Version française
Free Sheet music
Instruments
ACCORDION
BAGPIPE
BALALAIKA
BANJO
BASS
BASSOON
BLANK SHEET…
BOOKS
BOUZOUKI
BUGLE
CELLO - VIO…
CHARANGO
CHOIR - VOC…
CLARINET
CORNET
DOBRO - GUI…
DOUBLE BASS
DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLA
VIOLA DA GA…
VIOLIN - FI…
WHISTLE
XYLOPHONE
ZITHER
Home
Instrumentations
Composers
New additions
Top 100
Metronome
Staff paper
Musician's shop
Sheet music books
Digital sheet music
Music equipment
Gift ideas
About free-scores.com
Free
Sheet Music
107
Digital
Sheet Music
759
Sheet Music
Books
2,100
Music
Equipment
21,005
Digital scores
(access after purchase)
Post mailing
Digital sheet music
SORTING AND FILTERS
SORTING AND FILTERS
Sorting and filtering :
--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
style (all)
AFRICAN
AMERICANA
ASIAN
BLUEGRASS
BLUES
CELTIC - IRISH - SCO…
CHILDREN - KIDS : MU…
CHRISTIAN (contempor…
CHRISTMAS - CAROLS -…
CLASSICAL - BAROQUE …
CONTEMPORARY - 20-21…
CONTEMPORARY - NEW A…
COUNTRY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLK SONGS - TRADITI…
FRENCH SONGS
FUNK
GOSPEL - SPIRITUAL -…
HALLOWEEN
INSTRUCTIONAL : CHOR…
INSTRUCTIONAL : METH…
INSTRUCTIONAL : STUD…
JAZZ
JAZZ GYPSY - SWING
JEWISH - KLEZMER
LATIN - BOSSA - WORL…
LATIN POP ROCK
MEDIEVAL - RENAISSAN…
METAL - HARD
MOVIE (WALT DISNEY)
MOVIE - TV
MUSICALS - BROADWAYS…
OLD TIME - EARLY ROC…
OPERA
PATRIOTIC MUSIC
POLKA
POP ROCK - CLASSIC R…
POP ROCK - MODERN - …
POP ROCK - POP MUSIC
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
VIDEO GAMES
WEDDING - LOVE - BAL…
WORSHIP - PRAISE
Relevance
Best sellers
Prices - to +
Prices + to -
New releases
A-Z
skill (all)
beginner
easy
intermediate
avanced
expert
Sellers (all)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
with audio
with video
with play-along
Not classified
5327
PIANO & KEYBOARDS
Piano solo
5909
Piano, Voice
1774
Piano, Vocal and Guitar
1128
Easy Piano
1002
Organ
863
C Instruments
335
1 Piano, 4 hands
77
Big Note Piano
76
Piano (band part)
74
Piano Accompaniment
73
Accordion
60
Piano Trio: piano, violin, cello
37
Piano Quartet: piano, violin, viola, cello
36
2 Pianos, 4 hands
27
Organ, Piano (duet)
22
2 Accordions
7
Organ, Trumpet (duet)
7
Melody line, Piano
4
Piano Quartet: piano, 2 violins, cello
4
1 Piano, 6 hands
2
2 Pianos, 8 hands
2
Piano Quintet: piano, 2 violins, viola, cello
2
Harpsichord
2
Solo instrument and Organ
1
Accordion, Voice
1
Keyboard
1
Instrumentations suivantes
Retracter
GUITARS
Melody line, (Lyrics) and Chords
22849
Guitar
869
Guitar notes and tablatures
577
Lyrics and Chords
123
Ukulele
111
Bass guitar
86
2 Guitars (duet)
29
Guitar (band part)
21
Piano, Guitar (duet)
18
4 Guitars (Quartet)
17
Mandolin
9
Ukulele Ensemble
8
Banjo
5
Guitar, Violin, Cello (trio)
3
Dulcimer
3
Electric Bass (band part)
3
Guitar Ensemble
2
Baritone Ukulele
2
2 Ukuleles
2
3 Guitars (trio)
2
Mandolin, Guitar (duet)
1
Plectrum Orchestra
1
Instrumentations suivantes
Retracter
VOICE
Choral SATB
1668
Choral 3-part
559
Choral TTBB
268
Choral 2-part
230
Choral SSAA
165
Choral Unison
100
Voice solo
44
Choral
44
Vocal duet, Piano
40
High voice
18
Vocal duet
14
Low voice, Piano
12
Soprano voice, Piano
9
Medium Voice
8
Medium voice, Piano
8
Choral SSAATTBB
6
Tenor voice, Piano
6
Choral SSATB
6
