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--INSTRUMENTS--
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1,095
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277
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184
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80
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54
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48
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47
Organ
35
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26
Piano Trio: piano, violin, cello
16
1 Piano, 4 hands
10
2 Pianos, 4 hands
8
Big Note Piano
7
Piano Quartet: piano, violin, viola, cello
3
+ 8 instrumentations
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Retract
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Guitar (band part)
53
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28
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27
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Bass guitar
9
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4
4 Guitars (Quartet)
3
Guitar Ensemble
2
3 Guitars (trio)
2
2 Ukuleles
1
Mandolin
1
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1
+ 9 instrumentations
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Voice
Choral SATB
250
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40
Choral 2-part
27
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Choral Unison
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9
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Choral SSATTB
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Tenor voice, Piano
1
Voice solo
1
Medium voice, Piano
1
Mezzo-Soprano voice, Piano
1
Voice, Guitar
1
+ 14 instrumentations
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Retract
Woodwind
2 Saxophones (duet)
504
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282
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207
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147
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104
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96
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93
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82
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66
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51
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25
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21
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Tenor Saxophone
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15
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13
Saxophone
12
3 Clarinets (trio)
11
Clarinet, Trombone (duet)
11
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11
Flute Quartet: 4 flutes
9
Flute ensemble
9
English Horn
9
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7
Flute Trio: 3 flutes
7
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6
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6
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5
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4
Oboe
4
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3
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3
Recorder
3
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2
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2
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Wind ensemble
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Flute, Clarinet and Bassoon.
1
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1
Flute, Trombone (duet)
1
Flute, Cello, Piano (trio)
1
Flute, trombone and piano
1
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1
Flute, Viola and Piano
1
Oboe, Clarinet, Bassoon (trio)
1
Flute, Bassoon, and Piano
1
Flute, Violin, Violoncello and Piano
1
Clarinet, Tuba
1
Clarinet, Double bass (duet)
1
Oboe, Violin (duet)
1
Tenor Recorder
1
Oboe, Violin, Viola and Violoncello (Quartet)
1
2 Clarinets, Bassoon
1
Piccolo, Piano
1
+ 87 instrumentations
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Retract
Woodbrass
Trumpet, Saxophone (duet)
196
Trombone (band part)
138
Trumpet (band part)
102
2 Trombones (duet)
100
2 Trumpets (duet)
97
Trumpet, Trombone (duet)
93
Trumpet
40
Brass Quintet: 2 trumpets, horn, trombone, tuba
38
Trombone and Piano
37
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36
Trombone
34
Euphonium, Piano (duet)
34
French horn (band part)
31
English horn, Piano
28
French Horn and Piano
27
Tuba (band part)
24
French horn
16
Brass quartet : 2 trumpets, trombone, tuba
16
Tuba and Piano
11
2 Euphoniums (duet)
10
English Horn
9
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8
Euphonium
5
Brass Quartet: 2 trumpets, horn, trombone
4
Brass Quartet
4
3 Trumpets (trio)
3
Tuba
3
Horn Ensemble
2
English Horn, Guitar (duet)
2
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1
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1
Trumpet and Guitar
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2 Euphoniums and 2 Tubas
1
2 French horns (duet)
1
Bass Trombone
1
4 Tubas
1
Brass Quartet: 4 trumpets
1
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Strings
Harp
108
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103
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102
2 Violas (duet)
99
Violin, Viola (duet)
96
2 Violins (duet)
95
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89
String Quartet: 2 violins, viola, cello
60
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56
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44
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32
Viola
20
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8
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6
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4
String Trio: 2 violins, cello
4
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3
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2
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2
String trio
2
Harp, Voice
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2
String quartet: 4 violins
2
String Trio: 3 cellos
1
2 Harps (duet)
1
String Trio: 3 violins
1
String Quintet: 2 violins, viola, cello, bass
1
String Trio: 2 violins, viola
1
2 Double basses (duet)
1
Harp and Piano
1
Harp, Flute (duet)
1
Cello, Guitar (duet)
1
Harp (band part)
1
Piano Trio: Violin, Viola, Piano
1
Flute, Doublebass (duet)
1
Violin, Clarinet, Piano (trio)
1
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Retract
Orchestra & Percussion
Concert band
190
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114
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56
Brass ensemble
35
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27
String Orchestra
27
Handbells
20
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9
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Timpani (band part)
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1
Timpani
1
Piano and Orchestra
1
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1
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1
Marching band
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190 sheet music found
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176
The Best Hymns of All Time (for Wind Instruments) Book 3
#
Concert band
#
EASY
#
Sacred music
#
Various
#
Colin Kirkpatrick
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 13...
