Home page
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
One more Time
Not classified
356
Piano & keyboards
Piano solo
139
Piano, Voice
16
Organ
13
Piano, Vocal and Guitar
13
C Instruments
12
2 Pianos, 4 hands
3
Piano Trio: piano, violin, cello
2
Piano Quartet: piano, violin, viola, cello
2
1 Piano, 4 hands
2
2 Accordions
1
Accordion
1
+ 6 instrumentations
-
Retract
Guitars
Guitar
17
Guitar notes and tablatures
12
4 Guitars (Quartet)
3
Mandolin
2
Mandolin, Guitar (duet)
1
Melody line, (Lyrics) and Chords
1
Baritone Ukulele
1
Ukulele
1
Bass guitar
1
2 Guitars (duet)
1
+ 5 instrumentations
-
Retract
Voice
Choral SATB
42
Choral 3-part
12
Voice solo
7
Choral TTBB
6
Vocal duet, Piano
4
Choral SSAA
4
Choral 2-part
3
Soprano voice, Piano
2
Choral Unison
2
Tenor voice
1
+ 5 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
106
Saxophone, Clarinet (duet)
59
2 Clarinets (duet)
46
Clarinet, Violin (duet)
41
Clarinet, Trumpet (duet)
32
2 Flutes (duet)
31
Saxophone ensemble
28
Saxophone Quintet: 5 Saxophones
28
Flute, Clarinet (duet)
27
Saxophone Quartet: 4 saxophones
26
Flute, Violin
23
Clarinet and Viola
21
Alto Saxophone and Piano
20
Flute, Viola (duet)
20
Flute, Saxophone (duet)
20
Oboe, Bassoon (duet)
19
Oboe, Clarinet (duet)
18
Soprano Saxophone and Piano
18
Flute, Trumpet (duet)
17
Oboe, Flute
16
2 Oboes (duet)
16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
16
Clarinet and Piano
14
Tenor Saxophone and Piano
11
Flute and Piano
11
3 Saxophones (trio)
8
Oboe, Piano (duet)
8
Clarinet Quartet: 4 clarinets
7
Flute ensemble
7
Tenor Saxophone
6
Flute, Oboe, Clarinet, Bassoon
5
Clarinet Ensemble
5
Baritone Saxophone, Piano
5
Alto Saxophone
4
Flute Quartet: 4 flutes
4
Clarinet Quintet: 5 clarinets
3
Saxophone
3
3 Clarinets (trio)
3
Flute Trio: 3 flutes
2
English horn, Piano
2
Soprano Saxophone
2
Bass Clarinet, Piano
2
Oboe
2
Descant (Soprano) Recorder
2
Baritone Saxophone
2
Clarinet
2
Flute Quintet : 5 flutes
2
Flute
2
Flute, Oboe (duet)
1
Oboe (band part)
1
5 Recorders
1
Flute, Violoncello
1
2 Saxophones, Piano
1
Oboe, Violin (duet)
1
Recorder
1
Flute and Guitar
1
Flute, Clarinet and Bassoon.