Alto voice, Piano
3
Choral SSATTB
3
Soprano voice
2
Tenor voice
2
Low voice
2
Choral SSAATB
1
Mezzo-Soprano voice, Piano
1
Baritone voice, Piano
1
Choral SSATBB
1
Soli, Mixted choir and accompaniment
1
Choral SATBB
1
Instrumentations suivantes
Retracter
WOODWIND
Flute and Piano
1000
Oboe, Piano (duet)
618
Clarinet and Piano
347
Clarinet
292
Alto Saxophone and Piano
267
Saxophone (band part)
250
Flute
211
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
200
Saxophone Quartet: 4 saxophones
189
Clarinet (band part)
169
Saxophone Quintet: 5 Saxophones
160
English horn, Piano
153
Tenor Saxophone and Piano
145
2 Saxophones (duet)
129
Alto Saxophone
125
Saxophone ensemble
119
Soprano Saxophone and Piano
117
Flute (band part)
115
2 Flutes (duet)
114
Oboe (band part)
104
Flute, Oboe, Clarinet, Bassoon
101
Baritone Saxophone, Piano
91
Clarinet Quartet: 4 clarinets
84
2 Clarinets (duet)
83
Bass Clarinet, Piano
68
Clarinet Ensemble
66
Saxophone
61
Flute Quartet: 4 flutes
52
Oboe
48
Tenor Saxophone
44
Flute ensemble
39
Recorder
35
2 Flutes, Piano
28
3 Clarinets (trio)
28
2 Oboes (duet)
28
3 Saxophones (trio)
27
Flute Quintet : 5 flutes
26
Flute Trio: 3 flutes
25
Flute, Clarinet (duet)
23
Flute and Guitar
23
2 Recorders (duet)
22
Descant (Soprano) Recorder
21
Oboe, Bassoon (duet)
20
Flute, Violoncello
19
Flute, Violin
17
Recorder Quartet
16
Flute, Viola (duet)
15
Clarinet Quintet: 5 clarinets
14
Clarinet and Viola
14
Clarinet, Violin (duet)
13
Soprano Saxophone
12
Harmonica
11
Saxophone, Clarinet (duet)
10
Flute, Violin and Violoncello
10
Piccolo, Piano
9
Clarinet, Guitar (duet)
8
Clarinet, Harp (duet)
7
Flute, Saxophone (duet)
6
Oboe, Cello
6
Tenor Recorder
6
Clarinet, Cello (duet)
6
Clarinet, Trumpet (duet)
6
Flute, Clarinet and Bassoon.
6
Oboe, Harp
5
Flute, Oboe (duet)
5
Flute, Oboe, Bassoon
5
Oboe, Flute
5
Bass Clarinet
5
Flute, Oboe, Clarinet (trio)
5
Flute, Cello, Piano (trio)
4
2 English horns and Pianoforte
4
Flute, Violin, Piano
4
Flute, Organ (duet)
4
Oboe, Clarinet (duet)
4
Treble (Alto) Recorder
4
Eb Instruments
4
Saxophone and Guitar
3
Oboe, Clarinet, Bassoon (trio)
3
Clarinet, Bassoon (duet)
2
English horn, Harp (duet)
2
Treble (Alto) Recorder, Piano
2
Bagpipe
2
2 Saxophones, Piano
2
Descent (Soprano) Recorder, Piano
2
Saxophone and cello
2
Flute, Trumpet (duet)
2
2 Clarinets, Piano
2
Saxophone, Bassoon (duet)
2
Flute and Strings Trio
2
Oboe and viola (duet)
2
English Horn, Guitar (duet)
1
Flute, Oboe, Violin
1
Descant (Soprano) Recorder, Basso continuo
1
Baritone Saxophone
1
Clarinet, Orchestra
1
Clarinet, Organ
1
Flute, Oboe, Piano (trio)
1
Flute, Clarinet, Violin (trio)
1
Flute, Viola and Piano
1
English Horn
1
3 Recorders (trio)
1
Piccolo
1
Ocarina
1
Recorder, Piano
1
Saxophone and Piano
1
5 Recorders
1
Flute, Guitar, Piano
1
Flute, harp and violin
1
Flute, Clarinet, Piano (trio)
1
Recorder, Guitar (duet)
1
Flute, Bassoon, and Piano
1
Flute, Violin, Violoncello and Piano
1
Oboe, Guitar (duet)
1
Flute, Cello, Guitar
1
Flute, Orchestra
1
Recorder Ensemble
1
Saxophone and Organ
1
Instrumentations suivantes
Retracter
WOODBRASS
Trumpet (band part)
221
Trumpet, Piano
220
Trumpet
205
Brass Quintet: 2 trumpets, horn, trombone, tuba
193
Trombone and Piano
191
Trombone (band part)
186
French Horn and Piano
