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834
Piano & keyboards
Piano solo
380
Piano, Voice
210
Piano, Vocal and Guitar
98
Easy Piano
88
Organ
77
C Instruments
29
2 Pianos, 4 hands
19
1 Piano, 4 hands
8
Piano Trio: piano, violin, cello
8
Piano Quintet: piano, 2 violins, viola, cello
6
Piano Quartet: piano, violin, viola, cello
6
Piano Accompaniment
3
Accordion
2
Organ, Piano (duet)
1
+ 9 instrumentations
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Retract
Guitars
Guitar
51
Guitar notes and tablatures
19
2 Guitars (duet)
12
Ukulele
12
Bass guitar
11
Mandolin
8
Piano, Guitar (duet)
6
Melody line, (Lyrics) and Chords
5
3 Guitars (trio)
3
Mandolin, Guitar (duet)
1
Banjo
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Plectrum Orchestra
1
Guitar Ensemble
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Guitar, Violin, Cello (trio)
1
+ 9 instrumentations
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Retract
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173
Choral 3-part
27
Choral TTBB
22
Choral 2-part
17
Choral SSAA
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Choral Unison
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Medium voice, Piano
8
Vocal duet
7
Baritone voice, Piano
5
Alto voice, Piano
4
Choral SSATTB
2
Voice solo
2
Tenor voice
2
High voice
2
Tenor voice, Piano
2
Choral SSAATTBB
1
Soprano voice, Piano
1
+ 13 instrumentations
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Retract
Woodwind
Flute and Piano
129
Clarinet and Piano
126
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
106
Alto Saxophone and Piano
94
2 Saxophones (duet)
83
Oboe, Piano (duet)
73
Saxophone Quartet: 4 saxophones
64
Soprano Saxophone and Piano
64
Tenor Saxophone and Piano
55
Flute, Oboe, Clarinet, Bassoon
49
Saxophone Quintet: 5 Saxophones
48
Baritone Saxophone, Piano
44
English horn, Piano
37
2 Clarinets (duet)
37
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35
Clarinet
31
2 Flutes (duet)
29
3 Saxophones (trio)
28
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25
Saxophone, Clarinet (duet)
24
Flute
23
Clarinet Ensemble
21
Alto Saxophone
18
Clarinet, Violin (duet)
17
Flute, Clarinet (duet)
16
3 Clarinets (trio)
15
Saxophone ensemble
14
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13
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13
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11
5 Recorders
11
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11
2 Oboes (duet)
11
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11
Clarinet and Viola
10
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10
Flute, Saxophone (duet)
9
2 Recorders (duet)
9
Clarinet Quintet: 5 clarinets
9
Flute Quintet : 5 flutes
8
Oboe (band part)
8
Clarinet, Guitar (duet)
8
Clarinet, Bassoon (duet)
8
3 Recorders (trio)
7
Flute, Trumpet (duet)
7
Oboe, Clarinet (duet)
7
Oboe, Flute
7
Flute and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
Piccolo, Piano
5
Flute, Viola (duet)
5
Treble (Alto) Recorder
4
Soprano Saxophone
4
Descant (Soprano) Recorder
4
Recorder
4
Recorder, Guitar (duet)
3
Treble (Alto) Recorder, Piano
2
Clarinet, Harp (duet)
2
2 English horns and Pianoforte
2
Flute, Violoncello
2
Saxophone and Harp
2
2 Clarinets, Piano
2
Oboe, Harp
2
Clarinet, Cello (duet)
2
Saxophone and Organ
2
Saxophone
1
English Horn
1
Recorder, Piano
1
Oboe, Guitar (duet)
1
Pennywhistle
1
Flute, Bassoon, and Piano
1
2 Flutes, Piano
1
Flute, Clarinet, Piano (trio)
1
Flute, Violin, Piano
1
Flute (band part)
1
English horn, Harp (duet)
1
Bass Clarinet
1
Flute, Oboe, Clarinet (trio)
1
+ 76 instrumentations
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Retract
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Brass Quintet: 2 trumpets, horn, trombone, tuba
91
Trombone and Piano
68
Brass quartet : 2 trumpets, trombone, tuba
55
Euphonium, Piano (duet)
54
French Horn and Piano
51
English horn, Piano
37
Trumpet, Piano
35
Trumpet
34
Tuba
20
Brass Quartet: 2 trumpets, horn, trombone
16
Trumpet, Saxophone (duet)
16
Tuba and Piano
16
Trombone
15
2 Trombones (duet)
14
Brass Quartet: 4 trombones
12
2 Trumpets (duet)
11
French horn
10
Trumpet ensemble
9
Brass Quartet: 4 horns
9
Trumpet, Trombone (duet)
9
Brass Quartet: 4 trumpets
9
Trombone ensemble
8
2 French horns (duet)
7
Horn Ensemble
6
2 Euphoniums (duet)
4
4 Tubas
4
Bass Trombone and Piano
3
Trombone (band part)
3
Euphonium, Tuba (duet)
2
2 Tubas (duet)
2
Trumpet (band part)
2
2 English horns and Pianoforte
2
Brass Quartet
2
English Horn
1
French horn (band part)
1
Trumpet, Harp
1
Bass Trombone
1
Euphonium
1
Trombone, Tuba (duet)
1
Brass Trio
1
Tuba and Organ
