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27 sheet music found
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26
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestra
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ADVANCED
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Pi
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White Piano International Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romant...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99
Dream of Dunhuang - Ballet in 3 Acts, O,p.29 (1979 - 80) - Score Only
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Orchestra
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ADVANCED
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An-lun Huang
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Dream of Dunhuang - Ballet in
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score an...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1040096 Composed by An-lun Huang. 20th Century,Contemporary,Multicultural,Traditional,World. Score and parts. 424 pages. DoReMi Edition #644919. Published by DoReMi Edition (A0.1040096). One of the Masterpieces of Chinese Music of 20th Century The magnificent cave art at Dunhuang, in Western China sets the stage for the ballet, “Dream of Dunhuangâ€. In the middle of the vast wastes of Western China, lies the oasis of Dunhuang, situated in today‘s Gansu Province. Since the Western Han Dynasty(202BC-8AC), Dunhuang was an important trading and cultural center on the famous “Silk Road’, the ribbon of communication which fostered the historic ties between East and West. In the East was China, source of treasured trading articles such as silk; in the West, the â€road“ branched to Venice, and north to what is today‘s Russia. The mural led caves at Dunhuang, which were begun the Northern Wei dynasty(336AD), and developed over one thousand years into the Qing Dynasty, re presents one of the world‘s richest cultural treasures. Drawing on bothn Western(Indian and Persian) as well as Chinese tradition, the caves, of which 492 remain intact, were decorated as a mines of religious devotion, with the initiation of Buddhism into China. The subjects of the murals, such as devise, demons, apsaras and bodhisattvas, represent the entire pantheon of Buddhist mythology, yet are also significant in their representation of muti-racial and muti-cultural influences, standing as an important testament to the age old exchange between East and West. A fabricated fantasia, the story of the ballet was inspirited by the famous artist, maestro Chang Shu-hong, who dedicated his whole life to Dunhuang. One of the Huang An-lun‘s major compositions with the play written by Xu Qing-dong, the score of “Dream of Dunhuang†was completed in mid-1979. The ballet has been dedicated to the composer‘s closest friends, Canadian writers John Fraser and Elizabeth MacCallun. Up to the date this CD being released, the ballet has never got a chance to performed in mainland China. Nevertheless, its music has been wildly performed and warmly received around the world. The Singapore premiere of its suite No.1 was performed by the SSO, conducted by Maestro Lim Yao. It has been also chosen as one of the “Master Piece of Chinese Music in 20th Century†in 1993. The world premiere of the complete ballet was performed successfully by the Russian State Ballet of Moscow, directed by its artist director, Vyatcheslav Godeyev, in 1994. Choreographed by Chen Min, it was took place in Taiwan with the Taiwan Symphony Orchestra, conducted by maestro David C.H.Chen. In 2002, ROI of Hong Kong has released the CD of the whole ballet, performed by the Russian Philharmonic Orchestra of Moscow. This is also the audio file attached. Before this recording conducted by the composer himself, the entire score was also performed by the Bolshoi Symphony Orchestra of Moscow in1995. The YouTube video was the World Premiere in Taiwan by the Russia National Ballet with the Taiwan symphony Orchestra, conducted by David Chen in 1994. The ballet, “ Dream of Dunhuang†depicts two young artists seeking the ultimate experience in love and expression. This two lovers arrived at desert and with the guidance of the celestial maiden, they discover the miracles of Dunhuang. It‘s divided into three acts: Act I: Desert, Act II: Cave, and Act III: Mogao cave.
$29.99
A Well-Traveled Road
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Orchestra
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ADVANCED
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Contemporary
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
Southwood - Modern Symphony for small orchestra
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Orchestra
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ADVANCED
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Contemporary
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Rudy Volkmann
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Southwood - Modern Symphony fo
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Rudy Volkmann
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings. The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments. In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.
