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--INSTRUMENTS--
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It's For You
Not classified
5,787
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1,420
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1,367
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843
C Instruments
617
Organ
167
Piano Accompaniment
167
Big Note Piano
121
1 Piano, 4 hands
89
Piano (band part)
83
Piano Trio: piano, violin, cello
48
2 Pianos, 4 hands
18
Accordion
15
Piano Quartet: piano, violin, viola, cello
10
Piano Quintet: piano, 2 violins, viola, cello
8
Piano Quartet: piano, 2 violins, cello
7
2 Pianos, 8 hands
4
Organ, Trumpet (duet)
3
Keyboard
3
Harpsichord
2
Melody line, Piano
2
2 Accordions
1
Organ, Piano (duet)
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1 Piano, 6 hands
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+ 19 instrumentations
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Retract
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Lyrics and Chords
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3 Guitars (trio)
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Banjo
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2 Ukuleles
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Ukulele Ensemble
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Guitar, Violin, Cello (trio)
2
2 Dulcimers (duet)
1
Mandolin, Guitar (duet)
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+ 15 instrumentations
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Retract
Voice
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Choral 3-part
473
Choral 2-part
337
Choral TTBB
292
Choral SSAA
264
Choral Unison
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Soprano voice, Piano
98
Tenor voice, Piano
92
Alto voice, Piano
89
Vocal duet, Piano
38
Vocal duet
32
Baritone voice, Piano
32
Medium voice, Piano
24
High voice
23
Low voice, Piano
9
Tenor voice
8
Soprano voice
5
Choral
5
Voice solo
5
Choral SSATTB
3
Low voice
2
Mezzo-Soprano voice, Piano
2
Soli, Mixted choir and accompaniment
2
Choral SSAATTBB
1
Choral SSAB, Piano
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+ 20 instrumentations
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Woodwind
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Clarinet and Piano
390
Saxophone Quintet: 5 Saxophones
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349
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317
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2 Flutes (duet)
303
Oboe (band part)
293
Alto Saxophone and Piano
291
2 Clarinets (duet)
217
Tenor Saxophone
200
Tenor Saxophone and Piano
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179
Soprano Saxophone and Piano
178
Saxophone ensemble
125
Saxophone, Clarinet (duet)
112
Baritone Saxophone, Piano
108
2 Oboes (duet)
108
Clarinet Ensemble
106
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98
Flute (band part)
97
Clarinet, Violin (duet)
97
Flute, Clarinet (duet)
89
Clarinet, Trumpet (duet)
80
Pennywhistle
79
Flute ensemble
75
Oboe
75
Clarinet (band part)
69
2 Recorders (duet)
69
Oboe, Bassoon (duet)
65
3 Saxophones (trio)
64
Oboe, Clarinet (duet)
64
Flute, Violin
57
English horn, Piano
55
Flute Quintet : 5 flutes
54
Clarinet and Viola
49
Flute and Guitar
48
Soprano Saxophone
48
Flute, Viola (duet)
48
Descant (Soprano) Recorder
47
Clarinet Quintet: 5 clarinets
47
Baritone Saxophone
45
Recorder
43
Flute, Saxophone (duet)
42
3 Clarinets (trio)
41
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39
Flute Trio: 3 flutes
35
English Horn
34
Oboe, Flute
31
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26
Oboe, Clarinet, Bassoon (trio)
24
Recorder Quartet
23
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22
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15
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15
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5 Recorders
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Harmonica
11
Piccolo
11
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10
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10
Flute, Clarinet, Horn and Bassoon (Quartet)
10
Oboe, Cello
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Saxophone
9
Flute, Bassoon, and Piano
9
Flute, Clarinet and Bassoon.
