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DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
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GUITAR
HANDBELLS
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HARPSICHORD
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MANDOLIN
MARCHING BAND
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MUSIC COURSE
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PIANO
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Who Was the Man?
Sheetmusicplus
Not classified
834
Piano & keyboards
Piano solo
380
Piano, Voice
210
Piano, Vocal and Guitar
98
Easy Piano
88
Organ
77
C Instruments
29
2 Pianos, 4 hands
19
1 Piano, 4 hands
8
Piano Trio: piano, violin, cello
8
Piano Quintet: piano, 2 violins, viola, cello
6
Piano Quartet: piano, violin, viola, cello
6
Piano Accompaniment
3
Accordion
2
Organ, Piano (duet)
1
+ 9 instrumentations
-
Retract
Guitars
Guitar
51
Guitar notes and tablatures
19
2 Guitars (duet)
12
Ukulele
12
Bass guitar
11
Mandolin
8
Piano, Guitar (duet)
6
Melody line, (Lyrics) and Chords
5
3 Guitars (trio)
3
Mandolin, Guitar (duet)
1
Banjo
1
Plectrum Orchestra
1
Guitar Ensemble
1
Guitar, Violin, Cello (trio)
1
+ 9 instrumentations
-
Retract
Voice
Choral SATB
173
Choral 3-part
27
Choral TTBB
22
Choral 2-part
17
Choral SSAA
15
Vocal duet, Piano
10
Choral Unison
10
Medium voice, Piano
8
Vocal duet
7
Baritone voice, Piano
5
Alto voice, Piano
4
Choral SSATTB
2
Voice solo
2
Tenor voice
2
High voice
2
Tenor voice, Piano
2
Choral SSAATTBB
1
Soprano voice, Piano
1
+ 13 instrumentations
-
Retract
Woodwind
Flute and Piano
129
Clarinet and Piano
126
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
106
Alto Saxophone and Piano
94
2 Saxophones (duet)
83
Oboe, Piano (duet)
73
Saxophone Quartet: 4 saxophones
64
Soprano Saxophone and Piano
64
Tenor Saxophone and Piano
55
Flute, Oboe, Clarinet, Bassoon
49
Saxophone Quintet: 5 Saxophones
48
Baritone Saxophone, Piano
44
English horn, Piano
37
2 Clarinets (duet)
37
Clarinet Quartet: 4 clarinets
35
Clarinet
31
2 Flutes (duet)
29
3 Saxophones (trio)
28
Bass Clarinet, Piano
25
Saxophone, Clarinet (duet)
24
Flute
23
Clarinet Ensemble
21
Alto Saxophone
18
Clarinet, Violin (duet)
17
Flute, Clarinet (duet)
16
3 Clarinets (trio)
15
Saxophone ensemble
14
Flute Quartet: 4 flutes
14
Saxophone (band part)
13
Recorder Quartet
13
Oboe, Bassoon (duet)
13
Clarinet, Trumpet (duet)
12
Tenor Saxophone
11
5 Recorders
11
Flute, Violin
11
2 Oboes (duet)
11
Flute ensemble
11
Clarinet and Viola
10
Flute Trio: 3 flutes
10
Flute, Saxophone (duet)
9
2 Recorders (duet)
9
Clarinet Quintet: 5 clarinets
9
Flute Quintet : 5 flutes
8
Oboe (band part)
8
Clarinet, Guitar (duet)
8
Clarinet, Bassoon (duet)
8
3 Recorders (trio)
7
Flute, Trumpet (duet)
7
Oboe, Clarinet (duet)
7
Oboe, Flute
7
Flute and Guitar
6
Oboe, Clarinet, Bassoon (trio)
6
Piccolo, Piano
5
Flute, Viola (duet)
5
Treble (Alto) Recorder
4
Soprano Saxophone
4
Descant (Soprano) Recorder
4
Recorder
4
Recorder, Guitar (duet)
3
Treble (Alto) Recorder, Piano
2
Clarinet, Harp (duet)
2
2 English horns and Pianoforte
2
Flute, Violoncello
2
Saxophone and Harp
2
2 Clarinets, Piano
2
Oboe, Harp
2
Clarinet, Cello (duet)
2
Saxophone and Organ
2
Saxophone
1
English Horn
1
Recorder, Piano
1
Oboe, Guitar (duet)
1
Pennywhistle
1
Flute, Bassoon, and Piano
1
2 Flutes, Piano
1
Flute, Clarinet, Piano (trio)
1
Flute, Violin, Piano
1
Flute (band part)
1
English horn, Harp (duet)
1
Bass Clarinet
1
Flute, Oboe, Clarinet (trio)
1
+ 76 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
91
Trombone and Piano
68
Brass quartet : 2 trumpets, trombone, tuba
55
Euphonium, Piano (duet)
54
French Horn and Piano
51
English horn, Piano
37
Trumpet, Piano
35
Trumpet
34
Tuba
20
Brass Quartet: 2 trumpets, horn, trombone
16
Trumpet, Saxophone (duet)
16
Tuba and Piano
16
Trombone
15
2 Trombones (duet)
14
Brass Quartet: 4 trombones
12
2 Trumpets (duet)
11
French horn
10
Trumpet ensemble
9
Brass Quartet: 4 horns
9
Trumpet, Trombone (duet)
9
Brass Quartet: 4 trumpets
9
Trombone ensemble
8
2 French horns (duet)
7
Horn Ensemble
6
2 Euphoniums (duet)
4
4 Tubas
4
Bass Trombone and Piano
3
Trombone (band part)
3
Euphonium, Tuba (duet)
2
2 Tubas (duet)
2
Trumpet (band part)
2
2 English horns and Pianoforte
2
Brass Quartet
2
English Horn
1
French horn (band part)
1
Trumpet, Harp
1
Bass Trombone
1
Euphonium
1
Trombone, Tuba (duet)
1
Brass Trio
1
Tuba and Organ
1
2 Euphoniums and 2 Tubas
1
English horn, Harp (duet)
1
Tuba ensemble
1
3 Trombones (trio)
1
French Horn and Harp
1
+ 41 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
175
Violin and Piano
133
Cello, Piano
108
Viola, Piano
90
Harp
35
