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William-Ten-Have
Concert band
Sheetmusic to print
24 sheet music found
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1
"Clarinet Concert Concertino" for Wind Band based on music by A.E.Williams arranged by S.Davies
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Concert band
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INTERMEDIATE/ADVANCED
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A
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Stephen Davies
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"Clarinet Concert Concertino"
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Stephen Davies
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 7...
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Concert Band - Level 4 - Digital Download SKU: A0.891956 Composed by A.E.Williams. Arranged by Stephen Davies. 20th Century,Standards. Score and Parts. 74 pages. Stephen Davies #6094485. Published by Stephen Davies (A0.891956).   CLARINET CONCERT CONCERTINO FOR WIND BAND I don’t normally enter long descriptions of my arrangements, nothing worse than seeing that little sign on the bottom right saying ‘see more’, however this piece has a rather interesting story that I’d like to share with you! It was maybe 8 or 9 years ago that I helped in the library of the Band Of The Guards Association, a group of musicians who were all members of the Household Division Bandsin London, that is to say the Grenadier, Coldstream, Scots, Irish, Welsh, Life Guards and Blues & Royals bands, chiefly known the world over for Changing The Guard at Buckingham Palace and many other ceremonial occasions. The Band Of The Guards Association were privileged to rehearse at the Royal Hospital Chelsea, home of the famous Chelsea Pensioners, renowned for their Redcoats and medals as veterans of the British Army. Our library of music for the band at the time was held in an air raid shelter deep in the cellars underneath the labyrinthine corridors of the old building built by Sir Christopher Wren back in the 1680’s. When I say ‘air raid shelter’, that is exactly what it was like! Can’t go into too much detail, but suffice it to say that it was like being transported back in time! But this is where the library was kept, complete with dusty shelves, blackout warnings, obsolete bulb replacements and tunnels to the Thames! The man in charge of the library was Mr.Gordon ‘Joe’ Stafford, former Solo Clarinet with HM Band Of The Welsh Guards (ret’d), a fine player of that instrument in his day, and revered as such even now. About 8 years ago, our ‘underground ‘ library was deemed a fire hazard, and we were ‘invited’ to move it elsewhere. As we had our practice room nearby in the Chelsea Hospital, we decided to relocate the whole library there, shelving being built and constructed by enthusiastic band members. Joe Stafford and myself were not particularly enthusiastic about this, but it had to be done. Having looked at the enormous amount of music to be moved, we thought about ditching some of the scores which would never be played again, for instance selections of musicals long forgotten, scores with multiple missing parts etc. Lots of that music went to local music organisations simply for sight reading purposes, and the more complete versions went to bands and orchestras to bolster their stock of scores. After the laborious sorting out in the air raid shelter, Joe and I had the unenviable task of discarding the scores and parts that were incomplete, defaced, or just basically useless. It was an arbitrary case of ‘keep or throw’, and at the time we were doing this, Joe was desperate for a pint in the bar! I agreed, and was anyway on my last batch of throwaways when I found a piece titled ‘Clarinet Concerto’, by A.E.Williams. Written in pencil, with ancient sellotape, and signed by all the people who played it many years ago, including the Soloist and composer, I thought that that should not be binned, so I kept it! Joe Stafford suggested that I should ‘get it out there’ , so I have. Incidentally it has a cracking Cadenza towards the end, it was a bit smudged in the original score, but I’ve filled in the gaps!! This would be an ideal addition to the band repertoire for Clarinet!
$49.99
William Told Too Much: B-flat Tenor Saxophone
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Concert band
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Classical
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Gioachino Rossini
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Victor López
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Festival.
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William Told Too Much: B-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0014353_TX1 B-flat Tenor Saxophone. Composed by Gioachino Rossini. Arranged by Victor López. ...
