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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
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BOOKS
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BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
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TROMBONE
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XYLOPHONE
ZITHER
He
Not classified
1,401
Piano & keyboards
Piano solo
752
Piano, Voice
516
Piano, Vocal and Guitar
293
Organ
90
C Instruments
41
Piano Trio: piano, violin, cello
29
Easy Piano
25
Accordion
17
1 Piano, 4 hands
17
Piano Quartet: piano, violin, viola, cello
9
Piano Quintet: piano, 2 violins, viola, cello
7
Organ, Trumpet (duet)
5
Harpsichord
3
Piano Accompaniment
3
2 Pianos, 4 hands
3
2 Pianos, 8 hands
2
1 Piano, 6 hands
1
+ 12 instrumentations
-
Retract
Guitars
Guitar
127
Melody line, (Lyrics) and Chords
95
Guitar notes and tablatures
77
Lyrics and Chords
33
Ukulele
33
2 Guitars (duet)
20
Piano, Guitar (duet)
10
Bass guitar
7
4 Guitars (Quartet)
3
Mandolin
3
Guitar Ensemble
3
Mandolin, Guitar (duet)
2
Dulcimer
2
Ukulele Ensemble
2
Banjo
2
Guitar, Violin, Cello (trio)
2
3 Guitars (trio)
1
Band Scores
1
2 Dulcimers (duet)
1
+ 14 instrumentations
-
Retract
Voice
Choral SATB
519
Choral 3-part
128
Choral TTBB
68
Choral 2-part
43
Choral SSAA
34
Choral Unison
25
Choral
19
Vocal duet
13
Alto voice, Piano
12
Vocal duet, Piano
11
High voice
7
Tenor voice, Piano
5
Soprano voice, Piano
5
Voice solo
4
Baritone voice, Piano
4
Medium voice, Piano
4
Low voice, Piano
3
Soprano voice
3
Low voice
1
Choral SSAATTBB
1
+ 15 instrumentations
-
Retract
Woodwind
Flute and Piano
255
Clarinet and Piano
215
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
155
Alto Saxophone and Piano
141
Oboe, Piano (duet)
134
Clarinet Quartet: 4 clarinets
107
Saxophone Quartet: 4 saxophones
104
Flute, Oboe, Clarinet, Bassoon
103
2 Saxophones (duet)
96
Soprano Saxophone and Piano
81
Flute Quartet: 4 flutes
77
Tenor Saxophone and Piano
71
Saxophone Quintet: 5 Saxophones
70
Flute
61
Flute ensemble
55
2 Flutes (duet)
50
Clarinet Ensemble
49
Clarinet
46
Baritone Saxophone, Piano
44
English horn, Piano
43
2 Clarinets (duet)
42
Saxophone, Clarinet (duet)
36
Flute, Violin, Piano
34
Bass Clarinet, Piano
28
Saxophone ensemble
28
Alto Saxophone
25
Oboe, Bassoon (duet)
24
3 Clarinets (trio)
24
Clarinet, Violin (duet)
22
Flute, Clarinet (duet)
20
Recorder Ensemble
18
Clarinet, Trumpet (duet)
17
Tenor Saxophone
17
Clarinet, Guitar (duet)
16
Clarinet Quintet: 5 clarinets
14
Oboe, Clarinet (duet)
12
Flute, Violin
12
2 Oboes (duet)
12
Flute, Trumpet (duet)
12
Flute and Guitar
11
3 Saxophones (trio)
11
Flute, Saxophone (duet)
11
Oboe, Flute
11
Clarinet and Viola
10
Flute, Oboe, Bassoon
8
Clarinet, Bassoon (duet)
8
Flute Quintet : 5 flutes
8
Recorder Quartet
8
Oboe (band part)
8
Flute Trio: 3 flutes
7
2 Recorders (duet)
7
Saxophone and Harp
6
2 Saxophones, Piano
6
Clarinet, Harp (duet)
6
Flute, Oboe, Clarinet (trio)
6
Flute, Clarinet and Bassoon.