Violin
31
Cello
28
String Trio: violin, viola, cello
26
Violin, Cello (duet)
26
2 Violins (duet)
22
Violin, Viola (duet)
16
2 Cellos (duet)
15
2 Violas (duet)
14
4 Cellos
13
String Trio: 2 violins, cello
12
String Quartet : 4 violas
10
Double bass, Piano (duet)
10
Viola
10
String Quintet: 2 violins, viola, cello, bass
9
Viola, Guitar (duet)
9
Violin, Guitar (duet)
8
Double Bass
8
Viola (band part)
7
String quartet: 4 violins
7
Cello, Guitar (duet)
6
String Trio: 3 cellos
6
String Trio: 3 violins
5
String Trio: 3 violas
5
Viola, Cello (duet)
5
Harp, Flute (duet)
3
Violin ensemble
3
Harp, Violin (duet)
3
2 Double basses (duet)
2
Viola and Harp
2
Harp, Voice
2
Cello, Organ
2
String Trio: 2 violins, viola
2
Cello, String Bass (duet)
2
Harp, Trombone (duet)
1
Violin, Clarinet, Piano (trio)
1
Doublebass (band part)
1
Viola, Organ
1
4 Double Basses
1
Viola ensemble
1
String Quintet: 2 violins, 2 violas, cello
1
Cello, Orchestra
1
Harp, Cello (duet)
1
+ 42 instrumentations
-
Retract
Orchestra & Percussion
Concert band
162
String Orchestra
90
Orchestra
70
Chamber Orchestra
61
Brass ensemble
37
Jazz Ensemble
18
Handbells
7
Marimba
5
Percussion Ensemble
4
Jazz combo
3
Brass Quintet: other combinaisons
2
2 Marimbas
1
Vibraphone
1
Orchestra, Violin
1
Piano and Orchestra
1
Percussion (band part)
1
Drums
1
+ 12 instrumentations
-
Retract
Others
Musical course - Solfege
1
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162 sheet music found
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151
1917: The Halifax Disaster
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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William Brenner
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1917: The Halifax Disaster
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William Brenner
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501....
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Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
#
E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
Yemanya (for Symphonic Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Becca Schack
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Yemanya
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Ingenue Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue M...
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Concert Band - Level 4 - Digital Download SKU: A0.1028006 Composed by Becca Schack. 20th Century,Contemporary,Jazz. Score and parts. 123 pages. Ingenue Music #3140879. Published by Ingenue Music (A0.1028006). Commissioned by the International School Of Luxembourg (ISL). Premiered in Luxembourg, in December 2010, conducted by Dimosthenis Dimitrakoulakos.Program Notes:This piece is named for Yemanya (pronounced Yeh-MAHN-jah or Yeh-MAHN-jee), the Brazilian/African nurturing mother goddess of the ocean. She's known as a protector, supplier, and one who grants wishes. Every December 31st, Brazilians celebrate Yemanya by casting white flowers and miniature boats into the sea. If Yemanya grants your wish, her waves will swallow the boat and if she denies the wish the boat will wash up on shore. Yemanya teaches us to dive in at the very moment of golden opportunity, to enjoy the rhythms of life, and to allow all doubts to be washed away. The fluid, oceanic themes of the instruments represent the flow of the water and magic of Yemanya. The piece starts off with a soft wind chime accompanied by gong/tam-tam. Then the vibraphone enters mysteriously as the main theme that drives the whole piece as it subtly changes. The double bass creates a rhythmic pulse beneath the other sections. The gentle melodies in the flute dance around jazzy articulations in the trumpets and saxophones. There's an interplay of Afro-Cuban beats in the marimba and a bossa nova rhythm between the temple blocks and xylophone. Throughout the piece I have tried to capture the water's motion and the ever-changing face of the sea. As the vibraphone returns to the original melody, we are reminded of Yemanya's eternal beauty and peaceful nature.
$60.00
Rhapsody for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Pub...
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00
Advance! The Royal British Legion
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Concert band
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INTERMEDIATE
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Clive Longhurst
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Advance! The Royal British Leg
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Clive Longhurst
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longh...