1
2 Euphoniums and 2 Tubas
1
English horn, Harp (duet)
1
Tuba ensemble
1
3 Trombones (trio)
1
French Horn and Harp
1
+ 41 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
175
Violin and Piano
133
Cello, Piano
108
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90
Harp
35
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31
Cello
28
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26
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26
2 Violins (duet)
22
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16
2 Cellos (duet)
15
2 Violas (duet)
14
4 Cellos
13
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12
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10
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10
Viola
10
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9
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9
Violin, Guitar (duet)
8
Double Bass
8
Viola (band part)
7
String quartet: 4 violins
7
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6
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6
String Trio: 3 violins
5
String Trio: 3 violas
5
Viola, Cello (duet)
5
Harp, Flute (duet)
3
Violin ensemble
3
Harp, Violin (duet)
3
2 Double basses (duet)
2
Viola and Harp
2
Harp, Voice
2
Cello, Organ
2
String Trio: 2 violins, viola
2
Cello, String Bass (duet)
2
Harp, Trombone (duet)
1
Violin, Clarinet, Piano (trio)
1
Doublebass (band part)
1
Viola, Organ
1
4 Double Basses
1
Viola ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
Cello, Orchestra
1
Harp, Cello (duet)
1
+ 42 instrumentations
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Orchestra & Percussion
Concert band
162
String Orchestra
90
Orchestra
70
Chamber Orchestra
61
Brass ensemble
37
Jazz Ensemble
18
Handbells
7
Marimba
5
Percussion Ensemble
4
Jazz combo
3
Brass Quintet: other combinaisons
2
2 Marimbas
1
Vibraphone
1
Orchestra, Violin
1
Piano and Orchestra
1
Percussion (band part)
1
Drums
1
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31 sheet music found
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1
26
Grieg: Hall of the Mountain King from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Hall of the Mountain Ki
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549582 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Standards,World. Score and part. 18 pages. Jmsgu3 #3509567. Published by jmsgu3 (A0.549582). Duration: ca. 2:17 Score: 10 pages, solo part: 2 pages, piano part: 5 pages. A proven audience pleaser - perfect for a recital encore! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life. Register for free lifetime revisions and updates at www.jamesguthrie.com.
$24.95
Sullivan: The Lost Chord for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE/ADVANCED
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Sir Arthur Seymour Sullivan
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James M
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dynamic control
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Sullivan: The Lost Chord for A
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...
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E-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549450 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497161. Published by jmsgu3 (A0.549450). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95
Tchaikovsky: Dance of the Sugar-Plum Fairy from Nutcracker Suite for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Dance of the Suga
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549690 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chr...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549690 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 14 pages. Jmsgu3 #3520445. Published by jmsgu3 (A0.549690). Duration: ca. 1:42, 52 measures, Score: 7 pages, solo part: 2 pages, piano part: 4 pages. A popular Christmas favorite from Tchaikovsky's Nutcracker Suite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Ukiyo-e: Pictures of the Floating World
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Clarinet
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INTERMEDIATE
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Greg Bartholomew
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Ukiyo-e: Pictures of the Float
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Burke & Bagley
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SheetMusicPlus
Clarinet Solo - Level 3 - Digital Download SKU: A0.787200 Composed by Greg Bartholomew. 20th Century,Contemporary,Standards. Individual part. 7 pages. Bu...