6
Oboe, Harp
6
Oboe, Guitar (duet)
5
5 Recorders
5
Flute, Viola and Piano
5
Flute, Cello, Piano (trio)
4
Flute, Viola (duet)
3
English Horn, Guitar (duet)
3
Harmonica
3
Saxophone and Guitar
3
Clarinet, Cello, Piano (trio)
3
2 Clarinets, Piano
3
Descent (Soprano) Recorder, Piano
3
Piccolo, Piano
3
Saxophone
3
Saxophone (band part)
3
Recorder
3
Oboe, Clarinet, Bassoon (trio)
3
Flute (band part)
3
Flute, Oboe (duet)
3
Ocarina
2
Recorder, Guitar (duet)
2
Flute, harp and violin
2
Flute, Organ (duet)
2
Flute, Basso continuo
2
2 Clarinets, Bassoon
2
2 Flutes, Piano
2
Clarinet, Cello (duet)
2
Flute and Strings Trio
1
Saxophone and Piano
1
Flute, Clarinet, Piano (trio)
1
Treble (Alto) Recorder
1
English Horn
1
Soprano Saxophone
1
Treble (Alto) Recorder, Basso continuo
1
Clarinet, trumpet and piano
1
Tenor Recorder
1
Clarinet, Trombone (duet)
1
Flute, Bassoon, and Piano
1
Bass Clarinet
1
Oboe
1
Flute, Violin and Violoncello
1
Recorder, Harp
1
Flute, Clarinet, Horn and Bassoon (Quartet)
1
Flute, Trombone (duet)
1
Flute, Violoncello
1
Flute, Violin, Violoncello and Piano
1
Flute, Oboe, Piano (trio)
1
Clarinet (band part)
1
Baritone Saxophone
1
2 Flutes, 2 Clarinets (Quartet)
1
Flute, Cello, Guitar
1
+ 102 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
141
Brass quartet : 2 trumpets, trombone, tuba
116
Trumpet, Piano
97
Trombone and Piano
83
French Horn and Piano
74
Trumpet
52
Brass Quartet
51
English horn, Piano
43
Euphonium, Piano (duet)
37
Trumpet, Trombone (duet)
28
Tuba and Piano
26
Trumpet, Saxophone (duet)
25
2 Trumpets (duet)
20
Brass Quartet: 2 trumpets, horn, trombone
20
Trombone
18
2 Trombones (duet)
17
Brass Quartet: 4 trombones
13
Trombone (band part)
12
French horn
12
Trombone ensemble
9
Trumpet ensemble
9
2 French horns (duet)
8
Tuba
8
Brass Quartet: 4 horns
7
Brass Quartet: 4 trumpets
6
Trumpet (band part)
5
French Horn and Harp
5
Trumpet, Harp
5
4 Tubas
4
2 Euphoniums and 2 Tubas
4
English Horn, Guitar (duet)
3
Horn Ensemble
3
Euphonium
2
Brass Trio
2
Brass Quintet: 2 trumpets, horn, 2 trombones
2
English Horn
1
Horn and Organ
1
2 Euphoniums (duet)
1
3 Trombones (trio)
1
French horn (band part)
1
Trumpet, Tuba (duet)
1
2 Tubas (duet)
1
3 French horns (trio)
1
Tuba ensemble
1
Horn, Tuba (duet)
1
Trumpet, Euphonium (duet)
1
Tuba (band part)
1
Trombone, Organ
1
3 Trumpets (trio)
1
Trombone, Tuba (duet)
1
+ 45 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
344
Violin and Piano
261
Cello, Piano
207
Viola, Piano
177
String Trio: violin, viola, cello
75
Violin, Cello (duet)
66
Harp
50
Violin
49
2 Harps (duet)
43
2 Violins (duet)
37
2 Cellos (duet)
31
String Trio: 2 violins, cello
28
2 Violas (duet)
27
Cello
27
Viola
25
Violin, Viola (duet)
24
Violin, Guitar (duet)
20
Viola, Guitar (duet)
20
Double bass, Piano (duet)
17
Cello, Guitar (duet)
13
4 Cellos
8
String Trio: 3 violins
8
Violin ensemble
7
String Quintet: 2 violins, viola, cello, bass
7
Viola, Cello (duet)
6
Viola (band part)
6
Viola and Harp
5
Harp, Violin (duet)
5
Viola ensemble
5
Harp, Flute (duet)
5
Flute, Doublebass (duet)
4
Piano Trio: Violin, Viola, Piano
3
Double Bass
3
String quartet: 4 violins
3
String Trio: 2 violins, viola
2
Harp, Violin, Violoncello
2
Harp, Cello (duet)
2
String Trio: 3 cellos
2
Violin (band part)
2
Violin, Organ
2
Cello (band part)
2
Cello, Organ
1
3 Harps
1
String Trio: 3 violas
1
Viola, Organ
1
String trio
1
2 Double basses (duet)
1
String Quintet: 2 violins, viola, 2 cellos
1
String Quartet : 4 violas
1
String Quintet: 2 violins, 2 violas, cello
1
2 Cellos, Piano
1
Violin, Basso continuo
1
Harp, Voice
1
Doublebass (band part)
1
Harp, Trombone (duet)
1
+ 50 instrumentations
-
Retract
Orchestra & Percussion
Concert band
161
Orchestra
117
String Orchestra
112
Brass ensemble
71
Jazz Ensemble
48
Handbells
45
Chamber Orchestra
38
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32
Jazz combo
16
Marching band
9
Percussion Ensemble
5
Xylophone
4
Marimba
2
Vibraphone
2
Percussion
1
Percussion (band part)
1
+ 11 instrumentations
-
Retract
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Musical course - Solfege
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Concert band
Sheetmusic to print
161 sheet music found
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1
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51
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151
Before He Cheats
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Concert band
#
INTERMEDIATE
#
Carrie Underwood
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David McKeown
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Before He Cheats
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David McKeown
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1272699 By Carrie Underwood. By Chris Tompkins and Josh Kear. Arranged by David McKeown. 21st Century,C...