185
Brass quartet : 2 trumpets, trombone, tuba
183
English horn, Piano
153
Trombone
127
French horn (band part)
115
Euphonium, Piano (duet)
90
French horn
82
Tuba and Piano
65
Brass Quartet: 2 trumpets, horn, trombone
53
Trumpet ensemble
47
Trombone ensemble
40
Tuba
40
Tuba (band part)
35
Brass Quartet
35
2 Trombones (duet)
35
2 Trumpets (duet)
34
2 French horns (duet)
27
Trumpet, Trombone (duet)
20
Brass Quartet: 4 horns
17
Euphonium
15
Brass Trio
13
Trumpet, Saxophone (duet)
11
2 Euphoniums (duet)
11
Brass Quartet: 4 trombones
9
Euphonium, Tuba (duet)
7
2 Tubas (duet)
7
3 Trombones (trio)
6
2 Euphoniums and 2 Tubas
6
Bass Clef Instruments
5
Tuba and Organ
5
Bb Instruments
5
2 English horns and Pianoforte
4
Horn Ensemble
4
Tuba or Euphonium or Saxhorn
3
Trombone, Tuba (duet)
3
Trombone, Horn (duet)
3
Cornet
2
English horn, Harp (duet)
2
Trumpet, Horn (duert)
2
English Horn, Guitar (duet)
1
French Horn and Harp
1
Horn, Cello (duet)
1
English Horn
1
Bass Trombone and Piano
1
3 Trumpets (trio)
1
Trumpet, Harp
1
4 Tubas
1
Trumpet, Euphonium (duet)
1
Trumpet, Trombone, Piano
1
Cornet and Piano
1
Trumpet, Tuba (duet)
1
Instrumentations suivantes
Retracter
STRINGS
Violin and Piano
1284
String Quartet: 2 violins, viola, cello
955
Violin
410
Cello, Piano
363
Viola, Piano
343
Violin, Cello (duet)
325
String Trio: violin, viola, cello
244
Harp
225
Cello (band part)
218
Violin (band part)
193
Viola
165
Doublebass (band part)
160
Cello
116
Viola (band part)
100
2 Violins (duet)
96
String Trio: 2 violins, cello
90
2 Cellos (duet)
87
Violin, Viola (duet)
70
String Quintet: 2 violins, viola, cello, bass
53
Harp (band part)
52
Double bass, Piano (duet)
51
2 Violas (duet)
48
Double Bass
44
Viola ensemble
27
Violin ensemble
26
2 Double basses (duet)
21
String Trio: 3 violins
19
4 Cellos
18
String Trio: 2 violins, viola
16
Harp, Flute (duet)
16
Violin, Guitar (duet)
14
Viola, Cello (duet)
13
Cello, String Bass (duet)
10
String Trio: 3 cellos
9
Harp, Violin (duet)
9
Piano Trio: Violin, Viola, Piano
8
Violin, Organ
5
Cello, Guitar (duet)
5
Flute, Doublebass (duet)
5
Violin, Bassoon (duet)
5
String Quintet: 2 violins, 2 violas, cello
5
Viola, Guitar (duet)
4
String Quartet : 4 violas
4
String trio
4
Viola and Bassoon
4
2 Harps (duet)
4
Harp, Cello (duet)
3
String quartet: 4 violins
3
Viola and Harp
3
5 Harps
2
3 Harps
2
Cello Ensemble
2
String Trio: 3 violas
2
2 Violins, Piano
2
Cello, Organ
2
Cello, Orchestra
1
Violin, Clarinet, Piano (trio)
1
4 Harps
1
Violin, Tuba (duet)
1
2 Violas, Piano
1
Instrumentations suivantes
Retracter
PERCUSSION & ORCHESTRA
Concert band
759
Orchestra
403
String Orchestra
350
Jazz Ensemble
154
Percussion (band part)
150
Chamber Orchestra
123
Brass ensemble
106
Handbells
89
Drums
88
Marching band
56
Jazz combo
51
Percussion Ensemble
28
Drum (band part)
26
Marimba
25
Timpani (band part)
20
Timpani
15
Vibraphone
8
Percussion
6
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard
4
Woodwind Quintet
3
Orchestra, Violin
2
Flexible Instrumentation
2
Xylophone, Piano
2
Brass Quintet: other combinaisons
1
Xylophone
1
Vibraphone (band part)
1
Instrumentations suivantes
Retracter
OTHERS
Musical course - Solfege
1
You've selected:
the M
Concert band
Sheetmusic to print
759 sheet music found
<
1
26
51
....