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Concert Band - Level 2 - Digital Download SKU: A0.522172 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 138 pages. Colin Kirkpatrick Publications #5726785. Published by Colin Kirkpatrick Publications (A0.522172). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 138-page PDF file for instant download. Book 3 contains the following twenty popular hymns: All Hail the Power of Jesus’ Name (Miles Lane); All things Bright and Beautiful (Bright and Beautiful); Alleluia, Sing to Jesus (Hyfrydol); Blessed Assurance (Assurance); Come, Ye Thankful People, Come (St George’s Windsor); Father, Hear the Prayer we Offer (Sussex & Gott Will's Machen); For the Beauty of the Earth (Dix); Glorious Things of Thee are Spoken (Austrian hymn); How Firm a Foundation (Foundation); Jesu, Lover of my Soul (Hollingside); Jesus Loves Me, This I Know (Jesus Loves Me); Joyful, Joyful, We Adore Thee (Hymn to Joy); Kum Ba Yah (Afro-American folksong); Mine Eyes have Seen the Glory (Battle Hymn of the Republic); O God, Our Help In Ages Past (St. Anne); Morning has Broken (Bunessan); Praise to the Lord the Almighty (Lob den Herren); Shall We Gather at the River? (Hanson Place); The God of Abraham Praise (Leoni); When Peace Like a River (Ville du Havre). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
The Best Hymns of All Time (for Wind Instruments) Book 2
#
Concert band
#
EASY
#
Sacred music
#
Various
#
Colin Kirkpatrick
#
The Best Hymns of All Time
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 12...
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Concert Band - Level 2 - Digital Download SKU: A0.522171 Composed by Various. Arranged by Colin Kirkpatrick. Praise & Worship,Sacred. Score and parts. 123 pages. Colin Kirkpatrick Publications #5726781. Published by Colin Kirkpatrick Publications (A0.522171). Here’s a terrific collection of sixty of the best-loved hymns ever composed. The hymns are scored in four parts and could be used with virtually any combination of conventional wind instruments. They are presented in a set of three books and include full four-part instrumental scores plus separate parts in a variety of useful transpositions. Parts 1 and 2 (soprano and alto) are provided in B flat, E flat and C (8ve higher than concert); Part 3 (tenor) in B flat (9th above concert), E flat, F and C (bass clef) and Part 4 (bass) in B flat, E flat and C. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. It could be used as the basis of an accompaniment and means that you can use the arrangements as solos, duets or trios. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. This is essential music for schools and many churches and contains probably all the hymns you’ll ever need. The entire collection of scores and parts is presented in a single 123-page PDF file for instant download. Book 2 contains the following twenty popular hymns: A Mighty Fortress is our God (Ein Feste Burg); Awake my Soul (Morning Hymn); All Creatures of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Angels we have Heard on High (Gloria); Be thou my Vision (Slane); Come Thou Font of Every Blessing (Nettleton); Eternal Father, Strong to Save (Melita); God moves in a Mysterious Way (London New); Glory to Thee, My God, This Night (Tallis Canon); How Sweet the Name of Jesus Sounds (St. Peter); Immortal, Invisible, God Only Wise (St. Denio); Onward, Christian Soldiers (St. Gertrude); Let us with a Gladsome Mind (Monkland) Love Divine, All Loves Excelling (Beecher); Praise my Soul, the King of Heaven (Lauda Anima); The Day Thou Gavest (St. Clement); The King of Love my Shepherd is (St. Columba); We Plough the Fields and Scatter (Wir pflügen); Lead Us, Heavenly Father, Lead Us (Mannheim). The music has been set in wind-friendly keys and the arrangements are compatible with the brass collection of the same name. They are not compatible with the string collection of the same name.
