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1 Piano, 6 hands
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3 Guitars (trio)
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Choral SSATB
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Low voice
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76
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52
2 Oboes (duet)
50
Clarinet, Trumpet (duet)
41
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38
Flute ensemble
33
Saxophone ensemble
33
English horn, Piano
32
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31
3 Saxophones (trio)
30
2 Flutes, Piano
29
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29
Oboe, Bassoon (duet)
29
Clarinet and Viola
28
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26
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26
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23
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23
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21
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20
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20
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17
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17
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15
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15
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11
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11
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10
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9
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9
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9
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7
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4
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4
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4
4 Oboes
3
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3
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2
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2
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1
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248
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128
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117
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60
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51
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26
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25
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19
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19
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14
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13
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11
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10
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English horn, Harp (duet)
1
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71
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The Way It Is
Concert band
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855 sheet music found
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851
The Dancing Forest
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Concert band
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INTERMEDIATE
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New Age
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Contemporary
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Ben Ledochowski
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The Dancing Forest
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Ben Ledochowski
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #...
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Concert Band - Level 3 - Digital Download SKU: A0.1023643 Composed by Ben Ledochowski. Contemporary,New Age. Score and parts. 31 pages. Ben Ledochowski #6217581. Published by Ben Ledochowski (A0.1023643). Far to the westernmost regions of Russia, and then farther still, there is a place known as theDancing Forest of Kaliningrad. It is a mysterious, otherworldly place where trees grow in tangles,knots, and other unfathomable shapes, a place described by local psychics as a point of conflict where great positive and negative forces collide. Due to its remarkable air of mystery, the forest has woven its way into the legends and folklore of the region. My personal favorite legend about it goes as follows: The Prussian prince Barty used to hunt in these forests. Chasing a Roe deer one day, heheard a wonderful tune, and as he came to a field, he saw a beautiful girl playing a lyre. She was a Christian and her name was Predislava. The prince proposed to her but she replied that she would marry only a man of her faith. Prince Barty agreed to become a Christian as long as she could prove the power of her invisible God was more powerful than the surrounding trees. Predislava played her lyre. Birds grew silent, and the trees started dancing. The prince then took a bracelet from his hand and gave it to her as a token of their betrothal. On this very spot, many years later, there grew the Dancing Forest.This piece is my homage to the Dancing Forest of Kaliningrad and all its associated legends. Premiered by the Santa Teresa High School Concert Band in May 2019, the work is scored for a concert band of intermediate size and skill level and is designed to help introduce high school musicians to modal music and unconventional key signatures. Furthermore, the piece is inspired by multiple rhythmic and harmonic elements of rock and folk music in an attempt to help bridge the gap between popular music and contemporary wind ensemble repertoire. Enjoy!
$19.99
The Raft of the Medusa
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music ...
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Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
The Raft of the Medusa
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
#
SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine ...
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
SOULFUL PEACE (with When Peace Like A River, It is Well With My Soul)
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Concert band
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EASY
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Christopher Durigg, Horatio Sp
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Christopher Durigg
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SOULFUL PEACE
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Christopher Durigg
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Duri...
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Concert Band - Level 2 - Digital Download SKU: A0.934822 Composed by Christopher Durigg, Horatio Spafford, and Philip Bliss. Arranged by Christopher Durigg. Contemporary,Folk. Score and parts. 31 pages. Christopher Durigg #6267033. Published by Christopher Durigg (A0.934822). PRODUCT INFORMATIONPUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: www.cdurigg.com/cdb003C. DURIGG MUSIC ID FOR THIS PIECE: CDB-003GRADE LEVEL: SOARING BAND SERIES (Grade 2)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back? My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:According to the Merriam-Webster Dictionary, soulful is defined as full of or expressing feeling or emotion. In a soulful manner, the piece begins with the familiar song When Peace Like a River. This soulful hymn insists on finding peace, regardless of the world’s sorrows. The music then moves to a majestic trumpet processional. Entitled Soulful Peace, this tune honors those who made it possible for us to feel peace: parents, caregivers, family members, mentors, teachers, friends, and veterans who have served our country. Whether we feel the soulful melody in honor of them or in their memory, they remain an important part of our peace. After shifting to a calming woodwind verse, the processional then crescendos to a very emotive, full band verse. After the climax, the processional settles and gives way to a delicate chorus of It is Well With My Soul. The hymn tune begins delicately in the flutes, yet the brass echo the stately processional. The hymn majestically builds toward its own climax, accompanied by a trumpet fanfare. This triumphant piece reminds us that it can indeed be Well With My Soul!.
