without measures; however, measures have been added to make learning easier. The pieces also do not have a key signature. However, it seems to begin in C minor. It has been transposed to A minor to make it easier to play. This is from a set of pieces Erik Satie wrote in 1897 called Pieces Froides or Cold Pieces. The first set of pieces is called Airs à faire fuir or Tunes to Make You Run Away. This movement is called D'une manière très particulière or In a Very Unusual Manner. In these sets of pieces, Satie writes in the enigmatic he used to compose the Gymnopedies and Gnossienne composed earlier. This little-known piece is rarely played on guitar but works really well.
$4.99
Beautiful
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Guitar
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INTERMEDIATE
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Pétur Söebech Quinn
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Beautiful
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Petur Soebech Quinn
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.997035 Composed by Pétur Söebech Quinn. Contemporary,Pop. Individual part. 3 pages. Petur Soebech ...
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Solo Guitar - Level 3 - Digital Download SKU: A0.997035 Composed by Pétur Söebech Quinn. Contemporary,Pop. Individual part. 3 pages. Petur Soebech Quinn #6097333. Published by Petur Soebech Quinn (A0.997035). Guitar Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 4:06 - Performing Rights Organization,.
$2.99
This Is Just Me
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Guitar
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INTERMEDIATE
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Pétur Söebech Quinn
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This Is Just Me
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Petur Soebech Quinn
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.996985 Composed by Pétur Söebech Quinn. Jazz,Pop. Individual part. 3 pages. Petur Soebech Quinn #5...
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Solo Guitar - Level 3 - Digital Download SKU: A0.996985 Composed by Pétur Söebech Quinn. Jazz,Pop. Individual part. 3 pages. Petur Soebech Quinn #5888421. Published by Petur Soebech Quinn (A0.996985). Nylon Guitar Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 3:36 - Performing Rights Organization, STEF Iceland.
$2.99
The Open Road
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Guitar
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INTERMEDIATE
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Pétur Söebech Quinn
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The Open Road
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Petur Soebech Quinn
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.996997 Composed by Pétur Söebech Quinn. Folk,Pop,World. Individual part. 3 pages. Petur Soebech Qu...
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Solo Guitar - Level 3 - Digital Download SKU: A0.996997 Composed by Pétur Söebech Quinn. Folk,Pop,World. Individual part. 3 pages. Petur Soebech Quinn #5993389. Published by Petur Soebech Quinn (A0.996997). Electric Guitar Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 3:43 - Performing Rights Organization, STEF Iceland.
$2.99
From Me To You
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Guitar
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INTERMEDIATE
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Pétur Söebech Quinn
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From Me To You
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Petur Soebech Quinn
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.997024 Composed by Pétur Söebech Quinn. Folk,Pop. Individual part. 3 pages. Petur Soebech Quinn #6...
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Solo Guitar - Level 3 - Digital Download SKU: A0.997024 Composed by Pétur Söebech Quinn. Folk,Pop. Individual part. 3 pages. Petur Soebech Quinn #6080649. Published by Petur Soebech Quinn (A0.997024). Guitar Lead Sheet version of this song, chords can be played on a piano or a keyboard. - Appropriate for anyone. - Duration 3:40 - Performing Rights Organization, STEF Iceland.
$2.99
Satin Doll
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Guitar
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INTERMEDIATE
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Duke Ellington
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Christopher J
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Satin Doll
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Christopher J. Malin
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christophe...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1348935 By Duke Ellington. By Billy Strayhorn, Duke Ellington, and Johnny Mercer. Arranged by Christopher J. Malin. 20th Century,Broadway,Jazz,Musical/Show,Standards. Individual part. 2 pages. Christopher J. Malin #933670. Published by Christopher J. Malin (A0.1348935). Solo jazz guitar chord/melody arrangement with tablature. Seldom heard standard in this style. Beautiful, instantly recognizable melody. I think of this one as Duke Ellington's signature piece. This piece makes you stand out as a solo jazz guitarist of all idioms. Some chords are played as triads or dyads or eliminated, and single notes are used. I draw a line over the note if it's the high note of a chord or I use a dot if it's played as a single note, the chord is then in parentheses. I tend to use a minimalist style that keeps the important parts of the music. Sounds great on acoustic and electric guitars. This is a jazz classic! When I hear or play this song I think of my parents dancing to Satin Doll at Navy Pier in Chicago with the Duke's orchestra! His intro opening lick on the piano to that generation is like Clapton's Layla riff to my generation!I love this tune! Hope you will too.
