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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
For All You\
Not classified
16,097
Piano & keyboards
Piano solo
6,293
Big Note Piano
3,323
Easy Piano
3,114
Piano, Voice
2,894
Piano, Vocal and Guitar
2,621
Organ
1,923
C Instruments
983
Piano Accompaniment
327
1 Piano, 4 hands
210
Piano Trio: piano, violin, cello
178
Accordion
109
Piano (band part)
81
2 Pianos, 4 hands
78
Keyboard
66
Piano Quartet: piano, violin, viola, cello
25
Piano Quintet: piano, 2 violins, viola, cello
17
Piano Quartet: piano, 2 violins, cello
15
Organ, Piano (duet)
12
Organ, Trumpet (duet)
12
2 Pianos, 8 hands
8
1 Piano, 6 hands
8
Accordion, Voice
3
Harpsichord
2
Accordion ensemble
2
2 Accordions
1
Melody line, Piano
1
+ 21 instrumentations
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Guitars
Guitar notes and tablatures
1,045
Guitar
579
Bass guitar
457
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429
Ukulele
289
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166
Lyrics and Chords
151
Mandolin
112
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73
4 Guitars (Quartet)
48
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44
Dulcimer
40
Banjo
37
Mandolin, Piano (duet)
35
3 Guitars (trio)
24
Guitar Ensemble
14
2 Dulcimers (duet)
4
Guitar, Violin, Cello (trio)
4
Mandolin, Guitar (duet)
4
2 Ukuleles
3
Baritone Ukulele
2
Ukulele Ensemble
1
+ 17 instrumentations
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Retract
Voice
Choral SATB
3,229
Choral 3-part
1,388
Choral 2-part
854
Choral TTBB
813
Choral Unison
599
Choral SSAA
536
Voice solo
138
Vocal duet, Piano
131
Alto voice, Piano
102
Tenor voice, Piano
78
Soprano voice, Piano
77
Vocal duet
72
Baritone voice, Piano
71
Choral
50
Tenor voice
36
High voice
36
Soprano voice
28
Choral Instrumental Pak
25
Low voice, Piano
22
Medium voice, Piano
10
Choral SSATB
6
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4
Choral SSATTB
3
Choral SSAATTBB
3
Voice, Guitar
3
Choral SAATB A Cappella
2
Choral SATBB
2
Choral SSAB a cappella
2
Baritone voice
1
Soli, Mixted choir and accompaniment
1
Low voice
1
Choral SSAATB
1
+ 27 instrumentations
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Woodwind
2 Saxophones (duet)
1,305
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
1,001
Flute and Piano
923
Saxophone Quartet: 4 saxophones
897
Clarinet and Piano
840
Saxophone (band part)
789
Oboe, Piano (duet)
754
Flute, Oboe, Clarinet, Bassoon
743
2 Flutes (duet)
701
Clarinet
686
Flute
679
Saxophone Quintet: 5 Saxophones
635
2 Clarinets (duet)
628
Alto Saxophone and Piano
612
Alto Saxophone
578
Clarinet Quartet: 4 clarinets
473
Tenor Saxophone and Piano
443
Tenor Saxophone
438
Oboe (band part)
352
Soprano Saxophone and Piano
336
Saxophone, Clarinet (duet)
315
2 Oboes (duet)
292
Flute, Clarinet (duet)
281
Clarinet, Violin (duet)
267
Flute Quartet: 4 flutes
249
3 Saxophones (trio)
233
Oboe, Clarinet (duet)
208
Baritone Saxophone, Piano
205
2 Recorders (duet)
201
Oboe, Bassoon (duet)
197
Saxophone ensemble
188
Clarinet Quintet: 5 clarinets
188
3 Clarinets (trio)
186
Clarinet, Trumpet (duet)
183
Oboe
179
Clarinet Ensemble
170
Flute, Violin
159
Flute ensemble
137
Flute Trio: 3 flutes
132
Clarinet and Viola
128
Ocarina
127
Flute, Saxophone (duet)
116
Descant (Soprano) Recorder
115
Flute Quintet : 5 flutes
113
Oboe, Flute
108
Flute, Viola (duet)
108
Flute, Trumpet (duet)
97
English horn, Piano
86
Soprano Saxophone
85
Clarinet (band part)
84
Flute (band part)
84
Saxophone
73
Flute, Violin, Piano
71
Baritone Saxophone
68
Flute, Oboe (duet)
68
Flute and Guitar
66
Flute, Oboe, Clarinet (trio)
59
Bass Clarinet, Piano
59
Clarinet, Bassoon (duet)
58
Recorder
57
Flute, Clarinet and Bassoon.