$31.99
Medallion March
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Concert band
#
EASY
#
Brian Ackley
#
Medallion March
#
Brian P. Ackley
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #10551...
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Concert Band - Level 2 - Digital Download SKU: A0.1478921 Composed by Brian Ackley. 21st Century,Contest,Festival,March. 22 pages. Brian P. Ackley #1055174. Published by Brian P. Ackley (A0.1478921). This uplifting march is perfect for any young band! If you are looking for a piece that will push your students to the next level while having fun at the same time, this is the march for you! Its catchy tune will be an ear worm to your students and audiences alike with its flowing melodic lines and layered harmonies. A guaranteed hit with your students, Medallion March showcases each instrument throughout this piece. Every instrument takes a turn playing the featured melodies. This is especially great for your low brass and low woodwinds, whose parts are very active throughout. The trumpets and flutes lead the way with a victorious theme as the clarinets and saxes harmonize below with parallel rhythms. As we move through the first section, the trumpets and clarinets swap parts to give an even thicker sound. The driving rhythms of the 5-part percussion section keeps everyone moving in forward motion as the middle section’s melody is heard in the low brass and low woodwinds. As the conductor, Medallion March gives you the ability to incorporate phrasing, dynamic contrast and articulation that is seen throughout. Written in the key of Bb, each instrument’s parts can be played with ease, including the clarinets who are below written below the break. The percussionists have many opportunities to shine, as the colorfulness of the cymbals and triangles compliment the pulsating rhythms of the snare drum and bass drum. There is also an option for your flute players to play the 2nd line C above the staff in the repeated trio section, doubled by the bells. Medallion March makes for a great concert opener with its big sound and is also great for a concert finale. Your students will feel like they won a medal and leave your audiences wanting more!
$20.00
O Come All Ye Boogie-Woogie Faithful
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Concert band
#
INTERMEDIATE
#
Classical
#
Felix Bartholdy Mendelssohn
#
Christian Morris
#
O Come All Ye Boogie-Woogie Fa
#
Hoopla Sheet Music
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.914567 Composed by Felix Bartholdy Mendelssohn. Arranged by Christian Morris. Christmas,Jazz. Score and...
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Concert Band - Level 3 - Digital Download SKU: A0.914567 Composed by Felix Bartholdy Mendelssohn. Arranged by Christian Morris. Christmas,Jazz. Score and parts. 86 pages. Hoopla Sheet Music #5724949. Published by Hoopla Sheet Music (A0.914567). Sick of the same old versions of Christmas classics? Want to stand out from the crowd during holiday season? Here's an arrangement of O Come All Ye Faithful with a boogie-woogie twist. A great showstopper at any Christmas event!A flexible ensemble arrangement in five parts with additional percussion, piano and guitar. This allows many different ensembles, small and large, to play this piece.Full parts list:Part 1: Flute, oboe, violin, trumpet in Bb.Part 2: Flute, clarinet in Bb, alto saxophone in Eb, violin, trumpet in Bb.Part 3: Clarinet in Bb, alto saxophone in Eb, tenor saxophone in Bb, horn in F, violin, viola.Part 4: Tenor saxophone in Bb, horn in F, euphonium (treble clef) in Bb, trombone, cello.Part 5: Baritone saxophone in Eb, bassoon, baritone (treble clef) in Bb, bass clarinet, tuba, cello, string bass.TimpaniPercussion (3 players)Electric GuitarPianoConductor’s score.More Christmas music from Hoopla Sheet Music:Jingle Bells SalsaEmmanuel RockO Come All Ye Boogie-Woogie FaithfulAway in A Country MangerHark the Funky Angels SingBossa Nova Bleak MidwinterGod Rest Ye Good King Gospel MashupJump Blues Joy to the WorldWe Three Kings (Persian Style)We Wish You a Jazzy ChristmasandWe Wish You a Jazzy Christmas (complete collection of all the above)
$15.99
Downton Abbey -- The Suite: Mallets
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Concert band
#
Instructional
#
John Lunn
#
Douglas E
#
Downton Abbey -- The Suite: Ma
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0016565_M1 Mallets. Composed by John Lunn. Arranged by Douglas E. Wagner. Instructional. Part. 1 pag...
