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May Piano Book
Concert band
Sheetmusic to print
7 sheet music found
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1
Classroom Ensemble Pack - mixed ability book of classroom performance pieces
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Concert band
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EASY
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Austin Ralphson, Beethoven
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Austin Ralphson
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Classroom Ensemble Pack - mixe
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.563316 Composed by Austin Ralphson, Beethoven. Arranged by Austin Ralphson. Children,Instructional. Sco...
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Concert Band - Level 2 - Digital Download SKU: A0.563316 Composed by Austin Ralphson, Beethoven. Arranged by Austin Ralphson. Children,Instructional. Score and parts. 156 pages. Austin Ralphson #3541925. Published by Austin Ralphson (A0.563316). This bundle of compositions includes three pieces which are tried and tested in the classroom. Ideal for ages 7-13, they cover the full range of instruments found in most music classrooms. They are exciting to practice and to play, with students gaining a great sense of achievement after the final performance.Full scores and parts are provided for:* Banana Blues* Ode To Joy (Beethoven) * A Ternary Ostinato Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities, including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Printing and CopyingThe purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$19.99
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
Rosemary - "That's for remembrance...."
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Concert band
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INTERMEDIATE
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Classical
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Edward Elgar
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Joel Jacklich (A
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Rosemary - "That's for remembr
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Joel Jacklich
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.1035592 Composed by Edward Elgar. Arranged by Joel Jacklich (A.S.C.A.P.). Romantic Period. Score and parts. 76 pages. Joel Jacklich #640816. Published by Joel Jacklich (A0.1035592). PROGRAM NOTE: Rosemary - That's for remembrance.... In 1882, Sir Edward Elgar jotted down in his musical notebook a piano piece he titled Douce Pensée (Sweet Thought). There it remained until 1913 when he got it out again, revised it slightly, re-titled it Rosemary - That's for remembrance, and published it for the first time. The title comes from Ophelia's Garland Speech in Shakespeare's Hamlet, where she says, There's rosemary, that's for remembrance. Pray you, love, remember. In 1915, the First World War had been raging in Europe for a year, and many British composers and poets had turned to artistic means to mourn those who died in the trenches of across the Channel. Elgar orchestrated the work at that time. In 1925, London publisher W. Paxton published arrangements by C. Jenkins made for brass and reed band and for military band; however, these are now out of print and no longer available. In the fall of 2015, Mitch Sturman, director of the Wilson Junior High School Warrior Band in El Centro, California, asked me to make an arrangement of Rosemary for the Eighth Annual Concert of Premieres, a series Sturman had begun in 2008, commissioning new works by known composers, and commissioning new arrangements of pieces he felt were worthy works in the public domain that were no longer in print and/or were written for ensembles containing instruments no longer part of the standard modern band or orchestra. INSTRUMENTATION: Flute I (4), Flute II (4), Oboe (1), Clarinet I (4), Clarinet II (4), Clarinet III (4), Bass Clarinet (1), Bassoon (1), Alto Saxophone (4), Tenor Saxophone (2), Baritone Saxophone (1); Trumpet I (3), Trumpet II (3), French Horn (2), Baritone Horn T.C. (2), Baritone Horn B.C. (2), Trombone (6), Tuba (2); Timpani [F2, B-flat 2] (1), Snare Drum (1),Triange (1), Suspended Cymbal (1), Bass Drum (1), Glockenspiel (1). Joel Jacklich May 21, 2015 El Centro, California.
$50.00
Lord Maxwell's Goodnight - Score Only
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Concert band
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INTERMEDIATE
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Percy Aldridge Grainger
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Brian S
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Lord Maxwell's Goodnight - Sco
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G. Meredith Publications
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pag...
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Concert Band - Level 3 - Digital Download SKU: A0.1501543 Composed by Percy Aldridge Grainger. Arranged by Brian S. Wilson. 20th Century,Classical. 8 pages. G. Meredith Publications #1077486. Published by G. Meredith Publications (A0.1501543). This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style. I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer). Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country. Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904. The original is in the key of F major but has been shifted to Db major in this orchestration. The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
$10.00
Lord Maxwell's Goodnight - Set of Parts
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Concert band
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INTERMEDIATE
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Percy Granger
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Brian S
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Lord Maxwell's Goodnight - Set
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G. Meredith Publications
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Me...
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Concert Band - Level 3 - Digital Download SKU: A0.1501664 Composed by Percy Granger. Arranged by Brian S. Wilson. 20th Century,Classical. 37 pages. G. Meredith Publications #1077544. Published by G. Meredith Publications (A0.1501664). SET OF PARTS. Score sold separately. This orchestration is the end product of my book entitled Orchestrational Archetypes in Percy Grainger's Wind Band Music. In an attempt to understand the enigmatic style of Grainger's wind band music, I made a detailed analysis of his recurring orchestrational practices with regard to melody, countermelody, part writing and contrapuntal dynamics. The conclusion is that the Grainger sound is a function of recurring orchestrational techniques, rather than other compositional elements such as melody or harmony. This information was then used to dish up selected Grainger voice and piano pieces in his own idiosyncratic style. I also arranged “British Waterside” and “The Cutting of The Hay” (G. Schrimer). Lord Maxwell’s Goodnight is a reflective, moving piece based on a ballad about Lord Maxwell, who has killed a rival in a long-standing bloody family feud and is leaving for Scotland to avoid prosecution. He bids good-bye to his wife, his lands and his country. Lord Maxwell’s Goodnight appears as Grainger’s British Folk Music Setting No. 42 for high tenor voice or unison male chorus and 4 strings (violin, viola, 2 cellos) in 1904. The original is in the key of F major but has been shifted to Db major in this orchestration. The lyrics of the first verse are: Adieu, madame, my mother dear,But and my sisters three O!Adieu, fair Robert of Orchardstane,My heart is woe for thee, O!Adieu, the lily and the rose,The primrose fair to see, O!Adieu, my ladye, and only joy,For I may not stay with thee, O!.
$35.00
Aria For Alto Saxophone And String Orchestra
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Concert band
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INTERMEDIATE/ADVANCED
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Dulcie Sybil Holland
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John Holland
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Aria For Alto Saxophone And St
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1234320 Composed by Dulcie Sybil Holland. Arranged by John Holland. 20th Century,Classical,Contemporary...
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Concert Band - Level 4 - Digital Download SKU: A0.1234320 Composed by Dulcie Sybil Holland. Arranged by John Holland. 20th Century,Classical,Contemporary,Contest,Festival. Score and Parts. 43 pages. John Ivor Holland #829861. Published by John Ivor Holland (A0.1234320). Dulcie Sybil Holland (5 January 1913 – 21 May 2000) was an Australian composer and music educator, regarded by some critics as one of the more significant composers of her generation. In 1936, she travelled to London to study composition at the Royal College of Music with John Ireland, winning the Blumenthal Scholarship for composition - she returned to Australia at the outbreak of World War Two in 1939. During the 1940s, alongside her composing she wrote a number of children's books and began a 25 year association with the North Shore Symphony Orchestra. 'Aria' was composed in 1954 for alto saxophone and string orchestra, dedicated to Clive Amadie. This arrangement for concert band has been produced using the piano reduction, bringing a symphonic sound to an enigmatic and soulful piece, suitable for all levels of player.
$59.99
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