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Clarinet Solo - Level 3 - Digital Download SKU: A0.787200 Composed by Greg Bartholomew. 20th Century,Contemporary,Standards. Individual part. 7 pages. Burke & Bagley #48421. Published by Burke & Bagley (A0.787200). Ukiyo-e (literally pictures of the floating world) is a genre of Japanese woodblock prints and paintings produced between the 17th and the 20th centuries, featuring motifs of landscapes, tales from history, the theatre, and pleasure quarters. It is the main artistic genre of woodblock printing in Japan. Usually the word ukiyo is literally translated as floating world, referring to a conception of an evanescent world, impermanent, fleeting beauty and a realm of entertainments (kabuki, courtesans, geisha) divorced from the responsibilities of the mundane, everyday world; pictures of the floating world, i.e. ukiyo-e, are considered a genre unto themselves. The novelist Asai Ryoi, in his Ukiyo monogatari (Tales of the Floating World, c. 1661), provides some insight into the concept of the floating world: ... Living only for the moment, turning our full attention to the pleasures of the moon, the snow, the cherry blossoms and the maple leaves; singing songs, drinking wine, diverting ourselves in just floating, floating; ... refusing to be disheartened, like a gourd floating along with the river current: this is what we call the floating world... Ukiyo-e: Pictures of the Floating World was composed for clarinetist Thomas Piercy and pianist Claudine Hickman, who gave the world premiere performance in New York on April 8, 2012, as part of the 15 Minutes of Fame program on the Composer's Voice Concert Series. Duration 1 minute.Download free piano accompaniment track: Â http://www.gregbartholomew.com/piano/BB321P.mp3.
$5.95
Mendelssohn: Wedding March for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Wedding March for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549896 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3603419. Published by jmsgu3 (A0.549896). Score: 12 pages, piano part: 6 pages, alto clarinet part: 4 pages. duration: ca. 5'. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself. Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. C.
$24.95
Mendelssohn: Song Without Words Op. 109 for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Felix Bartholdy Mendelssohn
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James M
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Mendelssohn: Song Without Word
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructi...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549497 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 20 pages. Jmsgu3 #3501029. Published by jmsgu3 (A0.549497). ALTO CLARINET & PIANO - Score: 11 pages, solo part: 3 pages, piano part: 5 pages. Duration: 4:20. This is a popular recital piece that would work well also in church or school programs. Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician, and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing  Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was suddenly baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his significant works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his systematic mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuosity at the keyboard but found his music rather insubstantial.
$32.95
Grieg: Ase's Death from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Ase's Death from Peer G
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Rom...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549540 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Concert,Contemporary,Romantic Period,Sacred,Standards. Score and part. 11 pages. Jmsgu3 #3505897. Published by jmsgu3 (A0.549540). Duration: ca. 3:40, Score: 5 pages, solo part: 2 pages, piano part: 3 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital, funeral or church meditation. Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions. Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy) and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg indeed depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, thereupon striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed by and large many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.Register for free lifetime revisions and updates at www.jamesguthrie.com
$24.95
Grieg: Morning Mood from Peer Gynt Suite for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Edvard Grieg
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James M
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Grieg: Morning Mood from Peer
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic P...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549516 Composed by Edvard Grieg. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 17 pages. Jmsgu3 #3502617. Published by jmsgu3 (A0.549516). Duration: ca. 4:00, Score: 9 pages, solo part: 3 pages, piano part: 4 pages. Super-famous instantly recognizable tune, not very difficult - suitable for a recital or church meditation. Works particularly well on the Alto Clarinet! Grieg Background In the first place, Edvard Grieg (1843 –1907) was a Norwegian composer as well as a concert pianist. As a matter of fact, most music historians consider him one of the foremost Romantic-era composers. Consequently, his music is part of the international standard classical repertoire. Grieg moreover used Norwegian folk music in his own compositions.  Consequently, he ushered Norwegian music to transnational consciousness. Furthermore, he forged a national musical identity for Norway. It is important to realize that he did this in a manner similar to Jean Sibelius in Finland, and Bedřich Smetana in Bohemia. Legacy Grieg is especially celebrated in the city of Bergen. For example, the city has erected numerous statues depicting Grieg. Specifically, the city has named a concert hall (Grieg Hall), a music school (Grieg Academy), and a professional choir (Edvard Grieg Kor) after him. As a matter of fact, there is also a museum located at his former home in Troldhaugen. Peer Gynt Suite No. 1 (Op. 46) Grieg wrote incidental music for the purpose of illustrating a play by Ibsen known as Peer Gynt. The play includes, in particular, the famous selection entitled, In the Hall of the Mountain King. In this composition, Grieg depicts the exploits of the scoundrel, Peer Gynt. In one famous episode, for example, Peer steals a bride at her wedding. For this reason, the people chase him, but soon Peer falls, striking his skull on a boulder. He wakens forthwith in a highland bounded by angry gnomes. Consequently, the music of In the Hall of the Mountain King represents the mad gnomes taunting Peer. Therefore, each time the theme repeats it gets louder and faster. In the end, Peer surprisingly escapes from the mountain. Holberg Suite and Misc. Summary It must be remembered that Grieg originally wrote his Holberg Suite for the piano. In other words, he only later arranged it for strings. Further, Grieg composed many songs with lyrics by famous writers such as Heine, Goethe, Ibsen, Hans Christian Andersen, Rudyard Kipling, and others. On balance, Norwegian pianist Eva Knardahl recorded altogether Grieg’s whole piano catalog on LP in 1980. These recordings were released again on CD in 2006. In any event, Grieg himself performed and recorded the bulk of these pieces toward the end of his life.