55
Oboe, Clarinet, Bassoon (trio)
55
English Horn
53
Flute, Violoncello
49
Treble (Alto) Recorder
44
2 Clarinets, Piano
41
2 Flutes, Piano
41
Clarinet, Cello (duet)
39
Recorder Ensemble
36
Harmonica
36
Recorder Quartet
35
Flute, Clarinet, Violin (trio)
32
Oboe, Cello
32
Flute, Oboe, Bassoon
30
Clarinet, Guitar (duet)
30
Clarinet, Harp (duet)
29
Flute, Clarinet, Piano (trio)
29
Flute, Violin and Violoncello
28
5 Recorders
23
Flute, Bassoon, and Piano
23
Oboe, Violin (duet)
23
Flute, Oboe, Piano (trio)
21
Flute, Cello, Piano (trio)
21
3 Recorders (trio)
17
Clarinet, Trombone (duet)
17
Flute, Viola and Piano
17
Flute, Trombone (duet)
17
Oboe and viola (duet)
14
Recorder, Piano
14
Clarinet, Cello, Piano (trio)
13
Flute, Clarinet, Horn and Bassoon (Quartet)
12
Tenor Recorder
12
Flute, harp and violin
12
Descent (Soprano) Recorder, Piano
12
Bass Clarinet
10
Eb Instruments
10
Oboe, Guitar (duet)
10
Pennywhistle
10
Flute, Oboe, Violin
10
English Horn, Guitar (duet)
9
Flute, trombone and piano
8
Piccolo
8
Piccolo, Piano
7
Clarinet, Double bass (duet)
7
Treble (Alto) Recorder, Piano
7
Oboe, Violin, Piano
7
Flute, Harp and Cello
6
Oboe, Trombone (duet)
5
Clarinet, Bassoon, Piano (trio)
5
Saxophone and Guitar
5
3 Oboes
5
Flute, Organ (duet)
5
Clarinet, Tuba
5
Clarinette, Viola and Piano (trio)
4
Flute, Violin, Violoncello and Piano
4
Clarinet, trumpet and piano
4
Oboe, Cello and Piano
4
Flute and Strings Trio
4
Clarinet Quintet: Clarinet, String Quartet
4
Flute, Tuba (duet)
4
Oboe, Bassoon and Piano
4
2 Oboes, Piano
3
Oboe, Clarinet and Piano (Trio)
3
2 Saxophones, Piano
3
Saxophone and Harp
3
Pan Flute
3
Clarinet Quartet: Clarinet, Violin, Viola, Cello
2
Wind ensemble
2
4 Oboes
2
Oboe, Trumpet (duet)
2
Saxophone and Organ
2
2 Clarinets, Bassoon
2
Flute, Cello, Guitar
1
2 English horns and Pianoforte
1
Oboe ensemble
1
2 Flutes and Harp
1
Clarinet, Organ
1
2 Recorders, Piano
1
Flute, Viola and harp
1
Oboe, Harp
1
+ 135 instrumentations
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Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
971
Trumpet
645
Trumpet, Piano
614
Trombone and Piano
584
Trombone
514
Brass quartet : 2 trumpets, trombone, tuba
503
French Horn and Piano
496
Trombone (band part)
449
French horn
437
Trumpet (band part)
394
Tuba and Piano
352
2 Trombones (duet)
348
Tuba
333
2 Trumpets (duet)
332
Brass Quartet: 2 trumpets, horn, trombone
267
Brass Quartet
239
Trumpet, Saxophone (duet)
227
Trumpet, Trombone (duet)
221
2 French horns (duet)
175
Brass Quartet: 4 trombones
117
French horn (band part)
97
Trumpet ensemble
96
Trombone ensemble
91
English horn, Piano
86
Tuba (band part)
82
Euphonium, Piano (duet)
74
2 Tubas (duet)
72
Brass Quartet: 4 horns
60
English Horn
53
Trumpet, Horn (duert)
47
Euphonium
38
3 Trombones (trio)
36
2 Euphoniums and 2 Tubas
31
Brass Trio
30
Trombone, Tuba (duet)
25
Horn Ensemble
22
Brass Quartet: 4 trumpets
19
Bass Trombone
17
2 Euphoniums (duet)
17
Euphonium, Tuba (duet)
15
Trumpet, Tuba (duet)
13
4 Tubas
13
Trombone, Horn (duet)
13
3 Trumpets (trio)
13
Bass Clef Instruments
12
Trumpet, Bassoon (duet)
12
Bb Instruments
12
Tuba and Organ
11
English Horn, Guitar (duet)
9
Trumpet, Cello (duet)
9
Bass Trombone and Piano
8
2 Trombones, Piano
7
3 Tubas (trio)
7
Trumpet, Harp
7
Trombone, Organ
6
2 Trumpets, Keyboard (piano or organ)
6
Horn, Tuba (duet)
6
Trumpet, Cello, Piano
6
French Horn and Harp
6
Horn, Cello (duet)
6
Trumpet, Trombone, Piano
6
Brass Quartet: 2 trumpets, 2 trombones
5
Trombone, Violin (duet)
5
3 French horns (trio)
4
Tuba or Euphonium or Saxhorn
3
2 French horns, Piano
3
French horn and Basson (duet)
3
F Instruments
3
2 English horns and Pianoforte
1
Trumpet, Orchestra
1
Trumpet, Euphonium (duet)
1
Horn and Organ
1
Clarinet, Horn (duet)
1
Cornet and Orchestra
1
Brass Quintet: 2 trumpets, horn, 2 trombones
1
Tuba ensemble
1
+ 71 instrumentations
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Retract
Strings
String Quartet: 2 violins, viola, cello
2,578
Violin and Piano
1,326
Violin
1,117
Violin, Cello (duet)
853
Cello, Piano
814
Cello
798
Viola, Piano
777
Harp
733
String Trio: violin, viola, cello
663
2 Violins (duet)
533
Viola
524
String Quintet: 2 violins, viola, cello, bass
515
2 Cellos (duet)
392
Violin, Viola (duet)
372
2 Violas (duet)
338
Double Bass
321
Double bass, Piano (duet)
308
String Trio: 2 violins, cello
210
Doublebass (band part)
156
Viola (band part)
128
Violin (band part)