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Concert Band - Level 3 - Digital Download SKU: A0.1346333 Composed by Clive Longhurst. March. 61 pages. Clive Longhurst #931156. Published by Clive Longhurst (A0.1346333). I wrote this march over 12 years ago, when I was first getting into composing/arranging, and it was rather too 'busy'. Too many musicians doing too much. So I had another look and made it more playable by bands of a lesser technical aptitude.It is dedicated to all the volunteers, who give up their time, to make the Royal British Legion the steadfast organisation it has become. They truly are the unsung heroes of the charity. I hope this march pays them the compliment it is meant to. There will soon be a brass band version available.Page 11 is a useful advice sheet for printing.I hope your band enjoys playing it, be it on the march or a concert.
$10.00
The Four Seasons in the Basque Country
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Concert band
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Gregory Fritze
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The Four Seasons in the Basque
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Musica Nova USA
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6...
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Concert Band - Digital Download SKU: A0.917412 Composed by Gregory Fritze. 20th Century,Contemporary,Folk. Score and parts. 370 pages. Musica Nova USA #6321277. Published by Musica Nova USA (A0.917412). The Four Seasons in the Basque Country is a 4 movement symphony for concert band. It is the Third Prize Winner of the 2020 American Prize in Composition - Concert Band. Grade 5, duration 27 minutes. The piece depicts four different places in the Basque country that the composer feels best show the changes of season. The first movement is Winter in the Costa Norte (Galerna). Galerna is on the northerncoast and is subject to harsh storms in the winter. As the piece starts off with a light-hearted dance in thepiccolo, a storm is approaching from afar. At first the storm seems to be in the distance but as it comes closer it overtakes the festivities in a bluster. For a short time two conductors are needed as the concertband is split into two groups – one showing the light-hearted dance led by the piccolo, the other thecacophony of the storm led by the percussion. The storm overtakes everything as it ends the movement with a flourish.The second movement Spring in Rioja Alavesa is a calming contrast to the first movement like the freshness of a spring day. The sun rises and shines beams of light onto the acres of grape vines. After a timea short rain comes to refresh and clean the plants.The third movement Autumn at the Guggenheim Museum is in a traditional 3rd movement form of a symphony, minuet and trio, but the harmonies sometimes use bitonality, having the melody in one key while the accompaniment is in another to suggest surrealism. The Guggenheim Museum in Bilbaois one of the world’s most famous museums, not only for the surreal art inside, but also because of the architecture of the building itself.The fourth movement Summer in Bilbao is based on a dance melody composed in the Ezpata- dantza Basque style. It employs a rhythmic element with alternating 6/8 and 3â„4 meters where the eighth notes are basically equal, but in the dance the 3â„4 meter is actually a little bit longer. This type of subtlemanipulation of rhythm is used similarly in the Viennese Waltz, when the 3rd beat would be stretched outto accommodate the dancers. The Ezpata-dantza dance continues until the Altza Gastiak, the officialsong of the Bilbao Athletic Club, the local soccer team of Bilbao, is heard. After this the Ezpata-dantzamelody is transformed from a happy dance to a triumphant melody and rousing finale.In The Four Seasons in the Basque Country all of the themes are original except for the short excerpt ofAltza Gastiakin the 4th movement. Some themes are composed in the style of Basque folk dances.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanishcomposers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Recordsand others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University.He now resides in Daytona Beach Shores, Florida
$100.00
Die Libelle (The Dragon-fly), Polka mazur op. 204
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Concert band
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ADVANCED
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Classical
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Josef Strauss
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Albert Schwarzmann
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Die Libelle
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1497177 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 69 pag...
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Concert Band - Level 5 - Digital Download SKU: A0.1497177 Composed by Josef Strauss. Arranged by Albert Schwarzmann. 19th Century,Romantic Period. 69 pages. Edition Schwalbe #1073598. Published by Edition Schwalbe (A0.1497177). Die Libelle (The Dragon-fly) is a polka-mazurka by Josef Strauss, who was said to be the most talented of the three Strauss brothers. He was inspired to this piece during a visit with his wife Caroline at the lake Traunsee, where he observed dragon-flies flying on the water surface. It premiered on 21 October 1866. The arrangement is kept in the original key of the composition for symphony orchestra and was commissioned and first time performed by Mozarteum Wind Philharmonic Salzburg conducted by Hansjoerg Angerer at their Three Kings' Concert on 6 January 2018 in the Grosses Festspielhaus (Large Festival Hall) in Salzburg, Austria and broadcasted live by Austrian television. A live recording of this concert is available at https://www.salzburg-windphilharmonic.at/de/durch-die-waelder-durch-die-auen/ or https://www.jpc.de/jpcng/classic/detail/-/art/durch-die-waelder-durch-die-auen/hnum/10428715?iampartner=303&subid=umr14&ref=partner.jpc.de .
$80.00
The Storms of Time
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Concert band
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INTERMEDIATE/ADVANCED
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Richard E Brown
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-
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The Storms of Time
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Dacker Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.814727 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 170 pages. Dacker Music #2...
