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Symphony No. 12
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You've selected:
Symphony No. 12
Concert band
Sheetmusic to print
10 sheet music found
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1
Ode To Joy - From Symphony no. 9
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Concert band
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EASY
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Ludwig van Beethoven
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Lorenzo Bocci
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Ode To Joy - From Symphony no.
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1517374 Composed by Ludwig van Beethoven. Arranged by Lorenzo Bocci. Classical,March,Patriotic,Traditio...
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Concert Band - Level 2 - Digital Download SKU: A0.1517374 Composed by Ludwig van Beethoven. Arranged by Lorenzo Bocci. Classical,March,Patriotic,Traditional. 36 pages. Lorenzo Bocci #1091512. Published by Lorenzo Bocci (A0.1517374). ODE TO JOY - From Symphony no. 9for Concert Band - Grade 3 - Digital Download Composed by Ludwig Van Beethoven. Arranged by Lorenzo Bocci. March/Patriotic/Traditonal/Hymn. Concert Band - Blasorchester - Harmonie. Score A4 (21 x 29,7 cm) and card size parts A5 (19,5 x 14,2 cm). Duration 2'12''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute (Piccolo), Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, Bb Bass Clarinet, Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, F Horn 1, 2, Trombone 1, 2, Euphonium, Bass, Glockenspiel, Snare Drum, Cymbals, Bass Drum.Additional Parts:Bb Soprano Saxophone, Eb Cornet, Bb Flugelhorn 1, 2, Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.The melody used to represent the EU is taken from the Ninth Symphony, composed in 1823 by Ludwig van Beethoven, who set to music the Ode to Joy, written by Friedrich von Schiller in 1785. The anthem symbolises not only the European Union, but also Europe in general. The Ode to Joy expresses Schiller's idealistic vision of the development of brotherhood among men, a vision shared by Beethoven. In 1972, the Council of Europe adopted the theme of Beethoven's Ode to Joy as its anthem. In 1985, it was adopted by the heads of state and government of the member countries as the official anthem of the European Union. The anthem has no lyrics and consists only of music. In the universal language of music, this anthem expresses the ideals of freedom, peace and solidarity that Europe pursues.The European anthem is not intended to replace the national anthems of the member countries, but rather to celebrate the values they share. The anthem is performed at official ceremonies involving the European Union and in general at all types of events of a European nature.Subscribe to my YouTube Channel to stay updated on new releases.
$33.00
Guthrie: Marcia funebre from Symphony No. 4 for Concert Band
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Concert band
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INTERMEDIATE
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James M
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Guthrie: Marcia funebre from S
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.552644 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 40 pages. Jmsgu3 ...
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Concert Band - Level 3 - Digital Download SKU: A0.552644 Composed by James M. Guthrie. Concert,Contemporary,Standards. Score and parts. 40 pages. Jmsgu3 #6478599. Published by jmsgu3 (A0.552644). Marcia funebre - Mvt. 2 from Symphony No. 4 for Concert BandDuration: 4:00, Score: 12 pages.in memorial Charles A. Wethington (1934-2020)
$29.95
Texas Symphony, Movement I. Galveston, A Pirate Story
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Concert band
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INTERMEDIATE
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Kathryn Ellis
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Texas Symphony, Movement I. Ga
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.885229 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 80 pages. Ellis #362...
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Concert Band - Level 3 - Digital Download SKU: A0.885229 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 80 pages. Ellis #3620019. Published by Ellis (A0.885229). Galveston, (from A Texas Symphony,) is the first movement of five Texas pieces that are musical illustrations of historical events that took place in Texas. Galveston, tells the story of the Battle of Three Trees fought between Jean Lafitte's pirates and the Karankawa Indians, Feb.21, 1821. The battle was a result of the pirates capturing a Karankawa Indian maiden, and the Indians retaliating by capturing one of Lafitte's men. The U.S. Calvary arrived and assisted, and after a three day battle, 21 Indians were killed, and no pirates or U.S. Calvary soldiers were lost. The battle took place by a grove of trees then known as Campeche Cove, known today as Pirates' Cove, on the West end of Galveston. The music is about 12 minutes in length, scored for orchestra. Galveston is traditional romantic style program music. Strings open the piece with a wave theme designed to portray a pirate sailing ship in the Gulf of Mexico, then flows into a pirate theme, followed by a kidnapping theme, and Indian pow-wow with war drums, then the three day fight begins. There is a historical marker at Pirates' Cove erected in 1936 by the Texas Hwy Dept. to commemorate the Battle Of Three Trees.