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Concert Band - Digital Download SKU: AX.00-PC-0016565_M1 Mallets. Composed by John Lunn. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016565_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016565_M1). UPC: 038081471587.The wildly popular drama series has become the most viewed television period drama in thirty years. The trials, triumphs, and tribulations of the Crawley family above stairs are intertwined with the colorful lives of those who serve this great house below stairs. The equally colorful music is cast in this medley featuring the familiar theme that opens each episode, Did I Make the Most of Loving You? A stunning setting indeed! (4:00).
$3.00
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
#
EASY
#
Giovanni Gabrieli
#
James M
#
Gabrieli: Jubilate Deo Ch. 136
#
jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
It's A Small World
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Concert band
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EASY
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Richard M
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Frank Chow
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It's A Small World
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Frank Chow
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.902741 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Frank Chow. Children,Instructi...
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Concert Band - Level 2 - Digital Download SKU: A0.902741 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Frank Chow. Children,Instructional. Score and parts. 39 pages. Frank Chow #6702567. Published by Frank Chow (A0.902741). It’s A Small World represents the Disney attraction of the same name. It was written by the Sherman Brothers in 1963. In 2014, It was estimated that this cheerful piece had been played for nearly 50 million times worldwide on the attractions alone. The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. This arrangement is suitable for junior players who have played the instrument for 1 year or above. For instruments of Part 2 and 4, the range is within one octave.InstrumentationPart 1: Violin, Flute, Oboe, Clarinet, Alto Saxophone, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Snare Drum, Bass Drum, Cymbal, Triangle, Tambourine, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow.
$50.00
Rising Above
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Concert band
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INTERMEDIATE
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Michael Francis Smith
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Rising Above
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 3 - Digital Download SKU: IZ.CBS141-S Composed by Michael Francis Smith. Score. 15 pages. Duration 2 minutes 40 seconds. Imagine Mus...
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Concert band - Grade 3 - Digital Download SKU: IZ.CBS141-S Composed by Michael Francis Smith. Score. 15 pages. Duration 2 minutes 40 seconds. Imagine Music - Digital #CBS141-S. Published by Imagine Music - Digital (IZ.CBS141-S). 9 x 12 in inches.Rising Above is an uplifting and driving piece for concert band with nice challenges for all instruments. The idea came during a plane ride on a cloudy damp day, and rising above the clouds, the sun was shining. After the energetic beginning which simulates the energy and rising during a plane ride, the gospel favorite, This Little Light of Mine, is introduced. All the melodic material weaves together to the conclusion.
$10.00
Rising Above
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Concert band
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INTERMEDIATE
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Michael Francis Smith
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Rising Above
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Grade 3 - Digital Download SKU: IZ.CBS141 Composed by Michael Francis Smith. Score and Parts. 56 pages. Duration 2 minutes 40 seconds. Ima...
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Concert band - Grade 3 - Digital Download SKU: IZ.CBS141 Composed by Michael Francis Smith. Score and Parts. 56 pages. Duration 2 minutes 40 seconds. Imagine Music - Digital #CBS141. Published by Imagine Music - Digital (IZ.CBS141). 9 x 12 in inches.Rising Above is an uplifting and driving piece for concert band with nice challenges for all instruments. The idea came during a plane ride on a cloudy damp day, and rising above the clouds, the sun was shining. After the energetic beginning which simulates the energy and rising during a plane ride, the gospel favorite, This Little Light of Mine, is introduced. All the melodic material weaves together to the conclusion.
$60.00
American Patriotic Music for All, Volume 1 (Flexible Band)
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Concert band
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INTERMEDIATE/ADVANCED
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score a...