$32.95
Concerto For Clarinet
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Clarinet
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ADVANCED
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Jazz
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Artie Shaw
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Edited Robert C
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Concerto For Clarinet
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Robert C. Olivia
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual par...
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B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1404050 By Artie Shaw. By Artie Shaw. Arranged by Edited Robert C. Olivia. Jazz. Individual part. 17 pages. Robert C. Olivia #987223. Published by Robert C. Olivia (A0.1404050). This edition of the solo clarinet part of the Artie Shaw Concerto for Clarinet is a note for note transcription of what Shaw recorded on the record version and in the motion picture.Shaw’s solos as played in both the motion picture and record version are represented in great detail with the film solo shown as ossia so the player can view and choose which they might prefer to play. As many techniques as possible are carefully detailed to show ornaments, slurs, accents etc.The companion parts available here for big band and strings restores many elements missing in other versions available.  The strings here are restored to the original voicings so  important to the style of the classic sound of the period. The solos are transcribed note for note as played by greats such as Billy Butterfield on Trumpet, Johnny Guarnieri on Piano, Les Robinson on Alto Sax, Jerry Jerome on Tenor Sax, Vernon “Brownie†Brown on Trombone. There is an entire sax riff that was extemporaneously improvised during the session that is missing entirely in other published versions. The instrumentation is also restored to only the instruments that were used in Shaw’s recordings. There are many details that help the ease of performability of the genre and gesture of jazz idiom. Lastly, the intention is that this should be performed with saxophones. However, there are optional parts for clarinets and bassoons that can be used only if saxes are not available. I have performed from this solo part many times and I hope others will do so as well. I give great thanks to several people, who over the course of my career, taught me many skills that resulted in this. Special thanks to my teachers Bob Wilber, Leon Russianoff & Tom Martin and Marty Burlingame & JoAnn and Artie Kane.
$35.00
Tchaikovsky: Arabian Dance from Nutcracker Suite for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Arabian Dance fro
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chr...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549758 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 17 pages. Jmsgu3 #3533255. Published by jmsgu3 (A0.549758). Duration: ca. 3:15 Score: 10 pages, solo part: 2 pages, piano part: 4 pages. Tchaikovsky paints a very mysterious mood in this favorite masterpiece from the Nutcracker Suite. It is also a traditional Christmas favorite. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Tchaikovsky: Russian Dance from Nutcracker Suite for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Peter Ilyich Tchaikovsky
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James M
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Tchaikovsky: Russian Dance fro
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549712 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Chr...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549712 Composed by Peter Ilyich Tchaikovsky. Arranged by James M. Guthrie, ASCAP. Children,Christmas,Romantic Period,Standards. Score and part. 15 pages. Jmsgu3 #3530309. Published by jmsgu3 (A0.549712). Duration: ca. 58, score: 9 pages, solo part: 2 pages, piano part: 3 pages.This piece would be a perfect recital encore - short, energetic - leave your audience wanting more. Also, program this for your Christmas pageant. Pyotr Ilyich Tchaikovsky Tchaikovsky is probably the most popular of the great composers in America. His music certainly appeals to musicians. Likewise, it appeals even to folks who don’t normally listen to serious music. This is probably because of his most noteworthy melodies. Above all, he writes with great emotion. This certainly makes a most noteworthy if not an unforgettable impact. Education First of all, He attended classes at the Russian Musical Society. Even more, He also attended the St. Petersburg Conservatory. There he studied music theory with Nikolai Zaremba. He also consequently studied composition with Anton Rubenstein. It seems like Rubenstein came under criticism from a group of Russian composers known as the Five. The Five The Five certainly rejected Western musical influences. They rather sought to use elements from Russian music. They furthermore wanted to use more exotic musical materials. Western Techniques More than other Russian composers, Tchaikovsky studied modern Western music. He certainly develops his music like the European masters. So, rather than repeating a motive, he moves to a new key. He then introduces a different theme in the new key. Hence, he maintained his independence from the Five. Even more, he became the first Russian composer of international stature. Influences Tchaikovsky was probably influenced in his ballet scoring by Léo Delibes. Richard Wagner influenced his symphonic writing. Tchaikovsky’s most famous works include the 1812 Overture, The Nutcracker Suite, and Swan Lake. Also famous are the Violin Concerto in D and the six symphonies. The greatest of the six symphonies may be No. 6, the Pathétique. Nutcracker Suite, Op. 71a The Nutcracker Suite is a ballet that was performed for the first time in December 1892 in St. Petersburg. To begin with, the original ballet failed to attract a positive reception. However, the ballet suite became probably one of the most popular of all of Tchaikovsky’s works. The ballet suite became even more famous in the 1960s. It is now performed all over the world, particularly during the Christmas season.