$95.00
Missa Solemnis, op. 27 - Score Only
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #86...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
Rhapsody in Blue
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Orchestra
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ADVANCED
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George Gershwin
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Arianna Cunningham, Darren Rod
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Rhapsody in Blue
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Arianna Cunningham
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1359676 Composed by George Gershwin. Arranged by Arianna Cunningham, Darren Rodney. Classical,Film/TV,Historic,Jazz,Standards. 206 pages. Arianna Cunningham #944147. Published by Arianna Cunningham (A0.1359676). As many of you know, Rhapsody in Blue is one of George Gershwin's most famous and iconic pieces of music history, if not, of all time! But in case you guys don't know, there are actually 3 different versions of the same piece Gershwin wrote.These 3 versions include: The original Jazz Band 1924 version, 1927 version, and the most iconic well-known full symphony orchestra 1942 version that everyone plays nowadays. Not only that, but in the 1942 version, the extended part of the Shuffle Theme, as well as the extended Piano Cadenzas have been cut for duration time.So, in honor of Gershwin's Legacy, I've put together a special arrangement written for a full orchestra, and it even includes tons of heavy influences taken mostly from the 1924 version, even taking influences from different live performances that are inspired.These changes include the following:Adding back in the extended shuffle theme and Piano CadenzasAdded a Harp Part to make the arrangement a little Phil Spitalny Hour Of Charm-esque flavor to it.Brought back in the Bari Sax and Orchestral Piano parts, even though they sort of look different from the original score.Swapped a few solo/soli sections here and there while still keeping some of the 1924/42 elements (for instance the 2 Violin Soli, or Low Instruments Soli) in tact.You obviously get the idea.A huge thanks to one of my newest and closest friends who also have arranging experiences Darren Rodney for helping me put this incredible arrangement together!
$35.00
O Sacred Head, Now Wounded (Instrumental Parts)(SATB, Full Orchestra, Orch. Reduction for Organ)
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Orchestra
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ADVANCED
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Jim Ailor
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Jim Ailor
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O Sacred Head, Now Wounded
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ResurrectionSong
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1364399 By Jim Ailor. By Frederic Chopin. Arranged by Jim Ailor. Christian,Easter,Lent,Religious,Sacr...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1364399 By Jim Ailor. By Frederic Chopin. Arranged by Jim Ailor. Christian,Easter,Lent,Religious,Sacred. 49 pages. ResurrectionSong #948690. Published by ResurrectionSong (A0.1364399). (INSTRUMENTAL PARTS) A beautiful marriage of text and melody. This time-honored, medieval text is set to an orchestrated version of Chopin’s Piano Prelude in C minor (Op. 28, No. 20). Through song we are taken to Christ’s final procession to the cross and His suffering and death. Musically, it works equally well with just piano accompaniment and/or with organ, which is an orchestral reduction. It opens with an optional snare drum dirge. Hard copies available at https://www.jwpepper.com/11531232.item.
$35.00
Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
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Orchestra
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ADVANCED
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Classical
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus
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Aere R Greenway
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. S...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 105 pages. Aere R Greenway #873570. Published by Aere R Greenway (A0.1282260). Brahms composed his piano sonata in F-minor, in 1853, at the age of 20. Â Markings in the piano music, such as 'like cello', or in another place 'like pizzicato', suggest he was thinking in orchestral terms. Â Indeed, the earliest sketches of his 1st symphony come from the year his sonata in F-minor was published. Â Yet he worked at least 14 years on his first symphony, finally publishing it in 1876, at age 43. Â What if Brahms had orchestrated his sonata in F-minor, opus 5, publishing it as his first symphony, in his youth, rather than at age 43? Â Attempting to answer that, I embarked on a big project, to orchestrate Brahms sonata in F-minor, into a symphony. Â And you can listen to it yourself, as the music of Brahms comes shining through, as a symphony that 'might have been'. Â Though the instrument choices and dynamics adjustments for orchestra are mine, the music is all Brahms. Â See what you think. Â This is the 5th movement, the Finale. Â The music of Brahms is a long-time favorite of symphony audiences, and this could be a hit with your audience, as well.
$47.97
Love and Loss
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Orchestra
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ADVANCED
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Contemporary
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Dane Anthony Madrigal
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Love and Loss
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Dane Anthony Madrigal
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1015102 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Score and Parts. 34 pages. Dane...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1015102 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Score and Parts. 34 pages. Dane Anthony Madrigal #6487505. Published by Dane Anthony Madrigal (A0.1015102). Love and Loss is a work detailing a small love story of a young man from the early nineteen-sixties. There are two primary emotions that are implied just through the title. Therefore there are two prime areas of material that play with one another through a straight form. In this way, the listener can rest assured that love works out for this young fellow.The piece is meant to have a tone that sounds enchanting and well charmed. As the piece continues to evolve, it becomes clear that there is actually a chaotic and destructive nature in love. When trying to find peace in the chaos, there is only one way to resolve it, together.
