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Concert band
Sheetmusic to print
5 sheet music found
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Thunderstorms: Mallets
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Concert band
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Instructional
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Michael Story
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Thunderstorms: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016611_M1 Mallets. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital ...
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Concert Band - Digital Download SKU: AX.00-PC-0016611_M1 Mallets. Composed by Michael Story. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016611_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016611_M1). UPC: 654979188537.An original musical depiction of one of nature's more violent events. Beginning with a serene introduction . . . the calm before the storm . . . the music quickly portrays the fury. After gradually building to an intense percussive climax, the storm quickly moves away. Peace and calm return once again. This is a very impressive composition. Highly recommended. (2:45).
$3.00
Abraham’s Daughter: March from the Civil War
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Concert band
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INTERMEDIATE
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Folkloric/Traditional
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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but no daughters
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Abraham’s Daughter: March fr
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs)....
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Battle of the Primes: Mallets
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Concert band
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Instructional
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Patrick Roszell
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Battle of the Primes: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017573_M1 Mallets. Composed by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digita...
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Concert Band - Digital Download SKU: AX.00-PC-0017573_M1 Mallets. Composed by Patrick Roszell. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017573_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017573_M1). UPC: 038081529288.Gigantic robotic beings are fighting the millennia for peace and against tyranny in Patrick Roszell's Battle of the Primes. This piece is accessible to students in the second half of their first year of instruction. Your beginners' imaginations will lead the battle! (2:00)Concert/Contest.
$3.00
Symbology for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Symbology for Concert Band
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Sy Brandon
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brando...
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Concert Band - Level 4 - Digital Download SKU: A0.755270 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Score and parts. 182 pages. Sy Brandon #4353935. Published by Sy Brandon (A0.755270). This composition is inspired by the symbology present in the suits of a deck of cards. It is in one continuous movement that is divided into four sections. Spades (death) is a funeral march that uses frequent dotted rhythms, outbursts of anger, and a lyrical, somber descending melody. A change of mood that is accomplished by brightening the harmony leads into Hearts (romance). This section follows a loose AABA form. The A sections contain lyrical lines and lush harmony. The B section is freer in rhythm and represents a dialogue between two lovers. The last measure of this section introduces a dotted rhythm motive that is used throughout the next section, Diamonds (riches). This section is subtitled riches instead of wealth because riches implies money for money’s sake rather than the benefits it can buy. It is in the style of a frenzied waltz as if those with the riches are at an elaborate ball totally unaware of the restlessness going on around them. Towards the end of this section, a chromatic line begins to insert itself, suggesting the uprising and war (Clubs) that follows. A dissonant chord transitions the listener into Clubs (war) section. This section begins powerfully with repeated chords resembling people shooting at each other. The shooting motif appears frequently throughout. Different melodic ideas represent the battle between forces. The tide of the battle keeps going back and forth, but nobody actually wins. The piece ends with the sound of death and destruction, therefore starting the cycle of the suits over again. The score prints on legal size paper and the parts on letter.
$39.99
Strange Gravity - for Contrabassoon and Symphonic Band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason McChristian
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Strange Gravity - for Contraba
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886144 Composed by Jason McChristian. Contemporary. Score and parts. 270 pages. Jason Gary McChristian ...
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Concert Band - Level 4 - Digital Download SKU: A0.886144 Composed by Jason McChristian. Contemporary. Score and parts. 270 pages. Jason Gary McChristian #3108221. Published by Jason Gary McChristian (A0.886144). Forceful and sinister, this is music that might emanate from a witch’s cauldron or some primordial ooze. The contrabassoon slithers through the scene, mocked by brass fanfares, accompanied by timpani strikes, and interrupted by violent guiro scratches. A faster tempo ensues; the woodwinds and mallet percussion announce scalar flourishes followed by an angular theme presented by the contrabassoon. The section concludes with nimble music in the woodwinds, marked by sprightly accents and dramatic changes of color. The middle section of the piece begins with a murky background and a plaintive statement from the orchestral bells and vibraphone. Marked Ethereal, this section features a rhythmic motive that develops into a distant ostinato. The simple bell statement matures, growing powerful and triumphant. The music settles, the menacing music from the beginning returns. What was once sinister, now takes on a rhapsodic and mildly optimistic nature. All of the earlier themes are now cast in different guises and pitted against each other. The cauldron is stirred, the ooze flows, and the contrabassoon, now alone, simmers. As the piece comes to a close the instruments return one by one to join each other in one final, primal scream.
$80.00
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