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158
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+ 3 instrumentations
-
Retract
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+ 1 instrumentations
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Retract
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94
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+ 9 instrumentations
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Retract
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16
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15
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9
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5
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Retract
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Retract
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Sheetmusic to print
20 sheet music found
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1
Strong And Strike
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Orchestra
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INTERMEDIATE/ADVANCED
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Musashi Project
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Kassym Aitbayev
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Strong And Strike
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Kassym Aitbayev
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1489489 Composed by Musashi Project. Arranged by Kassym Aitbayev. 20th Century,21st Century,Film/TV,F...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1489489 Composed by Musashi Project. Arranged by Kassym Aitbayev. 20th Century,21st Century,Film/TV,Folk. 69 pages. Kassym Aitbayev #1066353. Published by Kassym Aitbayev (A0.1489489).
$200.00
Together We Are Stronger (stronger Together)
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Military Wives
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Graham Hall (ghmusicprep
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Together We Are Stronger
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ghmusicprep.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.800841 By Military Wives. By Eliot Kennedy and Gareth Malone. Arranged by Graham Hall (ghmusicprep.co...
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Full Orchestra - Level 4 - Digital Download SKU: A0.800841 By Military Wives. By Eliot Kennedy and Gareth Malone. Arranged by Graham Hall (ghmusicprep.com). Contemporary. Score and parts. 110 pages. Ghmusicprep.com #6441523. Published by ghmusicprep.com (A0.800841). For Sinfonia Viva/Military Wives 2016 .
$69.99
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Legacy
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #341...
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
Innocente ma Curioso
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Orchestra
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INTERMEDIATE/ADVANCED
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1015154 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 43 pages. Sarah Mauro #4718065. Published by Sarah Mauro (A0.1015154). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$65.00
Innocente ma Curioso
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Orchestra
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INTERMEDIATE/ADVANCED
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1015156 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 29 pages. Sarah Mauro #4718077. Published by Sarah Mauro (A0.1015156). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$50.00
Innocente ma Curioso
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Orchestra
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INTERMEDIATE/ADVANCED
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Sarah Mauro
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Innocente ma Curioso
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Sarah Mauro
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1015155 Composed by Sarah Mauro. 20th Century,Contemporary,Romantic Period. Score and parts. 14 pages. Sarah Mauro #4718075. Published by Sarah Mauro (A0.1015155). The melodies of Innocente ma Curioso (Italian for innocent but curious) slowly awaken and unfold, overlapping and weaving as they get to know each other, finally coming together in shared exuberance. Lydian inflections, playful pizzicato, and triangle give a sense of timidity that evolves into wonder. The narrative of the piece, which, while evoked in the title, is not prescribed by the composer, and can be played with by the conductor as they experiment with the fermatas, piu mossos, and ritards. With strong programmatic influence, this piece would work well on a concert on the themes of curiosity, beauty, and joy, or even accompanying an art show or theatrical performances.This full orchestra piece runs at just under five minutes, and is perfect for advanced high school, college, and community orchestras, especially those with strong upper wind sections. Creative musicians will enjoy the challenge of phrasing and shaping the melodies to bring out their personalities.To hear a recording of the piece, please visit https://soundcloud.com/sarahlmauro/13-innocente-ma-curioso-2011The composer is a member of BMI. Her SoundCould page is https://soundcloud.com/sarahlmauro
$15.00
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17 Complete
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Bernhard Heinrich Romberg
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Original Manuscript Transcript
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript T...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342). To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$29.95
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
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Orchestra
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INTERMEDIATE/ADVANCED
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Bernhard Heinrich Romberg
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Transcriptions by John Wion /
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by Joh...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$19.98
Overture
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Orchestra
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INTERMEDIATE/ADVANCED
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Nino Rota
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Kevin Riley
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Overture
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1489640 By Nino Rota. By Nino Rota. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Ri...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1489640 By Nino Rota. By Nino Rota. Arranged by Kevin Riley. 20th Century,Film/TV. 56 pages. Kevin Riley #1066510. Published by Kevin Riley (A0.1489640). The Taming of the Shrew is a 1967 period romantic comedy filmdirected by Franco Zeffirelli, based on William Shakespeare's playabout a courtship between two strong-willed people in 16th-century Italy. The film stars Elizabeth Taylor (who also produced) as Kate and Richard Burton as Petruchio, who were both nominated for BAFTA Awards for their acting. It features Cyril Cusack, Michael Hordern, Michael York, and Victor Spinetti in supporting roles.The Taming of the Shrew premiered with a Royal Film Performance on 27 February 1967. At the 40th Academy Awards, it was nominated for Best Costume Design and Best Art Direction - Set Decoration. Burton was nominated for the Golden Globe Award for Best Actor – Comedy or Musical, and the film was nominated for Best Motion Picture – Comedy or Musical. Burton and Taylor also received BAFTA nominations.This was one of three Shakespearen film adaptations directed by Zeffirelli, followed by Romeo and Juliet in 1968, and Hamlet in 1990.
