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18 sheet music found
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1
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Tochter Zion - Choral & Shuffle - Concert Band
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Concert band
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INTERMEDIATE
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Classical
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George Frideric Handel
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Thomas Graf
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Tochter Zion - Choral & Shuffl
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.569299 Composed by George Frideric Handel. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 75...
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Concert Band - Level 3 - Digital Download SKU: A0.569299 Composed by George Frideric Handel. Arranged by Thomas Graf. Christmas,Jazz. Score and parts. 75 pages. Thomas Graf - the-hit-factory.com #4839083. Published by Thomas Graf - the-hit-factory.com (A0.569299). This concert piece starts with a classic choral auf Händel’s masterpiece, then comes the big surprise: A funky Back Beat with jazzy chords starts and will make your whole audience clap and dance. All parts are feature and even a solo for the bass part is included. It ends up in a cool finale. Drums are optional and may be substituted by a Cachon or even only clapping. A must for your upcoming concerts during holiday season! Instrumentation: Full Concert Band - Any special transposition can be prepared, Parts: A4, optimzed for Print aon A3, Score: A4 Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic .
$40.00
Upper-Hessian Country Dances
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Concert band
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INTERMEDIATE
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Ottmar Gerster
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Norbert Studnitzky
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Upper-Hessian Country Dances
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Schott Music - Digital
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SheetMusicPlus
Wind band - intermediate - Digital Download SKU: S9.Q20961 Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: condensed score. Sch...
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Wind band - intermediate - Digital Download SKU: S9.Q20961 Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: condensed score. Schott Harmony Series. Downloadable, Conductor reduction. Duration 12 minutes. Schott Music - Digital #Q20961. Published by Schott Music - Digital (S9.Q20961). These four entertaining movements originated in the Thirties. They are an example of popular original compositions of high quality. The work was originally written for small orchestra. Norbert Studnitzky has arranged this series of dances for wind band and at the same time also retained longer chamber music pasages as in the original work.Thus here we have a work for wind band which on the one hand is suitable for developing a musical sense of humour in a playful way and which can also be performed on stage with a group of folk dancers. Ottmar Gerster studied in Frankfurt/main and then taught composition an several colleges of music in Leipzig. his music aims to be accesible to all listeners, even when he uses advanced composition techniques.(2 Flöten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 3 Hörner in F, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, große Trommel, Triangel, Becken).
$33.99
The Old Warsh Rag
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Concert band
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INTERMEDIATE
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John R
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The Old Warsh Rag
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John R. Daniels
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.492627 Composed by John R. Daniels. Classical,Standards,Traditional. Score and parts. 49 pages. John R....
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Concert Band - Level 3 - Digital Download SKU: A0.492627 Composed by John R. Daniels. Classical,Standards,Traditional. Score and parts. 49 pages. John R. Daniels #107889. Published by John R. Daniels (A0.492627). In the spirit of Scott Joplin, The Old Warsh Rag is a ragtime piece for concert band. It’s intricate enough to offer a bit of a challenge, yet very playable so that the band enjoys its efforts. There’s a counter melody that is played by itself and then superimposed on the main melody at the end. It’s written for high school concert band or community band; I chose the key so that, even when it gets a bit intricate, it should be easy enough for everyone to play. The title for The Old Warsh Rag is a tribute to the unique way that people speak where I grew up in southwestern Pennsylvania.IF YOU WOULD LIKE YOUR ENSEMBLE TO GAIN MORE MEDIA EXPOSURE, please record your performance of this piece and email it to CustomMusic@Salt-Cellar-Creations.com. It will be included in my social media postings and website samples with any contact info you may want to provide. If you need help with recording technique or email transfer, etc. please contact me. For more information about the composer / arranger and other services, go to www.Salt-Cellar-Creations.com.
$45.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Upper-Hessian Country Dances
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Concert band
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INTERMEDIATE
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Ottmar Gerster
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Norbert Studnitzky
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Upper-Hessian Country Dances
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Schott Music - Digital
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SheetMusicPlus
Wind band - intermediate - Digital Download SKU: S9.Q40353 Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: set of parts. Schott...
