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Biography
Clarinet
Sheetmusic to print
4 sheet music found
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1
Carinhoso
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Clarinet
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Benedicto Lacerda and Jorge Ca
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Leo Silva
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Carinhoso
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MP Sheet Music
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SheetMusicPlus
B-Flat Clarinet Solo - Digital Download SKU: A0.500738 Composed by Benedicto Lacerda and Jorge Calandrelli. Arranged by Leo Silva. Latin,Multicultural,Tr...
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B-Flat Clarinet Solo - Digital Download SKU: A0.500738 Composed by Benedicto Lacerda and Jorge Calandrelli. Arranged by Leo Silva. Latin,Multicultural,Traditional,World. Individual part. 1 pages. Published by MP Sheet Music (A0.500738). Carinhoso is one of the most significant works of Brazilian popular music due to the large amount of recordings and awards. It was composed by Pixinguinha around 1917. Afterwards, Carinhoso received lyrics by the composer Braguinha, also known as João de Barro, and was recorded with great success in Brazil and abroad by several interpreters. Biography of Pixinguinha Alfredo da Rocha Viana Filho, known as Pixinguinha (1897-1973), was born in Piedade, Rio de Janeiro, on April 23, 1897. He was the son of the flutist and an employee of the General Department of Telegraphs, Alfredo da Rocha Viana and Raimunda Viana. He was a flutist, saxophonist, conductor, composer and arranger. Pixinguinha is considered one of the greatest composers of Brazilian popular music. He directly contributed to choro finding a definitive musical form.
$5.08
Sonata A major
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Clarinet
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INTERMEDIATE/ADVANCED
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Johanna Senfter
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Sonata A major
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Schott Music - Digital
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SheetMusicPlus
Clarinet (in A) and piano - intermediate to advanced - Digital Download SKU: S9.Q6646 Composed by Johanna Senfter. This edition: Sheet music. Clarinet Li...
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Clarinet (in A) and piano - intermediate to advanced - Digital Download SKU: S9.Q6646 Composed by Johanna Senfter. This edition: Sheet music. Clarinet Library. Downloadable. Op. 57. Duration 18 minutes. Schott Music - Digital #Q6646. Published by Schott Music - Digital (S9.Q6646). Key: A major.The biography of the reserved and withdrawn composer Johanna Senfter is not characterized by any outstanding events or incidents. Born in Oppenheim on the Rhine on 27 November 1879, the composer chose to live on the Sparrhof, her family's estate, all her life until her death on 11 August 1961. Her amazing musicality already showed at an early age and was early recognized and actively encouraged by her parents. Max Reger repeatedly testified to his pupil's 'extraordinary compositional talent'. The works by Johanna Senfter are mainly influenced by Brahms and Reger, but she knew pretty soon how to further develop Reger's personal style individually in her own works without ever crossing the - widely drawn - boundaries of a harmony based on the functional theory. The time of creation of the Sonata for A clarinet (or viola) and piano Op. 57 can only be estimated: probably around 1925. There is only solid evidence of the place and date of the world premiere: Karlsruhe, 8 December 1932. This edition of the previously unprinted sonata is based on the composer's autograph kept at the library of the Cologne Academy of Music.
$21.99
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 1
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Clarinet
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ADVANCED
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin...
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018927 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072957. Published by Benjamin Sajo (A0.1018927). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Clarinet 2
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Clarinet
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ADVANCED
#
Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin...
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Clarinet Solo - Level 5 - Digital Download SKU: A0.1018929 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072959. Published by Benjamin Sajo (A0.1018929). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50
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