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Concert Band - Level 3 - Digital Download SKU: A0.1272699 By Carrie Underwood. By Chris Tompkins and Josh Kear. Arranged by David McKeown. 21st Century,Country,Pop,Rock,Singer/Songwriter. Score and Parts. 28 pages. David McKeown #864903. Published by David McKeown (A0.1272699). Before he Cheats was a huge crossover hit for Carrie Underwood in 2007, charting long and high on Mainstream and Country US charts and winning Grammies for both the singer and the writers, Josh Kear and Chris Tompkins. This version is a flexible band arrangement scored for Solo Voice along with Rhythm Section, Alto, Tenor and Baritone Saxophones, Trumpet, Trombone, Clarinet, Flute, French Horn and Violin. You will download a single 28 page pdf which combines the full score (in landscape format) with all the separate parts (in portrait). It suits players at an intermediate standard and is guaranteed to be popular with young and old. The arrangement is designed to be flexible as not all instruments need to be present for a convincing performance. Once the rhythm section picks up the shuffle groove the rest of the band will play with confidence. This version is equally ideal for school bands and professional bands looking to add a big hit to their repertoire.The overall performance time is three and a half minutes. Listen to the audio MIDI sample to get an impression of the arrangement.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown-sheet-music/3006203?isPLP=1.
$49.99
He Ain't Heavy, He's My Brother - Concert Band Score and Parts PDF
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Concert band
#
INTERMEDIATE
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Rock
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Neil Diamond, The Hollies
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Brendan Elliget MAGA 537
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He Ain't Heavy, He's My Brothe
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Brendan Elliget
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SheetMusicPlus
By Neil Diamond, The Hollies. Arranged by Brendan Elliget MAGA 537. Score, Set of Parts. 79 pages. Published by Brendan Elliget...
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By Neil Diamond, The Hollies. Arranged by Brendan Elliget MAGA 537. Score, Set of Parts. 79 pages. Published by Brendan Elliget
$49.99
Como te he echado de menos
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Concert band
#
INTERMEDIATE
#
Manu Tenorio
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Juan Villodre
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Como te he echado de menos
#
Juan Villodre
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1364707 By Manu Tenorio. By Manuel Angel Vergara Tenorio. Arranged by Juan Villodre. 21st Century,Film/...
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Concert Band - Level 3 - Digital Download SKU: A0.1364707 By Manu Tenorio. By Manuel Angel Vergara Tenorio. Arranged by Juan Villodre. 21st Century,Film/TV,Multicultural,Pop,Rock,World. 94 pages. Juan Villodre #948999. Published by Juan Villodre (A0.1364707). Arrange for voice and concert band.
$49.99
Because He is gracious - Psalm 136 - Защото е благ - ПÑалом136
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Concert band
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INTERMEDIATE
#
Sacred music
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Leda Georgieva
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Leda Georgieva
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Because He is gracious - Psalm
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Leda Georgieva
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1267775 By Leda Georgieva. By Leda Georgieva. Arranged by Leda Georgieva. Christian,Classical,Praise & ...
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Concert Band - Level 3 - Digital Download SKU: A0.1267775 By Leda Georgieva. By Leda Georgieva. Arranged by Leda Georgieva. Christian,Classical,Praise & Worship. Score and Parts. 58 pages. Leda Georgieva #860312. Published by Leda Georgieva (A0.1267775). A Christian song in a classical style for a solo soprano, two-voiced choir, two violins, viola, cello, flute and piano. It can be accopanied by a piano or organ and can be performed by a soloist only.
$3.00
Il Est Ne Le Divin Enfant (He is born, the divine infant.) French Traditional Carol de Noel,
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Concert band
#
INTERMEDIATE
#
French Traditional, based on v
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K
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Il Est Ne Le Divin Enfant
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KS through Sheet Music Plus
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1007934 Composed by French Traditional, based on version of Gabriel Faure. Arranged by K. Sater. Christ...
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Concert Band - Level 3 - Digital Download SKU: A0.1007934 Composed by French Traditional, based on version of Gabriel Faure. Arranged by K. Sater. Christian,Christmas,World. Score and parts. 18 pages. KS through Sheet Music Plus #6597509. Published by KS through Sheet Music Plus (A0.1007934). Arrangement tailored to a smaller concert band with limited instrumentation, suitable for developing players, or community ensembles looking for a traditional international Christmas selection.