$70.00
Rosary Sonatas: The Presentation
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Orchestra
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INTERMEDIATE/ADVANCED
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
I Heard It Through The Grapevine
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Marvin Gaye
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Sam Shoup
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I Heard It Through The Grapevi
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Sam Shoup
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download By Marvin Gaye. By Norman Whitfield and Barrett Strong. Arranged by Sam Shoup. Broadway, Funk, Hip-Hop, M...
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Full Orchestra - Level 4 - Digital Download By Marvin Gaye. By Norman Whitfield and Barrett Strong. Arranged by Sam Shoup. Broadway, Funk, Hip-Hop, Musical/Show, R & B, Rock. Score and parts. 95 pages. Sam Shoup #793624. Published by Sam Shoup
$90.00
Scenes from the Sea
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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James E
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Scenes from the Sea
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James Goodwin
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.926712 Composed by James E. Goodwin. 20th Century,Contemporary. Score and parts. 238 pages. James Goo...
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Full Orchestra - Level 4 - Digital Download SKU: A0.926712 Composed by James E. Goodwin. 20th Century,Contemporary. Score and parts. 238 pages. James Goodwin #5996663. Published by James Goodwin (A0.926712). Scenes from the Sea is a suite in five movements for full orchestra, each of which lasts approximately three minutes, except for the last movement which lasts five minutes. Movement One, entitled Schools of Fish, is a brisk opener that symbolizes the sea as a whole, teeming with life. Movement Two is called Shipwrecks. The music is contemplative and represents the multitude of ships that rest at the bottom of the sea, many of which are the graves of brave sailors. Movement Three is a march called Fighting Crabs, and is about two crabs who fight to the death for food. In Movement Four, The Abyss, the listener descends to the depths, whereupon he/she finds a peaceful rest. The last movement, A Squall, begins calmly, but a foreboding storm in the distance threatens to takes away the calm. The Navy Hymn, Eternal Father, Strong to Save, is heard just before the storm strikes. Finally, the calmness returns and the piece ends triumphantly. Scores and parts are included for full orchestra, including piano. Full program notes are available from the composer.
$120.00
Irish Prelude No.3 (Anthem)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Quigley
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Irish Prelude No.3
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Thomas Quigley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.731873 Composed by Thomas Quigley. Celtic,Concert,Holiday. Score and parts. 99 pages. Thomas Quigley ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.731873 Composed by Thomas Quigley. Celtic,Concert,Holiday. Score and parts. 99 pages. Thomas Quigley #3408003. Published by Thomas Quigley (A0.731873). A patriotic air in an Irish traditional style, with the fervor and enthusiasm of an anthem, evokes a strong feeling of national pride. This stirring melody, contrasted with a vivacious and energetic slip jig, Irish melodic elements and a dynamic ending, combine to create an exhilarating orchestral prelude. It is suitable for an ambitious college or amateur orchestra needing a new rewarding challenge. In performance it is possible to play all three preludes in succession.
$75.00
Up on the House Top
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Orchestra
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INTERMEDIATE/ADVANCED
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Benjamin Hanby
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Zack Demos
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Up on the House Top
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Mute City Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976798 Composed by Benjamin Hanby. Arranged by Zack Demos. Christmas,Classical,Contemporary. Score an...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976798 Composed by Benjamin Hanby. Arranged by Zack Demos. Christmas,Classical,Contemporary. Score and parts. 37 pages. Mute City Music #4604317. Published by Mute City Music (A0.976798). Duration: Approx. 3 1/2 minutesMinimum 3 Percussionists (4 Recommended)Piano or HarpsichordA strong opener for your Christmas concert
$55.00
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Cool Yule
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Jazz
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Louis Armstrong
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Daryl McKenzie
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Cool Yule
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Daryl McKenzie
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SheetMusicPlus
By Louis Armstrong. By Steve Allen. Arranged by Daryl McKenzie. Christmas, Holiday, Jazz. Score and parts. 92 pages. Daryl McKenzie #698579. Published...
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By Louis Armstrong. By Steve Allen. Arranged by Daryl McKenzie. Christmas, Holiday, Jazz. Score and parts. 92 pages. Daryl McKenzie #698579. Published by Daryl McKenzie
$99.99
Autumn In New York
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Orchestra
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INTERMEDIATE/ADVANCED
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Jazz
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Bud Powell
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Kevin Riley
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Autumn In New York
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
$60.00
Always Look On The Bright Side Of Life for Brass Band (9 part or more)
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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Monty Python
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Rita Arendz
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Always Look On The Bright Side
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Rita Arendz
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SheetMusicPlus
By Monty Python. Arranged by Rita Arendz. Score, Set of Parts. 43 pages. Published by Rita Arendz...
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By Monty Python. Arranged by Rita Arendz. Score, Set of Parts. 43 pages. Published by Rita Arendz
A wonderful comedy song from the pen of British actor, comedian, and musician, Eric Idle when he was a member of the Monty Python. Originally released in 1979 as a selection in the film The Life of Brian, displaying a strong spirit when faced with adversity, this now has become a great "singalong" or "whistle-along" at public events and concerts.
A great selection for audience participation!
Scored for the smaller British Brass Band's repertoire with a minimum of 9 parts (11 players) up to a full band. Duration ~ 3:15.
$47.99
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