$32.95
Bach-Gounod: Ave Maria for Alto Clarinet & Piano
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Clarinet
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EASY
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Bach-Gounod
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James M
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Piano, S0
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Bach-Gounod: Ave Maria for Alt
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Ea...
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E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.549357 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3490029. Published by jmsgu3 (A0.549357). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano, S0.661759. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95
Handel: Largo from Xerxes for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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George Frideric Handel
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James M
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Handel: Largo from Xerxes for
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred...
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E-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549379 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492251. Published by jmsgu3 (A0.549379). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore. Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is essential to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, Sinfonia from act 3 was featured in the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performances. Since his death in 1779, interest in Handel's music has all in all, expanded. Â
$32.95
Deja Vu
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Clarinet
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BEGINNER
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Pop music
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Olivia Rodrigo
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Josiel Oliveira
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Deja Vu
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M das Melodias
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SheetMusicPlus
B-Flat Clarinet Solo - Level 1 - Digital Download SKU: A0.643948 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Tayl...
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B-Flat Clarinet Solo - Level 1 - Digital Download SKU: A0.643948 By Olivia Rodrigo. By Annie Clark, Daniel Nigro, Jack Antonoff, Olivia Rodrigo, and Taylor Swift. Arranged by Josiel Oliveira. Multicultural,Pop,Romantic Period,World. Individual part. 2 pages. M das Melodias #253025. Published by M das Melodias (A0.643948). Music sheet music Deja Vu for Clarinet in Bb. Easy level. Very famous music. More played. Excellent romantic music. Beautiful romantic music. Singer Olivia Rodrigo. Relaxing music to dream. Car rides to Malibu Strawberry ice cream One spoon for two And trading jackets Laughing 'bout how small it looks on you (Ha-ha-ha-ha, ha-ha-ha-ha, ha-ha-ha-ha) Watching reruns of Glee Being annoying Singing in harmony I bet she's bragging To all her friends, saying you're so unique, hmm So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was our place, I found it first I made the jokes you tell to her when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? (Ah), hmm Do you get déjà vu, huh? Do you call her Almost say my name? 'Cause let's be honest We kinda do sound the same Another actress I hate to think that I was just your type I'll bet that she knows Billy Joel 'Cause you played her Uptown Girl You're singing it together Now I bet you even tell her How you love her In between the chorus and the verse (ooh) (I love you) So when you gonna tell her That we did that, too? She thinks it's special But it's all reused That was the show we talked about Played you the song she's singing now when she's with you Do you get déjà vu when she's with you? Do you get déjà vu? Oh Do you get déjà vu? Strawberry ice cream in Malibu Don't act like we didn't do that shit, too You're trading jackets like we used to do (Yeah, everything is all reused) Play her piano, but she doesn't know (oh, oh) That I was the one who taught you Billy Joel (oh) A different girl now, but there's nothing new (I know you get déjà vu).
$4.99
Six Bagatelles for Beethoven 250
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Clarinet
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ADVANCED
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Classical
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adapting the music to the baga
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James Marshall
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Six Bagatelles for Beethoven 2
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James Marshall Music
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SheetMusicPlus
Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487...