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Concert Band - Digital Download SKU: AX.00-PC-0014353_TX1 B-flat Tenor Saxophone. Composed by Gioachino Rossini. Arranged by Victor López. Classical. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014353_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014353_TX1). UPC: 038081376707.Victor LA3pez gives us a fresh new rendition of the theme from Rossini's William Tell Overture set in a rock style. This is an exciting learning tool certain to motivate students with its catchy recognizable classical melody, extremely playable arrangement, and contemporary rock style. You are guaranteed to have a winner.Concert/Contest; Festival.
$3.00
Have You Met Miss Jones?
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Concert band
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INTERMEDIATE/ADVANCED
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George Shearing Quintet
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John Ivor Holland
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Have You Met Miss Jones?
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quintet. By Lorenz Hart and Richard Rodgers. Arranged by John Ivor Holland. ...
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Concert Band - Level 4 - Digital Download SKU: A0.1504155 By George Shearing Quintet. By Lorenz Hart and Richard Rodgers. Arranged by John Ivor Holland. 20th Century,Broadway,Film/TV,Jazz,Musical/Show,Standards. 81 pages. John Ivor Holland #1079611. Published by John Ivor Holland (A0.1504155). 'Have You Met Miss Jones?' is a song from the 1937 Broadway musical I'd Rather Be Right, a Depression-era political satire set in New York City about Washington politics and political figures such as President Franklin D. Roosevelt. The plot centres on Peggy Jones and her boyfriend Phil, who needs a raise in order for them to get married; the President ultimately steps in and solves their dilemma. This jazz standard has been covered by many artists over the years, including George Shearing, Anita O'Day, Frank Sinatra, Robbie Williams and Seth MacFarlane - it is also cited as a potential inspriation, in its bridge passage, for saxophonist John Coltrane. This arrangement has been created from the jazz combo version by Michael Philip Mossman and features short solos (with suggested lines and chords) for clarinet, flute, trumpet and alto sax, with drum breaks towards the end.
$49.99
My Dancing Day: B-flat Tenor Saxophone
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Concert band
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Jerry Brubaker
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My Dancing Day: B-flat Tenor S
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016795_TX1 B-flat Tenor Saxophone. Arranged by Jerry Brubaker. Multicultural; Sacred. Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0016795_TX1 B-flat Tenor Saxophone. Arranged by Jerry Brubaker. Multicultural; Sacred. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016795_TX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016795_TX1). UPC: 038081507415.Tomorrow Shall Be My Dancing DayA is an English carol whose appearance is inA William B. Sandys'A Christmas Carols Ancient and Modern published in 1833. Many composers and arrangers have done vocal settings of this carol. Here's a stunning new arrangement of this lovely carol. It is joyful, lilting, and upbeat---and even has a Latin flavor! A sure winner for any holiday concert! (2:00).
$3.00
Abraham’s Daughter: March from the Civil War
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Concert band
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INTERMEDIATE
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Folkloric/Traditional
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Stephen R Dalrymple
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Stephen R Dalrymple (Dalrymple
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Abraham’s Daughter: March fr
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Stephen R Dalrymple
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs)....
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Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
Rhythm Rhumble!
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Concert band
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BEGINNER
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Kara Williams
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Part 2 Flute or Oboe
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Rhythm Rhumble!
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Kara Williams
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1277791 Composed by Kara Williams. Children,Classical,Contest,Festival,Funk,Rock. Score and Parts. 47 p...