1
+ 52 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
59
Trumpet, Saxophone (duet)
40
Brass quartet : 2 trumpets, trombone, tuba
31
Trumpet, Trombone (duet)
22
2 Trombones (duet)
20
Brass Quartet: 4 trombones
14
2 Trumpets (duet)
14
Trombone and Piano
12
Brass Quartet: 2 trumpets, horn, trombone
11
Trombone
8
2 Euphoniums and 2 Tubas
8
Trumpet, Piano
8
Trumpet
6
Trombone ensemble
5
Euphonium, Piano (duet)
5
French Horn and Piano
5
Trumpet ensemble
4
Tuba
3
Tuba and Piano
3
English horn, Piano
2
Brass Quartet
2
3 Trombones (trio)
2
French horn
2
4 Tubas
1
Horn Ensemble
1
Brass Quartet: 4 horns
1
Brass Trio
1
Bass Trombone and Piano
1
+ 23 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
44
Violin, Cello (duet)
31
Violin, Viola (duet)
23
2 Violins (duet)
19
2 Violas (duet)
15
Violin and Piano
14
2 Cellos (duet)
14
Cello, Piano
11
String Trio: violin, viola, cello
10
Viola, Piano
8
Cello
6
Violin
4
Viola
4
String Quintet: 2 violins, viola, cello, bass
3
Harp
2
Double Bass
2
Double bass, Piano (duet)
2
String Trio: 2 violins, cello
2
Viola ensemble
2
Violin ensemble
2
Cello Ensemble
1
Harp, Trombone (duet)
1
String Trio: 3 cellos
1
Viola (band part)
1
+ 19 instrumentations
-
Retract
Orchestra & Percussion
Concert band
48
Jazz Ensemble
27
Orchestra
25
Brass ensemble
20
Chamber Orchestra
12
String Orchestra
10
Drums
5
Jazz combo
3
Marching band
2
Xylophone, Piano
1
Vibraphone
1
Handbells
1
Percussion Ensemble
1
+ 8 instrumentations
-
Retract
Others
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
Other Services
Other Services
Top 100
Web directory
Staff paper
Metronome
About free-scores.com
$
$
EUR €
USD $
GBP £
CAD $
CNY ¥
Français
Free Sheet Music
Digital Sheet Music
48
Sheet Music Books
8
Music Equipment
863
Digital scores
(access after purchase)
Post mailing
Digital sheet music
← INSTRUMENTATIONS
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Active criteria:
One more Time
avanced
Concert band
Sheetmusic to print
48 sheet music found
<
1
26
More Than A Feeling
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Boston
#
Jeffrey Bowen
#
More Than A Feeling
#
Music Arrangement Services Inc.
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.671064 By Boston. By Tom Scholz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and parts....
(+)
Concert Band - Level 4 - Digital Download SKU: A0.671064 By Boston. By Tom Scholz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and parts. 34 pages. Music Arrangement Services Inc. #278502. Published by Music Arrangement Services Inc. (A0.671064). Originally recorded by Boston, this ballad arrangement is written in 6/8 time. This Concert Band Score accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. It is reflective and offers great dynamic variety and vocal moments. This song refers to reflecting on past times, bittersweet memories of good music but loss of love. This arrangement is designed for high school or college show choir, concert choir or community choir. SSA/Piano Score also available. Performance time is approximately 3:05.
$49.99
Once Upon A Time In The West
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Ennio Morricone
#
Andrea Bonaldo
#
Once Upon A Time In The West
#
AB Music
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1125849 Composed by Ennio Morricone. Arranged by Andrea Bonaldo. Film/TV. Score and parts. 29 pages. AB...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1125849 Composed by Ennio Morricone. Arranged by Andrea Bonaldo. Film/TV. Score and parts. 29 pages. AB Music #726593. Published by AB Music (A0.1125849). For more exciting music visit our site: www.abmusic.store.
$60.00
Lost and Found
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Classical
#
Daniel Bouknight
#
Lost and Found
#
Daniel Bouknight
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1219650 Composed by Daniel Bouknight. Classical. Score and Parts. 52 pages. Daniel Bouknight #816008. P...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1219650 Composed by Daniel Bouknight. Classical. Score and Parts. 52 pages. Daniel Bouknight #816008. Published by Daniel Bouknight (A0.1219650). The idea behind the piece is supposed to potray the process of overcoming obstacles in life, in this case, its the obstacle of losing people. When somesone in our life is lost suddenly, we're left a mess, everything seems discombobulated, nothing seems to quite make sense anymore. The beginning of the piece gets that across with the drone coming in on its own and the different chord changes through out helps drive that message along. Then the whole band joins in to really set in the confussion and disorientate you. The two soloists, Trombone and Trumpet, will be offstatge solos. These are playing the roles of Gods angels coming to your rescure trying to guide you through it all. But, you do not listen and the confussion continues on. Soon enough, you give in, listening to the angels you find yourself and you realize...its all okay. The ensemble is playing this emotional and warm hit with the solosits singing over the top giving the sense that we've made it. Then to close out the piece, the soloists chime in one last time to bring in the resolution of the piece, that you are home, you are safe, you can rest.