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Concert Band - Level 4 - Digital Download SKU: A0.742741 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350874. Published by Custom Chamber Music (A0.742741). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
3 Lyrical English Christmas Carols for Flexible ensemble inc. small Brass band arr. by D Catherwood
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Concert band
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Christmas
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David Catherwood
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David Catherwood
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3 Lyrical English Christmas Ca
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Opus 3 Music
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.1270296 By David Catherwood. By Traditional English tunes. Arranged by David Catherwood. Christmas,Holiday. Score...
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Concert Band - Digital Download SKU: A0.1270296 By David Catherwood. By Traditional English tunes. Arranged by David Catherwood. Christmas,Holiday. Score and Parts. 55 pages. Opus 3 Music #862730. Published by Opus 3 Music (A0.1270296). Suite - 3 Lyrical English Christmas Carols1) God Rest Ye Merry Gentlemen2) O Little Town of Bethlehem3) The First NowellThese 3 traditional English carols may be performed separately, used to accompany singing or put together as above to form an effective concert item  Perfect for Holiday concerts, Christmas carol services or Community concerts!The generous set of parts contains parts for varying combinations and ensembles , including Concert band, Brass band and Orchestra. The download includes a full score in C and the follwing parts (with permission to copy to suit your own requirements)Part 1 in C (Oboe, Flute, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet/Cornet 1 in Bb) *Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet/Cornet 2 in Bb) *Part 2 in Eb (Alto Saxophone, Eb Horn 1) *Part 2 in F (French Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn 2) *Part 3 in alto clef (Viola)Part 3 in F (French Horn)Part 3 in Bb (Tenor Saxophone, Bb Trombone/Baritone (treble clef) *Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone) *Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef) *Part 4 in Bb (Bb Bass Tuba/Euphonium (treble clef) *Percussion *Also, for some movements there are separate Flute and Bb Euphonium * parts where appropriate* Brass band parts(Each of these three carol arrangements is also available separately on Sheet music plus and Sheet music direct however there is a considerable saving buying all three together in this bundle).
$19.50
Skyfall
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Concert band
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Pop music
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Adele
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Kevin P Holdgate
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Skyfall
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Kevin P Holdgate
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.790976 By Adele. By Adele Adkins and Paul Epworth. Arranged by Kevin P Holdgate. Pop,R & B. Score and parts. 33 p...
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Concert Band - Digital Download SKU: A0.790976 By Adele. By Adele Adkins and Paul Epworth. Arranged by Kevin P Holdgate. Pop,R & B. Score and parts. 33 pages. Kevin P Holdgate #4350529. Published by Kevin P Holdgate (A0.790976). James Bond Collection for Wind bandA couple of years ago I did this arrangement for a young trombonist in HM forces. It is a 'rangey' sort of solo but well worth the practice. Suitable for ABRSM Grade VII and above.
$39.99
Volatus: Mallets
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Concert band
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Instructional
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Brian Beck
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Festival.
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Volatus: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017468_M1 Mallets. Composed by Brian Beck. Instructional. Part. 2 pages. Alfred Music - Digital She...
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Concert Band - Digital Download SKU: AX.00-PC-0017468_M1 Mallets. Composed by Brian Beck. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017468_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017468_M1). UPC: 038081519005.From the Latin word for flight, Volatus captures the art of soaring above the clouds. The higher one climbs, the more there is to see. Lift-off begins with stately brass motives and sparkling percussion, then it is up, up, and away with woodwind flourishes. With angular harmonies, driving rhythms in mixed meters, and static percussive effects, this piece has something for everyone to enjoy. (2:40)Concert/Contest; Festival.
$3.00
Volatus: 2nd Mallet Percussion
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Concert band
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Instructional
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Brian Beck
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Festival.
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Volatus: 2nd Mallet Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017468_M2 2nd Mallet Percussion. Composed by Brian Beck. Instructional. Part. 2 pages. Alfred Music...
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Concert Band - Digital Download SKU: AX.00-PC-0017468_M2 2nd Mallet Percussion. Composed by Brian Beck. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017468_M2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017468_M2). UPC: 038081519005.From the Latin word for flight, Volatus captures the art of soaring above the clouds. The higher one climbs, the more there is to see. Lift-off begins with stately brass motives and sparkling percussion, then it is up, up, and away with woodwind flourishes. With angular harmonies, driving rhythms in mixed meters, and static percussive effects, this piece has something for everyone to enjoy. (2:40)Concert/Contest; Festival.