$4.99
Asturias - Leyenda.
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Guitar
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ADVANCED
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Classical
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Isaac Albeniz
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Daniel Clark
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Asturias - Leyenda.
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Daniel Clark
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. ...
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Solo Guitar - Level 5 - Digital Download SKU: A0.982529 Composed by Isaac Albeniz. Arranged by Daniel Clark. Romantic Period. Individual part. 13 pages. Daniel Clark #6441461. Published by Daniel Clark (A0.982529). The work draws on original and early piano editions as well as the first guitar transcription made by Severino GarciÌa Fortea who introduced key innovations familiar to most classical guitarists. Guitarists are encouraged to use this arrangement in consultation with the transcriptions by GarciÌa Fortea, AndreÌs Segovia, and Stanley Yates. Asturias is known for its abrupt chord interruptions which gives it its distinctive character. In the original, less well known, transcription for guitar by GarciÌa Fortea, these were plucked with the thumb and three fingers simultaneously. Segovia expanded the chord to a full six strings which is strummed. This six-string variation is now adopted as standard in nearly all classical guitar versions and the work of GarciÌa Fortea has all but been forgotten. Stanley Yates was aware of GarciÌa’s version, though seems to have been misdirected by Segovia and did not appear to get hold of GarciÌa’s work before making his own transcription. A key difference between the piano versions and guitar versions is the fact that the pedal note is missing immediately following the chords played on the first notes of the bar. This seems to be a pragmatic decision made due to the technical challenge of articulating a chord on the guitar and then immediately following up with a pedal note. It may have been also a decision to more strongly emphasise the chord. However, the composer clearly indicated that the chord should be as short as all of the other notes and hence it is reasonable to strike the chord and immediately lose it and start the pedal note.
$2.99
Prelude No. 1 in C Major by J.S. Bach for Guitar (Arranged by Aaron Larget-Caplan)
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Guitar
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INTERMEDIATE
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Classical
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Aaron Larget-Caplan
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Aaron Larget-Caplan
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Prelude No. 1 in C Major by J.
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Aaron Larget-Caplan
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Chris...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1377888 By Aaron Larget-Caplan. By Johann Sebastian Bach. Arranged by Aaron Larget-Caplan. Baroque,Christian,Christmas,Classical,Early Music. Individual part. 5 pages. Aaron Larget-Caplan #962501. Published by Aaron Larget-Caplan (A0.1377888). Prelude N. 1 in C Major, BWV 846 by J.S. Bach (1685-1750) arranged by Aaron Larget-Caplan Includes: 2 pages of music, 1 page of notes, 1 page of alternate fingering. It is recommended to print double-sided so no page turns are required while playing.About this Arrangement â?? The regular arpeggio gesture is straightforward on piano, but on guitar the performer may have to do a few adjustments to keep this gesture clear. The performer should play the arpeggios over multiple strings as much as possible allowing the notes to ring beyond their notated values. The music can be realized in various ways; hence the fingerings are suggestions and some measures can be played without a Barre. For an ethereal conclusion, I raised the octave of the last measures.Prelude N. 1 in C Major (no sharps or flats) is the first of 44 preludes and fugues written by Bach for keyboard. It follows a progression of arpeggiated chords touching multiple keys as it climaxes on an exquisite pedal point in the Dominant before returning to C-major. One of the most often arranged of Bachâ??s compositions, it was most famously the basis of Ave Maria by Charles Gunoud.This arrangement of Prelude No. 1 in C major, WTC Book I, BWV 846 is featured on the 2022 album â??Godâ??s Time: Music of J.S. Bach on Guitarâ?? by Aaron Larget-Caplan on Tiger Turn (888-09) and streams worldwide. Online lessons are also available.The arrangements of Aaron Larget-Caplan have been called â??very importantâ? and â??a must haveâ?, with Soundboard â??strongly advocatingâ? for them â??to be performed by young guitaristsâ? and include music by J.S. Bach, John Cage, Isaac Albéniz, Franz Schubert, Reynaldo Hahn, and Alan Hovhaness.Â
$5.00
Guitar Sonata No. 5 in G major (open G tuning)
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Guitar
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ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata No. 5 in G major
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Pu...