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Concert Band - Level 4 - Digital Download SKU: A0.814727 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 170 pages. Dacker Music #2968173. Published by Dacker Music (A0.814727). The Storms of Time was commissioned by a high school band in Ohio as a memorial to a band member who died in a traffic accident. Although the piece is built on motivic development and has no specific program, the solo alto sax represents the dedicatee, who played that instrument, and the other soloists represent her friends, who express their sense of first loss, then resignation and acceptance after her voice suddenly falls silent near the end.The piece is in ternary form: slow-fast-slow. Slow sections are lyrical and thinly scored, fast section very rhythmic with much mixed irregular meter. Several exposed solos for flute, clarinet, bassoon, and especially alto sax, plus short ones for oboe and trumpet.The price includes license to make as many copies of each part as necessary.Grade 4+ - Duration 6:45
$65.00
Waltz of the Snowflakes
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Peter Ilyich Tchaikovsky
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Steven Nunes
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Waltz of the Snowflakes
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Nagamon Publications
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1114491 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Nunes. 19th Century,Christmas,Classica...
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Concert Band - Level 4 - Digital Download SKU: A0.1114491 Composed by Peter Ilyich Tchaikovsky. Arranged by Steven Nunes. 19th Century,Christmas,Classical,Holiday,Romantic Period. 194 pages. Nagamon Publications #716375. Published by Nagamon Publications (A0.1114491). Pyotr Ilyich Tchaikovsky was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally. He wrote some of the most popular concert and theatrical music in the current classical repertoire, including the ballets Swan Lake and The Nutcracker, the 1812 Overture, his First Piano Concerto, Violin Concerto, the Romeo and Juliet Overture-Fantasy, several symphonies, and the opera Eugene Onegin. The Nutcracker is an 1892 two-act ballet originally choreographed by Marius Petipa and Lev Ivanov with a score by Pyotr Ilyich Tchaikovsky (Op. 71). The libretto is adapted from E. T. A. Hoffmann's 1816 short story The Nutcracker and the Mouse King. The Nutcracker and the Mouse King is a story written in 1816 by Prussian author E. T. A. Hoffmann, in which young Marie Stahlbaum's favorite Christmas toy, the Nutcracker, comes alive and, after defeating the evil Mouse King in battle, whisks her away to a magical kingdom populated by dolls. This waltz is from the end of Act One. In the final scene of Act One, the mice retreat and the nutcracker is transformed into a handsome Prince. He leads Clara through the moonlit night to a pine forest in which the snowflakes dance around them, beckoning them on to his kingdom as the first act ends. The PDF contains the full score and all parts.
$55.00
Do You Hear How Many You Are?
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Concert band
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EASY
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Contemporary
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Keane Southard
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Do You Hear How Many You Are?
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Spindrift Pages
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. P...
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Concert Band - Level 2 - Digital Download SKU: A0.1027468 Composed by Keane Southard. Contemporary. Score and parts. 40 pages. Spindrift Pages #546437. Published by Spindrift Pages (A0.1027468). Do You Hear How Many You Are? for Concert Band was originally written in April and May of 2010 for SATB choir. I made this concert band arrangement in 2012. The origins of this piece and text come from a very interesting experience I had in December of 2009. I have been learning a lot in the past few years about the state of our world and the many huge problems and crises we are faced with in the near future, and this discovery has been so daunting and overwhelming to me. So much change needs to happen in order for the near and long-term future of our world to be just and stable that I have felt a lot of guilt over my choice of profession. Why have I chosen to be a composer and musician when I could make more of an impact on solving these problems if I were a scientist or policy maker etc.? I have been struggling to find a solution to this dilemma for a while now and I just happened to be thinking about it, while filled with lots of stress and worries, one night as I was falling asleep in December of 2009. At the moment when I was in that state halfway between sleep and consciousness, I suddenly heard the line Do you hear how many you are? in my head, yet I felt as though I didn't come up with the line but that it was said TO me. I was instantly comforted, as if a load fell off my shoulders, and then I began to hear it being sung, which I knew was the beginning of a choral piece. I woke up, wrote down the music I was hearing (about the first six measures of the work) and then wrote down this entire poem. I truly feel that this message came to me for a reason, and that I need to share it through the music I create. Those of us who want to change the world for the better are not alone; we are many and we will make our voices hear in order to heal the world. -Keane Southard Duration: c. 3 minutes Grade 2 -Finalist, 3rd International Frank Ticheli Competition -Premiered April 19 2013 by the Minot State University Symphonic Band, Devin Otto, conductor Website: keanesouthard.instantencore.com.
$85.00
The Battles of the Ancient Heroes
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Concert band
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BEGINNER
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Contemporary
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Oliver Heimann
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The Battles of the Ancient Her
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Oliver Heimann
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1161492 Composed by Oliver Heimann. Contemporary. Score and parts. 27 pages. Oliver Heimann #761830. Pu...
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Concert Band - Level 1 - Digital Download SKU: A0.1161492 Composed by Oliver Heimann. Contemporary. Score and parts. 27 pages. Oliver Heimann #761830. Published by Oliver Heimann (A0.1161492). This grade 1 piece was written for the Belzer Middle School 6th Grade band, with a majestic main melody, a menacing battle theme, and a contrasting middle section, this piece has more than enough to entertain your band. The Battles of the Ancient Heroes follows the journey of two heroes, on of which has fallen to darkness, and who is now battled by the one who was closest to them.
$29.99
The Circus Bee
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Concert band
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Contemporary
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Henry Fillmore
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Marc Oliver
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The Circus Bee
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custo...