751
1917: The Halifax Disaster
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenn…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
$22.99
21.2 €
#
Concert band
#
William Brenner
#
1917: The Halifax Disaster
#
William Brenner
#
SheetMusicPlus
Variations on a Theme in D Flat
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown.…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1335323 Composed by Kendra Brown. 21st Century. 26 pages. Kendra Brown #921147. Published by Kendra Brown (A0.1335323). The main theme is inspired by the introduction of the piece. Delicate and child-like. The ostinato in the beginning of the piece that double reeds have displays the feeling of a “child-like†waltz. The pattern is in 3 but it should be played as if it is in 6/8, with emphasis on beats 1 and 3. There should be weight to the sound but it should not be heavy. Sometimes in life, (as both teens and adults) we tend to get caught up in stress or worries and we forget to take a break, relax and destress a little. This piece reminds us to go back to our childlike roots. As the theme in Section A expands, it takes a turn in Section B where the tempo picks up. (Players are encouraged to have as much fun as they can with this part.) At and after the exposed bassoon part at m.50, in the words of my old high school band director, “Let it rip potato chip!†(Meaning give it all you’ve got and have fun). Brass are encouraged to play the dynamics as written in this section but listen to each other. Section C is a bridge to the 7/8 in Section D. Section D, reintroduces the theme in the form of a trumpet solo while brass and some of the woodwinds have the ostinato. Be careful euphonium & tuba because you’re missing a beat on purpose! Section E is the “Medley†of all the parts that were previously played with only tuba playing in the relative minor so it sticks out at the bottom of the ensemble. This is symbolic of the piece itself, showing that the pressures of life can be overcome by keeping a good attitude and persevering through those tough times that you encounter. Section F is another “bridge†beginning with the flute solo reiterating the theme one last time before the “descent and climb†(starting at m.137) to the final destination: Section G. Section G should be played like an overture. Full and with joy and a “coming alive-ness†to it therefore bringing life to the once dead emotions that once were. The ending with the oboe/bassoon duet should be played as quietly as possible & as in tune as possible.
$10.00
9.22 €
#
Concert band
#
Kendra Brown
#
Variations on a Theme in D Flat
#
Kendra Brown
#
SheetMusicPlus
The Fog Meets the Storm for small wind band and percussion
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnso…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.995515 Composed by James M Johnson. Contemporary. Score and parts. 38 pages. Myles Music James Johnson #3577869. Published by Myles Music James Johnson (A0.995515). Duration: 4: 23level: intermediate to advancedConcert festival type of piece!Fog Meets the Storm to program notes: One of my goals was to create a piece that demonstrates many different mood changes and sound effects, that we experience in the climate that we live in. Whether we are journeying to the mountains or driving to work, mother nature is always on display. Therefore, I believe mother nature symbolizes pleasure, pain, and despair. Having the opportunity to grow up in New England and now living in Maine, I have seen a WIDE variety of weather within just a period of 24 hours! While living on the West Coast I will never forget my drive on the 395 going north and seeing the Sierra Nevada mountains (to my left) tall and grand with snow covered mountain tops! To the right, you would see and feel the hot desert! Although the performers do not need to envision mountaintops or deserts you need to respect the different sections and moods of the piece and know that everything is changing around us, all the time. As musical artists, we can convey our life journeys through our individual sound as well as the ensemble; whether it’s through enjoying nature, life’s challenges, and celebrations! Enjoy making traditional sounds and nontraditional sounds with your instrument.
$50.00
46.11 €
#
Concert band
#
James M Johnson
#
The Fog Meets the Storm for small wind band and percussion
#
Myles Music James Johnson
#
SheetMusicPlus
Abraham’s Daughter: March from the Civil War
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abraham’s Daughter: March from the Civil War ♫ by Septimus Winter (1861) ♫ with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). ♫ arranged for concert band by Stephen R Dalrymple ♫ After a family trip to Gettysburg, Antietam, Harper’s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, “Abraham’s Daughter,†and a song used by both North and South, “Johnny Comes Marching Home.†♫ Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. ♫ Septimus Winner wrote “Abraham’s Daughter†in 1861 for the Minstrel stage. “Abraham’s Daughter†pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. ♫ Given the unpublished verses we have, Abraham’s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. ♫ Winner is also known for writing “Ten Little Injuns†“Listen to the Mockingbird†and “Where, Oh Where Has My Little Dog Gone?†♫ Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abraham’s daughter? ♫ Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. ♫ At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincoln’s daughter. ♫ arrangement © 2000, 2013 Stephen R Dalrymple ♫ recording ℗ 2021 Stephen R Dalrymple ♫ presentation © 2021 Stephen R Dalrymple ♫ sequenced by the arranger ♫ Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. ♫ This .pdf file includes 1) Condensed Conductor’s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductor’s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. ♫ The YouTube video contains a full recording.