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Clarinet Solo - Level 5 - Digital Download SKU: A0.913621 Composed by James Marshall. Classical. Individual part. 64 pages. James Marshall Music #6096487. Published by James Marshall Music (A0.913621). Six Bagatelles for Clarinet and Piano were composed in March, 2020 for Beethoven 250. They are drawn from Beethoven piano music. The sources are piano sonatas, bagatelles, and a landler. With my ever faithful friend and collaborator, London Clarinetist Alison Eales in mind, I sought to add to the Clarinet repertoire. Having written five pieces over the past two years in English manner for Clarinet (English Sonatina, English Autumn, London Concerto, Enchanted London, Postcards from England), a tip of the hat to the Austrian Titan seemed appropriate. Beethoven, unlike Mozart before him and Brahms after him, wrote no solo music for Clarinet. The Trio and scoring in Symphonies are his unique contributions to the repertoire. Beethoven was a contemporary of Weber who wrote extensively for solo Clarinet. With most of the passages being arrangements, my original homage passages frame the settings and are juxtaposed with them. The tone of the music is one of homage and recollection with no intent to imitate or parody the great master. Bagatelles are by nature lighter fare of shorter duration. Hence no long, authentic passages with inherent mood swings and elaborations. By adapting the music to the bagatelle form, it reflects the less ponderous side of the composer. Although Beethoven’s music is capable of great depth and despair, the more transcendent, pastoral, and exuberant moods prevail in these pieces. The final two movements, Recitative and Rondo, draw on the Waldstein Sonata and Emperor Piano Concerto, and Sonata Op 2 No3 as well. The Rondo theme is in Eb, my own, is reminiscent of the Emperor Concerto in it intense yet lilting motif. Perhaps the listener will hear hints of Weber, a clarinet favorite of mine, as well in this final movement. Two movements are scored for Clarinet in A, and four movements for Clarinet in Bb.
$16.99
Minuet In G Major
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Clarinet
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EASY
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Classical
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Christian Petzold
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Alex Nunes Rodrigues
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Minuet In G Major
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Alex Rodrigues
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1254298 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual ...
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1254298 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rodrigues #847871. Published by Alex Rodrigues (A0.1254298). The Minuet in G Major, BWV Anh. 114 is an amazing classical piece that will surprise you with its simplicity and elegance. Although there is some controversy over who composed it, many believe it was created by Johann Sebastian Bach. If you're looking for an easy and beautiful piece of music to play, this minuet is perfect for you. Whether you're new to the world of music or already have some experience, you'll love playing the Minuet in G Major, BWV Anh. 114. Enjoy playing one of the coolest classical pieces of all time with the sheet music for this piece..
$1.99
Minuet In G Major
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Clarinet
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EASY
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Classical
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Christian Petzold
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Alex Nunes Rodrigues
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Minuet In G Major
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Alex Rodrigues
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SheetMusicPlus
B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1254296 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual ...
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B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1254296 Composed by Christian Petzold. Arranged by Alex Nunes Rodrigues. Classical. Individual part. 1 pages. Alex Rodrigues #847870. Published by Alex Rodrigues (A0.1254296). The Minuet in G Major, BWV Anh. 114 is an amazing classical piece that will surprise you with its simplicity and elegance. Although there is some controversy over who composed it, many believe it was created by Johann Sebastian Bach. If you're looking for an easy and beautiful piece of music to play, this minuet is perfect for you. Whether you're new to the world of music or already have some experience, you'll love playing the Minuet in G Major, BWV Anh. 114. Enjoy playing one of the coolest classical pieces of all time with the sheet music for this piece..
$1.99
Verlornes Glück
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Clarinet
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INTERMEDIATE/ADVANCED
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Classical
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Carl Baermann
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Verlornes Glück
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs a...
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53280 Bonheur perdu. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 30. 13 pages. Schott Music - Digital #Q53280. Published by Schott Music - Digital (S9.Q53280). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Verlornes Glück was published in 1854 (plate number 11437).
$3.99
Sternenhelle Nacht
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Clarinet
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INTERMEDIATE/ADVANCED
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Classical
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Carl Baermann
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Sternenhelle Nacht
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Raine...
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53278 Une nuit étoilée. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 17. 22 pages. Schott Music - Digital #Q53278. Published by Schott Music - Digital (S9.Q53278). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Sternenhelle Nacht (plate number 6882) was published in 1843.
