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8 sheet music found
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1
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
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Concert band
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INTERMEDIATE
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Contemporary
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #1212...
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Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99
A Trio of Visually Impaired Rodents
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Concert band
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Marsha Chusmir Shapiro
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A Trio of Visually Impaired Ro
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBS191-S Composed by Marsha Chusmir Shapiro. Score. 21 pages. Imagine Music - Digital #CBS191-S. Published by Ima...
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Concert band - Digital Download SKU: IZ.CBS191-S Composed by Marsha Chusmir Shapiro. Score. 21 pages. Imagine Music - Digital #CBS191-S. Published by Imagine Music - Digital (IZ.CBS191-S). 9 x 12 in inches.When you are ready to teach your band about the form Theme and Variations here is a wonderful arrangement which your students are going to love. First, see if your students can figure out the title before the composition is played.The Theme (Three blind Mice) is introduced in Eb Major, common time, as a cannon in three parts. The first variation is in 3/4 time in Dm, followed by variation #2 in DM, in an easy Jazz style, back in common time. The 3rd variation, also in D Major, is a Viennese waltz in 3/4. Variation #4, comes back in Eb Major, common time, as a chorale with a typical classical Coda. Best of all, every woodwind and brass player has a chance at the melody, and parts are doubled to sound full with even the smallest bands.
$12.00
A Trio of Visually Impaired Rodents
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Concert band
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Marsha Chusmir Shapiro
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A Trio of Visually Impaired Ro
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Imagine Music - Digital
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SheetMusicPlus
Concert band - Digital Download SKU: IZ.CBS191 Composed by Marsha Chusmir Shapiro. Score and Parts. 64 pages. Imagine Music - Digital #CBS191. Published ...
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Concert band - Digital Download SKU: IZ.CBS191 Composed by Marsha Chusmir Shapiro. Score and Parts. 64 pages. Imagine Music - Digital #CBS191. Published by Imagine Music - Digital (IZ.CBS191). 9 x 12 in inches.When you are ready to teach your band about the form Theme and Variations here is a wonderful arrangement which your students are going to love. First, see if your students can figure out the title before the composition is played.The Theme (Three blind Mice) is introduced in Eb Major, common time, as a cannon in three parts. The first variation is in 3/4 time in Dm, followed by variation #2 in DM, in an easy Jazz style, back in common time. The 3rd variation, also in D Major, is a Viennese waltz in 3/4. Variation #4, comes back in Eb Major, common time, as a chorale with a typical classical Coda. Best of all, every woodwind and brass player has a chance at the melody, and parts are doubled to sound full with even the smallest bands.
$45.00
In Your Slumber
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Concert band
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BEGINNER
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Aaron Fonzi
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In Your Slumber
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Aaron Fonzi
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SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron...
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Concert Band - Level 1 - Digital Download SKU: A0.998359 Composed by Aaron Fonzi. Christmas,Contemporary,Folk,Standards. Score and parts. 25 pages. Aaron Fonzi #4834971. Published by Aaron Fonzi (A0.998359). This lyrical piece is a delightful way to introduce your young band to ballad style. Exploring slurs, accents, dynamics, caesuras, ritardandos and more, you'll be shocked by how sophisticated this beautiful piece sounds while using only a limited number of notes. Written to convey the playful innocence of a child dreaming, In Your Slumber balances the calm of a starry sky with the imagination and adventure of a child's mind at rest. Simple and elegant, the lullaby played by the flutes in the beginning gives way to an imaginative variation on the theme by the trumpets and clarinets at B. Gentle, pulsating tenutos in the harmonizing chords underneath are symbolic of relaxed, rhythmic breathing underlying the musical thoughts flowing by above them. Just as in dreams we seldom have control of which direction the story may go, D takes us somewhere else musically and implies a build to a false climax. At E, we are greeted with the quiet sounds of the night once more, but this time our imagination runs wild as the music builds to the climax of the piece at F. This powerful proclamation of the melody is concluded with a gentle final statement in the flute and clarinet, and the piece concludes with the final twinkle of the stars as the sun rises for a new day.Full of imagination, beauty and teachable moments throughout, I hope that you and your students can enjoy and appreciate this piece for it's simple beauty as I do. Onward!~Aaron FonziREHEARSAL NOTES:1. The clarinet part should be a very light drone creating atmosphere at the beginning- the same goes for the clarinet and saxophone at rehearsal E.2. It's easy to get too loud too soon in this piece, so remind your students to have patience. F is the climax of the piece, but many young students will want to play C as if it is. Similarly, be sure to balance the trumpet/ clarinet and the flute/ oboe/ bells at C so both lines come out evenly.3. Take your time in measure 48- we want to naturally fade away and pause before going on at rehearsal E. This increase and decrease in energy is a characterization of the ebb and flow of the piece.4. At F, there are 3 important parts that must be balanced: flute/oboe/bells; trumpet/clarinet; alto saxophone/horn. For best results, balance these 3 parts, and encourage the alto/horn line to play out a bit more than they think they need to. They are the new part which must be heard here.5. Have fun and use your imagination in terms of expressing the music- ask your students what it makes them think of and create a story to go along with it. Let this ultimately guide your interpretation. I am consistently impressed with the creative ideas my students come up with, so let them decide how the music should sound with their own stories. In your slumber, anything is possible!