$15.00
Why Was He (She) Born So Beautiful - Concert Band - Orchestra Score and Parts PDF
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Concert band
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INTERMEDIATE
#
Traditional
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Brendan Elliget MAGA 537
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Why Was He
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BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750899 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 35 page...
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Concert Band - Level 3 - Digital Download SKU: A0.750899 Composed by Traditional. Arranged by Brendan Elliget MAGA 537. Holiday. Score and parts. 35 pages. BJE Music #4605407. Published by BJE Music (A0.750899). This is another traditional song which is sung at birthday celebrations. The traditional words on a Vocal Lead Sheet are included with an optional Piano part. The arrangement is for Concert Band and/or Orchestra - with flexible instrumentation.The MP3 was recorded with NotePerformer 3Grade = 3 Duration = 1:15 mins (2 Verses)
$15.00
He is Born – Wind Band with Optional Organ and Timpani
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Concert band
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INTERMEDIATE
#
Unknown
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Christina Harmon
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He is Born – Wind Band with
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Christina Harmon
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.753296 Composed by Unknown. Arranged by Christina Harmon. Baroque,Christmas. Score and parts. 50 pages....
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Concert Band - Level 3 - Digital Download SKU: A0.753296 Composed by Unknown. Arranged by Christina Harmon. Baroque,Christmas. Score and parts. 50 pages. Christina Harmon #3408469. Published by Christina Harmon (A0.753296). Traditional French Carol for Wind Band Length 3.2 minutes Scored for brass, woodwinds, percussion with optional organ and timpani, this setting of the popular French carol expresses all the joy of the Christmas season. Easily playable by students and amateurs, it is also a piece that can be enjoyed by professionals as well.
$18.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Golden Helmet Of Cortez
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Concert band
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INTERMEDIATE
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the end of 1520, he had won Me
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Randy A
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Golden Helmet Of Cortez
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Randy A. Steinberg
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinbe...
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Concert Band - Level 3 - Digital Download SKU: A0.870372 Composed by Randy A. Steinberg. Contemporary,Latin. Score and parts. 156 pages. Randy A. Steinberg #1885815. Published by Randy A. Steinberg (A0.870372). Born in 1485, Hernando Cortez was a Spanish adventurer rewarded for his courage and skills in battle. In the spring of 1519 with 11 ships and 700 men, he landed on the newly discovered gulf coast of Mexico looking for gold that was rumored to be found there. To ensure that none of his men deserted him, he burned all except one of his fleet of ships. He quickly conquered the Aztec empire and its emperor Montezuma. There, he eventually killed Montezuma and seized the gold and treasure that had belonged to the Aztecs for centuries. By the end of 1520, he had won Mexico for Spain and put it under Spanish rule. As a reward, King Charles V of Spain made him governor and captain general of Mexico. He died in Seville, Spain in 1536. Although Cortez’ aims were for conquest and gold – many which resulted in suffering and misery for the Aztecs, there were interesting cultural side effects as Spain ruled Mexico. Ancient Indian folk tunes and ceremonial music were suddenly intermixed with the higher culture of the baroque and renaissance music from Spain. Much of what we now know of today in the way of Latin styles of music owes its roots to the invasion of Cortez and culture changes he inadvertently brought with him. The Golden Helmet Of Cortez musically commemorates the story of Cortez as he landed in Mexico on that spring day in 1519. The piece is a compilation of many Latin and Mexican musical styles. Some of these are light in style, others evoke the battles that took place. These are all brought together in an exciting programmatic style to be enjoyed by all. 2016 Arrangement New Release.
$24.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Goin' Home For Band (also called Going Home)
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Concert band
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INTERMEDIATE
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Classical
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Antonin Dvorak Arranged by Jar
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Antonin Dvorak
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Jari A
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Goin' Home For Band
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Rom...
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Concert Band - Level 3 - Digital Download SKU: A0.722762 Composed by Antonin Dvorak. Arranged by Jari A. Villanueva. Christian,Contemporary,Patriotic,Romantic Period. Score and parts. 28 pages. JV MUSIC #3904135. Published by JV MUSIC (A0.722762). Goin' Home For Band (also called Going Home)Based on the Largo from the New World Symphony By Antonin Dvorak Arranged by Jari Villanueva ScoreSet of PartsSubstitute part for Baritone TC providedGoin' Home, is based on the Czech composer Antonin Dvorak's famous Largo theme from his Symphony No. 9 (5) (From the New World), Op. 95. His symphony was composed while he was in America and was first performed by the New York Philharmonic at Carnegie Hall on December 16, 1893. It has been said that Dvorak's themes in his symphony were inspired by American folk melodies, especially Afro-American or American Indian. But his themes are just as similar to Bohemian folk music and most likely from that music. This arrangement is based on the one played in the movie Clear and Present Danger by the United States Air Force Band. It has been used at presidential funerals for the departure ceremonies at Andrews Air Force Base for Presidents Reagan, Ford and Bush. It was used in 1998 for the dis-interment ceremony for the Vietnam Unknown at Arlington National Cemetery and is still used today by military bands at Arlington.Jari Villanueva earned a Bachelor of Music Education degree from the Peabody Conservatory of the Johns Hopkins University and a Master of Music from Kent State University, Ohio. He retired from the US Air Force Band in Washington DC where he spent 23 years as a trumpeter, bugler and staff arranger. He started his publishing company JV MUSIC in 1995. A student of Bill Holcombe, he continues writing for different ensembles and his arrangements are played by bands, brass ensembles and brass quintets all over the country.https://youtu.be/hflXQEZtoCk
$40.00
The Cross Kirk and the lang walk
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Concert band
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INTERMEDIATE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Mediev...