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Concert Band - Digital Download SKU: A0.733031 Composed by Henry Fillmore. Arranged by Marc Oliver. 20th Century. Score and parts. 74 pages. Ayotte Custom Musical Engravings #2347385. Published by Ayotte Custom Musical Engravings (A0.733031). The Circus Bee is a circus march written by Henry Fillmore of Cincinnati, Ohio in February 1908. Because of its complexity and advanced writing, it is sometimes used as either an opener or an encore piece in band concerts. The Circus Bee was a celebration of sorts for the fact that Henry Fillmore and his father, who managed their publishing business in Cincinnati, finally agreed that the young composer could publish his music at home, even though it did not meet the elder Fillmore's standard of being religious music. It was during this period of conflict between father and son that Henry, showing defiance to his father for not repenting his desire to write marches, reportedly told him, I will huff and I will puff, and I will continue to write marches. This alleged statement by the younger Fillmore gave birth to one of his many composing pseudonyms, Will Huff. The march is named after an imaginary circus newspaper and reflects Fillmore's lifelong interest in circuses and his varied experiences while touring with five different big top shows where he played the trombone. He was also famous for his many trombone marches, such as Bones Trombone, Teddy Trombone and the famous Lassus Trombone, all showcasing the trombone glissando, or smear, caused by moving the trombone slide in and out while playing the instrument (usually loud).
$59.99
The Trumpet Polka
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Concert band
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ADVANCED
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Classical
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Herman Koenig
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John M
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The Trumpet Polka
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zephyrwindmusic.com
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1007977 Composed by Herman Koenig. Arranged by John M. Laverty. Romantic Period. Score and parts. 113 p...
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Concert Band - Level 5 - Digital Download SKU: A0.1007977 Composed by Herman Koenig. Arranged by John M. Laverty. Romantic Period. Score and parts. 113 pages. Zephyrwindmusic.com #4348177. Published by zephyrwindmusic.com (A0.1007977). The Trumpet Polka, first published in 1856 as part of the Jullien Military Band Journal is a typical composition composed for and used as dance music during the Victorian era. It employees both trumpets and cornets, showcasing the trumpets. The form is that of a dance piece, with large repeated sections designed to be choreographed by a large group of dances, an activity popular at the time. While there is much known about Herman Koenig (1815-1870), there is much that is still somewhat of a mystery, like exactly where he was born and died. What is known is that he was perhaps the ï¬rst cornetist who was indeed an international star. Born in Germany, he became well-known in London as a featured soloist in Louis Jullien’s famous Drury Lane Orchestra in the 1840s. His travels took him to America in 1853 with Jullien in what was the ï¬rst major tour of a European orchestra in America. He also played violin, was a composer and publisher, a music educator, and he helped design and market a cornet, what is known today as the Koenig Cornet.
$40.00
Battle of the Winds
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Concert band
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Contemporary
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Charles Edward Duble
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Marc Oliver
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Battle of the Winds
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733090 Composed by Charles Edward Duble. Arranged by Marc Oliver. Contemporary. Score and parts. 77 pages. Ayotte...
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Concert Band - Digital Download SKU: A0.733090 Composed by Charles Edward Duble. Arranged by Marc Oliver. Contemporary. Score and parts. 77 pages. Ayotte Custom Musical Engravings #3115021. Published by Ayotte Custom Musical Engravings (A0.733090). Charles Edward Duble was a tall, lanky trombone player who, as a circus band musician, was always seeking an opportunity to play a practical joke on someone. Duble's more serious side emerged when he composed for the many circus bands of the time time. Battle of the Winds can be a march, or it can be a battle among the wind players in the band. Duble's allegiance to the low brass gives the euphoniums, trombones, and tubas an edge at times, but the contest is fascinating from the introduction to the stinger at the end. Merle Evans and the Ringling Brothers and Barnum & Bailey's Circus Band performed it for years during their pre-game show.
$59.99
God Defend New Zealand (National Anthem) - Concert Band Score and Parts PDF
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Concert band
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Patriotic
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John Joseph Woods 1876
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Brendan Elliget MAGA 537
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God Defend New Zealand
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Brendan Elliget
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SheetMusicPlus
Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. Score, Set of Parts. 39 pages. Published by Brendan Elliget...
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Composed by John Joseph Woods 1876. Arranged by Brendan Elliget MAGA 537. Patriotic. Score, Set of Parts. 39 pages. Published by Brendan Elliget
"God Defend New Zealand" was written as a poem in the 1870s by Irish-born, Victorian-raised immigrant Thomas Bracken of Dunedin. A competition to compose music for the poem was held in 1876 by The Saturday Advertiser and judged by three prominent Melbourne musicians, with a prize of ten guineas. The winner of the competition was the Tasmanian-born John Joseph Woods of Lawrence, New Zealand who composed the melody in a single sitting the evening after finding out about the competition. The song was first performed at the Queen’s Theatre, Princes Street, Dunedin, on Christmas Day, 1876. [Wikipedia]
This arrangement is for Concert Band and with optional Strings and Piano parts included (but not shown on the score) - Lower Key of F (Original in G) – If singing the words for more than one verse, accompaniment can be varied eg. Woodwind only for one verse – as in the MP3 recording with was recorded with NotePerformer. Also available MARCH CARD format...
Duration = 2:00 mins Grade 2-3
$20.00
The Cabinet of Dr. Caligari
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Concert band
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INTERMEDIATE/ADVANCED
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Ian Deterling
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Flutes 1, 2
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The Cabinet of Dr. Caligari
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Ian Deterling
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterl...