121
Viola, Cello (duet)
103
String Trio: 3 violins
80
4 Cellos
75
2 Double basses (duet)
68
2 Harps (duet)
49
Cello, String Bass (duet)
39
Piano Trio: Violin, Viola, Piano
39
String Trio: 3 cellos
38
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34
String quartet: 4 violins
32
String Trio: 3 violas
29
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29
Violin, Bassoon (duet)
28
String Quartet : 4 violas
25
String Trio: 2 violins, viola
24
Violin ensemble
24
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22
String Quintet: 2 violins, 2 violas, cello
20
Cello (band part)
19
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15
String Quintet: 2 violins, viola, 2 cellos
14
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14
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13
Flute, Doublebass (duet)
13
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12
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11
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11
Harp, Cello (duet)
7
String trio
7
Violin, Tuba (duet)
6
Harp, Violin, Violoncello
6
Viola and Harp
6
2 Cellos, Piano
6
4 Double Basses
6
3 Harps
4
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4
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4
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3
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3
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2
5 Harps
2
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2
Harp, Trombone (duet)
2
Violin, Cello, Clarinet
1
Autoharp
1
Violin, Organ
1
Cello, Orchestra
1
Harp and mandolin
1
Harp and Piano
1
Harp (band part)
1
Violoncello, Basso continuo
1
+ 67 instrumentations
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4,620
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1,307
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1,063
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868
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432
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427
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280
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91
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86
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76
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36
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28
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
26
Xylophone, Piano
24
Flexible Instrumentation
8
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7
3 Marimbas
5
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2
Big band
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School Ensemble
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Conga
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Voice and Orchestra
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1
Cajon
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+ 31 instrumentations
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Concert band
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4601
Elegy Sentimentale for Concert Band
#
Concert band
#
Keith Terrett
#
Elegy Sentimentale for Concert
#
Keith Terrett
#
SheetMusicPlus
Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terret...
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Concert Band - Digital Download SKU: A0.746749 Composed by Keith Terrett. Contemporary,World. 39 pages. Keith Terrett #3129275. Published by Keith Terrett (A0.746749). Here at last is my ’’Elegy sentimentale’’ for Concert Band, and an original composition.I hope it makes an excellent piece for amateur and professional bands alike; with some challenging and interesting woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
#
Concert band
#
EASY
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Concert band
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INTERMEDIATE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Kalla
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Concert band
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Contemporary
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Jazz
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Allan Gilliland
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Kalla
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Allan Nimmo Gilliland
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. ...