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Concert Band - Level 1 - Digital Download SKU: A0.1277791 Composed by Kara Williams. Children,Classical,Contest,Festival,Funk,Rock. Score and Parts. 47 pages. Kara Williams #869484. Published by Kara Williams (A0.1277791). Want a fun and funky work that is also a great way to engage novice performers in rhythm and listening exercises? Rhythm Rhumble! does just that! Tested and endorsed by a local ensemble, the classic rock beat is passed around the performers in between playing the parts written for their instruments. The players really have fun changing and organising themselves to play their respective parts - which is also very entertaining for audiences! The flex scoring and restricted rhythms and instrument ranges of this work mean it can be played by very novice performers in a group of as few as 10 players: Part 1 Flute; Part 2 Flute or Oboe; Part 3 Clarinet or Tenor sax; Part 4 Clarinet or Alto sax; Part 5 Clarinet or Alto sax, Part 6 Trumpet; Part 7 Trumpet or Horn in F; Part 8 Trombone, Euphonium or Bassoon; Part 9 Euphonium, Trombone, Bassoon or Bass clarinet; Part 10 Basses (optional); Mallet percussion (optional); Percussion (snare drum/tambourine and bass drum) To hear an audio file (midi) of the entire work, please go to karawilliamsmusic.com.
$20.00
Jolt - (Multi-level!)
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Concert band
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Contemporary
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William Brenner
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Jolt -
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William Brenner
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1008277 Composed by William Brenner. Contemporary. Score and parts. 50 pages. William Brenner #6090789. Published...
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Concert Band - Digital Download SKU: A0.1008277 Composed by William Brenner. Contemporary. Score and parts. 50 pages. William Brenner #6090789. Published by William Brenner (A0.1008277). Jolt by William Brenner - Grade 1/2.5/4 (see below) For concert band __________________________________________________ We've been through strange times. We've been through many good and bad emotions. We have been recieving news, some good, some upsetting. Some days we are so happy, we want to jump everywhere and on others we want to bawl our eyes out. And that's how it is. Jolt plays through all of these emotions, the good and bad ones. It represent how sometimes, we are so happy about something, but it doesnt work out. It represents how sometimes, we hope for something that will never occur. It represents how sometimes in life, there are things that upset us. But in the end, we are stronger than those bad feelings. We are stronger than sadness, than the madness we sometimes feel dealing with those challenges. Sometimes we feel thrown around. At the end of the day, it will always get better. It will always work out. __________________________________________________ *As you may have noticed, this piece is graded with three different levels. Most instruments have two levels: beginner and advanced (grade 1 and 4), but some of the most common instruments in a concert band (flute, clarinet, alto saxophone, trumpet and percussion) have an extra intermediate level (grade 2.5). This piece has been written for bands or classes that have student of different levels, but still want to play together. I hope that this project will be useful and will help keep students motivated to play music even though the situation is unusual. Best regards, The composer, William Brenner.
$19.99
Elegy (In Memoriam Rupert Brooke)
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Concert band
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ADVANCED
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Frederick Septimus Kelly
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John Ivor Holland
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Elegy
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1430031 Composed by Frederick Septimus Kelly. Arranged by John Ivor Holland. 20th Century,Classical,Mul...
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Concert Band - Level 5 - Digital Download SKU: A0.1430031 Composed by Frederick Septimus Kelly. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,Romantic Period,World. 67 pages. John Ivor Holland #1010645. Published by John Ivor Holland (A0.1430031). Born in Sydney in 1881, the seventh child of a wealthy family, Kelly was educated at Sydney Grammar School before being sent to England where he attended Eton College and Oxford University. At Eton his musical talents were nurtured under the tutelage of Dr Charles Harford Lloyd. He also developed a passion for rowing, eventually winning a gold medal for England in the 1908 London Olympics. After graduating from Oxford, Kelly began five years of musical study in piano and composition at the Hoch Conservatorium in Frankfurt, Germany. He made his professional debut as a pianist in Sydney in 1911. His London debut followed in 1912. His career was interrupted by the outbreak of the First World War.Elegy for String Orchestra In Memoriam Rupert Brooke was written during his war service in the final year of his life. It is an accomplished and moving work in the English pastoral style of the time, its lush modal string-writing sounding not unlike his famous English near-contemporary Ralph Vaughan Williams (1872-1958). In the Australian context it stands out as a mature and beautiful musical statement by an Australian composer in relation to actual personal experiences of the tragedy of the First World War. As such it's unique in the Australian classical canon, and also part of that wider generational tragedy of what might have been if such an accomplished composer had lived on to create music into his old age. Arranged from the original string orchestra for symphonic wind ensemble and harp.
