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14 sheet music found
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1
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
The Flying Hat, Scenes from a Fairy Tale for Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Panagiotis Theodossiou
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The Flying Hat, Scenes from a
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panagiotis Theodossiou #6027245. Published by Panagiotis Theodossiou (A0.886737). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478shttps://www.youtube.com/watch?v=-tsNKs5i2b0
$60.00
Have Yourself A Merry Little Christmas
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Barry Manilow
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Bryan Kidd
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Have Yourself A Merry Little C
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1313565 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Bryan Kidd. Broadway,Christmas,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1313565 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Bryan Kidd. Broadway,Christmas,Holiday,Jazz,Musical/Show,Standards. 68 pages. BryanKiddMusic.com #902298. Published by BryanKiddMusic.com (A0.1313565). Have Yourself a Merry Little Christmas from the M.G.M. movie, Meet Me in St. Louis. For full orchestra, vocal soloist (F major) and Flugelhorn soloist. A letter-size (8.5x11) score and complete set of instrumental parts are included; a more easily read tabloid (11x17) score is available separately (RECOMMENDED) For the tabloid-size score, click here Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Song of Joy for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra Key
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Daryl McKenzie
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Song of Joy for Soprano Voice,
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.745878 Composed by Ludwig van Beethoven (1770-1827). Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 66 pages. Daryl McKenzie #4725299. Published by Daryl McKenzie (A0.745878). Song of Joy Key of G major with Key change to A major for Soprano Voice, 2 Tenor Voices, Children's Choir, Choir and small Pops Orchestra - 2 Fl, Â Cl, 2 FHn, 3 Trpt, 2 Trb, P G B D, Timpani, Glock, Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part.Other versions of this song also available on SMP: Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major. Â Solo Tenor Voice, Choir and Pops Orchestra or Big Band Key of Ab to Bb major : http://bit.ly/3EMliMm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$69.99
Festival
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Ode an die Freude
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Lars Deaken
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Ode an die Freude
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Fibonacci Music & Multimedia
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Pe...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Period. Score and Parts. 81 pages. Fibonacci Music & Multimedia #845098. Published by Fibonacci Music & Multimedia (A0.1250830). Ode an die Freude An 8 minutes version of the famous hymn for orchestra and/or choir with an recognizable introduction. You will need this arrangement if you want the Ode an die Freude to begin with a worthy introductionGreatly reduced version of the 3rd and 4th movements of the 9th symphony. The hymn Ode an die Freude can also be performed as a single movement. Heavy brass has been added as an ad libitum instrumentation, to allow the hymn to be performed with full orchestra on occasion.The 4-part chorus can be sung even by a non-professional choir, and even by the audience, because of a convenient tessitura in A major in the hymn. The reduction of elements used from the 3rd movement leads - as an introduction - to the first passage of the hymn, and with material from the 4th movement it leads to the closing hymn. The hymn shows the lyrics for 3 verses.It has been orchestrated and arranged with full respect for Beethoven's intentions, but with an open mind to the needs of contemporary events and the needs of concert organizations and audiences. For the convenience of these events, heavy brass has been included for modern orchestras - even tuba which essentially doubles the original contrafagotto.This arrangement can be performed with, or without, a choir. For 2nd violins and violas of community orchestras is a notoriously difficult passage, with the length of a few bars, rewritten as ossia bars, where professional orchestras and community orchestras of advanced level can play the original passage.It is possible to set other starting points in the score (rehearsal mark C, F or H)) . It is also possible to end the Hymn in the original D major (bar mark G as a 'fine')Full package contains an orchestral score, and parts for these instruments and voices:InstrumentationPiccolo (ad libitum)Flute 1Flute 2 Oboe 1Oboe 2Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Contra bassoon (ad libitum)Horn 1 in FHorn 2 in FHorn 3 in FHorn 4 in F  (ad libitum) Trumpet 1Trumpet 2Trombone 1 (ad libitum) Trombone 2 (ad libitum) Trombone 3 (ad libitum) Tuba (ad libitum) Timpani  (ad libitum) Choir SATB (ad libitum)Violin 1 Violin 2 (with easy ossia for a difficult passage)Viola (with easy ossia for a difficult passage)CelloBass
$119.00
Carson Cooman: Orbital for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
White Christmas
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Bing Crosby
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Bryan Kidd
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White Christmas