$34.99
Back To The Future
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Film/TV
#
Alan Silvestri
#
Graham Boag
#
Eric Stoltz was cast instead
#
Back To The Future
#
Graham Boag
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1081763 Composed by Alan Silvestri. Arranged by Graham Boag. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 187 pages. Graham Boag #685889. Published by Graham Boag (A0.1081763). Back to the Future is a 1985 American science fiction film directed by Robert Zemeckis, and written by Zemeckis and Bob Gale. It stars Michael J. Fox, Christopher Lloyd, Lea Thompson, Crispin Glover, and Thomas F. Wilson. Set in 1985, the story follows Marty McFly (Fox), a teenager accidentally sent back to 1955 in a time-traveling DeLorean automobile built by his eccentric scientist friend Doctor Emmett Doc Brown (Lloyd). Trapped in the past, Marty inadvertently prevents his future parents' meeting-threatening his existence-and is forced to reconcile the pair and somehow get back to the future. Back to the Future was conceived of in 1980 by Gale and Zemeckis. They were desperate for a successful film after numerous collaborative failures, but their idea was rejected over 40 times by studios because it was not considered raunchy enough to compete with the successful comedies of the era. A development deal was secured following Zemeckis' success directing Romancing the Stone (1984). Fox was the first choice to portray Marty, but he was unavailable; Eric Stoltz was cast instead. Shortly after principal photography began in November 1984, Zemeckis determined Stoltz was not right for the part and made the concessions necessary to hire Fox. This included re-filming scenes already shot with Stoltz and adding $4 million to the budget. Back to the Future was filmed in and around California and on sets at Universal Studios. Filming concluded the following April. Replacing Stoltz delayed production and the film's release date but, following highly successful test screenings, the date was brought forward to July 3, 1985, to give Back to the Future more time in theaters. This resulted in a rushed post-production schedule, and some incomplete special effects. Back to the Future was a critical and commercial success, earning $381.1 million to become the highest-grossing film of 1985 worldwide. Critics praised the story, comedy, and the cast-particularly Fox, Lloyd, Thompson, and Glover. It received multiple award nominations and won an Academy Award, Saturn Awards, and a Hugo Award. Its theme song, The Power of Love by Huey Lewis and the News, was a significant success globally. In the years since its release, Back to the Future has grown in esteem and is now considered to be among the greatest films of the 1980s, one of the best science-fiction films ever made, and one of the greatest films of all time. In 2007, the United States Library of Congress selected the film for preservation in the National Film Registry. The film was followed by two sequels, Back to the Future Part II (1989) and Back to the Future Part III (1990). With its effect on popular culture and a dedicated fan following, Back to the Future launched a multimedia franchise. This includes an animated television series, video games, comic books, board games, clothing, music, books, food, toys, collectibles, and theme park rides. Its enduring popularity has led to numerous books about its production, documentaries, and commercials. Back to the Future has been adapted into a 2020 stage musical.
$59.99
Oldest and Finest Concert March (Score)
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Gary D
#
Oldest and Finest Concert Marc
#
DR GARY D BELSHAW
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHA...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.796594 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 24 pages. DR GARY D BELSHAW #2958021. Published by DR GARY D BELSHAW (A0.796594). Conductor's Score. 24 pages, letter format sheets. Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The set of parts is also available right here in Sheet Music Plus.