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Wind band - intermediate - Digital Download SKU: S9.Q40353 Composed by Ottmar Gerster. Arranged by Norbert Studnitzky. This edition: set of parts. Schott Harmony Series. Downloadable, Set of parts. Duration 12 minutes. Schott Music - Digital #Q40353. Published by Schott Music - Digital (S9.Q40353). These four entertaining movements originated in the Thirties. They are an example of popular original compositions of high quality. The work was originally written for small orchestra. Norbert Studnitzky has arranged this series of dances for wind band and at the same time also retained longer chamber music pasages as in the original work.Thus here we have a work for wind band which on the one hand is suitable for developing a musical sense of humour in a playful way and which can also be performed on stage with a group of folk dancers. Ottmar Gerster studied in Frankfurt/main and then taught composition an several colleges of music in Leipzig. his music aims to be accesible to all listeners, even when he uses advanced composition techniques.(2 Flöten, 1 Oboe ad lib., 1 Fagott ad lib., 1 Klarinette in Es ad lib., 3 Klarinetten in B, 2 Alt-Saxofone in Es, 1 Tenor-Saxofon in B, 3 Hörner in F, 3 Trompeten in B, 3 Posaunen, 2 Flügelhörner in B, 3 Tenorhörner in B, 1 Bariton, 2 Tuben, Pauken, Schlagzeug: kleine Trommel, große Trommel, Triangel, Becken).
$119.99
Flywheel
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Concert band
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INTERMEDIATE
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Helmut Kogler
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Flywheel
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Pentharmonics
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1235199 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Multicultural,Standards,World. 2...
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Concert Band - Level 3 - Digital Download SKU: A0.1235199 Composed by Helmut Kogler. 21st Century,Classical,Contemporary,Multicultural,Standards,World. 251 pages. Pentharmonics #830735. Published by Pentharmonics (A0.1235199). Symphonic Waltz for Band - Duration about 7:20 min. - Grade 2.5The flywheel is turning fast and steady, hence energy is stored. If its rotation changes, the energy begins to flow. Speeding up absorbs the power, braking leads to a release. Force is needed for momentum, but once the halt is overcome, the wheel is ready to provide. As well the gyroscope performs according to the same effect - standing, turning, keeping balance - like a floating dancing couple on the parquet floor. They soak impetus from 3/4-time of music. Once turning to the right, then turning to the left - and energy restarts to flow. Flowing, streaming, even sweeping somebody away. Totally infused with power we will be finally fulfilled.The PDF contains the score and all parts, already multiplied accordingly for a common number of musicians in a concert band. No duplication of parts necessary - so, just print and go. The paper layout is actually designed for European A4 paper, but printing on 8.5 x 11 inches format has no effect on readability.More about the composer: www.helmut-kogler.com More music by Helmut Kogler: www.pentharmonics.com
$109.99
Morning Sunrise (Score and Parts)
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Concert band
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INTERMEDIATE
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Nick Mazuk
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Morning Sunrise
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Mazuk Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.933994 Composed by Nick Mazuk. Concert,Contemporary. Score and parts. 33 pages. Mazuk Music #3236657. P...
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Concert Band - Level 3 - Digital Download SKU: A0.933994 Composed by Nick Mazuk. Concert,Contemporary. Score and parts. 33 pages. Mazuk Music #3236657. Published by Mazuk Music (A0.933994). As a composer, musical ideas pop into my head every day. Most of them are completely unrelated to any piece I am currently working on, and I manage to write some of them down for future reference. The theme to Morning Sunrise is one of those ideas. When I wrote it down, I had no idea that I was ever going to create a piece from it, so I just wrote it down for strings.Several months later, however, I had decided that I wanted to write a piece to thank those who have made my high school music life great. I spent weeks developing 4 or 5 themes and even had half of a piece done at one point, but none of theme worked. I then remembered this one from and realized that it was the perfect theme.The result of taking so long to complete this piece is that it is a very powerful piece where there are no extraneous notes, and no missing ones either. It is one where every detail matters.Includes:ScorePiccoloFluteOboeBassoon 1-2Clarinet in Bb 1-3Bass ClarinetAlto SaxophoneTenor SaxophoneBaritone SaxophoneTrumpet in Bb 1-3Horn in F 1-4Trombone 1-3EuphoniumTubaDouble BassTimpaniDuration: 4 MinutesFor more information about the piece, visit https://nickmazuk.com/Works/MorningSunrise Contact: https://nickmazuk.com/Contact/
$99.99
Texas Symphony, Movement I. Galveston, A Pirate Story
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Concert band
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INTERMEDIATE
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Kathryn Ellis
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Texas Symphony, Movement I. Ga
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.885229 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 80 pages. Ellis #362...
