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Concert band
Sheetmusic to print
5 sheet music found
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1
My Songs Know What You Did In The Dark (Light Em Up)
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Concert band
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INTERMEDIATE/ADVANCED
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Fall Out Boy
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Jeffrey Bowen
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My Songs Know What You Did In
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1399576 By Fall Out Boy. By Andrew Hurley, Butch Walker, John Hill, Joseph Trohman, Patrick Stump, and ...
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Concert Band - Level 4 - Digital Download SKU: A0.1399576 By Fall Out Boy. By Andrew Hurley, Butch Walker, John Hill, Joseph Trohman, Patrick Stump, and Peter Wentz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. 24 pages. Music Arrangement Services Inc. #982869. Published by Music Arrangement Services Inc. (A0.1399576). Performed by Fall Out Boy. Â This Concert Band Scores accompanies the SAB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. Â This song is (possibly) about broken promises and the fallout from them. Â The song refers to being careful making wishes, revenge (tearing you apart), details with the devil, knowing the truth, using songs for revenge, being on fire (as in angry, motivated, or vengeful). Â This arrangement is designed for high school or college show choir, concert choir or community choir. Â SAB/Piano Score also available. Â Performance time is approximately 2:00.
$49.99
My Songs Know What You Did In The Dark (light Em Up)
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Concert band
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INTERMEDIATE/ADVANCED
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Fall Out Boy
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Jeffrey Bowen
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My Songs Know What You Did In
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1126891 By Fall Out Boy. By Andrew Hurley, Butch Walker, John Hill, Joseph Trohman, Patrick Stump, and ...
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Concert Band - Level 4 - Digital Download SKU: A0.1126891 By Fall Out Boy. By Andrew Hurley, Butch Walker, John Hill, Joseph Trohman, Patrick Stump, and Peter Wentz. Arranged by Jeffrey Bowen. Contest,Festival,Pop,Rock. Score and parts. 36 pages. Music Arrangement Services Inc. #727534. Published by Music Arrangement Services Inc. (A0.1126891). Performed by Fall Out Boy. This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is (possibly) about broken promises and the fallout from them. The song refers to being careful making wishes, revenge (tearing you apart), details with the devil, knowing the truth, using songs for revenge, being on fire (as in angry, motivated, or vengeful). This arrangement is designed for high school or college show choir, concert choir or community choir. SSA/Piano Score also available. Performance time is approximately 2:00.
$49.99
Monody
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Concert band
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INTERMEDIATE/ADVANCED
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. ...
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Concert Band - Level 4 - Digital Download SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Street Player
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Concert band
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INTERMEDIATE
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Daniel Seraphine and David Haw
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John Ivor Holland
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Street Player
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1404055 Composed by Daniel Seraphine and David Hawk Wolinski. Arranged by John Ivor Holland. 20th Centu...
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Concert Band - Level 3 - Digital Download SKU: A0.1404055 Composed by Daniel Seraphine and David Hawk Wolinski. Arranged by John Ivor Holland. 20th Century,Disco,Pop,Rock. 89 pages. John Ivor Holland #987228. Published by John Ivor Holland (A0.1404055). 'Street Player' is the opening track on Chicago 13, the eleventh studio album by American rock band Chicago, released on August 13, 1979, by Columbia Records. The song is a cover, having previously been performed by Rufus and didn't chart very highly, although the album eventually was certified Gold. It is primarily known as being sampled for the 1995 hit The Bomb! (These Sounds Fall into My Mind) by The Bucketheads, the 2009 hit I Know You Want Me (Calle Ocho) by Pitbull and the 2013 remix by dance music producer Tradelove. The original recording featured a long trumpet solo by Maynard Ferguson; this arrangement, however, has been shortened, although still packing a punch with its distinctive brass lines - it should still be accessible to most bands with some careful rehearsal to get the rhythms together and should be a sure-fire hit with your audience.
$59.99
A Promise to Stand By:
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Concert band
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Contemporary
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Benjamin Ayotte
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A Promise to Stand By:
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #20...
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Concert Band - Digital Download SKU: A0.733009 Composed by Benjamin Ayotte. Contemporary. Score and parts. 30 pages. Ayotte Custom Musical Engravings #2075851. Published by Ayotte Custom Musical Engravings (A0.733009). A promise to stand by... this phrase indicate loyalty, steadfastness, being a man of one's word, knowing that integrity and honor are the enduring qualities by which we will be judged; not fame, fortune, influence, or other worldly measures. It is no surprise, therefore, that this phrase was incorporated by Lou Fortunate and Msgr Herman Kucyk, of blessed memory, into the alma mater of Divine Child High School. When I was approached by Mr. Bush and the Divine Child Band Boosters about the possibility of writing a piece to celebrate the fiftieth anniversary of the band program I was excited, flattered, and--most of all--humbled that I should be chosen out of many worthier candidates, in my estimation. Divine Child has had, for the longest time--since the beginning, it seems--a vibrant and thriving fine arts program involving music (both vocal and instrumental), theatre, and the visual arts as well as literature and poetry. I began to conceive of a work that would pay homage to each of these arts musically and be a celebration of all that Divine Child has to offer. One of my favourite composers, Gustav Mahler, famously said, a symphony must be like the world; it must contain everything. In the 1988 vice-presidential debate, Lloyd Bentsen famously said to Dan Quayle, Senator, you're no Jack Kennedy. A voice in my head said, Benjamin, you're no Gus Mahler. As the discarded drafts in the recycle bin took on a life of their own, I eventually dismissed the idea as impractical, and even vainglorious. I settled upon a more general idea to make the music about the band program. Most every student in the band program goes through the rigors of marching band and performs at the Falcon football games where they become intimate with the Three School Songs: the Falcon Fanfare, the Fight Song, and the Alma Mater. Taking the latter piece as my inspiration, I meditated upon the mission of the school: a promise to educate us in body, mind, and spirit. Divine Child High School stands by her promise, recruiting some of the best teachers in the area to guide us through the tumultuous adolescent years. We students, too, have a promise: to strive to be worthy of this gift, and to accept it and use it for the betterment of society. In band class, under Leo Tallieu, I learned to listen; to contribute to the group; to consider my part in relation to the whole ensemble; to show leadership when needed; and to be a role player when needed. And so, my conception of the piece changed. I wanted to use melodic, harmonic, and rhythmic devices that would be familiar to all DCHS band students, but to use them in a new and different way; to recontextualize them. As time went on, Bob Bush asked me if I would be able to work in a tribute to two band students who had tragically died in the last few years: Blaise H.
$19.99
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