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Solo Guitar - Level 5 - Digital Download SKU: A0.985325 Composed by Jeremiah Lawson. Contemporary. Individual part. 9 pages. Jeremiah Lawson #6012233. Published by Jeremiah Lawson (A0.985325). Guitar Sonata No. 5 in G major is open G tuning. It is in three movements and performance time is abut 10 to 10:15. Movements 1 and 3 are to be played using a glass or bronze slide worn on the fourth finger. The movements are:1. Hobo Spider Blues2. Ragged) and Sor(e) (after Sor's Op. 29, 10)3. Ricardo de YakimaThe first movement is a set of bottleneck technique variations on an original blues theme. Each variation explores different timbrel possibilities such as ordinary tone, pizzicato, sul tasto, and ponticello before recapitulating the original form of the blues theme.The second movement reconceives Sor's study in E flat from his Op. 29 as a ragtime sonata form, with a developmental intrusion from another Sor etude. This ragtime sonata leads attaca into the final movement.The third movement is another set of variations, this time on a two-step dance theme cast in the form of a menuet. It was common in early 19th century guitar sonatas to end with a menuet and so I opted to end with a menuet with variations. In sharp contrast to my first guitar sonata, which drew inspiration from late Beethoven piano sonatas and late Shostakovich string quartets, the inspirations here were Muddy Waters, Fernando Sor, Scott Joplin, Johnny Cash, and Don Helms.This sonata was also recorded by Daniel Estrem on Estrem Plays Lawson, which was released through Magnatune in 2016. .
$9.95
Morning Has Broken
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Guitar
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INTERMEDIATE
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Rock
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Cat Stevens
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Tim Rushworth
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Morning Has Broken
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Tim Rushworth
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.943123 By Cat Stevens. By Cat Stevens. Arranged by Tim Rushworth. Rock. Individual part. 2 pages. Tim Ru...
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Solo Guitar - Level 3 - Digital Download SKU: A0.943123 By Cat Stevens. By Cat Stevens. Arranged by Tim Rushworth. Rock. Individual part. 2 pages. Tim Rushworth #4786903. Published by Tim Rushworth (A0.943123). This arrangement, for solo classical guitar would be suitable for a church service, concert or school assembly and could also be used as backing to a singer. The original introduction, bridge and ending (as played on piano on the recording by Rick Wakeman) have also been transcribed and included. I have used left hand fingering only where I felt it would help. I hope you enjoy my arrangement.
$4.99
Saman
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Guitar
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INTERMEDIATE
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Olafur Arnalds
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Steve Gibb
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Saman
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Steve Gibb
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1265842 Composed by Olafur Arnalds. Arranged by Steve Gibb. 21st Century,Classical,Contemporary,Multicul...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1265842 Composed by Olafur Arnalds. Arranged by Steve Gibb. 21st Century,Classical,Contemporary,Multicultural,New Age,World. Individual part. 4 pages. Steve Gibb #858597. Published by Steve Gibb (A0.1265842). My new arrangement of Olafur Arnald's mesmerizing and evocative piano piece from his 2018 album Re:member.The arrangement includes the guitar tablature and the while the suggested fingering makes it a little more challenging, the effort is well worth it as it retains the overall feeling of the original piano work. A great little encore piece which can be played on classical guitar or acoustic guitar.
$5.99
Andantino for Guitar
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Guitar
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INTERMEDIATE
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Fernando Sor
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Arte Nova Music Lab
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Andantino for Guitar
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,Worl...
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Solo Guitar - Level 3 - Digital Download SKU: A0.742430 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Concert,Romantic Period,Standards,World. Individual part. 4 pages. Arte Nova Music Lab #3684051. Published by Arte Nova Music Lab (A0.742430). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
Vals No 1 for 2 Guitars
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Guitar
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EASY
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Fernando Sor
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Arte Nova Music Lab
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Vals No 1 for 2 Guitars
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individua...