$99.99
Suite for Band (on a theme of Chopin)
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Concert band
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ADVANCED
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Contemporary
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Matthew Nunes
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Suite for Band
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Matthew Nunes Music
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.489528 Composed by Matthew Nunes. Classical,Contemporary. Score and Parts. 230 pages. Matthew Nunes Mus...
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Concert Band - Level 5 - Digital Download SKU: A0.489528 Composed by Matthew Nunes. Classical,Contemporary. Score and Parts. 230 pages. Matthew Nunes Music #105841. Published by Matthew Nunes Music (A0.489528). Listen to this piece hereSuite for Band took shape from two inspirations: the first, the haunting motifs of Frederic Chopin’s Etude Op. 10, No. 12, often referred to as “Revolutionary†or the “Bombardment of Warsawâ€; the second, the still-invigorating works for band of Holst, Grainger, and Vaughn-Williams. Each movement explores different aspects of Chopin’s Etude – the first in a lively dance, the second in a gentle melody, and the finale in a rush of energy that brings the work to an exciting close. Each instrument is featured at least once which makes the Suite ideal for the developing ensemble. I owe many thanks to Dr. Thomas McCauley and his bands at Montclair State University and Windhaven in 2017 for reading the work through various stages of development and for their helpful feedback.
$99.99
Sweet Hour of Prayer
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Concert band
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EASY
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William Walford
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Jonathan L Nelson
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Sweet Hour of Prayer
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Jonathan Nelson
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1504126 Composed by William Walford. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 64 page...
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Concert Band - Level 2 - Digital Download SKU: A0.1504126 Composed by William Walford. Arranged by Jonathan L Nelson. Contest,Festival,Religious. 64 pages. Jonathan Nelson #1079554. Published by Jonathan Nelson (A0.1504126). This setting of this beloved hymn should be conducted with great freedom and expression. Ritards, rallentandos and similar tempo changes serve only as suggestions. Long phrases may have to be shortened for younger players. The director should stress legato playing throughout the arrangement.
$72.00
More Cowbell: (wp) 1st Horn in E-flat
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPEH1 (wp) 1st Horn in E-flat. Composed by Mark Williams. Instructional. World Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPEH1 (wp) 1st Horn in E-flat. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpEH1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPEH1). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) 1st B-flat Trombone T.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Mark Williams. Instructional. World Part....
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTN1TC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) B-flat Baritone B.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPBBBC (wp) B-flat Baritone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pa...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPBBBC (wp) B-flat Baritone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPBBBC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) 1st B-flat Trombone B.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Mark Williams. Instructional. World Part....
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTN1BC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) E-flat Tuba T.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBETC (wp) E-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBETC (wp) E-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBETC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) B-flat Tuba B.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBBBC (wp) B-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBBBC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) B-flat Tuba T.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBBTC (wp) B-flat Tuba T.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBBTC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBBTC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
More Cowbell: (wp) E-flat Tuba B.C.
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Concert band
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Instructional
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Mark Williams
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More Cowbell:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages...