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Concert Band - Level 3 - Digital Download SKU: A0.885229 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 80 pages. Ellis #3620019. Published by Ellis (A0.885229). Galveston, (from A Texas Symphony,) is the first movement of five Texas pieces that are musical illustrations of historical events that took place in Texas. Galveston, tells the story of the Battle of Three Trees fought between Jean Lafitte's pirates and the Karankawa Indians, Feb.21, 1821. The battle was a result of the pirates capturing a Karankawa Indian maiden, and the Indians retaliating by capturing one of Lafitte's men. The U.S. Calvary arrived and assisted, and after a three day battle, 21 Indians were killed, and no pirates or U.S. Calvary soldiers were lost. The battle took place by a grove of trees then known as Campeche Cove, known today as Pirates' Cove, on the West end of Galveston. The music is about 12 minutes in length, scored for orchestra. Galveston is traditional romantic style program music. Strings open the piece with a wave theme designed to portray a pirate sailing ship in the Gulf of Mexico, then flows into a pirate theme, followed by a kidnapping theme, and Indian pow-wow with war drums, then the three day fight begins. There is a historical marker at Pirates' Cove erected in 1936 by the Texas Hwy Dept. to commemorate the Battle Of Three Trees.
$50.00
The Cross Kirk and the lang walk
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Concert band
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INTERMEDIATE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Mediev...
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Smoke On The Water
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Concert band
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INTERMEDIATE
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Classical
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Deep Purple
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Keith Terrett
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Smoke On The Water
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arrang...
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Concert Band - Level 3 - Digital Download SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Keith Terrett. 20th Century,Contemporary,Pop,Rock. 60 pages. Keith Terrett #923737. Published by Keith Terrett (A0.1337989). An arrangement of the famous Smoke on the Water for Concert/Wind Band.Smoke on the Water is a song by English rock band Deep Purple, released on their 1972 studio album Machine Head. The song's lyrics are based on true events, chronicling the 1971 fire at Montreux Casino. It is considered the band's signature song and contains one of the most recognizable guitar riffs in rock history.In 2004, Rolling Stone magazine placed Smoke on the Water number 434 on its list of the 500 Greatest Songs of All Time. Total Guitar magazine ranked the song's riff number 4 on its Greatest Guitar Riffs Ever list, and in March 2005, Q magazine placed it at number 12 in its list of the 100 greatest guitar tracks.Smoke on the Water is easily identified by its central theme, developed by guitarist Ritchie Blackmore. It is a four-note blues scale melody in G minor,[8] harmonised in parallel fourths. The riff, played on a Fender Stratocaster electric guitar by Blackmore, is later joined by hi-hat and distorted organ, then the rest of the drums, then electric bass parts before the start of Ian Gillan's vocal.Blackmore later claimed that the main riff is an interpretation of inversion of Symphony No. 5 by Ludwig van Beethoven, and that I owe him a lot of money.Jon Lord doubles the guitar part on a Hammond C3 organ played through a distorted Marshall amp, creating a tone very similar to that of the guitar. Blackmore usually plays the main riff using a finger pluck.The lyrics tell a true story: on 4 December 1971, Deep Purple were in Montreux, Switzerland, to record an album (Machine Head) using a mobile recording studio (rented from the Rolling Stones and known as the Rolling Stones Mobile Studio—referred to as the Rolling truck Stones thing and a mobile in the lyrics) at the entertainment complex that was part of the Montreux Casino (referred to as the gambling house in the song lyric).