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Concert Band - Level 3 - Digital Download SKU: A0.1438470 By Graham Hamilton. By Graham Hamilton. 21st Century,Classical,Contest,Festival,Historic,Medieval. 93 pages. Hambone Music #1018489. Published by Hambone Music (A0.1438470). A beautiful slow melody in 4/4 followed by a rousing 6/4 trek with fanfares then returning to the slow melody in 4/4. Not overly difficult but players should be around Grade 5 (ABRSM) and intermediate level concert bands, school bands and symphonic wind ensembles should manage it easily. Inspired by an old ruined church in my town called the 'Cross Kirk' during the times of the Cromwellian invasion of Scotland.Part 1 It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery.Part 2 It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme.Part 3 The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights. The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination.Part 4 The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters . As he closes his eyes, his mind returns to the knights and a smile crosses his face as he gently drifts off to sleep, as the final bell of the day tolls.
$40.00
Johnny Bach Time Traveler
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Concert band
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INTERMEDIATE
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Edward Sims
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Edward Sims
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Johnny Bach Time Traveler
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Ed Sims
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz...
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Concert Band - Level 3 - Digital Download SKU: A0.1154732 By Edward Sims. By Edward Sims. Arranged by Edward Sims. 19th Century,20th Century,Baroque,Jazz,March. Score and Parts. 84 pages. Ed Sims #755006. Published by Ed Sims (A0.1154732). Johann Sebastian Bach. His music is the foundation on which so much of our musical heritage is based. But what if he had reappeared and composed in the style of future generations? That question is musically and whimsically pondered in this composition. It opens with a setting of his hymn “Christus, de runs selig machtâ€. We then hear the subsequent variations as he may have used his melody. The first is in the classical style similar to Mozart, which is followed by a Romantic era Viennese waltz style, a la Strauss. He next appears in the late 19th century as a march composer. In his most recent appearance (that we know of), he writes in the swing style of the 1940’s. This piece, which is sure to be an audience favorite, provides the director with limitless opportunities to teach about the Phrygian mode and to discuss many eras of music history and the styles and composers associated with each, while giving the students the challenge of playing and learning to quickly transition to the various styles with music that is both challenging and fun.
$2.00
Sinfonia Venezia - Pasquale Anfossi (1727 - 1797) - Primo Tempo (First part)
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Concert band
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INTERMEDIATE
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Classical
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Pasquale Anfossi
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Fabrizio Brezzo
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Sinfonia Venezia - Pasquale An
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Fabrizio Brezzo
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Sc...
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Concert Band - Level 3 - Digital Download SKU: A0.896391 Composed by Pasquale Anfossi (Taggia 1727 - Rome 1797). Arranged by Fabrizio Brezzo. Baroque. Score and parts. 19 pages. Fabrizio Brezzo #4633087. Published by Fabrizio Brezzo (A0.896391). Pasquale Anfossi (5 April 1727 – February 1797) was an Italian opera composer. Born in Taggia, Liguria, he studied with Niccolò Piccinni and Antonio Sacchini, and worked mainly in London, Venice and Rome.He wrote more than 80 operas, both opera seria and opera buffa, although he concentrated on church music, especially oratorios, during his last years. Anfossi died in Rome in 1797.As an operatic composer, Anfossi remained forgotten for a long time, despite his great popularity with his contemporaries, because his works were overshadowed by those of Salieri, Rossini and Mozart. Nevertheless, Johann Wolfgang von Goethe staged Anfossi's farsetta La maga Circe (Circe, the Sorceress) in his role as the theatre director of Weimar. He adapted the libretto with Christian August Vulpius and also made plans for a continuation, which never came to bear.Only in the last 20 years has Anfossi's work been appreciated anew, through diverse productions such as Giuseppe riconosciuto. His work was featured at the 2005 Salzburg Summer Festival.Fabrizio Brezzo, this arranger, lives in Taggia, the town where Anfossi was born.In the second half of this symphony, you can hear the theme that Mozart used, 9 years later, for his Confutatis maledictis of the requiem mass.