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Concert Band - Digital Download SKU: A0.987813 Composed by Allan Gilliland. Contemporary,Jazz. Score and parts. 117 pages. Allan Nimmo Gilliland #42353. Published by Allan Nimmo Gilliland (A0.987813). The word Kalla is Norwegian for call, a theme that appears both in the inspiration for this piece and the structure of the work itself. Commissioned by the 2009 National Youth Band of Canada and funded through a grant from MacEwan University’s Centre for the Arts Research and Scholarly Activity Fund, the work was premiered May 13, 2009 by the National Youth Band of Canada under the direction of Dr. Shelley Jagow, featuring Dean McNeill as the soloist. For me Kalla is a crossover piece stylistically for the soloist. It draws upon both classical and jazz inspired techniques including traditional cadenzas with virtuosic runs and triple tonguing and contrasting sections featuring jazz plunger techniques, a unique sound not often heard in band music. The trumpet culture at turn of the century (late 19th century-early 20th century) in New Orleans was the inspiration for Kalla. Trumpet players would go down to the river and play a note to see how long it took the echo to come back. Soon, another trumpet would answer, higher and louder, and the game of one-upsmanship would begin. Trumpet calls and answers from across the city would sound. Kalla is based on this concept of call and response with the opening trumpet call coming physically from three different places in the concert hall. As the piece develops call and response continues between the soloist and ensemble.
$100.00
Waiting (for Wind Band)
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Concert band
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BEGINNER
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Renato Goulart
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Waiting
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Renato Goulart
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.826513 Composed by Renato Goulart. Contemporary,Instructional,Standards. Score and parts. 23 pages. Ren...
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Concert Band - Level 1 - Digital Download SKU: A0.826513 Composed by Renato Goulart. Contemporary,Instructional,Standards. Score and parts. 23 pages. Renato Goulart #2079847. Published by Renato Goulart (A0.826513). Written specifically to be performed minutes before a concert, Waiting is a soundscape piece that searches interaction between musicians and the public, working musical sections of different textures through the use of groups of random notes. During the performance, all the musicians walk in different places around the public that arrives to watch the concert. The three signals usually used to signal the start of the concert are replaced by small fanfares played by the trumpets which also serve as reference for the beginning of each section of the piece. The conducting part is left to the musicians and the conductor also participates in performance through small interventions in some groups of performers. The piece can be performed by many groups based on wind instruments, it's a great opportunity for young students to have contact with aspects of contemporary music, including practice of improvisation and memorization. Contrabass and percussion are optional. Full Score, Set of Parts and instructions for perfomance. Grade 2 Youtube performance:https://youtu.be/8OnspF58XCI
$9.00
The Fog Meets the Storm for small wind band and percussion
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson ...
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
Medallion March
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Concert band
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EASY
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Brian Ackley
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Medallion March
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Brian P. Ackley
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #10551...
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Concert Band - Level 2 - Digital Download SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #1055174. Published by Brian P. Ackley (A0.1478921). This uplifting march is perfect for any young band! If you are looking for a piece that will push your students to the next level while having fun at the same time, this is the march for you! Its catchy tune will be an ear worm to your students and audiences alike with its flowing melodic lines and layered harmonies. A guaranteed hit with your students, Medallion March showcases each instrument throughout this piece. Every instrument takes a turn playing the featured melodies. This is especially great for your low brass and low woodwinds, whose parts are very active throughout. The trumpets and flutes lead the way with a victorious theme as the clarinets and saxes harmonize below with parallel rhythms. As we move through the first section, the trumpets and clarinets swap parts to give an even thicker sound. The driving rhythms of the 5-part percussion section keeps everyone moving in forward motion as the middle section’s melody is heard in the low brass and low woodwinds. As the conductor, Medallion March gives you the ability to incorporate phrasing, dynamic contrast and articulation that is seen throughout. Written in the key of Bb, each instrument’s parts can be played with ease, including the clarinets who are below written below the break. The percussionists have many opportunities to shine, as the colorfulness of the cymbals and triangles compliment the pulsating rhythms of the snare drum and bass drum. There is also an option for your flute players to play the 2nd line C above the staff in the repeated trio section, doubled by the bells. Medallion March makes for a great concert opener with its big sound and is also great for a concert finale. Your students will feel like they won a medal and leave your audiences wanting more!
$20.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Concert band
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INTERMEDIATE/ADVANCED
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A
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Stephen Davies
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"Clarinet Concert Concertino"
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
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Concert band
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EASY
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Sacred music
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Various
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Colin Kirkpatrick
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Your Favorite Thanksgiving and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. S...
