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Mark Small
Concert band
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21 sheet music found
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1
GOD OF OUR FATHERS - Mixed Ensemble or Small Band
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Concert band
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INTERMEDIATE
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George W
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Glen Poehlmann
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GOD OF OUR FATHERS - Mixed Ens
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arrangements by GPoehlmann
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.807198 Composed by George W. Warren. Arranged by Glen Poehlmann. Christian,Holiday,Patriotic,Sacred. Sc...
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Concert Band - Level 3 - Digital Download SKU: A0.807198 Composed by George W. Warren. Arranged by Glen Poehlmann. Christian,Holiday,Patriotic,Sacred. Score and parts. 33 pages. Arrangements by GPoehlmann #6508403. Published by arrangements by GPoehlmann (A0.807198). GOD OF OUR FATHERS - Mixed Instrumental Ensemble or Small Concert BandThe instrumentation is flexible and parts can be mixed and matched (or doubled) to fit your group. See the instrument list below for your options.Hymn Tune: NATIONAL HYMN70 measures. Performance Time approx 3:15. Medium in Difficulty (Grade 3)Key: D - Eb - F. Meter: 4/4 - 12/8. Instrument Ranges (C4=middle C):Flute A4 - F6Trumpet D4 - G5 (written) or Flute 2Alto Sax 1 D4 - D6 (written) or OboeAlto Sax 2 B3 - C6 (written) or Clarinet 1Horn 1 B3 - Eb4 (written) or Clarinet 2Horn 2 Bb3 - C5 (written) or Tenor SaxTrombone A2 - Eb4 or Bari SaxEuphonium G2 - C4 or Tuba or Baritone TCPercussion - Cymbals, Snare Drum, Bass Drum (or Drum Set), Mark Tree, TrianglePDF parts included: Score, Flute, Flute 2 (Trumpet), Clarinet 1 (Alto 2). Clarinet 2 (Horn 1), Oboe (Alto 1), Alto Sax 1, Alto Sax 2, Tenor Sax (Horn 2), Bari Sax (Trombone), Trumpet, Horn 1, Horn 2, Trombone, Euphonium, Baritone TC, Tuba (Euphonium), Percussion
$6.00
question mark a tone pome for band
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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zackary jurj
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question mark a tone pome for
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zackary jurj
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1032784 Composed by zackary jurj. Contemporary. Score and parts. 54 pages. Zackary jurj #5358277. Publi...
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Concert Band - Level 4 - Digital Download SKU: A0.1032784 Composed by zackary jurj. Contemporary. Score and parts. 54 pages. Zackary jurj #5358277. Published by zackary jurj (A0.1032784). ? is a tone pome, written during a pandemic called covid-19,the piece has some tonal crashes and swell up overtime until the big hit at the end an small ensemble of interment are playing with a cord with one point ?toldal time 5'30
$50.00
In A Chinese Temple Garden
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Concert band
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INTERMEDIATE/ADVANCED
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Albert Ketelbey
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John Ivor Holland
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In A Chinese Temple Garden
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,M...
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Concert Band - Level 4 - Digital Download SKU: A0.1433990 By Albert Ketelbey. By Albert Ketelbey. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. 85 pages. John Ivor Holland #1014221. Published by John Ivor Holland (A0.1433990). Albert William Ketèlbey (1875-1959) was an English composer, conductor and pianist, best known for his short pieces of light orchestral music. He was born in Birmingham and moved to London in 1889 to study at Trinity College of Music. After a brilliant studentship he did not pursue the classical career predicted for him, becoming musical director of the Vaudeville Theatre before gaining fame as a composer of light music and as a conductor of his own works. One of his earliest works in the genre, 'In a Monastery Garden' (1915), sold over a million copies and brought him to widespread notice; his later musical depictions of exotic scenes caught the public imagination and established his fortune. Such works as 'In a Persian Market' (1920), 'In a Chinese Temple-Garden' (1923), and 'In the Mystic Land of Egypt' (1931) became best-sellers in print and on records; by the late 1920s he was Britain's first millionaire composer. Ketèlbey's popularity began to wane during the Second World War and his originality also declined; many of his post-war works were re-workings of older pieces and he increasingly found his music ignored by the BBC. In 1949 he moved to the Isle of Wight, where he spent his retirement, and he died at home in obscurity. On the last night of the 2009 Proms season, the orchestra performed his 'In a Monastery Garden', marking the fiftieth anniversary of Ketèlbey's death—the first time his music had been included in the festival's finale. This arrangement of 'In a Chinese Temple-Garden' has been created with the modern concert band in mind and is sensitively cross-cued for smaller ensembles.