$19.00
17.52 €
#
Concert band
#
Stephen R Dalrymple
#
but no daughters
#
Abraham’s Daughter: March from the Civil War
#
Stephen R Dalrymple
#
SheetMusicPlus
Feed The Birds (tuppence A Bag)
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1236233 Composed by Richard M. Sh…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1236233 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Matt Nabozny. Broadway,Film/TV,Musical/Show. Score and Parts. 38 pages. Matthew Nabozny LLC #831745. Published by Matthew Nabozny LLC (A0.1236233). Feed the Birds is a song written by the Sherman Brothers (Richard M. Sherman & Robert B. Sherman) and featured in the 1964 motion picture Mary Poppins. The song speaks of an old beggar woman (the Bird Woman) who sits on the steps of St Paul's Cathedral, selling bags of breadcrumbs to passers-by for two pence a bag (equivalent to about 13p in 2022) so that they can feed the many pigeons which surround the old woman. The scene is reminiscent of the real-life seed vendors of Trafalgar Square who began selling birdseed to passers-by shortly after its public opening in 1844.
$60.00
55.34 €
#
Concert band
#
Richard M
#
Robert B
#
Feed The Birds
#
Matthew Nabozny LLC
#
SheetMusicPlus
The American Polka
Concert band
Concert Band - Level 5 - Digital Download SKU: A0.1007976 Composed by Louis Jullien…
(+)
Concert Band - Level 5 - Digital Download SKU: A0.1007976 Composed by Louis Jullien. Arranged by John M. Laverty. Romantic Period. Score and parts. 154 pages. Zephyrwindmusic.com #4347645. Published by zephyrwindmusic.com (A0.1007976). The American Polka is a typical early Victorian era composition written for military band. It was originally published in London as part of the Jullien Band Journal in 1849 and uses music from America as thematic material in a manner in which Louis Jullien (1812-1860) did with his other polkas and quadrilles written to showcase music from different countries. French-born Louis Jullien was an international superstar conductor, composer and music publisher. Among other things in his career, he led his Jullien Orchestra on a tour of America in 1853 and founded the concert series in London known as the Proms Concerts. He also employed some of the biggest names in the music world at one time or another including Hector Berlioz, Jean-Baptiste Arban, and Theodore Thomas (founder of the Chicago Symphony Orchestra).
$40.00
36.89 €
#
Concert band
#
Louis Jullien
#
The American Polka
#
zephyrwindmusic.com
#
SheetMusicPlus
The Coventry Carol - Score Only
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1169121 By DMStewart Music. By 16…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1169121 By DMStewart Music. By 16th Century Olde English Carol. Arranged by David M. Stewart. Christmas,Folk,Historic,Holiday,Renaissance. 5 pages. DMStewart Music #769471. Published by DMStewart Music (A0.1169121). The Coventry Carol is an Olde English Carol dating back to the 16th Century where it was part of a larger work known as, The Pageant of the Shearman and Tailors. This carol depicts the mothers’ tearful song as they weep for the loss of their children. The play is based on the Christmas Story as depicted in the Gospel of Matthew. Specifically the part of the story where King Herod orders the death of all male infants under the age of two, in an act known as the “Massacre of the Innocentsâ€.
$10.00
9.22 €
#
Concert band
#
DMStewart Music
#
The Coventry Carol - Score Only
#
DMStewart Music
#
SheetMusicPlus
The Coventry Carol
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1169123 By DMStewart Music. By 16…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1169123 By DMStewart Music. By 16th Century Olde English Carol. Arranged by David M. Stewart. Christmas,Folk,Historic,Holiday,Renaissance. Score and Parts. 24 pages. DMStewart Music #769474. Published by DMStewart Music (A0.1169123). The Coventry Carol is an Olde English Carol dating back to the 16th Century where it was part of a larger work known as, The Pageant of the Shearman and Tailors. This carol depicts the mothers’ tearful song as they weep for the loss of their children. The play is based on the Christmas Story as depicted in the Gospel of Matthew. Specifically the part of the story where King Herod orders the death of all male infants under the age of two, in an act known as the “Massacre of the Innocentsâ€.