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Concert Band - Level 2 - Digital Download SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 185 pages. Colin Kirkpatrick Publications #4727417. Published by Colin Kirkpatrick Publications (A0.522168). This new collection of Thanksgiving and Harvest hymns contains all your favorites, or at least, most of them. It’s probably all you’ll ever need for thanksgiving and harvest festivals and the arrangements can be used for virtually any combination of wind instruments. This is an essential title for any band library or for any ensembles that are called upon to provide music for schools or churches. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The score and all the parts are contained in a single PDF file. The following 25 hymns are included: All Creatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise (Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringing in the Sheaves (George Minor); Come Ye Thankful People Come (St George’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your hearts with Joy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For the Fruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken (Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (Ash Grove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nun danket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest (Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lord the Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th); Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World (Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We Gather Together (Kremser); We plough the Fields and Scatter (Wir pflügen); Praise God from whom all Blessings Flow (Old Hundredth) The publication consists of a four-staff score for each hymn plus: Part 1 in B flat (clarinet, trumpet, cornet, soprano sax); Part 1 in C (8ve higher for flute, oboe); Part 1 in E flat (alto saxophone, E flat clarinet); Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn); Part 2 in C (8ve higher for flute, oboe); Part 2 in E flat (alto saxophone); Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet); Part 3 in F (French horn in F); Part 4 in B flat (B flat bass clarinet, B flat bass); Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba); Part 4 in E flat (E flat baritone saxophone, E flat bass).
$29.95
Papua New Guinea National Anthem for Military/Wind/Concert Band (Score & Parts) - Score Only
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Concert band
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INTERMEDIATE
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Patriotic
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Thomas Shacklady
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Keith Terrett
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Kobe in 1999
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Papua New Guinea National Anth
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1309638 Composed by Thomas Shacklady. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worsh...
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Concert Band - Level 3 - Digital Download SKU: A0.1309638 Composed by Thomas Shacklady. Arranged by Keith Terrett. Multicultural,Patriotic,Praise & Worship,Traditional,World. 42 pages. Keith Terrett #898806. Published by Keith Terrett (A0.1309638). An arrangement made especially for the Band of the Royal Papua New Guinea Constabulary of ''O Arise, All You Sons''., one og PNG's two professional military bands, the other belongs to the PNG Defence Force both based in Port Morsebly the nations captital.O Arise, All You Sons is the national anthem of Papua New Guinea. Adopted in 1975, it was written and composed by Thomas Shacklady, a former Royal Marine who took over the band from Inspector David Crawley. I took over the band from 1994-99, after taking the band on two overseas tours to Adelaide in 1996 & Kobe in 1999.The National Identity Act of Papua New Guinea was formulated in 1971, motivating the country to create a national flag, a national emblem, a national pledge and a national anthem. A national flag and emblem were adopted in 1971. However, the national anthem remained undecided until independence from Australia in 1975, four years later. Although many songs were submitted to be the anthem, the National Executive Council decided a week before the country's Independence Day (10 September 1975), to adopt as the national anthem a composition that was composed by Chief Inspector Thomas Shacklady (1917–2006), a bandmaster of the Royal Papua New Guinea Constabulary Band.During the 2015 Pacific Games opening ceremony, the anthem was sung with the first line altered from O arise all you sons of this land to O arise sons and daughters of this land. An official later stated that this was illegal and a violation of the National Identity Act.
$39.99
Paredes de Amor / Walls of Love
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Concert band
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INTERMEDIATE
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Contemporary
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Raymond Inman
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Paredes de Amor / Walls of Lov
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raymond inman
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1031979 Composed by Raymond Inman. Contemporary. Score and parts. 16 pages. Raymond inman #3906599. Pub...
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Concert Band - Level 3 - Digital Download SKU: A0.1031979 Composed by Raymond Inman. Contemporary. Score and parts. 16 pages. Raymond inman #3906599. Published by raymond inman (A0.1031979). This is a perfect piece for a youth band for a standard concert to add to your repertoire. This piece is written to accommodate the range level and rhythmic difficulty for an intermediate student. Have students practice listening to all the subtle parts and try to get the nuances to come alive to really propel this piece to its potential. If your students or your band has trouble with listening, playing through delicate passages, and playing as a brass choir or woodwind choir, this piece will help you work through those problems without having to worry about hard to play notes or rhythms. This piece was written as part of my university senior recital and is inspired by Percy Grainger but not as difficult. The piece's duration is circa 5:00 minutes. I am currently an educator in Texas and if you have any questions or concerns let me know through my website inmanschoolofmusic.com.
$50.00
First Symphony for Beginning Band
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Concert band
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BEGINNER
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Aaron Fonzi
#
#
First Symphony for Beginning B
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.998361 Composed by Aaron Fonzi. Contemporary,Standards. Score and parts. 101 pages. Aaron Fonzi #608996...