$50.00
Aria Della Battaglia: (wp) 12 in Bb Bass Clef
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Concert band
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Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12BBBC (wp) 12 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Pa...
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12BBBC (wp) 12 in Bb Bass Clef. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp12BbBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP12BBBC). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Aria Della Battaglia: (wp) 12 in Eb
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Concert band
#
Instructional
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Mark Davis Scatterday
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Aria Della Battaglia:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12EB (wp) 12 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages....
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Concert Band - Digital Download SKU: AX.00-PC-0001517_WP12EB (wp) 12 in Eb. Arranged by Mark Davis Scatterday. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001517_wp12Eb. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001517_WP12EB). UPC: 038081330044.The current edition of Gabrieli's Aria Della Battaglia was transcribed for the modern orchestra wind section from the Canto Dialoghi Musicali de Diversi Eccelentissimi Autori: Venice 1590. The work is subtitled per sonare d'instrumenti da fiato (to be played by wind instruments) and is one in a long line of such descriptive works dating from the sixteenth century with no instrumental designation whatsoever. The popularity of this genre, however, did not fade with the close of the Renaissance. Rather, a rich development continued into the nineteenth century with Beethoven's Wellington's Victory, the so-called Battle Symphony, being a latter-day example.
$3.00
Smoke On The Water
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Concert band
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INTERMEDIATE
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Classical
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Deep Purple
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Keith Terrett
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Smoke On The Water
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arrang...
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Concert Band - Level 3 - Digital Download SKU: A0.1337989 By Deep Purple. By Ian Gillan, Ian Paice, Jon Lord, Ritchie Blackmore, and Roger Glover. Arranged by Keith Terrett. 20th Century,Contemporary,Pop,Rock. 60 pages. Keith Terrett #923737. Published by Keith Terrett (A0.1337989). An arrangement of the famous Smoke on the Water for Concert/Wind Band.Smoke on the Water is a song by English rock band Deep Purple, released on their 1972 studio album Machine Head. The song's lyrics are based on true events, chronicling the 1971 fire at Montreux Casino. It is considered the band's signature song and contains one of the most recognizable guitar riffs in rock history.In 2004, Rolling Stone magazine placed Smoke on the Water number 434 on its list of the 500 Greatest Songs of All Time. Total Guitar magazine ranked the song's riff number 4 on its Greatest Guitar Riffs Ever list, and in March 2005, Q magazine placed it at number 12 in its list of the 100 greatest guitar tracks.Smoke on the Water is easily identified by its central theme, developed by guitarist Ritchie Blackmore. It is a four-note blues scale melody in G minor,[8] harmonised in parallel fourths. The riff, played on a Fender Stratocaster electric guitar by Blackmore, is later joined by hi-hat and distorted organ, then the rest of the drums, then electric bass parts before the start of Ian Gillan's vocal.Blackmore later claimed that the main riff is an interpretation of inversion of Symphony No. 5 by Ludwig van Beethoven, and that I owe him a lot of money.Jon Lord doubles the guitar part on a Hammond C3 organ played through a distorted Marshall amp, creating a tone very similar to that of the guitar. Blackmore usually plays the main riff using a finger pluck.The lyrics tell a true story: on 4 December 1971, Deep Purple were in Montreux, Switzerland, to record an album (Machine Head) using a mobile recording studio (rented from the Rolling Stones and known as the Rolling Stones Mobile Studio—referred to as the Rolling truck Stones thing and a mobile in the lyrics) at the entertainment complex that was part of the Montreux Casino (referred to as the gambling house in the song lyric).