$40.00
36.89 €
#
Concert band
#
DMStewart Music
#
The Coventry Carol
#
DMStewart Music
#
SheetMusicPlus
Top Gun Anthem
Concert band
Drum Set, Guitar, Concert Band - Early Intermediate - Digital Download By Harold Falt…
(+)
Drum Set, Guitar, Concert Band - Early Intermediate - Digital Download By Harold Faltermeyer. Arranged by John M. Pasternak. Score, Set of Parts. 43 pages. Published by JMPublishing
Check out this new arrangement of the "Top Gun Anthem" for Concert Band and optional Rock and Roll band.
$49.99
46.1 €
#
Concert band
#
Harold Faltermeyer
#
Top Gun Anthem
#
JMPublishing
#
SheetMusicPlus
The Love of God
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. L…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.933695 Composed by Frederick M. Lehman. Arranged by Leandro Bizama. Christian,Christmas,Easter,Jewish,Sacred. Score and parts. 44 pages. Leandro Bizama Music #2907105. Published by Leandro Bizama Music (A0.933695). The Love of God, for Concert Band, Grade Level 2.5, dur. 4 mins.The lyrical nature of the tune combined with the powerful poem about God's love make this one of the greatest hymns ever. This arrangement maintains the power of the tune and represents the beauty of the poetry musically. Each verse has its own special setting corresponding to the words of the hymn. Starting in a mysterious, martial and subdued style, The Love of God develops into a strong but respectful to the hymn type of finale, complete with musical representations of the waves of the sea. It is accessible to High School groups but also appropriate for Community or College ensembles. Because of its history (see below) it can appeal to a wide range of faiths and inspire unity and peace. Audiences and performers alike are sure to find it inspiring and uplifting.---A little about the history of the hymn:Could we with ink the ocean fill, and were the skies of parchment made;Were every stalk on earth a quill, and every man a scribe by trade;To write the love of God above would drain the ocean dry;Nor could the scroll contain the whole, though stretched from sky to sky.These timeless words inspired Lehman to write The Love of God after they were found edged on the wall of an asylum patient's room. They are an adaptation and translation of a poem originally written in Aramaic by the Jewish Rabbi of Worms, Germany around the year 1050. This poem in turn is similar to a passage in the Qur'an. What an incredible journey for these great words: an ancient poem that has its roots in the Qur'an, later adapted by a Rabbi, written on the wall of an insane asylum by a patient, and finally taken up by a Christian to be the basis of a beautiful song. Surely God's love and music are the only two things powerful enough in our World to bring unity and respect in the face of pride and violence.For more about the arranger, visitwww.leandrobizama.comSources:http://www.hymnary.org/text/the_love_of_god_is_greater_farhttp://library.timelesstruths.org/music/The_Love_of_God/http://www.tanbible.com/tol_sng/sng_theloveofgod.htm
$30.00
27.67 €
#
Concert band
#
Frederick M
#
#
The Love of God
#
Leandro Bizama Music
#
SheetMusicPlus
Rhythms of the Spirit
Concert band
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Co…
(+)
Concert Band - Digital Download SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00
129.12 €
#
Concert band
#
James M
#
Rhythms of the Spirit
#
Jim Stephenson Music, Inc.