$69.99
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Scarborough Fair (Grade 2.5 Edition)
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Concert band
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EASY
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Traditional English Ballad
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Christopher Durigg
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Scarborough Fair
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Christopher Durigg
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.934826 Composed by Traditional English Ballad. Arranged by Christopher Durigg. Contemporary,Folk,Multic...
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Concert Band - Level 2 - Digital Download SKU: A0.934826 Composed by Traditional English Ballad. Arranged by Christopher Durigg. Contemporary,Folk,Multicultural,World. Score and parts. 62 pages. Christopher Durigg #6871741. Published by Christopher Durigg (A0.934826). PRODUCT INFORMATION NOTE: This edition has narrower instrument ranges more suitable for Grade 2.5 players. A grade 3 edition with wider instrument ranges is also available. Both editions also include some flexible range choices to support players at different levels. PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb005 C. DURIGG MUSIC ID FOR THIS PIECE: CDB-005GRADE LEVEL: SOARING BAND SERIES (Grade 2.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced performers in a very small band program? Are your performers ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:Scarborough Fair is perhaps, by far, one of the most famous and beloved 17th Century English ballads. The song takes place at a famous market fair in Scarborough, Yorkshire, England during Medieval times. Although the historical Scarborough Fair no longer takes place, some British communities still celebrate the original event in September. Using the Dorian mode, this folk song often invokes both beauty and mystery. This arrangement is a theme and variations and is conceived as a mysterious adventure (programmatic Information for each section contained within the score).
$35.00
La Tomatina for Symphonic Band
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Concert band
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INTERMEDIATE
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GregoryFritze
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La Tomatina for Symphonic Band
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica No...
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Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Schweizer-Klänge (Swiss Sounds) for Trombone or Bass Trombone and Wind Band
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Friederich Belcke
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Niels-Ole Bo Johansen
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Schweizer-Klänge
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Gordon Cherry
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.811215 Composed by Friederich Belcke. Arranged by Niels-Ole Bo Johansen. Classical,Romantic Period. Sco...
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Concert Band - Level 4 - Digital Download SKU: A0.811215 Composed by Friederich Belcke. Arranged by Niels-Ole Bo Johansen. Classical,Romantic Period. Score and parts. 47 pages. Gordon Cherry #6295977. Published by Gordon Cherry (A0.811215). Schweizer-Klänge (Swiss Sounds) for Bass Trombone and Wind Ensemble is a work by Friederich Belcke that may be performed on a small-bore Bass Trombone or large-bore Tenor Trombone. The work was composed and first performed in 1835 by German composer and soloist, Friederich Belcke as a solo to be accompanied by a military band and dedicated to His Royal Highness, the Prince Christian Friederich of Denmark.This work has been rediscovered and beautifully edited for solo (Bass) Trombone and Wind Ensemble by Danish solo Trombonist and pedagog, Niels Ole-Bo Johansen.The music reminisces about the sounds of Switzerland....the awesome snow-covered mountains of the Alps, lush green forests, deep blue skies, calm lakes, and rushing river waters. It is a joyful work with not a care in the world.This work ranges from pedal B-flat to high B-flat and can be performed by a moderately advanced performer on either a Tenor or Bass Trombone.
$80.00
Piece For Jazz Bassoon And Orchestra
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Concert band
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INTERMEDIATE/ADVANCED
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Henry Mancini
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John Ivor Holland
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Piece For Jazz Bassoon And Orc
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Conte...