$4.99
Ein Abend auf den Bergen
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Clarinet
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INTERMEDIATE/ADVANCED
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Classical
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Carl Baermann
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Ein Abend auf den Bergen
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Schott Music - Digital
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SheetMusicPlus
Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited...
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Clarinet and piano - intermediate to advanced - Digital Download SKU: S9.Q53279 Une soirée sur les montagnes. Composed by Carl Baermann. Edited by Rainer Mohrs and Rudolf Mauz. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 25. 23 pages. Schott Music - Digital #Q53279. Published by Schott Music - Digital (S9.Q53279). German • Danish.Carl Baermann, son of the clarinet virtuoso Heinrich Baermann (for whom Carl Maria von Weber wrote his Clarinet Concerto no. 1, op. 73), was born in Potsdam and was taught to play the clarinet by his father. At the age of 14 he was allowed to play in the court orchestra in Munich. He played in this orchestra for over 50 years, as well as teaching at the Munich Conservatory. In 1880 he was appointed Professor. Baermann was also involved in improving the construction of the clarinet and is still famous today for his celebrated clarinet method opus 63 and 64. The three selected pieces were written before the publication of his clarinet method. They are expressive compositions, inspired by nature, of romantic spirit. For two of the pieces, Baermann has added short comments describing the character of the music. At the beginning of ‘An Evening on the Mountains’ he explains: ‘The added notes are intended purely as a guide for the performer, relating the feelings that I experienced with these little tone pictures’. Ein Abend auf den Bergen was published in 1846 (plate number 8131).
$4.99
Sonata for Clarinet Solo
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Clarinet
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ADVANCED
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Henrique Rabelo
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Sonata for Clarinet Solo
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HENRIQUE PEIXOTO RABELO
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SheetMusicPlus
B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Indi...
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B-Flat Clarinet Solo - Level 5 - Digital Download SKU: A0.1486131 Composed by Henrique Rabelo. Classical,Contemporary,Folk,Medieval,Romantic Period. Individual part. 14 pages. HENRIQUE PEIXOTO RABELO #1063188. Published by HENRIQUE PEIXOTO RABELO (A0.1486131). The Sonata for Clarinet Solo was written in Laramie, Wyoming, in 2022. It is dedicated to Blake McGee, who premiered the piece in February of 2023. The sonata is in two movements: Andante con affetto and Ballad. The first movement is in sonata form, written in a neo-romantic style and contrasts the different registers of the clarinet: the rich and beautiful chalumeau register in the first theme, with grim and melancholic character, and the more brilliant higher notes of the clarinet in the second theme, flowing and operatic. The theme on the second movement is meant to entice the imagination of the listener with the image of a minstrel telling of a journey made a long time ago, entertaining the audience with the variations that unfold, only to return with the opening melody back in the end, as if teaching the morals of the story.
$12.00
Concerto No. 3
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Clarinet
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Johann Melchior Molter
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Concerto No. 3
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Imagine Music - Digital
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SheetMusicPlus
E-flat clarinet & piano - Digital Download SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009....
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E-flat clarinet & piano - Digital Download SKU: IZ.PDP009 Composed by Johann Melchior Molter. Score and Parts. 25 pages. Imagine Music - Digital #PDP009. Published by Imagine Music - Digital (IZ.PDP009). 9 x 12 in inches.Johann Melchior Molter achieved particular notoriety for his writing for unusual instruments, such as the chalumeau, the flauto d' amore, the flauto cornetto, and the harp. The clarinet was at the time a very new and quite unrefined instrument, but the Karlsruhe court orchestra possessed a musician (Johann Reusch) who played it. In 1747 Molter wrote four concerti for the piccolo clarinet in D, which are possibly the first clarinet concerti ever written. The motives and fanfare-like arpeggiated figures of these clarinet concerti reflect the early clarinet's reputed tonal similarity to the trumpet. It is interesting to note that the English referred to the early clarinet as the Mock Trumpet, and the name clarinet itself is derived from the Italian word for trumpet, clarino. The piccolo clarinet in D is the clarinet for which Richard Strauss wrote the main motive of his famous tone poem Till Eulenspiegel, and it also notably appears in the symphonies of Mahler and Stravinsky's Le sacre du printemps. The D clarinet is still in fairly common use today, but the majority of modem clarinetists perform parts written for the D clarinet on the much more common E-flat clarinet. For this arrangement I wished to allow the clarinetist to perform Molter's third concerto on the E-flat clarinet in the same key as it was written for the D clarinet. Therefore, I have transposed the piece from the original key of G to A-flat, which keeps the written solo part in the key of F. It is my sincere hope that this practicality will allow many more clarinetists to enjoy performing this historically significant piece of clarinet repertoire.