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1322817 By Bing Crosby. By Irving Berlin. Arranged by Bryan Kidd. Christmas,Film/TV,Holiday,Jazz,Stan...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1322817 By Bing Crosby. By Irving Berlin. Arranged by Bryan Kidd. Christmas,Film/TV,Holiday,Jazz,Standards. 41 pages. BryanKiddMusic.com #911104. Published by BryanKiddMusic.com (A0.1322817). Full Orchestra with optional vocal soloist (G to A-flat major) and optional audience sing-along. NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$75.00
There Is Sweet Music
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Edward Elgar
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Greg Bartholomew
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There Is Sweet Music
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Burke & Bagley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.787361 Composed by Edward Elgar. Arranged by Greg Bartholomew. 20th Century,Concert,Standards,World. Score and parts. 22 pages. Burke & Bagley #4793345. Published by Burke & Bagley (A0.787361). This is an orchestra arrangement of Elgar's choral setting of the Tennyson poem, There Is Sweet Music. Scored for single winds, horn in F, and strings. 1111 1000 Strings. Duration approx. 3'45. Among the best-known compositions of Sir Edward Elgar (1857-1934) are his orchestral works, the Enigma Variations, the Pomp and Circumstance Marches, concertos for violin and cello, and two symphonies among them. He is also known for his choral works, including The Dream of Gerontius, chamber music and songs. Elgar’s 1907 set of Four Part Songs, choral miniatures for unaccompanied mixed chorus, are some of the most challenging in the repertoire. The first of these, setting a poem by Alfred, Lord Tennyson (1809-1892), There Is Sweet Music presents a particularly special challenge to the singers, as apparently the first music ever published composed in two simultaneous keys. The men are in G major throughout, while the women are in A-flat major, two harmonically distant keys. Nevertheless, the music never sounds particularly dissonant and the effect is gentle. Choral conductor Dr. Gary D. Cannon noted an orchestral quality in Elgar’s choral writing and suggested the possibility that There Is Sweet Music might be transcribed for orchestra, giving the men’s parts to the strings and the women’s parts to the winds. Composer Greg Bartholomew accepted this challenge and produced this arrangement.
$35.00
AMAZING GRACE.- Full Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Traditional American Melody
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Glen Poehlmann
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AMAZING GRACE.- Full Orchestra
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arrangements by GPoehlmann
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1087175 Composed by Traditional American Melody. Arranged by Glen Poehlmann. Sacred. Score and parts....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1087175 Composed by Traditional American Melody. Arranged by Glen Poehlmann. Sacred. Score and parts. 43 pages. Arrangements by GPoehlmann #691377. Published by arrangements by GPoehlmann (A0.1087175). AMAZING GRACE - For Full Orchestra Scoring is for a Full Orchestra but this arrangement can be presented with parts missing. Hymn tune: AMAZING GRACE Medium Challenging (Grade 4-) 80 measures. Performance Time approx 4:00 Key: G - D - A. Meter: 3/4 - 4/4 - 12/8 Parts provided (PDF): Full Score Flute, Oboe, Clarinet 1, Clarinet 2/3, Bass Clarinet Alto Saxophone, Tenor Saxophone (Trombone) Horn in F, Trumpet 1/2, Trombone, Triangle, Suspended Cymbal, Timpani Violin 1, Violin 2, Viola, Cello, Double Bass Piano.
$12.00
Asturias (Leyenda) arr. Orchestra (Full Score)
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Isaac Albeniz
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Tony Matthews
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Asturias
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Archway Publications
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.945593 Composed by Isaac Albeniz. Arranged by Tony Matthews. 20th Century,Classical,Contemporary. Sco...
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Full Orchestra - Level 4 - Digital Download SKU: A0.945593 Composed by Isaac Albeniz. Arranged by Tony Matthews. 20th Century,Classical,Contemporary. Score and Parts. 30 pages. Archway Publications #6352219. Published by Archway Publications (A0.945593). Asturias (Leyenda) Legend was written by the Spanish composer and pianist Isaac Albéniz (1860-1909).The piece was originally written for the piano and set in the key of G minor. It was first published in 1892 as the prelude of a three-movement set entitled Chants d'Espagne. The version here, is derived from it's later publication, as part of the Suite Espagnole Op 47 No.5The set of parts is available at:https://sheetmusicplus.com/title/1020099
$4.99
Asturias (Leyenda) arr. Orchestra (Set of Parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Isaac Albeniz
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Tony Matthews
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Asturias
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Archway Publications
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.945594 Composed by Isaac Albeniz. Arranged by Tony Matthews. 20th Century,Classical,Contemporary. Set...
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Full Orchestra - Level 4 - Digital Download SKU: A0.945594 Composed by Isaac Albeniz. Arranged by Tony Matthews. 20th Century,Classical,Contemporary. Set of parts. 104 pages. Archway Publications #6352223. Published by Archway Publications (A0.945594). Asturias (Leyenda) Legend was written by the Spanish composer and pianist Isaac Albéniz (1860-1909).The piece was originally written for the piano and set in the key of G minor. It was first published in 1892 as the prelude of a three-movement set entitled Chants d'Espagne. The version here, is derived from it's later publication, as part of the Suite Espagnole Op 47 No.5The full Score is available at:https://sheetmusicplus.com/title/1020095
$45.00
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