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Solo Guitar - Level 2 - Digital Download SKU: A0.742432 Composed by Fernando Sor. Arranged by Arte Nova Music Lab. Classical,Concert,Standards. Individual part. 3 pages. Arte Nova Music Lab #3684065. Published by Arte Nova Music Lab (A0.742432). Fernando Sor or Josep Ferran Sorts i Muntades (baptized 14 February 1778 – died 10 July 1839) was a Spanishclassical guitarist and composer. While he is best known for his guitar compositions, he also composed music for a wide range of genres, including opera, orchestra, string quartet, piano, voice, and ballet. His ballet score Cendrillon(Cinderella) received over one hundred performances. Sor's works for guitar range from pieces for beginning players to advanced players such as Variations on a Theme of Mozart. Sor's contemporaries considered him to be the best guitarist in the world,[1] and his works for guitar have been widely played and reprinted since his death.[2] Although modern classical guitar players usually do, Sor rarely used his ring finger and refused the usage of nails when playing.[3]As Sor's works were published in various countries, his name was translated, leading to variations in the spelling. Variations have included Joseph Fernando Macari Sors, Fernando Sor, Ferran Sor, Ferdinand Sor, and Ferdinando Sor. Taken from https://en.wikipedia.org/wiki/Fernando_Sor
$3.99
Solfeggietto in E minor
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Guitar
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ADVANCED
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Classical
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Carl Philipp Emanuel Bach
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Joseph Dávila
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Solfeggietto in E minor
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JaGlo Music
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,M...
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Solo Guitar - Level 5 - Digital Download SKU: A0.1164642 Composed by Carl Philipp Emanuel Bach. Arranged by Joseph Dávila. Baroque,Classical,Film/TV,Multicultural,Video Game,World. Individual part. 2 pages. JaGlo Music #764975. Published by JaGlo Music (A0.1164642). Solfeggietto in C minor has been played by accomplished pianists worldwide and is considered one of C.P.E. Bach's most famous compositions. This study is challenging but beneficial for the left and right-hand techniques on the piano and the guitar. The key has been changed to E minor which allows the guitarist to use the full range of the guitar while maintaining the challenging aspects of this study. This is a great solo piece for advanced students.
$4.99
Recuerdos de la Alhanbra for Classical Guitar
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Guitar
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INTERMEDIATE
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Keith Terrett
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Keith Terrett
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Recuerdos de la Alhanbra for C
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Keith Terrett
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SheetMusicPlus
Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contes...
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Solo Guitar - Level 3 - Digital Download SKU: A0.1441062 By Keith Terrett. By Francisco Tarrega. Arranged by Keith Terrett. 20th Century,Classical,Contest,Festival,Instructional,Multicultural,World. Individual part. 12 pages. Keith Terrett #1021041. Published by Keith Terrett (A0.1441062). Recuerdos de la Alhambra (Memories of the Alhambra) is a classical guitar piece composed in Málaga by Spanish composer and guitarist Francisco Tárrega. It requires the tremolo technique and is often performed by advanced players.The piece was written for and dedicated to Tárrega's patron Concepción Gómez de Jacoby in 1899, commemorating their visit to the Alhambra palace and fortress complex in Granada, Spain. It was originally titled Improvisación ¡A Granada! Cantiga Árabe. It became known through an early 20th-century publication edited by Tárrega and dedicated as an homage to the French guitarist Alfred Cottin.Performance notesThe piece showcases a challenging guitar tremolo, wherein a single melody note is plucked consecutively by the ring, middle and index fingers in such rapid succession that the result is an illusion of one long sustained note. The thumb plays an arpeggio-pattern accompaniment simultaneously. Many who have heard the piece but not seen it performed mistake it for a duet.The A-section of the piece is written in A-minor and the B-section is written in the parallel major (A-major).Arrangements:Ruggiero Ricci arranged this piece for solo violin and often performed it as an encore.Chris Freeman and John Shaw recorded the song for their album Chris Freeman and John Shaw (May 1981, EMI Custom Records YPRX 1828, MAC 126).Nana Mouskouri recorded a vocal version for her 1989 album Classical. Sarah Brightman recorded a re-adapted vocal version for her album Classics.Alex Jacobowitz frequently performs a version of the song on his marimba and xylophone. He recorded it for several of his albums: Spanish Rosewood (1996), The Art of Xylos (2002), and Aria (2010).Luiza Borac arranged this piece for solo piano on her 2014 CD Chants Nostalgiques (Avie AV-2316).Xavi Ganjam made a special arrangement for sitar on his EP Soham (2019, Ganjam Records, Spain).Italian violist Marco Misciagna published the arrangement of this piece for solo viola.Soundtrack use:Recuerdos de la Alhambra has been used as title or incidental music in many films, including the soundtrack for René Clément's Forbidden Games (as played by Narciso Yepes), for The Killing Fields (under the title Étude as performed by Mike Oldfield), and in the films Sideways and Margaret.Performed and arranged by Jonathon Coudrille, it was used as the title music for the British television series Out of Town and a version performed by Pepe Romero was used as incidental music in The Sopranos episode Luxury Lounge. Gideon Coe on BBC Radio 6Music uses this tune as a musical background at approximately the half-way point of his evening weekday show. A sung version appears in the Studio Ghibli film When Marnie Was There.It is also the theme used for Philip II of Spain in the 4X strategy game Civilization VI, with the track progressing from a simple guitar arrangement to an entire orchestral performance as Spain advances through the ages.The theme was part of the soundtrack and storyline for the eponymous 2018 Korean television series Memories of the Alhambra.