$15.00
Sarabande (from Suite in d Minor HWV 437)
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Concert band
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EASY
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Classical
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George Frideric Handel
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Colin P
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Sarabande
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Flying Baton Publications
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.965337 Composed by George Frideric Handel. Arranged by Colin P. Langille. Baroque,Instructional,Standar...
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Concert Band - Level 2 - Digital Download SKU: A0.965337 Composed by George Frideric Handel. Arranged by Colin P. Langille. Baroque,Instructional,Standards,World. Score and parts. 29 pages. Flying Baton Publications #3866307. Published by Flying Baton Publications (A0.965337). A simple arrangement for middle school band of this classic Sarabande. Written in a homophonic texture, this short piece challenges students on intonation, blend, and articulation, while providing advanced students an opportunity for chamber music-style solos in the central variation.
$19.99
Donut Etudes vol. 3: Don’t Step in the Holes! – Band
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Concert band
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Publi...
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Concert Band - Level 3 - Digital Download SKU: A0.784346 Composed by Joshua Hauser. Instructional. Score and parts. 507 pages. Slide Ride #5288703. Published by Slide Ride (A0.784346). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$45.00
Texas Symphony, Movement V. "Metro"
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Concert band
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INTERMEDIATE
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Kathryn Ellis
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Texas Symphony, Movement V. "M
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Ellis
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #362...
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Concert Band - Level 3 - Digital Download SKU: A0.885230 Composed by Kathryn Ellis. 20th Century,Contemporary,Folk. Score and parts. 73 pages. Ellis #3620143. Published by Ellis (A0.885230). Metro is the fifth and final movement of A Texas Symphony- This piece takes the listener on a current day musical road trip, from Houston to Dallas to Austin. The journey begins with a travel theme, a variation of which is also then played between each city. The beginning of the travel theme is identified by a snare and timpani rhythm. Houston is the first city of the road trip an the music represents oil wells pumping – a constant timpani beat and triangle is played throughout the Houston music to represent the rhythm of the active oil wells pumping. The travel theme comes back with a key change as the music takes the listener to Dallas, where three ideas are represented; art and glamour, driving on freeway loops around Dallas, and exhilarating night life. The music is upbeat and changes keys several times. The travel theme returns in a different key while traveling to Austin, which is represented by a lyrical Texas waltz, a familiar Texas folk song, and a fiddle theme played in a more classical style. The finale is a blending of themes from the three cities and the travel theme.
$50.00
Canticle for Young Band
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Concert band
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EASY
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Ralph Raymond Hays
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Canticle for Young Band
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Ralph Raymond Hays
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.720391 Composed by Ralph Raymond Hays. Contemporary,Standards. Score and parts. 35 pages. Ralph Raymond...
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Concert Band - Level 2 - Digital Download SKU: A0.720391 Composed by Ralph Raymond Hays. Contemporary,Standards. Score and parts. 35 pages. Ralph Raymond Hays #3074117. Published by Ralph Raymond Hays (A0.720391). This imaginative work for young band is a set of variations on the well-known hymn tune, All Creatures of Our God and King. All sections of band are featured at different points, and each variation familiarizes young musicians with a variety of musical elements and styles including, march, blues, imitative counterpoint, circle of fifths chord progression, and twelve-tone (serial) music. Young performers and audience members alike will find this work entertaining, challenging, and engaging.
$45.00
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