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Concert Band - Level 1 - Digital Download SKU: A0.998361 Composed by Aaron Fonzi. Contemporary,Standards. Score and parts. 101 pages. Aaron Fonzi #6089967. Published by Aaron Fonzi (A0.998361). Composed in honor of women's history month, First Symphony for Beginning Band is a unique piece that depicts four important women throughout our history. Movement 1 depicts the harrowing tale of Sojourner Truth's escape from slavery. She went on to become one of the most influential abolitionists in history- both an icon for racial justice and women's rights.The second movement depicts the innocence of a young Malala, who stood up against the Taliban's exclusion of women's rights to education. At the age of 15, she was shot in the head three times on a school bus as she was on her way home. Miraculously, she survived and went on to win a Nobel Peace Prize (she is the youngest person to ever earn this prestigious award. Still alive today, Malala is currently studying at Oxford and runs the Malala Fund, which advocates for quality education for all girls. Movement 3 captures the energy, cunning and adventurous nature of Amelia Earhart. She was the first woman to fly the Atlantic, and her disappearance is one of the greatest mysteries of our time. Rehearsal D represents her flight over the open seas and Rehearsal E depicts the unresolved tragedy of her disappearance. Finally, the 4th movement honors the only person to win Nobel Prizes in two separate sciences, Marie Curie. Her scientific, methodical approach to exploration and discovery are depicted here via the fragmented eighth note motifs and methodical percussion writing. I hope your students will enjoy the catchy hooks and melodies, and I hope that this piece can serve as a valuable reminder of the infinite capacity of the human spirit. Most importantly, may we continue to strive to make this world a better place for all! Onward, Aaron Fonzi.
$25.00
A Most Wonderful Christmas: Mallets
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Concert band
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Christmas
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Robert Sheldon
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A Most Wonderful Christmas: Ma
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016170_M1 Mallets. Arranged by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital...
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Concert Band - Digital Download SKU: AX.00-PC-0016170_M1 Mallets. Arranged by Robert Sheldon. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016170_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016170_M1). UPC: 038081274522.Some of the most popular Christmas selections of all time are included in this delightful arrangement, A Most Wonderful Christmas. Robert Sheldon has included Winter Wonderland, I'll Be Home for Christmas, Santa Claus Is Comin' to Town, Have Yourself a Merry Little Christmas, and It's the Most Wonderful Time of the Year in this very tasteful setting for band. Solo opportunities abound and are cross-cued to allow your best players to shine, while the swing sections and jazz inspired ballads will have your audience tapping their feet and singing these tunes long after the concert is over. This is certain to become a repertoire standard for bands year after year! (7:40).
$3.00
Footprints in the Snow by Debussy arr. for flute choir / ensemble
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy
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Ray-Michael Kauffman , a doRay
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Footprints in the Snow by Debu
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as do Ray meflute studio production
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production...
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Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,Concert,Contemporary. Score and parts. 21 pages. As do Ray meflute studio production #3927235. Published by as do Ray meflute studio production (A0.874250). Https://youtu.be/_e_043JWML4Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Preludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow . The piece is one of four Debussy preludes in book # 1. Thought to be inspired by the hugely popular French impressionist painting , called Snow at Louveciennes, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a block-like dissonant chord just before the middle part of the piece My own personal touches on this piece, included extended chord progression and formation with small variants on melody and counter melodies, Also, more importantly, the expression of the performers interpretation as well as my own for the creation and musically paint a magical snow scene.Arranged and scored for piccolo, 6 flutes in c, alto flute in g, bass flute , opt. contra bass flute and / or optional cello.Perfect for large and small ensembles. Perfect for winter concerts, prelude services, recitals, concerts. I thought this impressionist piece, much like the the famous french paintings are a perfect pairing for winter, snow days, and environmental effects . Obviously, this is a professional arrangement, and super difficult to find on SHeetMusicPLus , compared to so many other simple and basic , cookie-cutter formatted arrangementsThis arrangement, however is true professionally arranged and definitely will stand out and shine for you ensemble or choir.A must for flute choir libraries!!
$14.00
Two Favorite Children's Tunes for Young Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Robert Schumann
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Bud Caputo
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Two Favorite Children's Tunes
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Bud Caputo
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1514089 Composed by Robert Schumann. Arranged by Bud Caputo. 21st Century,Children,Romantic Period. 28 ...
