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James Mark
Clarinet
Sheetmusic to print
11 sheet music found
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1
"Too-Ra-Loo-Ra-Loo-Ral" for Clarinet (with Background)-Jazz/Pop Version
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Clarinet
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INTERMEDIATE
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James Royce Shannon
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Fishel Pustilnik
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"Too-Ra-Loo-Ra-Loo-Ral" for Cl
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F & N Enterprise
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SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.633987 Composed by James Royce Shannon. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individu...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.633987 Composed by James Royce Shannon. Arranged by Fishel Pustilnik. Film/TV,Jazz,Pop,World. Individual part. 3 pages. F & N Enterprise #3489051. Published by F & N Enterprise (A0.633987). An excellent arrangement of famous Irish Song Too-Ra-Loo-Ra-Loo-Ral (That's An Irish Lullaby) for Clarinet with Background Track-Jazz/Pop Version.The composition is easy to read, fun to play and sound professional when performed. Arranged by Fishel Pustilnik, very well known as Composer/Publisher. His books Jazz & Pop Piano Paradise (Volumes 1-5) have become a commercial success and a hit with music teachers and students in Canada. (Thousands books already sold in Canada). They are also starting to enter the US, Brazil, Norway, Russia, Holland, Israel, Belgium, Sweden, Finland, Greece, Latvia and UK markets. This is a wonderful new publication. These pieces offer much appeal for the young pianist and excellent choice for a supplementary book for students from Grade 3 to 8. Lore Ruschiensky, Editor, (from review in The Canadian Music Teacher) Yesterday I spent at least two pleasure filled hours playing through your imaginatively inventive compositions. Congratulations! I trust students will decide to program your well crafted and entertaining works on recitals and examinations. Review from Dr. Jack Behrens, B.Sc. (Julliard), PH.D (Harvard), Director of Academic Studies, The Glenn Gould School I liked this book the best so far. Great work! You have a gift for melody and your arrangements are very playable. Congratulations on the 3rd Volume. Mark Carlstein, Hal Leonard, Keyboard Publications.Additional Information regarding my arrangements at SheetMusicPlus: https://www.facebook.com/arrangementsofsheetmusic/
$1.99
Say You Won't Let Go
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Clarinet
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INTERMEDIATE/ADVANCED
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James Arthur
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Fabio Britto
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Say You Won't Let Go
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Fabio Britto
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SheetMusicPlus
B-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1143053 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Nei...
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B-Flat Clarinet Solo - Level 4 - Digital Download SKU: A0.1143053 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Fabio Britto. Pop,Wedding. Individual part. 2 pages. Fabio Britto #743416. Published by Fabio Britto (A0.1143053). Arrangement of the song Say You Won't Let Go (James Arthur) for Clarinet in Bb Solo.
$4.99
Say You Won't Let Go
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Clarinet
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INTERMEDIATE
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James Arthur
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Alex Souza
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Say You Won't Let Go
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Alexander de Souza
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1326789 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Nei...
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B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.1326789 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Alex Souza. 21st Century,Contemporary,Pop,Wedding. Individual part. 1 pages. Alexander de Souza #914929. Published by Alexander de Souza (A0.1326789).
$5.99
Say You Won't Let Go
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Clarinet
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EASY
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Contemporary
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James Arthur
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Kevin Busse
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Say You Won't Let Go
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Kevin Busse
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SheetMusicPlus
Clarinet Solo - Level 2 - Digital Download SKU: A0.606985 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormand...
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Clarinet Solo - Level 2 - Digital Download SKU: A0.606985 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Kevin Busse. 20th Century. Individual part. 2 pages. Kevin Busse #4609763. Published by Kevin Busse (A0.606985). This is an exact transcription of Say You Won't Let Go in a good range for Clarinet.
$4.99
Say You Won't Let Go
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Clarinet
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BEGINNER
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Contemporary
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James Arthur
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Kevin Busse
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Say You Won't Let Go
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Kevin Busse
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SheetMusicPlus
Clarinet Solo - Level 1 - Digital Download SKU: A0.607002 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormand...
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Clarinet Solo - Level 1 - Digital Download SKU: A0.607002 By James Arthur. By Andrew Frampton, Daniel O'Donoghue, James Arthur, Mark Sheehan, Neil Ormandy, Stephen Kipner, and Steve Solomon. Arranged by Kevin Busse. 20th Century. Individual part. 2 pages. Kevin Busse #4609845. Published by Kevin Busse (A0.607002). This is an exact transcription of Say You Won't Let Go in the easy key of C for Clarinet.
$4.99
The Banner Of The Cross - Bb Clarinet
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Clarinet
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James McGranahan
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Mark Edwards
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Hymn
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The Banner Of The Cross - Bb C
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By James McGranahan. Arranged by Mark Edwards. Orchestra. Concert; Hymn; Sacred. EPak. 2 pages. Duration 3:00. Published by Hal Leonard - Digital Sheet Music ...
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By James McGranahan. Arranged by Mark Edwards. Orchestra. Concert; Hymn; Sacred. EPak. 2 pages. Duration 3:00. Published by Hal Leonard - Digital Sheet Music
$7.00
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructi...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Pachelbel: Canon for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Johann Pachelbel
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James M
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Pachelbel: Canon for Alto Clar
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and p...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.548464 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Wedding. Score and part. 8 pages. Jmsgu3 #3386279. Published by jmsgu3 (A0.548464). The famous Pachelbel Canon arranged for alto clarinet & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works.Â
$32.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Handel: Largo from Xerxes for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Come Fly With Me
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Clarinet
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INTERMEDIATE/ADVANCED
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Jazz
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James Van Heusen
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Bobby Hesch
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Come Fly With Me
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Bobby Hesch
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.839255 Composed by James Van Heusen. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby He...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.839255 Composed by James Van Heusen. Arranged by Bobby Hesch. Jazz. Individual part. 3 pages. Bobby Hesch #5372527. Published by Bobby Hesch (A0.839255). ***COME FLY WITH ME***!!! WRITTEN FOR FRANK SINATRA IN 1957!!! YOU MAY HEAR ANGELS CHEER CAUSE WE'RE TOGETHER!!! LET'S PLAY SOME JAZZ!! KEY OF Db!!! LOTS OF COURTESY ACCIDENTALS & ARTICULATION MARKS!!! CHECK OUT THE MP3 FOR JAZZ STYLE & INTERPRETATION!!! LOW E - HIGH Db!!!LOTS OF RUNS & ARPEGGIATED PASSAGES!!! HAVE FUN!!! CONTACT INFORMATION:bobbyhesch@yahoo.com
$4.99
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