$8.50
Nearer My God To Thee (Titanic) for Young Concert Band
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Concert band
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Symphonie Fantastique: IV. Marche au supplice
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Concert band
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INTERMEDIATE
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Opera
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Classical
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Hector Berlioz
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Guilherme Ribeiro
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Symphonie Fantastique: IV. Mar
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Gui Ribeiro
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,R...
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Concert Band - Level 3 - Digital Download SKU: A0.1152527 Composed by Hector Berlioz. Arranged by Guilherme Ribeiro. 20th Century,Classical,March,Opera,Romantic Period. Score and Parts. 103 pages. Gui Ribeiro #752748. Published by Gui Ribeiro (A0.1152527). Symphonie fantastique is a piece of program music that tells the story of an artist gifted with a lively imagination who has poisoned himself with opium in the depths of despair because of hopeless, unrequited love. Berlioz provided his own preface and program notes for each movement of the work. Convinced that his love is spurned, the artist poisons himself with opium. The dose of narcotic, while too weak to cause his death, plunges him into a heavy sleep accompanied by the strangest of visions. He dreams that he has killed his beloved, that he is condemned, led to the scaffold and is witnessing his own execution. The procession advances to the sound of a march that is sometimes sombre and wild, and sometimes brilliant and solemn, in which a dull sound of heavy footsteps follows without transition the loudest outbursts. At the end of the march, the first four bars of the idée fixe reappear like a final thought of love interrupted by the fatal blow. Berlioz claimed to have written the fourth movement in a single night, reconstructing music from an unfinished project, the opera Les francs-juges. The movement begins with timpani sextuplets in thirds, for which he directs: The first quaver of each half-bar is to be played with two drumsticks, and the other five with the right hand drumsticks. The movement proceeds as a march filled with blaring horns and rushing passages, and scurrying figures that later show up in the last movement. NOTES: - The two timpani part can be played by only the 2 pairs of timpani. - Measure 93 and 100: Clarinet 1, 2 and 3 play one octave lower as written.
$14.99
Setting the Watch for Concert Band
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Concert band
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INTERMEDIATE
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Graham Boag
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Setting the Watch for Concert
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Graham Boag
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. G...
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Concert Band - Level 3 - Digital Download SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #678469. Published by Graham Boag (A0.1074188). I originaly wrote this march for Brass Band. It's called 'Setting the Watch' and is inspierd by the Ripon Hornblower with the tradition going back over a thousand years to Saxon times when Viking raids were common occurrences and people lived in fear of their property, livestock and even lives being lost in night-time attacks. In 886, the English King was Alfred the Great and he made it his mission to visit his people bringing a message of safety and stability. In Ripon he granted the people a Royal Charter and gave them a symbolic horn as a gift, advising them that they should be always alert to the dangers of invaders. The people of Ripon decided to employ a night watchman that they called a “wakemen†to patrol from dusk until dawn ready to sound the horn gifted by the King should he spot any trouble approaching. For further reassurance, the wakeman sounded the horn at each of the four corners of the market place at 9pm every night to let the people know that he was on duty and they could sleep easily. This sounding of the horn at 9pm became known as setting the watch.
$39.99
Marcha Militar
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Concert band
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INTERMEDIATE
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Classical
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Juan de Arriaga
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Joel Jacklich (ASCAP)
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Marcha Militar
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Joel Jacklich
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.723125 Composed by Juan de Arriaga. Arranged by Joel Jacklich (ASCAP). Classical. Score and parts. 32 p...
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Concert Band - Level 3 - Digital Download SKU: A0.723125 Composed by Juan de Arriaga. Arranged by Joel Jacklich (ASCAP). Classical. Score and parts. 32 pages. Joel Jacklich #3377517. Published by Joel Jacklich (A0.723125). PROGRAM NOTE: Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, has been commissioning works, both new works and modern arrangements of old works, for nine years for an annual Concert of Premieres each May. He commissioned me to arrange this military march by Juan de Arriaga for his 9th Annual Concert of Premieres for the 2015-2016 Academic year. Juan Crisóstomo Jacobo Antonio de Arriaga y Balzola (January 27, 1806 – January 17, 1826) was a Spanish Basque composer. He was nicknamed the Spanish Mozart after he died, because, like Wolfgang Amadeus Mozart, he was both a child prodigy and an accomplished composer who died young. They also shared the same first and second baptismal names; and they shared the same birthday, January 27 (fifty years apart). The Marcha Militar was written in 1820 when Arriaga was 14 years old. The original is scored for requinto (a small, 3/4-size guitar tuned in F, a fourth above the normal quitar), piccolo in D, two clarinets in B-flat, two small trumpets in B-flat, two large trumpets in B-flat, two bassoons in B-flat, serpent in A-flat, trombone in B-flat, triangle, chimes, cymbals, side drum, and bass drum. I have arranged the piece for a modern band of piccolo, flute, oboe, three clarinets in B-flat, bass clarinet in B-flat, alto sax in E-flat, tenor sax in B-flat, bari sax in E-flat , bassoon, French horn in F, three trumpets in B-flat, baritone horn (with parts for both bass clef and transposing B-flat treble clef),trombone, tuba, triangle, snare drum, cymblas, bass drum, and glockenspiel. As this arrangement was originally meant for a junior high school band, some notes may cause range problems for young, less experienced players. I have indicated these notes with smaller noteheads in parenthesis. While these parenthetical notes are the preferred notes, and should be played if possible, it is assumed the regular-sized note is probably the one which will probably need to be played. Joel Jacklich El Centro, California, July 4, 2015.