$30.00
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Heroes of Telemark (The) March for Brass Band ''Keith Terrett Classic March Collection''
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Concert band
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INTERMEDIATE
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Trad/Ludvig Mathias Lindeman
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Keith Terrett
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Heroes of Telemark
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Fi...
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Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Film/TV,Patriotic,World. 30 pages. Keith Terrett #1988951. Published by Keith Terrett (A0.746509). A march dedicated to the Heroes of Telemark entitled ''Heltane frå Telemark (Sabateurs March). The melodies come from vest telemark where I worked from 2001-2006 as Band Director to Kviteseid Hornmusik. The melodies used in this new march entitled 'The Heroes of Telemark' are songs from Norway, Kviteseidsangen and Fjaasesundsangen are from Vest Telemark in Southern Norway, while Mellom bakker og berg is an old melody by Ludvig Mathias Lindeman (1812-1887). Keith Terrett has re-harmonised and orchestrated these fine melodies into an exciting march, in honour of the gallant 'Heroes of Telemark'. A great addition to your march repertoire from the ''Keith Terrett Classic March Collection''. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$34.99
The Sandy Hook Lullaby
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Concert band
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INTERMEDIATE
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Contemporary
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Nicholas McClure
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The Sandy Hook Lullaby
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Nicholas McClure
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #322662...
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Concert Band - Level 3 - Digital Download SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by Nicholas McClure (A0.1028045). On December 14, 2012, at 9:35 a.m., the entire country stood motionless, for a horrific act of terror was underway. Adam Lanza shot and killed 20 first-graders and 6 adults, at Sandy Hook Elementary School in Newtown, Connecticut; a moment in history as one of the worst school shootings that our country has ever faced. Every single child which was murdered had a future of their own, taken away at the hands of a ruthless gunman, who in an instant, ended any chance that these 20 children had to have a happy life. Along with these children, were the 6 heroic staff members who so selflessly gave their life in order to stop this perpetrator who came to destroy the fragile object that we all call life. The title of this piece, The Sandy Hook Lullaby, is symbolic to represent the deaths and aftermath on that faithful day. This particular piece is a lullaby to represent the day that the victims lives were taken, ending with a peaceful goodbye. The song starts strong and valiant, to represent the beginning and potential of a new day. As it progresses, the song softens a bit, with clarinet lead, which represents the students learning in the classroom and the staff working as normal. A swell in volume represents the knowledge learned, as they are completely unaware of the events to follow. Halfway through, terror strikes. The percussion solo is representative of the the 5 minutes that the entire attack took place. The entire finale of the song is to represent the peaceful rest of those murdered, the final goodbye. The song ends softly, as the victims are put to rest, and because most of the victims were children, this comes in the form of a lullaby. Just as a loving and caring parent would put their child to sleep with a song, we give our final goodbyes with this Sandy Hook Lullaby. Thank you, and please enjoy with reverence and respect. -Nicholas McClure, Composer.
$30.00
Issue 4, Series 1 - A Hero's Anthem from Strange Myths and Wondrous Images - A Comic Book Chronicle
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason McChristian
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Issue 4, Series 1 - A Hero's A
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #...
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Concert Band - Level 4 - Digital Download SKU: A0.886121 Composed by Jason McChristian. Contemporary. Score and parts. 49 pages. Jason Gary McChristian #552335. Published by Jason Gary McChristian (A0.886121). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. A Hero's Anthem - ...FROM THE DESTRUCTION A CRY IS HEARD, FROM THE CROWD A HERO EMERGES....