$49.99
March from Symphony No. 2 - Full Score
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Concert band
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Classical
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Peter Ilyich Tchaikovsky
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Robert Longfield
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March from Symphony No. 2 - Fu
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Longfield. Concert Band. Concert. Full score. 12 pages. Duration 2:45. Published by Hal Leonard - Di...
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By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Robert Longfield. Concert Band. Concert. Full score. 12 pages. Duration 2:45. Published by Hal Leonard - Digital Sheet Music
$5.00
Theme from Mozart Symphony No. 40: Score
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Concert band
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Classical
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Wolfgang Amadeus Mozart
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Mark Williams
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Theme from Mozart Symphony No.
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Alfred Music. Digital Sheet Music
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SheetMusicPlus
By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mark Williams. For Concert Band. Classical. Score. 12 pages. Published by Alfred Music. Digital Sheet Music...
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By Wolfgang Amadeus Mozart (1756-1791). Arranged by Mark Williams. For Concert Band. Classical. Score. 12 pages. Published by Alfred Music. Digital Sheet Music
$5.00
Elegy-Field of Blood
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Concert band
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INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by ...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172-S Composed by Jordan Eismeier. Score. 15 pages. Imagine Music - Digital #CBS172-S. Published by Imagine Music - Digital (IZ.CBS172-S). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$12.00
Elegy-Field of Blood
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Concert band
#
INTERMEDIATE/ADVANCED
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Jordan Eismeier
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Elegy-Field of Blood
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Publish...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS172 Composed by Jordan Eismeier. Score and Parts. 77 pages. Imagine Music - Digital #CBS172. Published by Imagine Music - Digital (IZ.CBS172). 9 x 12 in inches.This piece was originally composed for full orchestra as the sixth and final movement of my own second symphony Double Cross which musically chronicles the life and death of a man whose name has become synonymous with betrayal: Judas Iscariot. In the book of Matthew, chapter 27:1-10, Judas returns the blood money and hangs himself; the chief priests used the money and bought the Potter's field which became known as the Field of Blood, a burial place for strangers. This elegy for Judas is the haunting memoir of a traitor.Elegy is a piece just shy of seven minutes whose challenge is not in technical facility but rather in musical nuance. It gives many instruments opportunities to shine individually and in chamber-like settings, and it also challenges players to listen to the musical interactions in the fuller sections. Several specialty instruments are marked ad. lib., such as Eb clarinet, English horn, contrabassoon, double bass, and while they are optional, they sometimes do have prominent parts (especially English horn), but all optional instruments are either doubled or marked for cues when featured [NOTE: For ease of score reading, cues are not written out in the score; they are only cited on the appropriate lines]. So their presence is useful, but their absence is not prohibitive. Also, the score calls for some challenging ranges in the first horn, first bassoon and first/second trombones. These passages are marked with optional 8vb's, and the first bassoon and trombone have the opportunity to play a short passage in tenor clef. The timpani part includes suggested drum tunings, and it gives ample time and direction for the few pitch changes are required. The vibraphone part (Perc. 1) does employ four-mallet technique in places, but if this is not feasible (this would be a good piece in which to start learning it), the score specifies that Perc. 1 may be played on a piano instead. Percussion 3 calls for crotales, but in their absence, the glockenspiel may be used, and Perc. 3 already has that. The optional double bass part makes use of notes requiring a C extension, but it also gives optional small notes an octave higher in case the bassist has no C extension (which is likely). So in all, this piece offers plenty of challenges, but it also comes with optional escapes to help make it more accessible to more bands.Elegy-Field of Blood will challenge the musicality of good high school and college bands while still being a respectable member of professional repertoire. Its major performance challenges can be circumvented without terribly compromising the musicality, but they are available for maximum musical impact.
$80.00
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