$120.00
Santorini
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Orchestra
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ADVANCED
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Yanni
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Charles Effiong Otok (C violin
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Santorini
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Charles Effiong Otok
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1431284 By Yanni. By John Christopher. Arranged by Charles Effiong Otok (C violin). 21st Century,Clas...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1431284 By Yanni. By John Christopher. Arranged by Charles Effiong Otok (C violin). 21st Century,Classical,Contest,Festival,Jazz,Opera. 67 pages. Charles Effiong Otok (C violin). #1011750. Published by Charles Effiong Otok (C violin). (A0.1431284). A Carefully Mastered Sheet Music Score for Orchestral Performance and Personal practice pleasure. Born from the necessity for a Standard Orchestral Score so as to play this lovely piece by Yanni. Well prepared with all instrument parts separately embeded for the enjoyment and pleasure of Professional/ Beginner Musicians who wish to have in their hands a Standard Sheet Music Score to the various instrument parts of Yanni's Santorini. This is also a great Opportunity for Music Students also to share in the pleasure of finally being able to learn to play the lines and phrases to this piece from a printable Sheet Music Score.See Youtube Video above to preview content.
$49.99
Moonlight Sonata (Movement III) for orchestra
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Orchestra
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ADVANCED
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Classical
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Ludwig van Beethoven
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Scott Fields Davis
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Moonlight Sonata
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.998429 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.998429 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 62 pages. Scott Fields Davis #5986581. Published by Scott Fields Davis (A0.998429). Beethoven’s Sonata No.14, more commonly known as the Moonlight Sonata, is probably his most well-known piano work. Originally composed by Ludwig van Beethoven (1710-1827) and arranged for orchestra by Scott Fields Davis. This download contains the third of three movements. This movement was originally in C sharp minor. However, this arrangement is in G sharp minor. The new key setting allows each instrument the opportunity to play in its optimal range. This download contains the conductor's score and all of the instrument parts for movement 3.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other two movements, click the following links. Moonlight Sonata (Movement I) for orchestra Moonlight Sonata (Movement II) for orchestra  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.Follow me on Facebook and Youtube.
$14.00
Sounds of Winter
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Orchestra
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ADVANCED
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Classical
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David M
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Sounds of Winter
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #6...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published by David Sterrett Music (A0.1039844). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$74.99
Sounds of Winter - Score Only
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Orchestra
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ADVANCED
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Classical
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David M
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Sounds of Winter - Score Only
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David Sterrett Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #64...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published by David Sterrett Music (A0.1039845). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$24.99
Heard It In A Love Song
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Orchestra
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ADVANCED
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Rock
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Marshall Tucker Band
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Brad Ritchie
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Heard It In A Love Song
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Main Office Productions & Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1284753 By Marshall Tucker Band. By Toy Caldwell. Arranged by Brad Ritchie. Pop,Rock. Score and Parts...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1284753 By Marshall Tucker Band. By Toy Caldwell. Arranged by Brad Ritchie. Pop,Rock. Score and Parts. 97 pages. Main Office Productions & Publishing #875929. Published by Main Office Productions & Publishing (A0.1284753). Full Orchestra Arrangement that is true to the original Marshall Tucker Band recording. Â Features Vocal and Rock Band.Score Formatted for 11x17 paper. Â Parts formatted for 9.5x12.5 paper. Â Parts are designed to be taped accordion style.
$100.00
Rosary Sonatas: The Descent of the Holy Spirit
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Orchestra
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ADVANCED
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Descent of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1081709 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 78 pages. JMJ Arrangements #685832. Published by JMJ Arrangements (A0.1081709). When the day of Pentecost had come, they were all together in one place. And suddenly a sound came from heaven like the rush of a mighty wind, and it filled all the house where they were sitting. And there appeared to them tongues as of fire, distributed and resting on each one of them. And they were all filled with the Holy Spirit and began to speak in other tongues, as the Spirit gave them utterance. Now there were dwelling in Jerusalem Jews, devout men from every nation under heaven. And at this sound the multitude came together, and they were bewildered, because each one heard them speaking in his own language. And they were amazed and wondered, saying, 'Are not all these who are speaking Galileans? And how is it that we hear, each of us in his own native language? Par′thians and Medes and E′lamites and residents of Mesopota′mia, Judea and Cappado′cia, Pontus and Asia, Phryg′ia and Pamphyl′ia, Egypt and the parts of Libya belonging to Cyre′ne, and visitors from Rome, both Jews and proselytes, Cretans and Arabians, we hear them telling in our own tongues the mighty works of God.'†--Acts 2:1-11 (RSV-CE).