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Concert Band - Level 4 - Digital Download SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz. Score and Parts. 140 pages. John Ivor Holland #878499. Published by John Ivor Holland (A0.1287477). Henry Mancini wrote this unusual ‘jazz bassoon concerto’ in 1980 for Hollywood session musician Ray Pizzi (the so-called ‘godfather’ of modern jazz bassoon); he can be heard on the original ‘Star Wars’ (1977) soundtrack, also on ‘Predator 2’ (as the voice of the beast). This whirlwind piece takes us through the whole range of the instrument, starting with skittish jumping octaves, a free improvisation (book-ended by ‘shouts’ from the band), a very sultry slow section (featuring Mancini’s trademark chromatic harmony) a magnificent and dramatic final chorus, closing with an extended cadenza to further show off the instrument in this unusual disguise. This arrangement calls for a small beat quartet of keys, Fender bass and drums to accompany the solo bassoon; a suggested solo has been provided for the first section, but the final cadenza has been left blank for complete artistic creation. For further information about this, please contact the arranger, who can make suggestions, as necessary (johnivorholland@gmail.com). Created in memory of Ray Pizzi (1943-2021).
$69.99
Scarborough Fair - Concert Band Score and Parts PDF
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Concert band
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EASY
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Traditional English Tune
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Brendan Elliget MAGA 537
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Scarborough Fair - Concert Ban
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BJE Music
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SheetMusicPlus
Small Ensemble Harp,Piano - Level 2 - Digital Download SKU: A0.750951 Composed by Traditional English Tune. Arranged by Brendan Elliget MAGA 537. Classic...
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Small Ensemble Harp,Piano - Level 2 - Digital Download SKU: A0.750951 Composed by Traditional English Tune. Arranged by Brendan Elliget MAGA 537. Classical,Folk. Score and parts. 34 pages. BJE Music #5197559. Published by BJE Music (A0.750951). Scarborough Fair is a traditional English folk song from the Middle Ages, referring to an old fair in Scarborough, Yorkshire. As a market fair, comprising of traders, merchants and other vendors, it started sometime in the 14th century and used to take place until the 18th century. The melody is in Dorian mode and is very typical of the Middle English period.This straightforward but useful arrangement is for Concert Band with an optional part for Piano or Harp.The MP3 was recorded with NotePerformer 3Grade = 3 Duration = 2:55 mins
$15.00
The March Of The Siamese Children
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Concert band
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Richard Rodgers
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John Ivor Holland
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The March Of The Siamese Child
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John Ivor Holland
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.503597 Composed by Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show. Sc...
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Concert Band - Digital Download SKU: A0.503597 Composed by Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 82 pages. Published by John Ivor Holland (A0.503597). To mark the 70th anniversary of 'The King & I' opening on Broadway, this is a newly-constructed arrangement for large band of Richard Rodgers' stately march, played as the King's numerous children are introduced to their new governess. Layers of texture and simple melodies make this charming instrumental a real stand-out in the show and will prove to be a highlight in your next concert, with beautiful solos for Cor Anglais (English Horn) and Trumpet, cleverly cross-cued for smaller ensembles.
$60.00
Rudolph The Red-nosed Reindeer
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Concert band
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EASY
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Christmas
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John Denver
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Frank Chow
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Rudolph The Red-nosed Reindeer
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Frank Chow
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.902732 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Frank Chow....
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Concert Band - Level 2 - Digital Download SKU: A0.902732 By John Denver. By David Leslie Froggatt, Jane Barnes, and Johnny Marks. Arranged by Frank Chow. Christmas,Holiday,Instructional,Standards. Score and parts. 31 pages. Frank Chow #6509221. Published by Frank Chow (A0.902732). Rudolph the Red-Nosed Reindeer is a well-known Christmas song by songwriter Johnny Marks based on the 1939 story Rudolph the Red-Nosed Reindeer published by the Montgomery Ward Company. The flexible instrumentation arrangement enables a mixture of instruments, from small ensemble to full orchestra. This arrangement is suitable for junior players who have played the instrument for 1 year or above. Essential fingerings and bowings are provided in the string parts.InstrumentationPart 1: Violin, Flute, Clarinet, TrumpetPart 2: Violin, Flute, Oboe, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Snare Drum, Bass Drum, Suspended Cymbal, Mallet PercussionCondense Score & Full ScoreContactEmail: walter1994430@gmail.com Website: https://walter1994430.wixsite.com/frankchow
$50.00
Happy to be Here
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Concert band
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INTERMEDIATE/ADVANCED
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Dan Dickerman
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Happy to be Here
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True Indie Media
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1500458 Composed by Dan Dickerman. 21st Century,Classical,Contemporary,Contest,Festival. 113 pages. Tru...