$40.00
The Royal Hussar (Ceremonial Slow March) for Concert/Wind Band ''Keith Terrett Classic March Collect
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Concert band
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INTERMEDIATE
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Keith Terrett
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Scipio
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The Royal Hussar
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.746511 Composed by Keith Terrett. 20th Century,Patriotic,World. 32 pages. Keith Terrett #1989071. Published by Keith Terrett (A0.746511). A slow march I entitled The Royal Hussar, is an original ceremonial slow march of mine, suitable for indoor or outdoor performance. Slow March: This is a ceremonial pace, used for funeral marches and when a unit’s colours are marched out in front of the troops. The feet are kept parallel to the ground and the arms are never used. In the United States Marine Corps, arms swing as the distance they normally would in quicktime, but at the same pace as marching. U.S. Marine Color Guards do not swing their arms. Slow March is typically used in the Marine Corps for funeral details and ceremonies such as the Marine Corps Ball (when the cake is escorted out). In Spain, Latin America, and the Philippines this is done during religious processions whenever a military band joins it. This march style is the official parade march in the armed forces of Bolivia and Ecuador and the military academies and schools of Venezuela, done with the goose step during parades and ceremonies. The standard pace is 60 paces per minute. Famous slow marches include:Preobrajensky Regimental Slow March Presented to the Royal Marines by Admiral of the Fleet The Earl Mountbatten of Burma on 10th June 1964 and first performed as the Regimental Slow March of the Royal Marines on Horse Guards Parade that night. The march was composed by the Russian composer Donajowsky for the Russian Tzar’s Preobrajensky Guard. The Royal Hussars Slow March ’Coburg’, a tune composed by Haydn and arranged by Grant-James in the late 19th Century, is without doubt one of the most well-known and famous Slow Marches to be written. ’The Eagle’, which itself is a combination of the 14th and 20th Hussars slow marches is also a very strong march, but not widely known outside 14th/20th King’s Hussars’ circles. The Garb of Old Gaul (sometimes given as Auld Gaul) is an 18th-century patriotic Scottish march and song about Highland soldiers during the Seven Years War. The music was written by General John Reid, who was a senior officer of the 42nd Regiment of Foot (The Black Watch) during the Seven Years War. The words have traditionally been attributed to Sir Harry Erskine (1710 -1765). Robert Burns described it as This excellent loyal Scottish song and states that it first appeared in print in Herd’s Collection of 1769. Alternative titles include The Highland Character and The Highland or 42nd Regiment’s March. The tune was originally a quick march but was later rearranged as a slow march. Other famous slow marches of the British Army include Golden Spurs & Scipio. Put away Scipio, Coburg & Garb of Old gaul, time for a newcomer on the block! For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com.
$29.99
The Flight of the Bumble Bee - Rimsky Korsakov - For solo Bb Clarinet and Concert Band
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Concert band
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ADVANCED
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N
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Raymond Fenech
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The Flight of the Bumble Bee -
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Raymond Fenech
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1046491 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Opera,Pop,...
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Concert Band - Level 5 - Digital Download SKU: A0.1046491 Composed by N. Rimsky Korsakov. Arranged by Raymond Fenech. Contest,Festival,Film/TV,Opera,Pop,Romantic Period. Score and parts. 59 pages. Raymond Fenech #651010. Published by Raymond Fenech (A0.1046491). Flight of the Bumblebee is an orchestral interlude written by Nikolai Rimsky-Korsakov for his opera The Tale of Tsar Saltan, composed in 1899–1900. Its composition is intended to musically evoke the seemingly chaotic and rapidly changing flying pattern of a bumblebee. Despite the piece's being a rather incidental part of the opera, it is today one of the more familiar classical works because of its frequent use in popular culture. The piece closes Act III, Tableau 1, during which the magic Swan-Bird changes Prince Gvidon Saltanovich (the Tsar's son) into an insect so that he can fly away to visit his father (who does not know that he is alive). The duration of this is 2.07 minutes and it is a difficult level piece.