8
Tenor Recorder
8
Recorder Ensemble
7
2 Flutes, Piano
7
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7
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6
Descent (Soprano) Recorder, Piano
6
Clarinet, Harp (duet)
6
Oboe, Guitar (duet)
6
Flute, Clarinet, Piano (trio)
5
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5
Ocarina
5
Flute, Oboe, Piano (trio)
5
Recorder, Piano
4
Piccolo, Piano
4
3 Recorders (trio)
4
2 Clarinets, Piano
4
Oboe and viola (duet)
4
Oboe, Harp
4
Flute, Cello, Piano (trio)
3
Flute, Violin and Violoncello
3
Bass Clarinet
3
Bagpipe
3
Flute, Violin, Violoncello and Piano
2
2 Saxophones, Piano
2
English Horn, Guitar (duet)
2
Flute, harp and violin
2
Flute, Clarinet, Violin (trio)
1
Flute, Harp and Cello
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2 Clarinets, Bassoon
1
Clarinet Quintet: Clarinet, String Quartet
1
Flute and Strings Trio
1
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1
Oboe ensemble
1
3 Oboes
1
Flute, Oboe, Violin
1
Flute, Organ (duet)
1
2 Oboes, Piano
1
Saxophone and Organ
1
+ 110 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
575
Trombone (band part)
462
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374
Trumpet
321
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275
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266
Trombone
253
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244
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153
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122
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121
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99
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84
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55
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47
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28
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23
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19
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19
2 Tubas (duet)
18
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14
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13
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12
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12
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11
Bass Trombone
8
4 Tubas
8
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7
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6
3 Trumpets (trio)
5
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5
Horn, Tuba (duet)
4
Horn, Cello (duet)
4
Trumpet, Tuba (duet)
4
3 Tubas (trio)
4
Tuba and Organ
4
French Horn and Harp
4
2 Euphoniums and 2 Tubas
3
Euphonium, Tuba (duet)
3
Brass Quintet: 2 trumpets, horn, 2 trombones
3
Trombone, Tuba (duet)
3
Horn and Organ
2
Trombone, Organ
2
3 French horns (trio)
2
Trumpet, Harp
2
French horn and Basson (duet)
2
English Horn, Guitar (duet)
2
Bass Clef Instruments
1
Trombone, Violin (duet)
1
Trombone and Orchestra
1
2 French horns, Piano
1
Trumpet, Cello (duet)
1
Tuba ensemble
1
2 Trumpets, Keyboard (piano or organ)
1
Trumpet, Euphonium (duet)
1
+ 61 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
1,164
Violin
527
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456
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416
Cello, Piano
397
Cello
387
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356
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73
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27
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Violin ensemble
26
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25
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18
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16
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16
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15
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15
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14
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13
String Quintet: 2 violins, 2 violas, cello
13
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11
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9
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7
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7
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7
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1
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1
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1
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-
Retract
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4
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1301
Footprints in the Snow by Debussy arr. for flute choir / ensemble
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Concert band
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INTERMEDIATE/ADVANCED
#
Classical
#
Claude Debussy
#
Ray-Michael Kauffman , a doRay
#
Footprints in the Snow by Debu
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as do Ray meflute studio production
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production...
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Concert Band - Level 4 - Digital Download SKU: A0.874250 Composed by Claude Debussy. Arranged by Ray-Michael Kauffman , a doRayme flute studio production. 20th Century,Concert,Contemporary. Score and parts. 21 pages. As do Ray meflute studio production #3927235. Published by as do Ray meflute studio production (A0.874250). Https://youtu.be/_e_043JWML4Des pas sur la neige is a musical composition by French composer Claude Debussy. It is the sixth piece in the composer's first book of Preludes, written between late 1909 and early 1910. The title is in French and translates to Footprints in the Snow . The piece is one of four Debussy preludes in book # 1. Thought to be inspired by the hugely popular French impressionist painting , called Snow at Louveciennes, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a block-like dissonant chord just before the middle part of the piece My own personal touches on this piece, included extended chord progression and formation with small variants on melody and counter melodies, Also, more importantly, the expression of the performers interpretation as well as my own for the creation and musically paint a magical snow scene.Arranged and scored for piccolo, 6 flutes in c, alto flute in g, bass flute , opt. contra bass flute and / or optional cello.Perfect for large and small ensembles. Perfect for winter concerts, prelude services, recitals, concerts. I thought this impressionist piece, much like the the famous french paintings are a perfect pairing for winter, snow days, and environmental effects . Obviously, this is a professional arrangement, and super difficult to find on SHeetMusicPLus , compared to so many other simple and basic , cookie-cutter formatted arrangementsThis arrangement, however is true professionally arranged and definitely will stand out and shine for you ensemble or choir.A must for flute choir libraries!!
$14.00
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Concert band
#
INTERMEDIATE/ADVANCED
#
A
#
Stephen Davies
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"Clarinet Concert Concertino"
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Stephen Davies
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
Here's To You
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Concert band
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EASY
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Film/TV
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Joan Baez
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Joan Baez, Ennio Morricone
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Lorenzo Bocci
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Here's To You
#
Lorenzo Bocci
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. L...