$1.99
Élégie
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Guitar
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INTERMEDIATE
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Contemporary
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Francis Bebey
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Ingrid Riollot
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Élégie
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Les Editions Doberman-Yppan
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SheetMusicPlus
Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Ypp...
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Guitar - Intermediate - Digital Download SKU: ZY.DO-1522 Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. 5 pages. Les Editions Doberman-Yppan (digital) #DO 1522. Published by Les Editions Doberman-Yppan (digital) (ZY.DO-1522). Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux Ã?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. Ã? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
$3.95
Asturias (Leyenda) - Classical Guitar Ver.
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Guitar
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INTERMEDIATE/ADVANCED
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Classical
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Isaac Albeniz
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Padet Netpakdee
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Asturias
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Padet NEtpakdee
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SheetMusicPlus
Solo Guitar - Level 4 - Digital Download SKU: A0.1124819 Composed by Isaac Albeniz. Arranged by Padet Netpakdee. 19th Century,Classical,Traditional. Indi...
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Solo Guitar - Level 4 - Digital Download SKU: A0.1124819 Composed by Isaac Albeniz. Arranged by Padet Netpakdee. 19th Century,Classical,Traditional. Individual part. 8 pages. Padet NEtpakdee #725590. Published by Padet NEtpakdee (A0.1124819). Asturias (Leyenda) - Classical Guitar Ver. If you're looking for a newer & fresh interpretation on this iconic repertoire, you are in the right place. This Asturias version is arranged based on the original piano version without changing the typical guitar version's key, Em. Therefore, if you have already learnt the regular version of the piece, you wouldn't have to do much more of the extra work in order to play this version. The overall concept of this specific version is to capture the impressionism aspect of the piece rather than the guitaristic stand point. This, when played properly, gives you a serenity and impressionistic atmospheric aspect of Albeniz music in general.
$4.99
Guitar Sonata in F minor (Guitar Sonata No. 1)
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Guitar
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ADVANCED
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Contemporary
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Jeremiah Lawson
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Guitar Sonata in F minor
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Jeremiah Lawson
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SheetMusicPlus
Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Pu...
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Solo Guitar - Level 5 - Digital Download SKU: A0.985320 Composed by Jeremiah Lawson. Contemporary. Individual part. 8 pages. Jeremiah Lawson #5370923. Published by Jeremiah Lawson (A0.985320). This is a single-movement, 8 page solo guitar sonata in F minor that I composed in 2000. My main inspirations were the late piano sonatas of Beethoven (especially Op. 111) and the late string quartets of Shostakovich (particularly No. 13). This is a very demanding work to play. Prescribed tempo should be no LESS than 152 bpm. The work is a traditional sonata form and includes large stretches as well as chords and melodies in harmonics played over continuously moving bass lines using conventional tones on the lower strings. .
$5.00
Classical Guitar Tunes - Parlor Gems
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Guitar
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INTERMEDIATE
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Classical
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Classical Guitar Tunes - Parlo
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate- Advanced - Digital Download 19th Century Music. Ebook and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #309...
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Guitar - Intermediate- Advanced - Digital Download 19th Century Music. Ebook and online audio. 52 pages. Mel Bay Publications - Digital Sheet Music #30944MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459905. 8.75 x 11.75 inches.
In the late eighteenth and nineteenth centuries, the parlor was a room set aside for particular functions. Before the advent of the radio, it was the place where formal presentations were staged, including amateur and semi-professional concerts. This classical guitar solo collection for the intermediate to advanced player offers nine engaging and lyrical European and North American favorites of this bygone era. All of the solos are presented in standard notation only and played on authentic reproductions of period instruments on the books online companion recording. Author Joseph Mayes plays works by well-known guitarist-composers Carulli, Coste and Giuliani as well as the lesser-known but deserving Kathleen MavoureenRomanza by Frederick N. Crouch arranged by Charles de Janon, and Felix Arndts Nola, one of the eras most popular ragtime piano themes, here transcribed and arranged by William Foden and the author. Includes access to online audio.
$14.99
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