$35.00
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Concert band
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
'It's Time For Reggae' for classrooms and school ensembles - Mixed Abilities Classroom Groups
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Concert band
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BEGINNER
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Austin Ralphson
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'It's Time For Reggae' for cla
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Austin Ralphson
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Aust...
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Concert Band - Level 1 - Digital Download SKU: A0.569824 Composed by Austin Ralphson. Instructional,Multicultural,World. Score and Parts. 198 pages. Austin Ralphson #3684193. Published by Austin Ralphson (A0.569824). The Mixed Abilities School Ensemble Series ** For the complete pack of pieces in this series, get a great bulk saving at  https://www.sheetmusicplus.com/title/mixed-abilities-classroom-ensemble-pack-volume-2-extra-value-bundle-of-music-for-classrooms-and-school-ensembles-digital-sheet-music/20924154?ac=1&aff_id=559837** Children (and adults) who learn a musical instrument will always progress at different rates.Students also develop some of the many skills involved in instrumental playing faster than other skills. The Mixed Abilities School Ensemble Series has the flexibility to allow pupils of different standards to play together in one ensemble (up to five parts). It also encourages students to develop improvisation skills by providing soloing opportunities within all parts, with suggested pitches for improvising. Each piece has five different parts which are split into four ability levels as follows: A – Range of about 5 notes, easy rhythms. B – Range of about 1 octave, basic rhythms. C – Range of about a 12th, some more difficult rhythms. D – Range of about 2 octaves, some rhythmic complexity. This enables the teacher to select parts which are suitable for the standard of individual players in the group. As a general rule, the pieces have been composed as follows: Part 1 – melody / countermelody (alternates with Part 2) Part 2 – melody / countermelody (alternates with Part 1) Part 3 – accompaniment (synchronises with Part 4) Part 4 –accompaniment (synchronises with Part 3) Part 5 – bass line (independent) Each part also comes in a wide array of transpositions, clefs and pitches. Hence, almost any combination of instruments can play together in an ensemble of mixed abilities,including: Flutes, clarinets, saxophones, mixed woodwind, trumpets, mixed brass (including brass band), violins, strings, keyboards/pianos, tuned percussion. An ensemble using any combination of instruments (as is often found within schools) will work effectively as well. Example: A quintet might be selected as follows: 1A (violin), 2C(trumpet), 3B (clarinet), 4B (tenor sax), 5D (trombone) The melody in 1A would be very simple but would contrast nicely when passed to the more difficult 2C. Parts 3B and 4B will have quite a simple accompaniment between them, whilst the bass line on 5D will be more complex and rhythmically interesting. Parts can obviously be doubled up as well beyond five players. Please note that the teacher of the ensemble should be careful to pick parts which are well-suited to the players’ abilities. IT'S TIME FOR REGGAE is the third piece in this series, and has typical characteristics of the style, including the off-beat rhythm in parts 3 and 4, and the bass line which becomes more fluid in the more difficult part 5s. You could also have a drummer play an authentic 'one-drop' rhythm with the kick and side-stick both on 2 and 4. Please listen to the mp3 file, which is an electronic example of the piece being played with a typical setup. Score and all parts are included here in a variety of pitches, clefs and transpositions. It is the complete package! Printing and Copying The purchaser may print or copy all pages of this resource as required in order to facilitate a performance, but must not distribute to others.
$14.99
Liltin Doon the Glen
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Concert band
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INTERMEDIATE
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Graham Hamilton
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Liltin Doon the Glen
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Hambone Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1438473 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Film/TV,Histori...
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Concert Band - Level 3 - Digital Download SKU: A0.1438473 By Graham Hamilton. By Graham Hamilton. Classical,Contemporary,Contest,Festival,Film/TV,Historic. 43 pages. Hambone Music #1018492. Published by Hambone Music (A0.1438473). A beutiful melody based on a 'lilt' which is a type of Scottish dance. Targetted at intermediate concert/school/symphonic bands (Grade 5 ABRSM)The second of my 'Peebles Beltane Festival Suite' is 'Liltin doon the glen' inspired from the line in the Festival Song. It's around the turn of the 20th century and the young lassies from the many farms and villages from the glens surrounding Peebles, leave their homes to come and enjoy the festival - 'To gather on the village green and hail the festal day' 'Lassies blooming fresh and fair cam liltin’ doon the glen' - they pause for breath now and again and as they join their friends along the way, the dance intensifies into a mazurka style. At the fanfares herald the many compliments they get from 'Huntsman gallant and sheperds grey, doughtyand blythsome men' they encounter along the way. It culminates with all the lassies getherin' at the Mercat Cross.