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Concert Band - Level 2 - Digital Download SKU: A0.1310533 By Joan Baez. By Ennio Morricone and Joan Baez. Arranged by Lorenzo Bocci. Film/TV. 54 pages. Lorenzo Bocci #899595. Published by Lorenzo Bocci (A0.1310533). For Concert Band - Grade 2,5 - Digital Download Composed by Joan Baez, Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With optional Choir (SATB) (not present in the score). Score and parts. Duration 3'42''. Published by Lorenzo Bocci.Here's to You is a song by Ennio Morricone and Joan Baez, released in 1971 as part of the soundtrack of the film Sacco & Vanzetti, directed by Giuliano Montaldo. The song is a tribute to two anarchists of Italian origin, Nicola Sacco and Bartolomeo Vanzetti who were sentenced to death by a United States court in the 1920s. The lyrics for Here's to You make use of a statement attributed to Vanzetti by Philip D. Strong, a reporter for the North American Newspaper Alliance, who visited Vanzetti in prison in May 1927, three months before his execution.  «If it had not been for these things, I might have lived out my life talking at street corners to scorning men. I might have died, unmarked, unknown, a failure. Now we are not a failure. This is our career and our triumph. Never in our full life we could have hoped to do such work for tolerance, for justice, for man's understanding of man as we now do by accident. Our words—our lives—our pains—nothing! The taking of our lives—lives of a good shoemaker and a poor fish peddler—all! That last moment belongs to us—that agony is our triumph!.»Here's to you, Nicola and BartRest forever here in our heartsThe last and final moment is yoursThat agony is your triumph..
$89.00
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Concert band
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INTERMEDIATE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
Waiting (for Wind Band)
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Concert band
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BEGINNER
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Renato Goulart
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Waiting
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Renato Goulart
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.826513 Composed by Renato Goulart. Contemporary,Instructional,Standards. Score and parts. 23 pages. Ren...
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Concert Band - Level 1 - Digital Download SKU: A0.826513 Composed by Renato Goulart. Contemporary,Instructional,Standards. Score and parts. 23 pages. Renato Goulart #2079847. Published by Renato Goulart (A0.826513). Written specifically to be performed minutes before a concert, Waiting is a soundscape piece that searches interaction between musicians and the public, working musical sections of different textures through the use of groups of random notes. During the performance, all the musicians walk in different places around the public that arrives to watch the concert. The three signals usually used to signal the start of the concert are replaced by small fanfares played by the trumpets which also serve as reference for the beginning of each section of the piece. The conducting part is left to the musicians and the conductor also participates in performance through small interventions in some groups of performers. The piece can be performed by many groups based on wind instruments, it's a great opportunity for young students to have contact with aspects of contemporary music, including practice of improvisation and memorization. Contrabass and percussion are optional. Full Score, Set of Parts and instructions for perfomance. Grade 2 Youtube performance:https://youtu.be/8OnspF58XCI
$9.00
This Land is Your Land
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Concert band
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EASY
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Contemporary
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Woody Guthrie
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Gene Milford
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This Land is Your Land
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LudwigMasters Digital
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SheetMusicPlus
Concert Band - Grade 2 - Digital Download Composed by Woody Guthrie. Arranged by Gene Milford. Developing Band. Folk, Folk Songs, Americana. Score. 18 ...
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Concert Band - Grade 2 - Digital Download Composed by Woody Guthrie. Arranged by Gene Milford. Developing Band. Folk, Folk Songs, Americana. Score. 18 pages. LudwigMasters Digital #50105250. Published by LudwigMasters Digital
ISBN 9781682968857. 9 x 12 inches.
Woody Guthrie's most famous song is accessible to bands of all experience levels with this fine arrangement. The march style makes it a perfect fit for your programming needs and will work quite well as a sing-along.
$12.00
The Fog Meets the Storm for small wind band and percussion
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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James M Johnson
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The Fog Meets the Storm for sm
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Myles Music James Johnson
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson ...
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Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
Nearer My God To Thee (Titanic) for Young Concert Band
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Concert band
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INTERMEDIATE
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Sacred music
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Keith Terrett
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Keith Terrett
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Nearer My God To Thee
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged b...
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Concert Band - Level 3 - Digital Download SKU: A0.1009356 By Keith Terrett. By Sarah Flower Adams (1805-1848) Harmonised & Arr. Keith Terrett. Arranged by Keith Terrett. Multicultural,Praise & Worship,Sacred,Traditional,World. 20 pages. Keith Terrett #615015. Published by Keith Terrett (A0.1009356). Nearer, My God, to Thee arranged for Young Concert Band, is a 19th-century Christian hymn by Sarah Flower Adams, based loosely on Genesis 28:11–19, the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: So he came to a certain place and stayed there all night, because the sun had set. And he took one of the stones of that place and put it at his head, and he lay down in that place to sleep. Then he dreamed, and behold, a ladder was set up on the earth, and its top reached to heaven; and there the angels of God were ascending and descending on it…. The hymn is well known, among other uses, as the alleged last song the band on RMS Titanic played before the ship sank. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$12.99
Rondo for Band - a piece for young concert band
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Concert band
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EASY
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John McAllister
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Rondo for Band - a piece for y
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John McAllister
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.778240 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 53 pages. Joh...