$40.00
The Trio
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Concert band
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INTERMEDIATE
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Ennio Morricone
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Marco Pasquini
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The Trio
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Arr. by Marco Pasquini
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1322802 Composed by Ennio Morricone. Arranged by Marco Pasquini. 20th Century,Film/TV. 114 pages. Arr. ...
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Concert Band - Level 3 - Digital Download SKU: A0.1322802 Composed by Ennio Morricone. Arranged by Marco Pasquini. 20th Century,Film/TV. 114 pages. Arr. by Marco Pasquini #911089. Published by Arr. by Marco Pasquini (A0.1322802). IL TRIELLO (THE TRIO)Composed by Ennio Morricone, Arranged by Marco Pasquini for Solo Trumpet (Bb or C), Concert Band & Choir (optional) - 114 pagesINSTRUMENTATIONConductor, Solo Bb Trumpet, Piccolo C, Flute 1 e 2, Oboe 1 e 2, Eb Piccolo ClarinetBb Clarinet 1 e 2, Bb Clarinet 3 e 4, Bb Bass Clarinet, Eb Alto Sax 1 e 2Bb Tenor Sax 1 e 2, Eb Baritone Sax, F Horn 1 e 2, F Horn 3 e 4, Trumpet 1Trumpet 2 e 3, Trombone 1 e 2, Bass Trombone, Euphonium 1, Euphonium 2Tuba, Mallets -Glockenspiel, Timpani, Tubolar Bells, Percussion, Snare DrumBass Drum, Classic Guitar, Synth (Strings patch), Pianoforte, Choir SATBOptional parts:Solo C Trumpet, Bassoon, Soprano Sax, Eb Horn 1, 2, 3 e 4, TC Trombone 1, 2 e 3, TC Euphonium 1 e 2, TC Tuba, String BassThe piece can also be performed without the synt, without the guitar (but with the piano) and without the choir.Grade 3Duration: 5'30Â [Score + Set of Parts included] Sound track by Il buono, il brutto, il cattivo the 1966 film directed by Sergio Leone. In the triello scene, after a very tense wait, Blonde kills Sentenza, while Tuco, whose gun was discharged during the night by his companion, finds himself unarmed and at his mercy. But Blonde spares him, reveals to him that no name is indicated on the stone, and forces him to dig in the unknown man's grave next to Stanton's. The two thus come into possession of the dollars, but Blonde plays one last atrocious prank on Tuco: while the latter was digging he prepared a noose hanging from a tree, and forces the bandit to stick his neck through it while balancing precariously on a cross wooden. Then he ties his hands, and before his incredulous eyes he loads half the loot onto Sentenza's horse and walks away. He will save him in the usual way, shooting the rope from afar, amidst the bandit's begging, tears and finally insults.
$130.00
Gonna Fly Now
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Concert band
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INTERMEDIATE
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Film/TV
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Ayn Robbins, Bill Conti, and C
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Lorenzo Bocci
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Gonna Fly Now
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1452042 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by Lorenzo Bocci. Disco,Film/T...