$30.00
Mean Green Mother From Outer Space
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Concert band
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INTERMEDIATE/ADVANCED
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Various
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Jeffrey Bowen
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Mean Green Mother From Outer S
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1453188 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festi...
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Concert Band - Level 4 - Digital Download SKU: A0.1453188 By Various. By Alan Menken and Howard Ashman. Arranged by Jeffrey Bowen. Broadway,Contest,Festival,Film/TV,Musical/Show,Pop. 96 pages. Music Arrangement Services Inc. #1032414. Published by Music Arrangement Services Inc. (A0.1453188). From the Musical Production and Film “Little Shop Of Horrors”. This Concert Band Scores accompanies the SATB/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about the plant “Audrey 2” responding to being threatened because he is mean. The song refers to waiting, minding manners, changing tone, doing things their way, not knowing what they are messing with or what they are up against, being bad, being had, being mean and green, saving one’s self, good advice, being fighting mad, King Kong, Frankenstein, the Black Lagoon, The Thing, It, the Creature, can’t beat trouble. This arrangement is shorter than the original, thus avoiding harsh language. There are also cues for shortening this piece. This arrangement is designed for high school or college show choir, concert choir or community choir. SATB/Piano Score also available. Performance time is approximately 3:50.
$49.99
Into the Wild
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Concert band
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EASY
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Michael Smith
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Into the Wild
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - Digital Download SKU: IZ.CBS1611-S Composed by Michael Smith. Score. 25 pages. Imagine Music - Digital #CBS1611-S. Published by ...
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS1611-S Composed by Michael Smith. Score. 25 pages. Imagine Music - Digital #CBS1611-S. Published by Imagine Music - Digital (IZ.CBS1611-S). 9 x 12 in inches.Into the Wild was inspired by Jack London's classic novel, the Call of the Wild. It is the musical portrayal of a dog named Buck moving away from civilization and into the wilderness, but it's really about anyone taking a journey into the unknown. This piece is full of wolf calls (in the trombone), anvils depicting the gold rush, and the sounds of whips and sleigh bells from the dog sled. It opens with a dozen strikes from the percussion section imitating the striking of the club, which was Buck's introduction into captivity and the reign of primitive law. What follows is a majestic theme showing the beauty and strength of the dog. His development or retrogression is rapid as depicted in a faster section based on material from the original theme. Then Buck hears the call and joins the pack of wolves, resulting in a weird and eerie chant, in which it was Buck's delight to join. All the elements are combined in a triumphant conclusion.
$10.00
Into the Wild
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Concert band
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EASY
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Michael Smith
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Into the Wild
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 2 - Digital Download SKU: IZ.CBS1611 Composed by Michael Smith. Score and Parts. 80 pages. Imagine Music - Digital #CBS1611. Publish...
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Concert band - Grade 2 - Digital Download SKU: IZ.CBS1611 Composed by Michael Smith. Score and Parts. 80 pages. Imagine Music - Digital #CBS1611. Published by Imagine Music - Digital (IZ.CBS1611). 9 x 12 in inches.Into the Wild was inspired by Jack London's classic novel, the Call of the Wild. It is the musical portrayal of a dog named Buck moving away from civilization and into the wilderness, but it's really about anyone taking a journey into the unknown. This piece is full of wolf calls (in the trombone), anvils depicting the gold rush, and the sounds of whips and sleigh bells from the dog sled. It opens with a dozen strikes from the percussion section imitating the striking of the club, which was Buck's introduction into captivity and the reign of primitive law. What follows is a majestic theme showing the beauty and strength of the dog. His development or retrogression is rapid as depicted in a faster section based on material from the original theme. Then Buck hears the call and joins the pack of wolves, resulting in a weird and eerie chant, in which it was Buck's delight to join. All the elements are combined in a triumphant conclusion.