$3.00
Volatus: 3rd Mallet Percussion
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Concert band
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Instructional
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Brian Beck
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Festival.
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Volatus: 3rd Mallet Percussion
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - Digital Download SKU: AX.00-PC-0017468_M3 3rd Mallet Percussion. Composed by Brian Beck. Instructional. Part. 2 pages. Alfred Music...
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Concert Band - Digital Download SKU: AX.00-PC-0017468_M3 3rd Mallet Percussion. Composed by Brian Beck. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017468_M3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017468_M3). UPC: 038081519005.From the Latin word for flight, Volatus captures the art of soaring above the clouds. The higher one climbs, the more there is to see. Lift-off begins with stately brass motives and sparkling percussion, then it is up, up, and away with woodwind flourishes. With angular harmonies, driving rhythms in mixed meters, and static percussive effects, this piece has something for everyone to enjoy. (2:40)Concert/Contest; Festival.
$3.00
From Above, One World
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Concert band
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ADVANCED
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J
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From Above, One World
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JADF Publications
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.1359744 Composed by J. Abelardo D. Flores. 21st Century. 36 pages. JADF Publications #944220. Published...
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Concert Band - Level 5 - Digital Download SKU: A0.1359744 Composed by J. Abelardo D. Flores. 21st Century. 36 pages. JADF Publications #944220. Published by JADF Publications (A0.1359744). Upon seeing the planet Earth from space, astronauts have reportedly experienced a self-transcendental awe at the realization that all humanity share common ground, as it were. This prelude for concert band attempts to depict that feeling of triumph at our conquest of space, combined with a humility about our place in the vast universe.
$60.00
Far Above Cayuga's Waters - Score Only
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Concert band
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EASY
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Stephen Frederick Duncan, DMA
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Stephen Frederick Duncan, DMA
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Far Above Cayuga's Waters - Sc
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Stephen F. Duncan
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1140029 By Stephen Frederick Duncan, DMA. By H. S. Thompson. Arranged by Stephen Frederick Duncan, DMA....
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Concert Band - Level 2 - Digital Download SKU: A0.1140029 By Stephen Frederick Duncan, DMA. By H. S. Thompson. Arranged by Stephen Frederick Duncan, DMA. Historic,March,Traditional. 4 pages. Stephen F. Duncan #740292. Published by Stephen F. Duncan (A0.1140029). Simple orchestration for small wind band.
$5.00
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
Above and Beyond (29-Piece Digital Pack)
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Concert band
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INTERMEDIATE
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Contemporary
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Robert Buckley
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Above and Beyond
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Hal Leonard - Digital
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: HX.464218 Composed by Robert Buckley. This edition: scorch. Contest,Festival. 2 pages. Duration 195. Hal L...
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Concert Band - Level 3 - Digital Download SKU: HX.464218 Composed by Robert Buckley. This edition: scorch. Contest,Festival. 2 pages. Duration 195. Hal Leonard - Digital #0. Published by Hal Leonard - Digital (HX.464218).
Digital Pack includes
:
Above and Beyond - Conductor Score (Full Score)
Above and Beyond - Flute 1
Above and Beyond - Bassoon
Above and Beyond - Flute 2
Above and Beyond - Bb Clarinet 1
Above and Beyond - Oboe
Above and Beyond - Bb Clarinet 2
Above and Beyond - Bb Tenor Saxophone
Above and Beyond - Eb Alto Saxophone 2
Above and Beyond - Eb Baritone Saxophone
Above and Beyond - Eb Alto Saxophone 1
Above and Beyond - Bb Trumpet 3
Above and Beyond - Bb Bass Clarinet
Above and Beyond - Bb Trumpet 1
Above and Beyond - Bb Trumpet 2
Above and Beyond - Bb Clarinet 3
Above and Beyond - F Horn 1
Above and Beyond - Bass Trombone
Above and Beyond - F Horn 2
Above and Beyond - Trombone 2
Above and Beyond - Trombone 1
Above and Beyond - Baritone B.C.