$8.00
Oldest and Finest Concert March (Complete)
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Gary D
#
Oldest and Finest Concert Marc
#
DR GARY D BELSHAW
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSH...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.796595 Composed by Gary D. Belshaw. Folk,Holiday,Patriotic. Score and parts. 196 pages. DR GARY D BELSHAW #2958023. Published by DR GARY D BELSHAW (A0.796595). Set of Parts. 194 pages, letter format sheets, intended to be printed in booklet format; blank sheets are included to make each part come out with the appropriate number of pages.Composed for the U. S. Naval Academy Band, the Navy's oldest band, and the third oldest military ban in the United States. The march is a tribute to the ensemble in honor of its 150th Anniversary and premiered at their gala Sesquicentennial concert in 2003. In 6/8 meter, the march features a chromatic Introduction built on a 12-tone row. The First and Second strains (in F Major) are lively, bright, and completely tonal. The incipit of the trio (in B-flat) consists of the first four notes of Anchors Aweigh. This is significant for the USNA Band because it was composed by Lt. Charles A. Zimmermann, selected as Bandmaster of the ensemble in 1887 at the age of 26, and Midshipman First Class Alfred Hart Miles, supposed while seated at the Naval Academy Chapel organ. The trio is played three times; the first is interrupted by the Break Strain. The Introduction then serves to both conclude the Break Strain and to transition into the first repeat of the Tiro, this time featuring the saxophone section on the countermelody. One more Break Strain and Introduction builds to the final statement of the Trio, with coda and triplet stinger.The conductor's score is available separately right here in Sheet Music Plus.
$65.00
Never Enough
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Boyce Avenue
#
Jason Howard
#
Never Enough
#
Jason Howard
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musi...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1265062 By Boyce Avenue. By Benj Pasek and Justin Paul. Arranged by Jason Howard. Broadway,Film/TV,Musical/Show,Pop. Score and Parts. 40 pages. Jason Howard #857689. Published by Jason Howard (A0.1265062). Thank you for you're interest in my arrangement one of The Greatest Showman's greatest hits! This arrangement of Never Enough is for concert band with an optional vocal soloist.The work starts out with the simple piano arpeggios that really hooked my ear on the original, before leading into an intimate blend of woodwind timbres and flowing percussive melodies for the first verse. Low Brass lead the work into the first chorus, where a Horn solo carries the emotion to the first full ensemble hit that pushes through until the end of the work where sudden silence and soft, warm extended chord punctuates the piece.This piece was written with advanced high school and higher level musicians in mind. Though the pieces isn't incredibly difficult overall, the range asked of some of the performers and the raw emotion that this work represents demands a level of training. The score will likely be better printed on Legal sized paper to help with readability, but the parts are all easily printable on standard 8.5x11 copy paper.Instrumentation:Flute 1 & 2*Oboe*Bb Clarinet 1 & 2Bb Clarinet 3*Bass ClarinetAlto Saxophone 1Alto Saxophone 2Tenor SaxophoneBaritone SaxophoneBb Trumpet 1 & 2Bb Trumpet 3Horn in F 1 & 3*Horn in F 2 & 4*Trombone 1Trombone 2Eupnonium*TubaOptional Solo VoicePianoGlockenspielChimesXylophoneMarimbaConcert Bass DrumSuspended Cymbal*Part includes a solo sectionI hope that you and your group enjoys my arrangement! If you do (or even if you don't), please leave a comment and let me know! As a current full time band director who would love to be able to do this full time one day, any and all critiques are appreciated, and I'm particularly interested in formatting suggestions! If you would rather email me than leave a comment, shoot me an email at jhowardarranging@gmail.com!A little about me:My name is Jason Howard, and at the time of this publication, I'm going into my 5th year as a band director at the middle and high school levels. I have quite a bit of experience with arranging of various types of vocal and instrumental ensembles and combos. Most are for personal use, but as I get time, I hope to publish more and more for public consumption! Primarily, I focus on popular music, and I one day hope to bring important and influential classical musics to audiences and younger students everywhere!
$49.99
Issue 5, Series 2 - Promises from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 5, Series 2 - Promises f
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886123 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886123 Composed by Jason McChristian. Contemporary. Score and parts. 55 pages. Jason Gary McChristian #552421. Published by Jason Gary McChristian (A0.886123). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Promises - ...STRENGTH IS SUMMONED AND PROMISES ARE MADE....