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Concert Band - Level 2 - Digital Download SKU: A0.778240 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 53 pages. John McAllister #6691135. Published by John McAllister (A0.778240). Rondo for Band is a great, fun piece for developing band. It is composed in the most basic of Rondo forms with a ABACA.... aaand done form. It continually comes back to the catchy and syncopated main theme. In the non-A tutti sections, smaller groupings of instruments get a chance to shine (woodwinds, low brass, etc). Playing this piece could also be a great chance to begin teaching students about musical form, with rondo being the easiest to understand. Then you can slap Mozart's Rondo Alla Turca on the speakers and BAM, music history!
$30.00
SOULFUL PEACE (with When Peace Like A River, It is Well With My Soul)
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Concert band
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EASY
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Christopher Durigg, Horatio Sp
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Christopher Durigg
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SOULFUL PEACE
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Christopher Durigg
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Duri...
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Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Durigg. Contemporary,Folk. Score and parts. 31 pages. Christopher Durigg #6267033. Published by Christopher Durigg (A0.934822). PRODUCT INFORMATIONPUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb003C. DURIGG MUSIC ID FOR THIS PIECE: CDB-003GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:According to the Merriam-Webster Dictionary, soulful is defined as full of or expressing feeling or emotion. In a soulful manner, the piece begins with the familiar song When Peace Like a River. This soulful hymn insists on finding peace, regardless of the world’s sorrows. The music then moves to a majestic trumpet processional. Entitled Soulful Peace, this tune honors those who made it possible for us to feel peace: parents, caregivers, family members, mentors, teachers, friends, and veterans who have served our country. Whether we feel the soulful melody in honor of them or in their memory, they remain an important part of our peace. After shifting to a calming woodwind verse, the processional then crescendos to a very emotive, full band verse. After the climax, the processional settles and gives way to a delicate chorus of It is Well With My Soul. The hymn tune begins delicately in the flutes, yet the brass echo the stately processional. The hymn majestically builds toward its own climax, accompanied by a trumpet fanfare. This triumphant piece reminds us that it can indeed be Well With My Soul!.
$30.00
In Your Slumber
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Concert band
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BEGINNER
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron...
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Lawson's Fork March - for young concert band
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Concert band
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BEGINNER
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John McAllister
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Lawson's Fork March - for youn
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John McAllister
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.778205 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 25 pages. Joh...
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Concert Band - Level 1 - Digital Download SKU: A0.778205 Composed by John McAllister. 20th Century,Contemporary,Standards. Score and parts. 25 pages. John McAllister #6430477. Published by John McAllister (A0.778205). Lawson's Fork March is a straight-forward march for young (1st to 2nd year typically) bands. It would be a great first piece to start learning march style. It has simple, accessible melodies, accompanied by the idiomatic low brass (all in unison) and percussion engine. It starts in the key of Eb and modulates to Ab, however it only uses accidentals and doesn't actually change the key signature. I titled the march after Lawson's Fork Creek which I often stroll alongside. This creek and the trails nearby were a tremendous refuge for me during Covid.
$30.00
What it Means to Rise for Wind Symphony
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Concert band
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ADVANCED
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Contemporary
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Gabrielle Liriano
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50 seconds.
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What it Means to Rise for Wind
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Art Haus Music Publishing
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1183110 Composed by Gabrielle Liriano. Classical,Contemporary. Score and parts. 100 pages. Art Haus Mus...
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Concert Band - Level 5 - Digital Download SKU: A0.1183110 Composed by Gabrielle Liriano. Classical,Contemporary. Score and parts. 100 pages. Art Haus Music Publishing #782832. Published by Art Haus Music Publishing (A0.1183110). This piece is about the messy path to growth and to becoming a new version of you. It’s about what it means to let go of everything you thought you knew, having it nearly destroy you and your identity before picking up the parts of a shattered, ripped up puzzle and putting something new and more beautiful together. This piece is about growing up and changing. It’s about having dared greatly with ones dreams, going into the jungle, and coming out the other side happy and safe and having proved that one is capable and able to take on the heavy obstacles of life.Instrumentation: Piccolo, Flute 1, Flute 2, Oboe, Bassoon, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bass Clarinet, Alto Saxophone, Tenor Saxophone, Barirone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euphonium, Tuba, Glockenspiel, Percussion: Cymbal, Snare, Bass DrumFormat: Transposed Score in Tabloid (11'' x 17'')Duration: Approx. 6 minutes & 50 seconds.