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Concert Band - Digital Download SKU: AX.00-PC-0000805_WPTBEBC (wp) E-flat Tuba B.C.. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000805_wpTBEBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000805_WPTBEBC). UPC: 038081278117.More Cowbell was inspired by the famous television skit featuring a rock band, a record producer, and an over-zealous cowbell player. If the cowbell player is good at hamming it up (and rocking out!), you could try the following staging suggestions: Cowbell player plays with intensity and lots of movement, and starts moving in measure 17 toward the front of the band, ending up next to the conductor in measure 24, bowing to the audience on beat 4. Conductor gives a stern look and gestures to student to get back in the percussion section (possibilities: slit throat gesture with side of first finger followed by pointing forcefully to the back, or similar gestures). Student slinks back, starts playing cowbell again, but quietly this time. Playing gradually picks up intensity, and player starts again toward the front in measure 41, reaching the front by measure 48. In measure 48, either A) Conductor waves hands violently for student to stop, or B) have a couple of students place a large blanket over the cowbell player. This works, but only for one measure (player quits and doesn't move in bar 49). Cowbell player resumes playing with a vengeance in measure 50 (either in spite of the teacher or under the blanket!). Make sure your new rock star takes another bow at the end of the piece. Have fun, and may your life always have More Cowbell! Correlated with Accent on Achievement, Book 1, page 27. (1:54) This title is available in SmartMusic.Movement and Staging.
$3.00
Fantasy on an Old American Hymn
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Concert band
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INTERMEDIATE/ADVANCED
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John K
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John K
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Fantasy on an Old American Hym
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John K. Evans
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1000464 Composed by John K. Evans. Arranged by John K. Evans. Christian,Folk,Sacred,Spiritual,Tradition...
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Concert Band - Level 4 - Digital Download SKU: A0.1000464 Composed by John K. Evans. Arranged by John K. Evans. Christian,Folk,Sacred,Spiritual,Traditional. 182 pages. John K. Evans #5288739. Published by John K. Evans (A0.1000464). Fantasy on an Old American Hymn is based on two old American hymn tunes. The Promised Land (this version is attributed to Miss M. Durham) which is used for the hymn On Jordans Stormy Banks and Holy Manna ( attributed to William Moore) which is used for many texts, notably, Brethren We Have Met To Worship. Holy Manna was originally published by William Moore in Columbia Harmony (1825), and both hymn tunes were later published in William Walker’s Southern Harmony and Musical Companion (1835). Download consist of 1 Score, 1 Timpani, 1 Bells, 1 Chime, 6 Flutes, 4 Alto Sax, 4 Tenor Sax, 3 Tuba and 2 each of all other parts. Parts include Baritone T.C. Duration is 5:30. Grade 4.
$95.00
Everybody Loves My Baby (but My Baby Don't Love Nobody But Me)
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Concert band
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Jazz
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Clarence Williams and The Blue
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Thomas Graf
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Everybody Loves My Baby
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.502604 By Clarence Williams and The Blue Five. By Jack Palmer and Spencer Williams. Arranged by Thomas Graf. Jazz...
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Concert Band - Digital Download SKU: A0.502604 By Clarence Williams and The Blue Five. By Jack Palmer and Spencer Williams. Arranged by Thomas Graf. Jazz. Score and parts. 34 pages. Published by Thomas Graf - the-hit-factory.com (A0.502604). One of the hottest jazz tunes ever, a real crowd pleaser - have fun! Instrumentation: Flute 1 Flute 2 Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F Tenor Horn in Bb Baritone Horn in Bb Trombone Tuba Drum Set Piano Bass in Bb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.
$50.00
Battle Hymn Fanfare and Chorale
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Concert band
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INTERMEDIATE
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Music by: William Steffe, Lyri
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Mark E Peltz
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Battle Hymn Fanfare and Choral
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Mark Peltz
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1006663 Composed by Music by: William Steffe, Lyrics by: Julia Ward Howe. Arranged by Mark E Peltz. Fol...
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Concert Band - Level 3 - Digital Download SKU: A0.1006663 Composed by Music by: William Steffe, Lyrics by: Julia Ward Howe. Arranged by Mark E Peltz. Folk,Patriotic. Score and parts. 33 pages. Mark Peltz #519581. Published by Mark Peltz (A0.1006663). This arrangement creates a musical scene of what one may have heard in that civil war camp over 150 years ago. Listen for opposing verse and chorus from north & south as the battle ensues.