$40.00
Clair de Lune [Arrangement for concert band] - Score Only
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Classical
#
Masakazu YAMAMOTO
#
Masakazu YAMAMOTO
#
Clair de Lune [Arrangement for
#
Motch Music
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1091230 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1091230 By Masakazu YAMAMOTO. By Claude Debussy. Arranged by Masakazu YAMAMOTO. 20th Century,Classical,Contest,Festival,Film/TV,Pop. 14 pages. Motch Music #695394. Published by Motch Music (A0.1091230). Arrangement for concert band.This is the third song of Suite â€Bergamasque composed by Claude Debussy around 1890. Written in the style of nocturne, it is one of the most famous songs in Debussy's work. And also it is often featured as a repertoire among classical pianos as a whole.In this arrangement, while respecting the original song, bold “reharmonization†(change of chord) is applied. And further, an opening section as fade-in effect and an ending section extending the aftertaste time are added. All of them are used for creating new attractive of this song. And, I am also inspired by the title “A sentimental promenade which had been named at the time of publication in 1900-1901. There are many weak sounds throughout this song, but each phrase requires a rich expression centered on romanticism. At the same time, it is also important for the phrase to be passed down smoothly, and especially in the middle part, a flowing propulsion is required. I hope that those elements will be organically linked to the harmony taste, which is the key to this arrangement. Commissioned by conductor Keiko Kobayashi, and the Sony Concert Band. Premiered on July 2, 2022. Playing time: about 5'30(arr. Masakazu YAMAMOTO)[Instrumentation] Flute 1, 2Oboe Bassoon (option)Bb Clarinet 1, 2, 3 Bb Bass ClarinetEb Alto Saxophone 1, 2 Bb Tenor Saxophone Eb Baritone SaxophoneBb Trumpet 1, 2 F Horn 1, 2, 3, 4 (only 4th option) Trombone 1, 2 Euphonium TubaString BassHarp (option)Glockenspiel Vibraphone Percussion (Triangle, Wind-chime, Suspended Cymbal)  Works For Concert Band Original Composition (Sheet Music Plus / Sheet Music Direct)Arrangement (Sheet Music Plus / Sheet Music Direct)----------------------------------------------------- Motch Music All Sheet Music (Sheet Music Plus / Sheet Music Direct)I have a wide selection of sheet music for various instruments such as piano, ensemble, and concert band. From light and enjoyable pieces to concert-level compositions, we cover a wide range of repertoire. I also provide a rich collection of audio preview.In addition to original compositions and unique arrangements, a lot of text on music analysis is well-received. Please take a look below for more information!Motch Music Web Pagehttps://www.masakazuyamamoto.com/english  Â
$32.00
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 10, Series 3 - The Sage
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.
$40.00
Issue 7, Series 2 - The Social Outcast from Strange Myths and Wondrous Images - A Comic Book Chronic
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 7, Series 2 - The Social
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #552907. Published by Jason Gary McChristian (A0.886124). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Social Outcast - ...THE FORSAKEN OUTSIDER OFFERS HELP; A GIFT NO ONE CONSIDERED....