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Concert Band - Level 4 - Digital Download SKU: A0.1500458 Composed by Dan Dickerman. 21st Century,Classical,Contemporary,Contest,Festival. 113 pages. True Indie Media #1076543. Published by True Indie Media (A0.1500458). Marking the year milestone following his cancer diagnosis, composer Dan Dickerman created this piece chronicling his year's struggles and successes. It follows the tension of the many stages and emotions of that time through changing meter, feel, and mode while keeping pulse and key constant, always pushing forward. The piece hinges around odd-meter clockwork sections in the mallet percussion, while the bulk of the tune otherwise flows in variations of straight-4 or cut time. After much interplay balancing full ensemble sections against smaller groups, a brief solo/trio section leads toward a full-band chorale which is interrupted by an MRI machine, the return to the piece's central themes, and a celebratory finish.Grade 46 minutesISMN 979-0-800146-02-2
$108.00
The Time of My Life
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Concert band
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BEGINNER
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DeNicola Markowitz
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Jan Van Kraeydonck
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The Time of My Life
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Tânia Pinho
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.944308 Composed by DeNicola Markowitz. Arranged by Jan Van Kraeydonck. 20th Century,Jazz,Musical/Show,P...
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Concert Band - Level 1 - Digital Download SKU: A0.944308 Composed by DeNicola Markowitz. Arranged by Jan Van Kraeydonck. 20th Century,Jazz,Musical/Show,Pop,World. Score and parts. 27 pages. Tânia Pinho #6130517. Published by Tânia Pinho (A0.944308). Small adaptation of a great cinema theme
$20.00
Hondje van de Bakker / Daar boven op de Berg
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Concert band
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BEGINNER
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Traditional
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Scaver
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Hondje van de Bakker / Daar bo
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Scaver
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1227506 Composed by Traditional. Arranged by Scaver. 20th Century,Children,Multicultural,Pop,Traditiona...
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Concert Band - Level 1 - Digital Download SKU: A0.1227506 Composed by Traditional. Arranged by Scaver. 20th Century,Children,Multicultural,Pop,Traditional,World. Score and Parts. 25 pages. Scaver #823470. Published by Scaver (A0.1227506). Hondje van de bakker and Daar boven op de berg have the same melody.This song is mainly sung in the Netherlands. Some verses are widely known (also in schools and other associations), some other verses a lot less. In Flanders, they sing a song to the same tune about an old Chinaman named Henkie-Penkie.This arrangement is made for a small (young) concert band.Instruments:FluteOboeBassoonClarinet Bb 1,2Bass ClarinetAlto SaxophoneTenor SaxophoneBariton SaxophoneHornTrumpet Bb 1,2Trombone 1,2Euphonium/Baritone BbTubaBass BbTimpaniGlockenspiellPercussionHondje van de bakker lyrics:Het hondje van de bakker, dat had vies gedaanDat was gaan zwemmen, zonder zwembroekie aan!En van je hela hela hela holalahela hela hela holalahela hela hela holalahela hela hela hoToen kwam er politie, die zei: “Vieze Hond!!Ben jij gaan zwemmen, zonder broekie aan je kont!---Daar boven op de BergLyrics:Daar boven op de berg,Daar boven op de berg,daar woont Sinterklaasdaar woont SinterklaasDie poetst zijn tandenDie poetst zijn tandenmet speculaasmet speculaas.Chorus:Van je hela, hela, hela, holala, hoiHela, hela, hela, holala hoihela, hela, hela, holala, hoiHela, hela, hela, holalaDaar boven op die berg, daar woont een stierDie geeft geen melk, maar Heineken bierDaar boven op die berg, daar staat een hekDaar staat op geschreven: (...) is gek!(op de plaats van de puntjes iemands naam invullen)Het hondje van de slager, die heeft vies gedaanHij is gaan zwemmen, zonder zwembroekie aanToen kwam daar een agent aan, die zei bah vieze hondmag jij wel zwemmen, in je blote kontDaar boven op de berg, daar woont een pastoorDie vrijt in z'n eentje, met het hele nonnenkoorDaar boven op de berg, daar woont een nonnenkoorDie vrijen met z'n allen, met die ene pastoorBij ons in (...), daar is het zo'n prachtDaar geven de koeien wel een liter of acht(Op de plaats van de puntjes je eigen plaatsnaam invullen)En geven ze minder, dat scheelt ons geen zierWant dan is het geen koe meer, maar dan is het een stierWaarom heeft die zebra, toch strepen op zijn huidWel dat is heel natuurlijk, want hij houdt niet