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Concert Band - Level 4 - Digital Download SKU: A0.742975 Composed by Ian Deterling. Contemporary,Film/TV,Halloween. Score and parts. 86 pages. Ian Deterling #3587379. Published by Ian Deterling (A0.742975). The Cabinet of Dr. Caligari is silent German expressionist film from 1920. Considered by many to be the first 'true' horror film, Caligari was incredibly innovative with its use of cinematography, warped sets, and the first substantial use of what is now known as the ‘plot-twist’ ending. The title character of the film, Dr. Caligari, has a cabinet - (believe it or not!) - and in this cabinet lives the somnambulist (the sleepwalker), Cesare, who goes around carrying out Caligari's evil deeds. Directed by Robert Wiene and staring Werner Krauss and Conrad Veidt, The Cabinet of Dr. Calagari continues to influence, inspire, and captivate filmmakers even today. This work for concert band makes use of several themes used in Deterling's orchestral score that he composed to accompany the film:’Dr. Caligari’ theme [A] - first heard in alto saxophones and horns (measures 5-6).‘Dr. Caligari’ theme [B] - first heard in clarinets 1, 2 and trumpets (measures 13-14).‘Cesare’ theme - first heard in low winds and low brass (measures 20-22).‘Jane/Love’ theme - first heard in horns and trombones (measures 61-64).‘Plot twist is about to happen’ theme - first heard in clarinets (measures 113-116).Piccolo; Flutes 1, 2; Oboe; Bassoons 1, 2; Clarinets in Bb 1-3; Bass Clarinet in Bb; Contrabass Clarinet; Alto Saxophones 1, 2; Tenor Saxophone; Baritone Saxophone; Trumpets in Bb 1-3; Horns in F 1-4; Trombones 1, 2; Bass Trombone; Euphonium; Tuba; Double Bass; Percussion 1 (Bass Drum, Tambourine); Percussion 2 (Suspended Cymbal, Tam-tam, Triangle, High-Hat, Crash Cymbals); Xylophone; TimpaniSpecial note: the Bassoon 2, Contrabass Clarinet, Horns 2 & 4, and Double Bass parts are optional because they’re always either doubled or cued in other parts. Score and set of parts. https://www.youtube.com/watch?v=ueywDp-gtTY
$68.00
See, the Conquering Hero Comes
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Concert band
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INTERMEDIATE
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Classical
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George Frideric Handel
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Richard E Brown
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See, the Conquering Hero Comes
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Dacker Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.814829 Composed by George Frideric Handel. Arranged by Richard E Brown. Baroque,Standards. Score and pa...
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Concert Band - Level 3 - Digital Download SKU: A0.814829 Composed by George Frideric Handel. Arranged by Richard E Brown. Baroque,Standards. Score and parts. 38 pages. Dacker Music #6092621. Published by Dacker Music (A0.814829). The well-known chorus See, the Conquering Hero Comes from George Frideric Handel's oratorio Judas Maccabeus has always been one of his most popular compositions. It was originally written in 1747 for his oratorio Joshua, but then reused for Judas Maccabeus in 1751, a practice that Handel--who was never above recycling a good tune--frequently engaged in with his operas and oratorios. This arrangement, for advanced middle school or young high school bands, is in the style of a slow processional march.Grade 3 - Duration 3:00 Price includes license to make as many copies of parts as required
$45.00
Sans Day Carol (Now The Holly Bears The Berry) - Concert Band PDF
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Concert band
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INTERMEDIATE
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Christmas
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Traditional Cornish Tune
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Brendan Elliget MAGA 537
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Sans Day Carol
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.750993 Composed by Traditional Cornish Tune. Arranged by Brendan Elliget MAGA 537. Christmas. Score and...
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Concert Band - Level 3 - Digital Download SKU: A0.750993 Composed by Traditional Cornish Tune. Arranged by Brendan Elliget MAGA 537. Christmas. Score and parts. 40 pages. BJE Music #6038757. Published by BJE Music (A0.750993). The Sans Day Carol or St. Day Carol is one of the many Cornish Christmas carols written in the 19th century. This carol and its melody were first transcribed from the singing of Thomas Beard, a villager in St Day in the parish of Gwennap, Cornwall. The fourth verse is a translation from the Cornish version, Ma gron war'n gelln. The lyrics of Now the holly bears a berry, the text most associated with the Sans Day Carol.The arrangement here is for full Concert Band - which could be used as an accompaniment to the singing of the traditional words.Grade = 3 Duration = 3:25 minsThe lyricsNow the holly bears a berry as white as the milk, And Mary bore Jesus, all wrapped up in silk, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly!And the first tree in the greenwood, it was the holly! Now the holly bears a berry as green as the grass, And Mary bore Jesus, who died on the cross, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly!And the first tree in the greenwood, it was the holly! Now the holly bears a berry as black as the coal, And Mary bore Jesus, who died for us all, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly!And the first tree in the greenwood, it was the holly! Now the holly bears a berry as blood is it red, And Mary bore Jesus who rose from the dead, And Mary bore Jesus Christ our Saviour for to be, And the first tree in the greenwood, it was the holly. Holly! Holly! And the first tree in the greenwood, it was the holly!