$49.99
Border Lands
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Concert band
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INTERMEDIATE
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Paula Goodwin
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Border Lands
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JPM Services
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1204082 Composed by Paula Goodwin. Contemporary,Contest,Festival,Folk,Instructional,Patriotic. Score an...
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Concert Band - Level 3 - Digital Download SKU: A0.1204082 Composed by Paula Goodwin. Contemporary,Contest,Festival,Folk,Instructional,Patriotic. Score and parts. 89 pages. JPM Services #802652. Published by JPM Services (A0.1204082). Inspired by the border lands between England and Scotland we open as a new day emerges as the mists clear and the people wake up, then move into a lively dance like section based on the Northumbrian folk song John Peel which eventualy emerges from the dance. Next we move into a soulful section of extended woodwind solos with the oboe and bassoon taking the initial lead. We finish up with a triumphant march section recognising the regeon's long military traditions.A lively piece with something for everyone in the band, excellent either as an opener or as and finale.
$39.99
Laissez Entrer Le Soleil
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Concert band
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INTERMEDIATE
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Arthur Mac Dermot, Bertrand Ca
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Benoit BARRAIL
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Laissez Entrer Le Soleil
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado...
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Concert Band - Level 3 - Digital Download SKU: A0.1309797 Composed by Arthur Mac Dermot, Bertrand Castelli, Gerome Ragni, Jacques Lanzman, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898963. Published by Benoît Barrail (A0.1309797). For 2-part choir and concert bandAll parts of the choir are doubled in the instrumental parts. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
Let The Sunshine In
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Concert band
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INTERMEDIATE
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The Fifth Dimension
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Benoit BARRAIL
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Let The Sunshine In
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Benoît Barrail
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BAR...
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Concert Band - Level 3 - Digital Download SKU: A0.1309819 By The Fifth Dimension. By Galt Macdermot, Gerome Ragni, and James Rado. Arranged by Benoit BARRAIL. 20th Century,Broadway,Musical/Show,Pop,Rock. 55 pages. Benoît Barrail #898965. Published by Benoît Barrail (A0.1309819). All parts of the choir are doubled in the instrumental parts. French lyrics. Hair is a rock musical by James Rado and Gerome Ragni (lyrics) and Galt MacDermot (music) created off-Broadway, in a cellar in Greenwich Village, in October 1967 and then played on Broadway at the Public Theater from April 1968 for four years without interruption. The New York Times said: It's finally the first musical that speaks to today. A product of the hippie counterculture and sexual revolution of the 1960s, some of his songs, inspired by New Age theory, became anthems of the peace movements against the Vietnam War. After a first export to London, the French version was created in Paris at the Théâtre de la Porte-Saint-Martin on May 30, 1969, its naked scenes causing a real scandal. The song Laissez entrer le soleil (Let the sunshine in) was performed by Julien Clerc during this French creation.Toutes les parties de chœur sont doublées à l’orchestre. Paroles françaises. Hair est une comédie musicale rock de James Rado et Gerome Ragni (paroles) et de Galt MacDermot (musique) créée «off-Broadway», dans une cave de Greenwich village, en octobre 1967 puis jouée à Broadway au Public Theater à partir d'avril 1968 pendant quatre ans sans interruption. Le New-York Times dit: « C'est enfin la première comédie musicale qui parle d'aujourd'hui ». Produit de la contre-culture hippie et de la révolution sexuelle des années 1960, certaines de ses chansons, inspirées de la théorie du New Age, sont devenues des hymnes des mouvements pacifistes contre la guerre du Viêt Nam. Après une première exportation à Londres, la version française est créée à Paris au théâtre de la Porte-Saint-Martin le 30 mai 1969, ses scènes dénudées provoquent un véritable scandale. La Chanson Laissez entrer le soleil fut interprétée par Julien Clerc lors de cette création française.
$54.99
Variations on a Canarian Hymn
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Concert band
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INTERMEDIATE
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Contemporary
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Gregory Fritze
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Variations on a Canarian Hymn
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. ...