$45.00
Everybody Loves My Baby - Jazz Classic - Concert Band
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Concert band
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INTERMEDIATE
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1924Â - w
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Thomas Graf
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Everybody Loves My Baby - Jazz
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.569463 Composed by 1924Â - w.m. Jack Palmer & Spencer Williams. Arranged by Thomas Graf. Blues,Jazz,R...
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Concert Band - Level 3 - Digital Download SKU: A0.569463 Composed by 1924Â - w.m. Jack Palmer & Spencer Williams. Arranged by Thomas Graf. Blues,Jazz,Ragtime. Score and parts. 34 pages. Thomas Graf - the-hit-factory.com #6354619. Published by Thomas Graf - the-hit-factory.com (A0.569463). One of the hottest jazz tunes ever, a real crowd pleaser - have fun! Instrumentation: Flute 1 Flute 2 Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F Tenor Horn in Bb Baritone Horn in Bb Trombone Tuba Drum Set Piano Bass in Bb Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our Big Band and Concert Band arrangements are played and prooved with our own ensembles with great success. Please let us know if you need any transposed part. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic
$29.99
Brew Time March
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Concert band
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EASY
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Kara Williams
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Brew Time March
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Kara Williams
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 p...
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Concert Band - Level 2 - Digital Download SKU: A0.1279514 Composed by Kara Williams. Classical,Contemporary,Contest,Festival,March. Score and Parts. 69 pages. Kara Williams #870997. Published by Kara Williams (A0.1279514). The third movement from the four movement 'Suite in Sea' written for clarinet and piano by Kara Williams, 'Brew Time March' has been orchestrated for wind ensemble by the composer and has since proven to be a favourite with performers and audiences. We follow a young sailor as they excitedly hear the bugle call to have a break from work (brew time), grab a coffee (brew) and sit on the bow to watch the waves… lost in thoughts, the young sailor unexpectedly hears the sound of work recommencing, and scurries back, making it just in the nick of time… waiting eagerly for next the next call for Brew Time!  Opening with the 'Stand Easy' (break time) bugle call, Brew Time March is full of familiarly-sea-worthy sounds, and is a fun concert march that would be a great addition to any ensemble's library. In the style of a traditional military march, unless otherwise specified, notes should be played slightly detached throughout. Ensure the bass solo has plenty of attitude, and the rhythmic accompanying parts let the melodies breathe. Use a small set of crash cymbals (if parade-style cymbals are not available) - your percussionist will thank you! Also, hit the cymbals together slightly off-centre for zing and dynamic control, and hold the edges of the cymbals against the body to choke the ring where indicated. Keep this march a very steady two-feel throughout; however, feel free to completely stress the upper woodwinds out by going as fast as musically possible where marked at the end :-) Brew Time March runs for around 2:45 and is scored for full wind ensemble; however, it will work without one, some, or all the following parts: piccolo, 4th clarinet, baritone sax, bass clarinet, bassoon, horns in F, and bass trombone.
$30.00
Persevera In Fide
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Concert band
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INTERMEDIATE/ADVANCED
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Ryan Stott
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Persevera In Fide
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Ryan Stott
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1138582 Composed by Ryan Stott. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. ...
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Concert Band - Level 4 - Digital Download SKU: A0.1138582 Composed by Ryan Stott. 20th Century,Classical,Contemporary,Contest,Festival. Score and parts. 46 pages. Ryan Stott #738924. Published by Ryan Stott (A0.1138582). Persevera In Fide, Latin for: to persevere in faith is the College motto where Ryan works. This non commissioned concert band work will take you on a journey as you work through this piece. The bell tones and fanfare like beginning will have your audience sitting tall and proud, before the horn section fills their ears with triumphal sounds of a melody worthy of John Williams. In the middle section of piece, the woodwinds lighten the mood and the texture is thinned, before the piece takes a turn and builds towards a big ending. You and your band will enjoy playing this piece. This arrangement includes full score and all parts.
$50.00
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