$25.00
The Munsters Theme
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Concert band
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EASY
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Jack Marshall
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Kyle L
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The Munsters Theme
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KyleMac Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Scor...
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Concert Band - Level 2 - Digital Download SKU: A0.1208594 Composed by Jack Marshall. Arranged by Kyle L. McKinzey. Contest,Festival,Film/TV,Holiday. Score and Parts. 42 pages. KyleMac Music #806702. Published by KyleMac Music (A0.1208594). THE MUNSTERS†was an American sitcom airing on CBS from 1964 to 1966. It depicted the home life of a family of benign monsters. The series was a satire of American suburban life, the wholesome television family fare of the era and traditional monster movies. The music, by Jack Marshall, was described by writer Jon Burlingame as a Bernard-Herrmannmeets-Duane-Eddy sound. This arrangement has fun bass lines, so they will enjoy this and need to work on it sounding creepy. Though not marked throughout, the bass line should be separated and emulate a picked electric bass articulation throughout. The rest of the winds is more suitable for 1st & 2nd-year players. Ex. The 2nd clarinets do not cross the break. The percussion is written for a drum set but can be separated as a traditional part for concert band. As usual, I have included plenty of percussion parts to go around. The tom part can be ad-libbed by a drumkit player if you go with that option. The part itself is optional but does help if splitting the drum part. There are three different mallet parts with the xylophone and marimba carrying the load. Bells can be optional. There are lots of sound effects in the accessories part. Ratchet, Cowbell, Vibra-slap, Tambourine, Whistle, Siren whistle. These can be easily substituted with what you have on hand. I hope your students and audiences (and you) have fun with this piece. I appreciate all comments, questions, and criticisms. KyleMac Music
$49.99
A Bicycle for the Mind
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Concert band
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INTERMEDIATE
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Gavin Lendt
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A Bicycle for the Mind
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Gavin Lendt
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.831492 Composed by Gavin Lendt. Contemporary,Romantic Period. Score and parts. 98 pages. Gavin Lendt #3...
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Concert Band - Level 3 - Digital Download SKU: A0.831492 Composed by Gavin Lendt. Contemporary,Romantic Period. Score and parts. 98 pages. Gavin Lendt #3575417. Published by Gavin Lendt (A0.831492). Https://www.youtube.com/watch?v=XOmM0gcFfVMIn 1990 Apple Computer co-founder Steve Jobs said that he had read a study that measured the efficiency of locomotion for various species on the planet. The condor used the least energy to move a kilometer. Humans came in with a rather unimpressive showing about a third of the way down the list....That didn't look so good, but then someone at Scientific American had the insight to test the efficiency of locomotion for a man on a bicycle and a man on a bicycle blew the condor away. That's what the computer was to Steve Jobs. The most remarkable tool that we've ever come up with. He said it's the equivalent of a bicycle for our minds. The work for concert band, A Bicycle for the Mind is the composer's small tribute to Steve Jobs who believed that the arts were integral to technological innovation. The constant rhythmic pulse interlaced with a haunting chorale attempts to express Job's ultimate goal of fusing the liberal arts with technology.
$45.00
The Navy Hymn-for Concert Band
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Concert band
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INTERMEDIATE
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John Dykes
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Dan Cutchen
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The Navy Hymn-for Concert Band
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Dan Cutchen Music
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1091973 Composed by John Dykes (1823–1876). Arranged by Dan Cutchen. Patriotic,Sacred,Traditiona...
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Concert Band - Level 3 - Digital Download SKU: A0.1091973 Composed by John Dykes (1823–1876). Arranged by Dan Cutchen. Patriotic,Sacred,Traditional. Score and parts. 44 pages. Dan Cutchen Music #696104. Published by Dan Cutchen Music (A0.1091973). This arrangement of the hymn, Eternal Father, Strong to Save (The Navy Hymn) utilizes a theme and variation treatment. It is somber, strong, and at times, serene and peaceful. This arrangement is of medium difficulty. The spotlight is on the low brass. There is also an arrangement of this piece for solo tuba and piano. Eternal Father, Strong to Save is a British hymn traditionally associated with seafarers, particularly in the maritime armed services. It was popularised by the Royal Navy and the United States Navy in the late 19th century, and variations of it were soon adopted by many branches of the armed services in the United Kingdom and the United States, including the United States Coast Guard and the United States Marine Corps. Owing to its nautical theme, this hymn has been played or sung at a number of funerals for those who have served in or been associated with the US Navy. Most notably, it was sung at the funerals of multiple US presidents, including Roosevelt, Richard Nixon, George H. W. Bush, and John F. Kennedy.
$40.00
Boston Commandery (Masonic March)
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Thomas W
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Marc Oliver
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Boston Commandery
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.733030 Composed by Thomas W. Carter. Arranged by Marc Oliver. 20th Century. Score and parts. 53 pages. ...