$40.00
Elegy-Field of Blood
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
(+)
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Jordan Eismeier
#
Elegy-Field of Blood
#
Imagine Music - Digital
#
SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
(+)
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Our Flirtations
#
Concert band
#
INTERMEDIATE/ADVANCED
#
John Philip Sousa
#
Wesley Besancon
#
Our Flirtations
#
Wesley Besancon
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1152172 Composed by John Philip Sousa. Arranged by Wesley Besancon. 20th Century,March. Score and Parts. 62 pages. Wesley Besancon #752386. Published by Wesley Besancon (A0.1152172). Throughout Sousa’s career as a conductor, he often altered the performance of his marches without marking or changing the printed music. These alterations were designed for concert performances and included varying dynamics and omitting certain instruments on repeated strains to expand the range of the musical textures, as well as adding unscripted percussion accents for dramatic emphasis at key points in the music. Although Sousa never documented his performance techniques himself, several players who worked extensively with Sousa provided directions for his frequently performed marches, most notably cornetist Frank Simon. Sousa continued to conduct many of his earlier marches later in his career with these unique alterations, but he rarely returned to several of the marches composed between 1873 and 1880. Although no written confirmation exists for how Sousa might have performed these earliest compositions, select elements of his typical performance practices can also be applied to these marches. “Our Flirtation†is the earliest march for which Simon documented Sousa’s common adjustments in performance. The Complete Marches of John Philip Sousa appears in chronological order and is based on some of the earliest known sources for each composition. These newly edited full scores correct many mistakes and inconsistencies found in the parts of early publications; however, all remaining markings and the original scoring are preserved. Additionally, the alterations traditionally employed by the United States Marine Band in performance are incorporated throughout; either those specifically documented by Sousa’s musicians or changes modeled on the customary practices of “The March King.†Performance practices that deviate from the original printed indications are described below and appear in [brackets] in the score. In many instances these indications appear side-by-side with the original markings. An open diamond marked with an accent in the cymbal part indicates that the cymbal player should let that accent ring for an additional beat before rejoining the bass drum part. Second strain (m. 21-38): The dynamic should drop to piano first time through with piccolo, E-flat clarinet, cornets/trumpets, and trombones tacet first time. Additionally, all clarinets should play down one octave as indicated by the cued notes. All instruments rejoin fortissimo and at the original octave in the first ending. A percussion accent may be added in m. 29 the second time. The printed percussion figure in the first ending continues the previous pattern, yet muddies the pick-ups to the second strain and may be omitted for just that one bar as indicated after the downbeat. Trio (m. 39-54): Piccolo and cornets/trumpets are tacet once more as well as cymbals, but trombones have an interesting part in the texture and may continue to play softly here. All instruments rejoin for the fortissimo pick up notes in m. 54. Interlude/Break-up strain (m. 55-70): A percussion accent may be added on beat two in m. 62 and 70, both times, to match the accented chords in the rest of the band. Final strain (m. 71-end): The first time through this strain is piano once more and piccolo, cornets/trumpets, trombones, and cymbals are tacet again. First and second B-flat clarinets should also play one octave lower as indicated by the cued notes. All instruments rejoin in the first ending for the repeat of the break-up strain and play fortissimo to the end.
$14.99
Prologue from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Prologue from Strange Myths an
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886116 Composed by Jason McChristian. Contemporary. Score and parts. 48 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886116 Composed by Jason McChristian. Contemporary. Score and parts. 48 pages. Jason Gary McChristian #550927. Published by Jason Gary McChristian (A0.886116). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Prologue - TURNING ITS GAZE EARTHWARDS, A GREAT ENTITY WATCHES FROM THE FARTHEST REACHES OF TIME AND SPACE....
$40.00
Issue 3, Series 1 - Henchmen from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 3, Series 1 - Henchmen f
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian ...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886120 Composed by Jason McChristian. Contemporary. Score and parts. 124 pages. Jason Gary McChristian #550943. Published by Jason Gary McChristian (A0.886120). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Henchmen - ...FOUR BRUTES WREAK HAVOC ON THE INNOCENT. THEY CONJURE TERROR AS THEY MOVE THROUGH THE STREETS WITH OMIINOUS GLEE....
$40.00
Issue 2, Series 1 - Secret Identity from Strange Myths and Wondrous Images - A Comic Book Chronicle
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 2, Series 1 - Secret Ide
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886119 Composed by Jason McChristian. Contemporary. Score and parts. 67 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886119 Composed by Jason McChristian. Contemporary. Score and parts. 67 pages. Jason Gary McChristian #550939. Published by Jason Gary McChristian (A0.886119). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Secret Identity - ...CONCEALED IN THE CROWD, A STRANGER FEELS AN UNUSUAL RESONANCE SURGING FROM WITHIN....