$60.00
Celebrating the Fourth
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Concert band
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INTERMEDIATE/ADVANCED
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Samuel Livingston
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Celebrating the Fourth
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS167-S Composed by Samuel Livingston. Score. 20 pages. Imagine Music - Digital #CBS167-S. Published b...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS167-S Composed by Samuel Livingston. Score. 20 pages. Imagine Music - Digital #CBS167-S. Published by Imagine Music - Digital (IZ.CBS167-S). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
$12.00
Celebrating the Fourth
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Concert band
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INTERMEDIATE/ADVANCED
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Samuel Livingston
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Celebrating the Fourth
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 4 - Digital Download SKU: IZ.CBS167 Composed by Samuel Livingston. Score and Parts. 99 pages. Imagine Music - Digital #CBS167. Publi...
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Concert band - Grade 4 - Digital Download SKU: IZ.CBS167 Composed by Samuel Livingston. Score and Parts. 99 pages. Imagine Music - Digital #CBS167. Published by Imagine Music - Digital (IZ.CBS167). 9 x 12 in inches.The title of this piece is a musical pun. It refers to a Fourth-of-July celebration, with fireworks, games, and patriotic music. But it also refers to the musical interval of a fourth. All of the themes in the piece are built, in some way, around the interval of a fourth. The composition of the piece actually began as a musical idea - piling up fourths and resolving to a major chord. That idea led to the title of the piece and the decision to make the interval of a fourth a prominent feature of all the themes.To convey the idea of fireworks, I used rising sixteenth-note runs in the high woodwinds, followed by a cymbal crash. That pattern appears at the opening, at the ending, and at one other point in the piece. To convey the idea of games, I used a playful theme stated by a solo trumpet and piccolo and repeated in the woodwinds; the second half of the theme is a counterpoint within sections. The patriotic music is suggested by two different kinds of themes - two anthem-like themes (think of America the Beautiful or God Bless America) and a vigorous march, which is introduced in the middle of the piece and repeated near the end. The piece opens and ends with the idea that led to its creation - piling up fourths and resolving to a major chord - accompanied by the sixteenth-note runs in the high woodwinds and the cymbal crash.
$80.00
Issue 10, Series 3 - The Sage from Strange Myths and Wondrous Images - A Comic Book Chronicle for Co
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason McChristian
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Issue 10, Series 3 - The Sage
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #...
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Concert Band - Level 4 - Digital Download SKU: A0.886128 Composed by Jason McChristian. Contemporary. Score and parts. 61 pages. Jason Gary McChristian #553001. Published by Jason Gary McChristian (A0.886128). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Sage - ...A CALL FOR AID ECHOES ACROSS TIME AND SPACE. KNOWING THE STAKES, THE WISE-ONE PREPARES TO TAKE HER PLACE IN THE CHAOS.
$40.00
Issue 1, Series 1 - The City from Strange Myths and Wondrous Images - A Comic Book Chronicle for Con
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason McChristian
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Issue 1, Series 1 - The City f
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian ...
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Concert Band - Level 4 - Digital Download SKU: A0.886118 Composed by Jason McChristian. Contemporary. Score and parts. 108 pages. Jason Gary McChristian #550933. Published by Jason Gary McChristian (A0.886118). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The City - ...AMONG THE DENSE CITYSCAPE, AN UNFAMILIAR PRESENCE WEAVES THROUGH THE CROWD AND THE NOISE....
$40.00
Issue 7, Series 2 - The Social Outcast from Strange Myths and Wondrous Images - A Comic Book Chronic
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Jason McChristian
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Issue 7, Series 2 - The Social
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Jason Gary McChristian
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #...