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Concert Band - Level 4 - Digital Download SKU: A0.1514089 Composed by Robert Schumann. Arranged by Bud Caputo. 21st Century,Children,Romantic Period. 28 pages. Bud Caputo #1088553. Published by Bud Caputo (A0.1514089). Here are two great tunes to perform for recruiting concerts in your elementary feeder schools, yet will be entertaining to all audiences.Both, The Headless Horseman and Happy Farmer, are part of The Album for the Young by Robert Schumann, originally for piano, arranged here for Young Concert Band.Album for the Young (Album für die Jugend), Op. 68, was composed by Robert Schumann in 1848 for his three daughters. The album consists of a collection of 43 short works. Unlike the Kinderszenen, they are suitable to be played by children or beginners. The second part, starting at Nr. 19 (Kleine Romanze), is marked Für Erwachsenere (For adults; For more grown-up ones) and contains more demanding pieces.All ranges will be comfortable for young bands.Here is a vdeo link to the string version that will provide you with a condensed version of this band arrangement.Video linkhttps://youtu.be/G2ExQxILRqQ.
$19.95
Parker's Lullaby For Band
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Concert band
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EASY
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Christian Paulson
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Parker's Lullaby For Band
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Christian Paulson
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christ...
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Concert Band - Level 2 - Digital Download SKU: A0.1135076 Composed by Christian Paulson. Contemporary,Contest,Festival. Score and parts. 34 pages. Christian Paulson #734412. Published by Christian Paulson (A0.1135076). I originally wrote Parker's Lullaby for our orchestra to celebrate the birth of my first grandchild, Parker. Then I wanted to explore the sounds of the concert band with this piece...so away I went. A couple of fun things went into writing this piece originally. It had to be a lullaby, represent the anticipation of her arrival and the peacefulness of her sleeping, while contrasting her whimsical side with her bold and dramatic side. A couple of other things. The chords are rather jazzy because grandpa is a rather jazzy guy. At letter C, the drum part is grandpa being playful while the flute melody is her grandma doing the same. The ranges are comfortable allowing your band to sound full and confident. I think your horns will enjoy their heroic part in the climax. I'm very pleased with how this turned out. It was important that it kept its simplicity going from strings to band. I hope you enjoy it.
$45.00
Take Me Out to the Ball Game - Adaptable Quintet
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Concert band
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Contemporary
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Albert Von Tilzer
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John McAllister
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Take Me Out to the Ball Game -
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John McAllister
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.778201 Composed by Albert Von Tilzer. Arranged by John McAllister. Contemporary. Score and parts. 30 pages. John ...
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Concert Band - Digital Download SKU: A0.778201 Composed by Albert Von Tilzer. Arranged by John McAllister. Contemporary. Score and parts. 30 pages. John McAllister #6359599. Published by John McAllister (A0.778201). For all those Spring/Summer small (or large) group performances where you need some great incidental background music. This could be great for musicians to go support local team - high school, college, etc. We've definitely played at various baseball and other sporting events over the years. Hopefully this tune can help get REAL MUSICIANS playing at some events and not just music piped in from the loud speakers. PLAY BALL!!
$4.00
Formations for Wind Ensemble
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Concert band
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ADVANCED
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Contemporary
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Kyle Wernke
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Formations for Wind Ensemble
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Kyle Wernke Publishing
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Pub...
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Concert Band - Level 5 - Digital Download SKU: A0.1023994 Composed by Kyle Wernke. 20th Century,Contemporary. Score and parts. 425 pages. Kyle Wernke Publishing #2120113. Published by Kyle Wernke Publishing (A0.1023994). Formations, is a celebration of the cosmos; a celebration of the tiniest of particles to the largest galaxies and everything in between. Since I was a child I've looked up at the sky and seen a world full of wonder, beauty, and mystery. The same wonder that filled my heart when I was in elementary school still takes hold when I look up now, decades later. I chose the formation of things for a specific reason. When I was a kid I had a habit of asking my parents where everything came from. It wasn't enough that a star was there, I needed to know how it got there and if possible why it was there. As I grew up I developed an immense appetite for almost all things science and history and with that came some of the answers I needed. The reality of how these things came to be was so much more interesting and astounding than my imagination that all these years later I am still captivated by the idea of an exploding star or the Big Bang. So lets take a journey, you and I. First we'll see the death of an immense star and watch as its own gravity rips it apart and forms a black hole. We'll see it feed on matter and light around it until it too finally dies. Next we'll go back 13.7 billion years and watch as tiny particles dance in and out of existence in the endless nothingness that once was. We'll see one of these tiny bits expand in an instant and give rise to everything that ever has been or will be. Watch hydrogen form and gravity pull it into the first stars. Those stars will form galaxies and we'll see glimpses of the Universe as it exists now. Finally, we will travel to the end of time, a trillion years or more into the future. There we will witness the dissipation of the galaxies, the death of stars, and the final moments as even tiny electrons are pulled apart into the nothing from which we all came. Parts of this piece are violent, but we will see that at the end of time, the formation of nothing is just as beautiful as the formation of a star. Everything has its time and everything ends. Premiered by the Hartt Wind Ensemble - Glen Adsit, Conductor.