$40.00
Issue 6, Series 2 - Trickster from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 6, Series 2 - Trickster
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian ...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886122 Composed by Jason McChristian. Contemporary. Score and parts. 137 pages. Jason Gary McChristian #552441. Published by Jason Gary McChristian (A0.886122). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Trickster - ...A NEW TERROR IS ABOUT. TREACHERY AND SEDUCTION ARE ITS SPORT....
$40.00
Issue 8, Series 2 - Inner Struggle from Strange Myths and Wondrous Images - A Comic Book Chronicle f
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 8, Series 2 - Inner Stru
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886125 Composed by Jason McChristian. Contemporary. Score and parts. 89 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886125 Composed by Jason McChristian. Contemporary. Score and parts. 89 pages. Jason Gary McChristian #552923. Published by Jason Gary McChristian (A0.886125). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Inner Struggle - ...WITH LIVES IN THE BALANCE AND HEROES AND VILLAINS IN THE FRAY, WILL GOOD ENDURE?....
$40.00
Issue 9, Series 3 - Dark God from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 9, Series 3 - Dark God f
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886126 Composed by Jason McChristian. Contemporary. Score and parts. 47 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886126 Composed by Jason McChristian. Contemporary. Score and parts. 47 pages. Jason Gary McChristian #552999. Published by Jason Gary McChristian (A0.886126). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. Dark God - ...THE WORST DREAD APPROACHES THE CITY....
$40.00
Issue 4, Series 1 - A Hero's Anthem from Strange Myths and Wondrous Images - A Comic Book Chronicle
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 4, Series 1 - A Hero's A
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Published by Jason Gary McChristian (A0.886121). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. A Hero's Anthem - ...FROM THE DESTRUCTION A CRY IS HEARD, FROM THE CROWD A HERO EMERGES....
$40.00
Issue 1, Series 1 - The City from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Issue 1, Series 1 - The City f
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian ...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Published by Jason Gary McChristian (A0.886118). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The City - ...AMONG THE DENSE CITYSCAPE, AN UNFAMILIAR PRESENCE WEAVES THROUGH THE CROWD AND THE NOISE....
$40.00
Series 3 from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason Gary McChristian
#
Series 3 from Strange Myths an
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886158 Composed by Jason Gary McChristian. Contemporary. Score and parts. 243 pages. Jason Gary McChris...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886158 Composed by Jason Gary McChristian. Contemporary. Score and parts. 243 pages. Jason Gary McChristian #4354563. Published by Jason Gary McChristian (A0.886158). This series contains four issues. Each issue may be performed separately or may be performed as a whole. The Prologue, sold separately, may also be performed at the beginning of the series. Each issue represents an element, either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, suggesting the traditional symphonic form. Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained.
$100.00
Series 1 from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Series 1 from Strange Myths an
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886153 Composed by Jason McChristian. Contemporary. Score and parts. 338 pages. Jason Gary McChristian ...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886153 Composed by Jason McChristian. Contemporary. Score and parts. 338 pages. Jason Gary McChristian #4349071. Published by Jason Gary McChristian (A0.886153). This series contains four issues. Each issue may be performed separately or may be performed as a whole. The Prologue, sold separately, may also be performed at the beginning of the series. Each issue represents an element, either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, suggesting the traditional symphonic form. Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained.
$100.00
Series 2 from Strange Myths and Wondrous Images - A Comic Book Chronicle for Concert Band
#
Concert band
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Jason McChristian
#
Series 2 from Strange Myths an
#
Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886155 Composed by Jason McChristian. Contemporary. Score and parts. 348 pages. Jason Gary McChristian ...
(+)
Concert Band - Level 4 - Digital Download SKU: A0.886155 Composed by Jason McChristian. Contemporary. Score and parts. 348 pages. Jason Gary McChristian #4351469. Published by Jason Gary McChristian (A0.886155). This series contains four issues. Each issue may be performed separately or may be performed as a whole. The Prologue, sold separately, may also be performed at the beginning of the series.Each issue represents an element, either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, suggesting the traditional symphonic form. Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained.
$100.00
<
1
26