van een ruitHoog in de bergendaar woont SinterklaasDie waste zijn harenmet speculaasDaar boven op die bergDaar woont SinterklaasHij pakt zijn cadeau's inMet kippengaas!Daar boven op de rommelmarktDaar staat een vent!En die heeft mooie boekenVoor niet meer dan 50 centDaarboven op die bergDaar woont een indiaanEn die is gaan zwemmenMet een opblaasbanaan ( of zonder zwembroekje aan)daar diep in de bossendaar woont een meneeren die schiet op konijnenmet een heel groot geweerdaar achter de schuttingdaar staat een agentdie ging ik ondervragenmaar hij heeft niet bekentm'n tante van veertigdie draagt een rare rokdie begint bij haar okselsen die stopt pas bij haar sokDaar boven op de bergdaar woont een skelethij doet niet aan karatemaar aan jazzballet!Daar boven op de bergWoont sinterklaasDie poetst zijn tandenMet pindakaasWaarom heeft die juffrouwEen hondje op haar schootWel dat is heel natuurlijkWant een olifant is veel te grootWaarom blust de brandweerMet water het vuur?Wel dat is heel natuurlijkWant parfum is veel te duur.
$15.00
New Recruits
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Concert band
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BEGINNER
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Kara Williams
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New Recruits
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Kara Williams
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1279976 Composed by Kara Williams. Children,Classical,Contest,Festival,Instructional,March. Score and P...
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Concert Band - Level 1 - Digital Download SKU: A0.1279976 Composed by Kara Williams. Children,Classical,Contest,Festival,Instructional,March. Score and Parts. 24 pages. Kara Williams #871393. Published by Kara Williams (A0.1279976). Featuring small spotlight sections for the different ensemble groups, limited notes, simple rhythms, and flexible scoring, ‘New Recruits’ is a fantastic first stand-alone piece for very novice ensembles. With no tempo or dynamics marked, ensembles are free to explore balance within their own context at a speed that suits them. Band directors are also free to add articulation to suit their ensemble's capabilities.Suggested scoring: flutes and oboe part 1, clarinets part 2, alto saxes and trumpets part 3, tenor sax, trombones and bassoon part 4, euphonium, bass clarinet and tuba, part 4 bass.  To hear a complete midi audio of 'New Recruits' please go to karawilliamsmusic.com.
$18.00
TRIBUTO À MICHAEL JACKSON
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Concert band
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Contemporary
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Denniz Pop, Lionel Richie, Max
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Daniel F
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TRIBUTO À MICHAEL JACKSON
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MAESTRO DANI
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1026891 Composed by Denniz Pop, Lionel Richie, Max Martin, Michael Jackson, Michael Joe Jackson, Miles Jaye, Rand...
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Concert Band - Digital Download SKU: A0.1026891 Composed by Denniz Pop, Lionel Richie, Max Martin, Michael Jackson, Michael Joe Jackson, Miles Jaye, Randy Jackson, and Scharf Walter. Arranged by Daniel F. Paulo. Contemporary. Score and parts. 57 pages. MAESTRO DANI #6413937. Published by MAESTRO DANI (A0.1026891). (Shake Your Body, Billie Jean, I Want You Back, Ben, I'II Be There, We Are The World and Don't Stop 'Til Get Eunogt) are some of the successes that marked the career of the great artist as Michael Jackson. This transcript for Banda Sinfônica is a small tribute to this singer and his brothers. Músicas de: Michael jackson/Randy Jackson-Deniz Pop/Max Martin-Scharf Walter / Black Donald-Miles Jaye-Lionel Richie-Michael Joe Jackson Transcrição de: Daniel F. Paulo.
$20.00
Brew Time March
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Concert band
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EASY
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Kara Williams
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Brew Time March
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Kara Williams
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 p...
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Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 pages. Kara Williams #870997. Published by Kara Williams (A0.1279514). The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences. We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time!  Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library. In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-) Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.
$30.00
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
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