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First Light - Flute Duet
Not classified
87
Piano & keyboards
1 Piano, 4 hands
8
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6
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6
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6
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+ 1 instrumentations
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8
Choral 2-part
2
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+ 1 instrumentations
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25
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17
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9
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You've selected:
First Light - Flute Duet
Concert band
Sheetmusic to print
2 sheet music found
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The Battle Eve Duet - Trombone and Euphonium with Concert Band Accompaniment Score and Parts PDF
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Concert band
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INTERMEDIATE
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Patriotic
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Music composed by Theo Bonheur
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Brendan Elliget MAGA 537
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The Battle Eve Duet - Trombone
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.750900 Composed by Music composed by Theo Bonheur with lyrics written by GW Southey.(~1890). Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 76 pages. BJE Music #4579953. Published by BJE Music (A0.750900). Originally a vocal duet entitled 'The Battle Eve' was composed by Theo Bonheur with lyrics written by GW Southey. The song had been written for performances by bass and tenor vocal duet.The song begins: Dark the shades of night are growing, keen and chill the wind is blowing, bright the watchfire lights are glowing, 'Tis the battle eve…The piece appears to have been composed in the early 1890s with the first recorded performance at the Athenaeum in Melbourne (Australia) in May 1893. ‘The Battle Eve’ was very popular during the First World War period with many performances at many concerts related to the war effort in Australia. This included patriotic concerts held across Australia during 1914. The first of these was a patriotic concert held at the School of Arts, South Grafton, New South Wales, on Tuesday 1 September 1914. Miss Eva Beatson performed the song with proceeds from the evening totaling 52 pounds. [https://www.awm.gov.au/collection/C230950]The arrangement here is for Trombone (Tenor) and Euphonium (Bass) Duet with Concert Band accompaniment. The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 5:30 mins.
$30.00
Elegy Sentimentale for Concert Band
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Concert band
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Keith Terrett
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Elegy Sentimentale for Concert
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Keith Terrett
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terret...
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
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