Above and Beyond - Tuba
Above and Beyond - Baritone T.C.
Above and Beyond - String Bass
Above and Beyond - Percussion 2
Above and Beyond - Percussion 1
Above and Beyond - Mallet Percussion
Above and Beyond - Timpani
$70.00
The Raft of the Medusa
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music ...
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Concert band - Digital Download SKU: IZ.CBW205-S Composed by Judith Katz. Score. 15 pages. Imagine Music - Digital #CBW205-S. Published by Imagine Music - Digital (IZ.CBW205-S). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$12.00
The Raft of the Medusa
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Concert band
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Judith Katz
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The Raft of the Medusa
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine ...
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Concert band - Digital Download SKU: IZ.CBW205 Composed by Judith Katz. Score and Parts. 65 pages. Imagine Music - Digital #CBW205. Published by Imagine Music - Digital (IZ.CBW205). 9 x 12 in inches.Long before the tragic sinking of the Medusa, was the sinking of the French ship, The Medusa. The frigate Medusa was completed in 1806, launched in 1810, and saw action in the Napoleonic wars. In 1816, it set sail from French to its ultimate location in Senegal to repossess it from the British. Along with cargo, there were almost 400 people on board. What no one knew, however, was that there was an incompetent captain on board with dubious skills.The ship was caught in a storm off the coast of Mauritania. After being damaged from hitting rocks and multiple attempts to relaunch it, it couldn't move. Soon, it was discovered that there was a shortage of lifeboats. Most of the crew and some of the passengers made their way to the lifeboats, saving about 250 people. That left about 149 others on board. Crew members left on board scrambled to build a raft for the others. The raft was launched and tied to one of the lifeboats. The hope was that everyone would make it to land, almost 60 miles away. The horror came, when the captain ordered the raft to be cut loose, claiming, that it was slowing everyone else down. That left the raft survivors to their own devices.Multiple days at sea brought on starvation, death and disease. People starved to death, and acts of desperation came about, such as the weak, but alive, being thrown overboard, and even cannibalism. Many days later, when survivors were finally rescued, there were only 15 people left alive, with 5 of them dying soon afterwards. News of the disaster quickly reached France, where both the government and the people were thoroughly outraged. Newspapers covered the disaster, and eventually there were trials prosecuting the captain and the crew for negligence. This can be considered as the first documented sea disaster. In 1818, 27 year- old Theodore Gericault was so moved by this disaster, that he painted his masterpiece, The Raft of The Medusa. To this day, the painting, which is enormous in size and almost the size of the raft itself, hangs in the Louvre. This is my first attempt at program music. It was my hope that I captured the mood, the feeling, and above all, in all good program music, that my composition told the story.
$60.00
Lithuania National Anthem: Tautiðka Giesmë
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Concert band
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EASY
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Patriotic
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Vincas Kudirka
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Colin Kirkpatrick
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Lithuania National Anthem: Tau
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 2 - Digital Download SKU: A0.522138 Composed by Vincas Kudirka (1858-1899). Arranged by Colin Kirkpatrick. Contemporary. Score and...
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Large Ensemble - Level 2 - Digital Download SKU: A0.522138 Composed by Vincas Kudirka (1858-1899). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3462085. Published by Colin Kirkpatrick Publications (A0.522138). Colin Kirkpatrick’sNational Anthems ExpressLITHUANIA: Tautiðka Giesmë This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the trumpets have been omitted from the first part of the anthem with the exception of the triplet fanfare figures. The arrangement consists of a three-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (flute, oboe, piccolo, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (oboe, violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn, alto sax); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.The original music files have been converted to pdf files digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
South Africa National Anthem: Nkosi Sikelel' iAfrika
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Concert band
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INTERMEDIATE
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Patriotic
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Enoch Mankayi Sontonga
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Colin Kirkpatrick
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Part 1 in C (oboe, violin)
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South Africa National Anthem:
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Colin Kirkpatrick Publications
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SheetMusicPlus
Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). ...