$150.00
Abraham Lincoln Funeral March for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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John Gross Barnard Orchestrate
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John Gross Barnard
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Jari A
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Abraham Lincoln Funeral March
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JV MUSIC
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Perio...
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Concert Band - Level 4 - Digital Download SKU: A0.722753 Composed by John Gross Barnard. Arranged by Jari A. Villanueva. Contemporary,Folk,Romantic Period,Spiritual. Score and parts. 56 pages. JV MUSIC #3423151. Published by JV MUSIC (A0.722753). Abraham Lincoln Funeral March for Concert BandBy John Gross Barnard Orchestrated by Jari Villanueva This funeral march written by John Gross Barnard was performed by the United States Marine Band during the funeral procession from the Executive Mansion to the Capitol for Abraham Lincoln on April 19, 1865. The march is titled: Funeral March in Memory of the Abraham Lincoln: Played at the Obsequies of the President of the United States by the US Marine Band. The funeral march follows the standard format of dirges of the time (most notable are Webster’s Funeral March, Chopin’s Funeral March and March in Saul by Handel) written in minor keys (considered somber) and divided into eight measure phrases which makes it easy for the funeral cadence to be played underneath. This funeral march, like most written during this time, has a transition to a major key (happier sounding). This march goes to the relative major (D minor to D major) key. Since no parts are extant from the US Band, I was asked to score the march for a modern symphonic band. I hoped to capture the somber drum beat and employed a chime to replicate the bells that tolled along the funeral route.Full Score Piccolo Flutes 1-2 Oboes 1-2 Bassoon 1-2 Eb Clarinet3 Bb ClarinetsAlto ClarinetBass ClarinetAlto Saxophone 1-2Tenor SaxophoneBaritone Saxophone 3 Cornets 2 Trumpets 4 Horns in F3 TrombonesEuphonium (Baritone TC)TubaString BassTimpaniPercussionChimesA retired member of the United States Air Force Band where he served on the Music Production staff (as well as a trumpeter and bugler) and student of Bill Holcombe, Jari Villanueva continues writing for different ensembles. His arrangements are played by brass quintets all over the country including many military groups. Many of his arrangements can be found on Sheet Music Plus and JV MUSIC.https://youtu.be/lTPBn6AkXZw
$65.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
A Mad Russian's Christmas: 1st B-flat Trumpet
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_T1 1st B-flat Trumpet. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ily...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_T1 1st B-flat Trumpet. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_T1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_T1). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: 1st Percussion
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: 1st
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_PC1 1st Percussion. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_PC1 1st Percussion. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_PC1). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: 2nd F Horn
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: 2nd
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_H2 2nd F Horn. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tcha...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_H2 2nd F Horn. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_H2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_H2). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: Timpani
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: Tim
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_TMP Timpani. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaik...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_TMP Timpani. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_TMP). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: Piano Accompaniment
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: Pia
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_K Piano Accompaniment. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ily...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_K Piano Accompaniment. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 6 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_K. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_K). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: B-flat Bass Clarinet
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: B-f
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_BC B-flat Bass Clarinet. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter I...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_BC B-flat Bass Clarinet. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_BC). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: B-flat Tenor Saxophone
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: B-f
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_TX1 B-flat Tenor Saxophone. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Pete...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_TX1 B-flat Tenor Saxophone. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_TX1). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
A Mad Russian's Christmas: Electric Bass
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Concert band
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Rock
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Trans-Siberian Orchestra
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A Mad Russian's Christmas: Ele
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016799_EB Electric Bass. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich T...
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Concert Band - Digital Download SKU: AX.00-PC-0016799_EB Electric Bass. By Trans-Siberian Orchestra. By Bob Phillips, Paul O'neill, Peter Ilyich Tchaikovsky, and Robert Kinkel. Rock. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016799_EB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016799_EB). UPC: 038081504032.As performed in the fabulous Trans-Siberian Orchestra live concert, experience Tchaikovsky's Trepak from The Nutcracker as you never have before. Just as energetic with wind and percussion instruments alone, several included optional parts enhance the authenticity. If you haven't seen TSO, check it out online. If you add lighting effects, there are no better choices for your holiday concert closer! (4:30).
$3.00
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