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Concert Band - Level 4 - Digital Download SKU: A0.886124 Composed by Jason McChristian. Contemporary. Score and parts. 70 pages. Jason Gary McChristian #552907. Published by Jason Gary McChristian (A0.886124). This work is comprised of three series, each series contains four issues. It may be performed in a number of different ways; each issue or series may be performed separately or, the entire work, consisting of twelve issues and a Prologue, may be performed as a whole. In its entirety, the running time of Strange Myths and Wondrous Images is approximately forty-five minutes. Each issue represents an element: either an archetype, place, or an emotion, commonly found in comic book stories. As a whole, Strange Myths and Wondrous Images tells a particular story arc, one that is intentionally void of specific details, inviting the listener to imagine the particulars. Each series also contains its own sub-plot and emotional progression, while the formal structure suggests the traditional symphonic form. ​ Each issue has a duration of three to four minutes, limited to a small, but intensely expressive amount of thematic material. The challenge inherent in this limitation was to create enough contrast, yet not so much as to require more time to resolve it, therefore, each issue is self-contained. The Social Outcast - ...THE FORSAKEN OUTSIDER OFFERS HELP; A GIFT NO ONE CONSIDERED....
$40.00
Setting the Watch for Concert Band
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Concert band
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INTERMEDIATE
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Graham Boag
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Setting the Watch for Concert
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Graham Boag
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. G...
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Concert Band - Level 3 - Digital Download SKU: A0.1074188 Composed by Graham Boag. Classical,Contemporary,Contest,Festival. Score and parts. 168 pages. Graham Boag #678469. Published by Graham Boag (A0.1074188). I originaly wrote this march for Brass Band. It's called 'Setting the Watch' and is inspierd by the Ripon Hornblower with the tradition going back over a thousand years to Saxon times when Viking raids were common occurrences and people lived in fear of their property, livestock and even lives being lost in night-time attacks. In 886, the English King was Alfred the Great and he made it his mission to visit his people bringing a message of safety and stability. In Ripon he granted the people a Royal Charter and gave them a symbolic horn as a gift, advising them that they should be always alert to the dangers of invaders. The people of Ripon decided to employ a night watchman that they called a “wakemen†to patrol from dusk until dawn ready to sound the horn gifted by the King should he spot any trouble approaching. For further reassurance, the wakeman sounded the horn at each of the four corners of the market place at 9pm every night to let the people know that he was on duty and they could sleep easily. This sounding of the horn at 9pm became known as setting the watch.
$39.99
The Girl I Mean To Be
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Concert band
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EASY
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Bro...
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Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$79.99
March of the Martian Caterpillars
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Concert band
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EASY
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James K
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March of the Martian Caterpill
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James K. Taylor
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.872438 Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. Jame...
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Concert Band - Level 2 - Digital Download SKU: A0.872438 Composed by James K. Taylor. Folk,Instructional,Standards,World. Score and parts. 48 pages. James K. Taylor #238411. Published by James K. Taylor (A0.872438). This is a unique young band march. You may perform it at quarter = 120 OR in cut time -half=96. It works either way. The score instrumentation is for beginning band--flute, clarinet, alto sax, tenor sax, trumpet, horn, trombone, baritone, tuba, xylophone, snare/bass drum and cymbals. For bands playing it in cut time, there are parts (but not on score) in the PDF file for oboe (flute double) and bassoon-bass clarinet--bari sax (all trombone double). You will have to listen to the MP3 recording to believe your ears. NOTICE: THE SAMPLE STARTS WITH THE 4/4 VERSION AND WHEN IT IS OVER, THE 2/2 VERSION WILL BE PLAYED. Very few parts exceed one octave in the key of Bb. The flute/oboe part has one C above the high Bb. The rhythms are fairly easy, but in cut time, they sound challenging. There is lots of dynamic contrast, and your students will learn about lip slurs and march style. The clarinet and bass clarinet parts do not go across the break. The biggest challenge will be endurance for your brass players, but since there are no first and second parts, the lead players might can get a little rest time in the big tutti sections. The horn is kept in the middle range with tenor sax doubling.There are a few solos towards the beginning, but the soloists are getting to play the fun melody of this little two in one young band composition. I hope you enjoy this two marches for the price of one.
$30.00
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