#
SheetMusicPlus
Republic of China (Taiwan) National Anthem
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.522169 Composed by Chéng Mà …
(+)
Concert Band - Level 2 - Digital Download SKU: A0.522169 Composed by Chéng Mà oyún (1900-1957). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 32 pages. Colin Kirkpatrick Publications #4795369. Published by Colin Kirkpatrick Publications (A0.522169). This quick and easy national anthem arrangement is essential for traveling musicians, bands, instrumental groups and both amateur and professional ensembles. You can play it with any virtually any combination of instruments: symphonic band, clarinet choir, brass ensemble, brass band, solos, duets and trios - almost anything! It will also work with an orchestra. This arrangement is in five independent parts each transposed into a variety of keys. For the most satisfying sound you’ll need to get a good balance between each part possibly with an emphasis on the melodic line. If you have a non-standard ensemble, you can pick 'n' mix as required. The piano reduction can fill missing parts or can be used as the basis for an accompaniment for school use. This arrangement consists of a three-page score with fivee instrumental staves and four percussion staves (including timpani). The following parts are printed on separate pages. The score and all the parts are contained in the same PDF file.Part 1 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 1 in C (oboe, glockenspiel, violin); Part 1 in E flat (alto sax, E flat clarinet); Part 1a in C (octave above concert for flute, piccolo, oboe, violin) and Part 1a in E flat (E flat cornet in brass band).Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn, soprano sax); Part 2 in C (violin); Part 2 in E flat (alto sax); Part 2a in C (octave above concert pitch for flute, oboe, violin); Part 2a in B flat for clarinets (9th above concert pitch); Part 2a in E flat (minor 3rd below concert for E flat alto clarinet).Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in C alto (alto clef for viola); Part 3 in E flat (tenor horn, alto sax); Part 3 in F (French horn); Part 3a in B flat (8ve below Part 3 in B flat for 3rd clarinets in band).Part 4 in B flat (tenor sax, baritone); Part 4 in C (bass clef for trombone, euphonium, bassoon, cello); Part 4 in E flat (tenor horn); Part 4 in F (French horn).Part 5 in B flat (B flat bass, bass clarinet); Part 5 in C (bass clef for bass trombone, bassoon, tuba, double bass); Part 5 in E flat (E flat bass, baritone sax). There’s also a part for timpani, percussion (3 players) and a piano reduction.Parts 1a and 2a are provided because Parts 1 and 2 are too low for to be comfortably played by flute and oboe. By using these parts you can create a high woodwind tone above the other instruments.
$5.99
5.52 €
#
Concert band
#
using these parts you can create a high woodwind tone above the other instruments
#
Chéng Mà oyún
#
Republic of China
#
Colin Kirkpatrick Publications
#
SheetMusicPlus
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95
44.22 €
#
Concert band
#
Gabrieli
#
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
#
jmsgu3
#
SheetMusicPlus
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arra…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95
44.22 €
#
Concert band
#
Gabrieli
#
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
jmsgu3
#
SheetMusicPlus
The Sandy Hook Lullaby
Concert band
Concert Band - Level 3 - Digital Download SKU: A0.1028045 Composed by Nicholas McCl…
(+)
Concert Band - Level 3 - Digital Download SKU: A0.1028045 Composed by Nicholas McClure. Contemporary. Score and parts. 11 pages. Nicholas McClure #3226621. Published by Nicholas McClure (A0.1028045). On December 14, 2012, at 9:35 a.m., the entire country stood motionless, for a horrific act of terror was underway. Adam Lanza shot and killed 20 first-graders and 6 adults, at Sandy Hook Elementary School in Newtown, Connecticut; a moment in history as one of the worst school shootings that our country has ever faced. Every single child which was murdered had a future of their own, taken away at the hands of a ruthless gunman, who in an instant, ended any chance that these 20 children had to have a happy life. Along with these children, were the 6 heroic staff members who so selflessly gave their life in order to stop this perpetrator who came to destroy the fragile object that we all call life. The title of this piece, The Sandy Hook Lullaby, is symbolic to represent the deaths and aftermath on that faithful day. This particular piece is a lullaby to represent the day that the victims lives were taken, ending with a peaceful goodbye. The song starts strong and valiant, to represent the beginning and potential of a new day. As it progresses, the song softens a bit, with clarinet lead, which represents the students learning in the classroom and the staff working as normal. A swell in volume represents the knowledge learned, as they are completely unaware of the events to follow. Halfway through, terror strikes. The percussion solo is representative of the the 5 minutes that the entire attack took place. The entire finale of the song is to represent the peaceful rest of those murdered, the final goodbye. The song ends softly, as the victims are put to rest, and because most of the victims were children, this comes in the form of a lullaby. Just as a loving and caring parent would put their child to sleep with a song, we give our final goodbyes with this Sandy Hook Lullaby. Thank you, and please enjoy with reverence and respect. -Nicholas McClure, Composer.
$30.00
27.67 €
#
Concert band
#
Nicholas McClure
#
The Sandy Hook Lullaby
#
Nicholas McClure
#
SheetMusicPlus
The Palatka Port March - Score Only
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stew…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1239681 Composed by David M. Stewart. March. 15 pages. DMStewart Music #835072. Published by DMStewart Music (A0.1239681). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Floridaon the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferrybarges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fishto provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to beso in the future. The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, thisrepresents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is alinear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you canpicture the ships coming from Europe across the ocean and the excitement they felt when they reached it. Thesecond strain is more playful and represents the life that the river has provided for people for centuries. The Triorepresents the calmness and civility when Palatka was discovered, and the happiness the settlers must have feltknowing they had found their perfect place to call home. The break strain represents the hard work and efforts thatwere put forth to secure the land and build a community. There would have been many triumphs and manysuccesses, but the journey would have not been easy. The final strain is the culmination of the piece. This is thecelebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building acity. I hope you enjoy, The Palatka Port March!