$150.00
When I Survey the Wondrous Cross (Folk Tune - O Waly, Waly) arr. David Catherwood for Flex. ensemble
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Concert band
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INTERMEDIATE
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Traditional
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David Catherwood
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When I Survey the Wondrous Cro
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Opus 3 Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. ...
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Concert Band - Level 3 - Digital Download SKU: A0.739479 Composed by Traditional. Arranged by David Catherwood. Easter,Folk,Multicultural,Wedding,World. Score and parts. 19 pages. Opus 3 Music #5030855. Published by Opus 3 Music (A0.739479). This arrangement of the well loved English Folk song O Waly, Waly will work equally well as an accompaniment for Choirs or Congregations singing When I survey the Wondrous Cross or it may also be used as an effective instrumental item during the Easter period.For secular use the folk song would also work well for smaller groups playing at weddings or other functions.The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandAs with all music available from Opus 3 Music this arrangement has been well tried and tested in performanceA full set contains a score and a generous set of parts (with permissionto copy to suit your own requirements) for the following instruments:Part 1 in C (Oboe 1, Violin 1)Part 1 in C (Flute)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb)Part 2 in C (Oboe 2, Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb)Part 2 in Eb (Ato Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb Bb Bass Tuba (treble clef)Extra optional part in Bb (Euphonium (treble clef)PercussionWhen I survey the wondrous crossOn which the Prince of glory diedMy richest gain I count but lossAnd pour contempt on all my pride
$9.50
The Stars and Stripes Forever for MS Band by John Philip Sousa
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Concert band
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INTERMEDIATE
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John Philip Sousa
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Shawn Postell
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The Stars and Stripes Forever
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Encore Music LLC
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.982210 Composed by John Philip Sousa. Arranged by Shawn Postell. 20th Century,Holiday,Patriotic. Score ...
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Concert Band - Level 3 - Digital Download SKU: A0.982210 Composed by John Philip Sousa. Arranged by Shawn Postell. 20th Century,Holiday,Patriotic. Score and parts. 76 pages. Encore Music LLC #6257975. Published by Encore Music LLC (A0.982210). The national march of the United States, The Stars and Stripes Forever by John Philip Sousa is now available for you middle school or young high school band. A grade 2.5, this arrangement includes 1st (Advanced) and 2nd (basic) parts for all the band instruments. The students will enjoy this playable arrangement of this iconic tune and your audience will enjoy the patriotic feel it evokes as your band performs.
$22.00
Momentum: Mallets
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Concert band
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Instructional
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Chris M
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Momentum: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016438_M1 Mallets. Composed by Chris M. Bernotas. Instructional. Part. 3 pages. Alfred Music - Digi...
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Concert Band - Digital Download SKU: AX.00-PC-0016438_M1 Mallets. Composed by Chris M. Bernotas. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016438_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016438_M1). UPC: 038081471242.This piece begins with a strong percussion statement and a joyous celebratory feel. The pulse is driving and the excitement is evident with syncopation, powerful brass, and impressive technical lines that all lead to many highs and lows before making way to a reflective section. The slower section features several soloists to create a change in mood. Momentum is always moving forward with many exciting challenges for all players and embodies a sense of pride, accomplishment, and celebration. (6:00).
$3.00
For All the Wyle Eternal: Mallets
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Concert band
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Instructional
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Ralph Ford
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Festival.
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For All the Wyle Eternal: Mall
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014304_M1 Mallets. Composed by Ralph Ford. Instructional. Part. 2 pages. Alfred Music - Digital She...
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Concert Band - Digital Download SKU: AX.00-PC-0014304_M1 Mallets. Composed by Ralph Ford. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014304_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014304_M1). UPC: 038081351063.Characterized with sweeping melodies driving dynamic rhythms interrupted with peaceful serene passages built upon charismatic melodies---this musical tribute will not soon be forgotten. Dedicated to Gene Wilder and commissioned by Georgia Band Directors Association, this revered mentor will be remembered for eternity. The catalyst for the predominant part of the material are the notes G, E, and N (either an upper or lower neighboring note), and E---combined with the melody from Mr. Wilders' favorite hymn. One listen and you'll be hooked. High energy paired with deep emotion is the recipe for this wonderful work. (7:00)Concert/Contest; Festival.
$3.00
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