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Concert Band - Level 3 - Digital Download SKU: A0.1452042 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by Lorenzo Bocci. Disco,Film/TV,Pop. 120 pages. Lorenzo Bocci #1031289. Published by Lorenzo Bocci (A0.1452042). GONNA FLY NOW - Theme from Rocky - performed by Maynard Fergusonfor Concert Band/Big Band - Grade 3 - Digital Download Composed by Bill Conti, Carol Connors, Ayn Robbins. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'38''. Published by Lorenzo Bocci.Instrumentation:Full Score, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Solo Trumpet, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine, Cowbell), Conga Drums, Guitar - Piano (Ad libitum).Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.for Big Band:Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Solo Trumpet, Bb Trumpet 1, 2, 3, Trombone 1, 2, Bass Trombone, Electric Bass, Drum Set, Percussion (Tambourine, Cowbell), Conga Drums, Guitar - Piano (Ad libitum).Gonna Fly Now, also known as Theme from Rocky, is the theme song from the movie Rocky, composed by Bill Conti with lyrics by Carol Connors and Ayn Robbins and released in 1976. Gonna Fly Now was nominated for Best Original Song at the 49th Academy Awards. The version of the song from the movie, performed by Conti with an orchestra, hit number one on the Billboard Hot 100 chart in 1977, while a version by jazz trumpeter Maynard Ferguson had a 13-week run chart, eventually peaking at number 28 on June 25. While Ferguson was known to have an uncanny ability to change with the times, no one suspected that in the Spring of 1977, he would pull off the coup of his life. As AllMusic reviewer Richard Ginell put it: Maynard was shrewd, and Maynard was quick, and he managed to beat almost everyone to the punch... It had been decades since a big band recording had made the charts, but when he released his recording ahead of the soundtrack version, Ferguson scored the biggest hit of his long career. Subscribe to my YouTube Channel to stay updated on new releases.
$89.00
Chips in a Bag
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Concert band
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INTERMEDIATE
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Leslie Searle
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Chips in a Bag
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Schott Music - Digital
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SheetMusicPlus
Wind band - intermediate - Digital Download SKU: S9.Q43086 Disco. Composed by Leslie Searle. This edition: condensed score. Schott Harmony Series....
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Wind band - intermediate - Digital Download SKU: S9.Q43086 Disco. Composed by Leslie Searle. This edition: condensed score. Schott Harmony Series. Downloadable, Conductor reduction. Duration 3 minutes. Schott Music - Digital #Q43086. Published by Schott Music - Digital (S9.Q43086). This is a stirring, skilful transfer of pop-style music for youth wind band. The original composition can he performed by smaller bands: the larger score is for additional Instruments. Leslie Searle came to Germany in 1965 as a Saxophonist in the Band of the Royal Air Force. He has composed and made arrangements of music by Kurt Edelhagen among others, and has played in numerous bands. He is now director of a private music school in Remscheid.(1 Piccolo-Flöte, 2 Flöten, 2 Oboen, 2 Fagotte, 1 Klarinette in Es, 3 Klarinetten in B, 1 Alt-Klarinette in Es, 1 Bass-Klarinette in B, 2 Alt-Saxophone in Es, 1 Tenor-Saxophon in B, 1 Bariton-Saxophon in Es, 4 Hörner in F, 4 Trompeten in B, 2 Kornette (Flügelhörner) in B, 4 Posaunen, 3 Tenorhörner in B, 2 Baritone, 2 Tuben, 1 Schlagzeug (Drum Set), 1 Tamburin, 1 Gitarre ad lib.).
$11.99
Nessun Dorma (for tenor and symphonic band)
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Concert band
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INTERMEDIATE
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Opera
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Classical
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Giacomo Puccini
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Juan José Peláez Vilanov
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Nessun Dorma
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John Joseph
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Puccini. Arranged by Juan José Peláez Vilanova. 20th Century,Classica...
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Concert Band - Level 3 - Digital Download SKU: A0.1145793 Composed by Giacomo Puccini. Arranged by Juan José Peláez Vilanova. 20th Century,Classical,Contest,Festival,Opera,Romantic Period. Score and parts. 43 pages. John Joseph #745992. Published by John Joseph (A0.1145793). Giacommo Puccini, represents the union of Italian and German opera traditions, greatly influenced by Verdi, of whom he is considered his successor, and also by Wagner, Bizet, and Debussy. The main feature of his style was the eclecticism, the incorporation and assimilation of various languages and resources in his profession. Many of the musical concepts, as well as the connection between music and the stage, were the harbinger of what would rule in film music a few decades later. Puccini tooks from the French opera, under the influence of Bizet and Massenet, the taste for the exotic and historical location of his operas. In the case of Turandot, set in ancient China, the opera tells the story of the cruel princess Turandot who, in revenge for a sullied ancestor, beheads her suitors if three riddles are not answered. An unknown prince –Calaf– postulates by answering her three enigmas and challenging her to be the one to find out her name. Turandot orders that no one sleep in Peking until the name of the prince is known, Calaf, who has issued the challenge that if his name is not discovered, princess Turandot must marry him. At the beginning of the third act, the prince sings the aria –Nessun Dorma– convinced that the princess's efforts to discover his name will be in vain. Puccini began the composition in January 1921 and in March 1924 he had already completed the opera up to the final duet. However, a few months later he would pass away, leaving unfinished sketches of the end of Turandot. Franco Alfano was commissioned to finish it, premiering it two years later, in 1926. Currently, it is the fourth most performed Puccini opera worldwide, after the well-known trio La Boheme, Tosca and Madama Butterfly.
$15.00
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