$10.00
9.22 €
#
Concert band
#
David M
#
The Palatka Port March - Score Only
#
DMStewart Music
#
SheetMusicPlus
The Palatka Port March
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stew…
(+)
Concert Band - Level 4 - Digital Download SKU: A0.1239680 Composed by David M. Stewart. March. Score and Parts. 92 pages. DMStewart Music #835071. Published by DMStewart Music (A0.1239680). This piece, The Palatka Port March, is intended to depict a little of the sense of life in the early years of Florida on the St. John’s River. It was once a target for ships venturing out to find the New World. It has been used to ferry barges and livestock. Some simply used it for sailing and transportation throughout the years, and some to catch fish to provide for themselves. The life on this river has been diverse, yet fulfilling over the years and will continue to be so in the future.   The melodies in this piece were taken from the shape of the St. Johns River from its upper point in Jacksonville, to where our part of the story ends in Palatka. Notice the falling and rising 8th note runs at the beginning, this represents the rise and the fall of the river as it enters Jacksonville from the Atlantic Ocean. The first strain is a linear, yet very regal melody where the heavy beats follow the contour of the river as it runs south. Here you can picture the ships coming from Europe across the ocean and the excitement they felt when they reached it. The second strain is more playful and represents the life that the river has provided for people for centuries. The Trio represents the calmness and civility when Palatka was discovered, and the happiness the settlers must have felt knowing they had found their perfect place to call home. The break strain represents the hard work and efforts that were put forth to secure the land and build a community. There would have been many triumphs and many successes, but the journey would have not been easy. The final strain is the culmination of the piece. This is the celebration and the feeling of personal nobility that all of the settlers felt after taking a river and dirt and building a city. I hope you enjoy, The Palatka Port March!
$50.00
46.11 €
#
Concert band
#
David M
#
The Palatka Port March
#
DMStewart Music
#
SheetMusicPlus
The Girl I Mean To Be
Concert band
Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ense…
(+)
Concert Band - Level 2 - Digital Download SKU: A0.1282254 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age. Score and Parts. 34 pages. Alberto Caeiro #873559. Published by Alberto Caeiro (A0.1282254). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:2 flutes2 oboes3 clarinets1 bass clarinet2 Saxophones3 trumpets2 horns2 trombones1 euphonium1 tuba4 percussion instruments1 Solo VoiceThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind and brass instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$79.99
73.77 €
#
Concert band
#
The Secret Garden Ensemble
#
The Girl I Mean To Be
#
Alberto Caeiro
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: Tuba
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_TB1 Tuba. Composed by …
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_TB1 Tuba. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_TB1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_TB1). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: Tuba
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: 1st F Horn
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_H1 1st F Horn. Compose…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_H1 1st F Horn. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_H1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_H1). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: 1st F Horn
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: Oboe
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_O1 Oboe. Composed by R…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_O1 Oboe. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_O1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_O1). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: Oboe
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: 2nd Percussion
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_PC2 2nd Percussion. Co…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_PC2 2nd Percussion. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_PC2). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: 2nd Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: E-flat Alto Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_AX1 E-flat Alto Saxophone
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_AX1 E-flat Alto Saxophone. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_AX1). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: E-flat Alto Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: E-flat Baritone Saxophone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_BTX E-flat Baritone Saxoph…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_BTX E-flat Baritone Saxophone. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_BTX). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: E-flat Baritone Saxophone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Chitty Chitty Bang Bang, Themes from: 1st Trombone
Concert band
Concert Band - Digital Download SKU: AX.00-PC-0015415_TN1 1st Trombone. Comp…
(+)
Concert Band - Digital Download SKU: AX.00-PC-0015415_TN1 1st Trombone. Composed by Richard M. Sherman and Robert B. Sherman. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015415_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015415_TN1). UPC: 038081431406.Based on the novel by Ian Fleming, Chitty Chitty Bang Bang stands as one of the most entertaining family films of all time. Two of their most popular creations from this cinematic classic are presented in this medley written with younger players in mind: the tender lullaby, Hushabye Mountain, and the rollicking title theme, Chitty Chitty Bang Bang. Great fun! (3:00).
$3.00
2.77 €
#
Concert band
#
Richard M
#
Chitty Chitty Bang Bang, Themes from: 1st Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
51
....
751
© 2000 - 2024
Home
-
New realises
-
Composers
Legal notice
-
Full version