$20.00
Vivaldi: Sonata No. 4 for Alto Clarinet & Piano
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Clarinet
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INTERMEDIATE
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Classical
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Antonio Vivaldi
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James M
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Vivaldi: Sonata No. 4 for Alto
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jmsgu3
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SheetMusicPlus
E-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,East...
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E-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.550478 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Christmas,Easter,Standards. Individual part. 21 pages. Jmsgu3 #4641515. Published by jmsgu3 (A0.550478). Sonata da Chiesa No. 4 in Bb Major for Alto Clarinet & Piano by Antonio Vivaldi in Four movements. Duration: ca. 14:41. Score: 15 pages.Antonio Vivaldi was an Italian composer and violinist in the Baroque period, who is widely considered to be one of the greatest composers of all time. He was a major influence on many other composers of the Baroque era, and his influence can still be felt in music today.Vivaldi's most important contribution to music history was his development of the sonata da chiesa, or church sonata. This form of composition was a variation on the Baroque sonata, and was used primarily in sacred music. It was characterized by a more lyrical approach to composition, with a focus on melody and harmonic structure. Vivaldi was one of the first composers to make use of this form, and his works set the standard for future composers. His church sonatas were written in a wide variety of keys and styles, and their influence can be heard in the works of later composers, such as J.S. Bach and Handel.Vivaldi's influence on music history is far-reaching, and his contributions to the development of the sonata da chiesa are among his most important. His compositions are still widely performed and appreciated today, and his legacy continues to shape the music of the modern era.
$32.95
In My Life
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Clarinet
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EASY
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Rock
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The Beatles
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David McKeown
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In My Life
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David McKeown
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SheetMusicPlus
Clarinet Solo - Level 2 - Digital Download SKU: A0.588514 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual ...
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Clarinet Solo - Level 2 - Digital Download SKU: A0.588514 By The Beatles. By John Lennon and Paul McCartney. Arranged by David McKeown. Rock. Individual part. 3 pages. David McKeown #5325403. Published by David McKeown (A0.588514). In My Life by the Beatles, was released on the 1965 album, Rubber Soul. It was chiefly written and sung by John Lennon, who claimed it was his first serious attempt at personal song-writing. The song features a baroque style piano solo by George Martin. The tempo was too fast for him to perform it, so he played it at half tempo and layer doubled the tape speed. The resulting tinny sound gave rise to a host of copycat harpsichord solos on contemporary pop songs.This version of In My Life is arranged in a suitable key and range for solo Clarinet. Piano/Guitar chords in concert pitch are included above the stave.Musicians at an early intermediate level will find In My Life ideal for formal and informal concert performance. Most of the solo is straightforward, although the transcribed piano solo is at a higher level of difficulty; these eight bars can be skipped without affecting the overall structure of the song. The overall performance time is around two and a half minutes. Teachers will enjoy using this arrangement as a fun way to help with syncopated rhythms.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.99
TWO BEATS (2 clarinets)
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Clarinet
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INTERMEDIATE/ADVANCED
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Contemporary
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Drake Mabry
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TWO BEATS
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Drake Mabry
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SheetMusicPlus
Clarinet Solo - Level 4 - Digital Download SKU: A0.799544 Composed by Drake Mabry. Contemporary. Individual part. 6 pages. Drake Mabry #3859407. Publishe...
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Clarinet Solo - Level 4 - Digital Download SKU: A0.799544 Composed by Drake Mabry. Contemporary. Individual part. 6 pages. Drake Mabry #3859407. Published by Drake Mabry (A0.799544). TWO BEATS, in this version for any two like members of the clarinet family, is a version of BEATS with an added second part. The original version of BEATS for soprano recorder was written in 2014 for Maria Dorner-Hofmann, a German recorder virtuoso who also teaches at the Mozarteum in Salzburg. The work, in 7 minutes, explores the evolution of repetitive cellular ideas using various meters, lengths of cells and musical atmospheres. There are simple passages as well as virtuosic ones and the energy level of the piece remains at a highly intensive level throughout the entire seven minutes.
$5.99
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