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Concert Band - Level 4 - Digital Download SKU: A0.733030 Composed by Thomas W. Carter. Arranged by Marc Oliver. 20th Century. Score and parts. 53 pages. Ayotte Custom Musical Engravings #2347383. Published by Ayotte Custom Musical Engravings (A0.733030). Boston Commandery is a Masonic march written by Thomas W. Carter in 1892. It was dedicated to the regional office of the Freemasony that was headquartered in the city of Boston, Massachusetts. In the march, Carter used the hymn Onward Christians Soldiers by Sir Arthur Seymour Sullivan as the melody for the trio, with the woodwinds providing the obbligato above the music. There have been many composers who were Masons; among them are Edward E. Bagley, W. Paris Chambers, Herbert L. Clarke, Merle Evans, Henry Fillmore, Karl L. King and John Philip Sousa. And Freemasony also includes in its ranks such musical luminaries as Louis Armstrong, Gene Autry, Count Basie, Ludwig van Beethoven, Irving Berlin, Roy Clark, Nat King Cole, Duke Ellington, George Gershwin and Paul Whiteman.
$68.00
Hungarian March (Rákóczi March) from The Damnation of Faust (Concert Band Transcription)
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Concert band
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Classical
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Hector Berlioz
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Marc Oliver
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Hungarian March
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.733071 Composed by Hector Berlioz. Arranged by Marc Oliver. Romantic Period. Score and parts. 94 pages. Ayotte Cu...
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Concert Band - Digital Download SKU: A0.733071 Composed by Hector Berlioz. Arranged by Marc Oliver. Romantic Period. Score and parts. 94 pages. Ayotte Custom Musical Engravings #2998635. Published by Ayotte Custom Musical Engravings (A0.733071). Berlioz's Hungarian March from The Damnation of Faust is based on a song composed in 1809 by János Bihari (1764–1827), written in honor of Ferenc Rákóczi, a Hungarian military leader and politician who was at the heart of Hungary’s quest for independence from Austria. It is not known if the tune by Bihari was based on a Hungarian folk melody of the time or if he composed it himself .
$59.99
Unter der Admiralsflagge (Under the Admiral's Flag) Concert March op. 82 by Julius FuÄik
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Julius Fucik
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Albert Schwarzmann
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Unter der Admiralsflagge
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Edition Schwalbe
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1021849 Composed by Julius Fucik. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 132...
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Concert Band - Level 4 - Digital Download SKU: A0.1021849 Composed by Julius Fucik. Arranged by Albert Schwarzmann. Romantic Period. Score and parts. 132 pages. Edition Schwalbe #6643353. Published by Edition Schwalbe (A0.1021849). Julius FuÄÃk (1872 - 1916) was a famous Austrian-Hungarian military bandmaster, who composed more than 400 pieces during his short lifetime. First of all he was known as a king of marches: His Florentiner March and Entry of the Gladiators had worldwide success, but also some of his overtures and waltzes became very popular. His concert march Under the Admiral's Flag was composed in 1911and had its first performance, when the Austrian-Hungarian battleship Viribus unitis premiered its launching in the former Austrian military habour of Pula in Istria. This arrangement keeps the key of the symphony orchestra version, while most band arrangements transpose a whole tone lower. This transcription was commissioned by Wind Philharmonic Mozarteum Salzburg and first performed conducted by Hansjoerg Angerer at their 2014 New Year's Concert on January 6th in Salzburg, Austria. A live recording of this piece is included on the CD Eine musikalische Reise UMR65, Barcode 9120007612141 available at https://naxosdirekt.de/items/eine-musikalische-reise-557962 .For details see also: https://www.blaeserphilharmonie-mozarteum.at/
$88.00
Now And Then
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Concert band
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EASY
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Rock
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The Beatles
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Richard Starkey, John Lennon,
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Lorenzo Bocci
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Now And Then
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged ...
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Concert Band - Level 2 - Digital Download SKU: A0.1367279 By The Beatles. By George Harrison, John Lennon, Paul McCartney, and Richard Starkey. Arranged by Lorenzo Bocci. Pop,Rock. 73 pages. Lorenzo Bocci #951636. Published by Lorenzo Bocci (A0.1367279). NOW AND THEN The Beatlesfor Concert Band - Grade 3 - Digital Download Composed by Richard Starkey, John Lennon, Paul McCartney, George Harrison. Arranged by Lorenzo Bocci. Pop/Rock. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'05''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set, Percussion (Tambourine), Acoustic Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Now and Then is a ballad that John Lennon wrote and recorded around 1977 as a solo home demo but left unfinished. After Lennon's death in 1980, the song was considered as a potential third Beatles reunion single for their 1995–1996 retrospective project The Beatles Anthology. Instead, it was shelved for nearly three decades, until it was completed by his surviving bandmates Paul McCartney and Ringo Starr, using overdubs and guitar tracks by George Harrison (who died in 2001) from the abandoned 1995 sessions. The final version features additional lyrics by McCartney. Lennon's voice was extracted from the demo using the machine-learning-assisted audio restoration technology commissioned by Peter Jackson for his 2021 documentary The Beatles: Get Back. The song has been released on 2 November 2023 on a double A-side single, paired with a new stereo remix of the band's first single, Love Me Do (1962). Both songs were included on the expanded re-issues of the 1973 compilations 1962–1966 and 1967–1970, released on 10 November 2023. It topped the charts in the United Kingdom, Germany, and Austria, and reached the top ten in Australia, Belgium, Canada, Ireland, the Netherlands, Sweden, Switzerland, and the United States.Subscribe to my YouTube Channel to stay updated on new releases.
$109.00
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