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Large Ensemble - Level 3 - Digital Download SKU: A0.522139 Composed by Enoch Mankayi Sontonga (1873-1905) and Marthinus Lourens de Villiers (1885-1977). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 34 pages. Colin Kirkpatrick Publications #3464591. Published by Colin Kirkpatrick Publications (A0.522139). Colin Kirkpatrick’sNational Anthems ExpressSouth Africa: Nkosi Sikelel' iAfrikaThis quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything!The arrangement is in six independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. Tacet sections (e.g. a brass or trombone tacet in quiet passages) can be easily created with the aid of a pencil. For example, in the audio sample you’ll hear that the woodwind alone has been given the melody beginning in measure 24. The arrangement consists of a four-page score with seven instrumental staves and three percussion staves. The score and all the parts are contained in the same 34-page pdf file. The following parts appear on separate pages:Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets; Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below concert for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (baritone); Part 5 in C (bass clef for trombone, euphonium, bassoon).Part 6 in B flat (B flat bass, bass clarinet); Part 6 in C (bass clef for bass trombone, bassoon, contrabassoon, tuba, double bass); Part 6 in E flat (E flat bass, baritone sax). There’s also a part for timpani and percussion (3 players).The music has been digitally scanned at 1,200 dpi, which can produce professional quality output on standard US-size paper.The arranger, Colin Kirkpatrick studied at London’s Royal College of Music and followed a career in music education. He was a High School Music Director for about fifteen years and later became a Music Education Adviser, with the added responsibility for training teachers and directing the instrumental teaching service. He has published a great deal of music and his publishers include Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester, Belwin Mills and Intrada (Netherlands). His music has been performed and broadcast all over Europe as well as in Japan, Thailand, Australia and the USA.
$6.99
It Is Well With My Soul
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Concert band
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EASY
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Sacred music
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Phillip P
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Dana Usealman
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It Is Well With My Soul
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Dana Usealman
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. S...
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Concert Band - Level 2 - Digital Download SKU: A0.897950 Composed by Phillip P. Bliss. Arranged by Dana Usealman. Christian,Praise & Worship,Spiritual. Score and parts. 20 pages. Dana Usealman #3861451. Published by Dana Usealman (A0.897950). It Well With My Soul for small Concert Band. Includes score and parts: Flute, Clarinet, Alto Sax 1, Alto Sax 2, Bb Trumpet, Trombone (or Baritone), Mallets, Bass Drum, and Cymbals. When I arranged this, I only had early elementary clarinet players so that part is entirely written below the break. It can be taken up an octave for more advanced players. There is a flute solo for your best flute player, it could also be omitted if necessary. The mallet part could also be omitted in a pinch. It Is Well With My Soul is a hymn penned by hymnist Horatio Spafford and composed by Philip Bliss. First published in Gospel Songs No. 2 by Ira Sankey and Bliss (1876), it is possibly the most influential and enduring in the Bliss repertoire and is often taken as a choral model, appearing in hymnals of a wide variety of Christian fellowships. Horatio Spafford's original lyrics are included below. I had verses 1, 2, 3, and 6 in mind for this arrangement: When peace like a river, attendeth my way,When sorrows like sea billows roll;Whatever my lot, Thou hast taught me to knowIt is well, it is well, with my soul.RefrainIt is well, (it is well),With my soul, (with my soul)It is well, it is well, with my soul.Though Satan should buffet, though trials should come,Let this blest assurance control,That Christ has regarded my helpless estate,And hath shed His own blood for my soul.My sin, oh, the bliss of this glorious thought!My sin, not in part but the whole,Is nailed to the cross, and I bear it no more,Praise the Lord, praise the Lord, O my soul!For me, be it Christ, be it Christ hence to live:If Jordan above me shall roll,No pang shall be mine, for in death as in life,Thou wilt whisper Thy peace to my soul.But Lord, 'tis for Thee, for Thy coming we wait,The sky, not the grave, is our goal;Oh, trump of the angel! Oh, voice of the Lord!Blessed hope, blessed rest of my soul.And Lord, haste the day when the faith shall be sight,The clouds be rolled back as a scroll;The trump shall resound, and the Lord shall descend,A song in the night, oh my soul!
$14.99
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