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Concert Band - Level 3 - Digital Download SKU: A0.917393 Composed by Gregory Fritze. Contemporary. Score and parts. 161 pages. Musica Nova USA #4780761. Published by Musica Nova USA (A0.917393). Variations on a Canarian Hymn grade 4, duration 11:00 was commissioned and composed for the Banda Muncipal of Tenerife, Spain, Filipe Neri, conductor. They premiered it on June 25, 2017. The American premiere was March 21, 2019 by the University of Wisconsin River Falls Symphony Band, Kristin Tjornehoj, Conductor.The Canary Islands is a region of Spain. The anthem used in the Canaries for local official occasions is an adaptation of a local folk song called Arrorró (Lullaby) by Teobaldo Power (1848 – 1884). Tenerife is the largest and most populated island of the seven Canary Islands. Tenerife has a special relation to Columbus and the New World as he first stopped in Tenerife on each of his passages before sailing to the New World. There is a plaque in the center of Tenerife city depicting this.Variations on a Canarian Hymnis in the classictheme and variations form, startingwith a presentation of the folk song in its entirety, then following with six variations of the folk song. Each variation displays different colors and moods of the symphonic band. The triumphal ending depicts the strength of the Canarian people. The piece features several instruments, some with extended solos including: flute, oboe, alto saxophone, horn, trumpet, trombone, clarinet, English horn and timpani. There are several cues in the parts to cover certain instruments that may not be available, such as English horn.
$70.00
The Battle Eve Duet - Trombone and Euphonium with Concert Band Accompaniment Score and Parts PDF
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Concert band
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INTERMEDIATE
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Patriotic
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Music composed by Theo Bonheur
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Brendan Elliget MAGA 537
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The Battle Eve Duet - Trombone
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 76 pages. BJE Music #4579953. Published by BJE Music (A0.750900). Originally a vocal duet entitled 'The Battle Eve' was composed by Theo Bonheur with lyrics written by GW Southey. The song had been written for performances by bass and tenor vocal duet.The song begins: Dark the shades of night are growing, keen and chill the wind is blowing, bright the watchfire lights are glowing, 'Tis the battle eve…The piece appears to have been composed in the early 1890s with the first recorded performance at the Athenaeum in Melbourne (Australia) in May 1893. ‘The Battle Eve’ was very popular during the First World War period with many performances at many concerts related to the war effort in Australia. This included patriotic concerts held across Australia during 1914. The first of these was a patriotic concert held at the School of Arts, South Grafton, New South Wales, on Tuesday 1 September 1914. Miss Eva Beatson performed the song with proceeds from the evening totaling 52 pounds. [https://www.awm.gov.au/collection/C230950]The arrangement here is for Trombone (Tenor) and Euphonium (Bass) Duet with Concert Band accompaniment. The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 5:30 mins.
$30.00
Deep Inside the Sacred Temple (Au fond du temple saint) from 'The Pearl Fishers'
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Concert band
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INTERMEDIATE
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Andrea Bocelli, Bryn Terfel
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John Ivor Holland
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Deep Inside the Sacred Temple
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1384083 By Andrea Bocelli, Bryn Terfel. By Georges Bizet. Arranged by John Ivor Holland. 19th Century,2...
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Concert Band - Level 3 - Digital Download SKU: A0.1384083 By Andrea Bocelli, Bryn Terfel. By Georges Bizet. Arranged by John Ivor Holland. 19th Century,20th Century,Classical,Film/TV,Opera. 81 pages. John Ivor Holland #968445. Published by John Ivor Holland (A0.1384083). Au fond du temple saint (Deep inside the sacred temple) is a duet from Georges Bizet's 1863 opera 'Les pêcheurs de perles' ('The Pearl Fishers'). The libretto was written by Eugène Cormon and Michel Carré. Generally known as The Pearl Fishers' Duet, it is one of the most popular numbers in Western opera – it appeared on seven of the Classic 100 Countdowns conducted by ABC Classic FM. It is sung by Nadir (tenor) and Zurga (baritone) in act 1 and has been performed by many famous singers, including Andrea Bocelli and Bryn Terfel. This arrangement for two euphoniums and concert band retains the original key and recitative sections to present the most authentic version possible.
$49.99
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