$19.99
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestra
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ADVANCED
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Christmas
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Christina Aguilera
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Bryan Kidd
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The Christmas Song
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1317082 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Bryan Kidd. Christmas,Holid...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1317082 By Christina Aguilera. By Mel Torme and Robert Wells. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. 66 pages. BryanKiddMusic.com #905742. Published by BryanKiddMusic.com (A0.1317082). This set includes a letter-size full score* and complete set of instrumental parts The SSATB Chorus is only shown on the score (for reference) and is NOT included as a separate part in this set. You are legally required to purchase as many copies of the choral parts as there are members of your chorus. Choral part (Vocal Jazz Ensemble, SSATB), click here *A more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). Tabloid-size score, click here NOTE: a solo vocal lead sheet is included with the complete set of letter-size parts and scoreWith 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for the American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia. Please visit BryanKiddMusic.comÂ
$75.00
Anasazi Overture - Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Christopher Wolfe
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Anasazi Overture - Orchestra
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Christopher Wolfe
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.991609 Composed by Christopher Wolfe. Contemporary. Score and parts. 82 pages. Christopher Wolfe #301...
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Full Orchestra - Level 5 - Digital Download SKU: A0.991609 Composed by Christopher Wolfe. Contemporary. Score and parts. 82 pages. Christopher Wolfe #3019975. Published by Christopher Wolfe (A0.991609). Written in 2007 for the Luton Symphony Orchestra in Bedfordshire, England, the Anasazi Overture is a fun and crowd-pleasing concert overture that combines beautiful Coplandesque string playing with exciting Hans Zimmer style brass. The piece is based on two Native American folk tunes; A Hopi lullaby and a Pueblo corn grinding song. The instrumentation of the piece is without percussion as the original intent of the work was to Make it cheap to play. It features double winds and brass with the exception of a 3rd horn part. The level of playing for the strings is quite advanced and the piece is suitable for all-county, all-state, youth orchestras, semiprofessional and professional groups.Some of the advanced techniques required involve heavy double-stopping and high shifting positions for the strings and Hans Zimmer style cuivre for the horns (NOTE: NOT STOPPED HORN) as well as upward rips.The included MP3 recording is the first live performance of the work by the amateur group it was composed for, but I am confident that this piece will prove to be fun and exciting to play for even professional orchestras. This set contains 1 of each part. Permission is given to create copies of the parts for each player in the orchestra as needed. The work has been quite popular with those who have played it. I can be contacted at wolfiemeister@yahoo.com with any questions regarding the work.
$35.00
Carson Cooman: Flying Machine (2008) for orchestra , score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Flying Machine
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #3024993. Published by Musik Fabrik Music Publishing (A0.533576). Flying Machine (2008) for orchestra was commissioned by the Harvard-Radcliffe Orchestra incelebration of two anniversaries: the orchestra’s 200th season and James Yannatos’s 45th anniversaryas conductor. The work is dedicated to James Yannatos in celebration of his 80th birthday and hisyears of distinguished activity as conductor, composer, and mentor.The music is joyous in spirit, inspired by a sense of discovery and fulfillment—the exhilaration thatcomes from knowledge well-used. The poetic image is taken from the age of the invention of flight.The piece’s opening section is “workshop/construction†music—filled with a sense of unfolding,building, and assembly. The musical material is presented in a series of overlapping guises; the restof the work unfolds from these ideas. As the music gathers energy, the barn door is finally opened,and the behemoth is rolled out. After a pregnant pause, the music of flight begins—soaring andenergetic.The parts are available on rental from the publisher.
$25.95
Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Orchestra
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ADVANCED
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Classical
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doing so, you will be able to
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba w
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Gordon Cherry
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 11...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
Kitchen Fiasco – Conductor's Score (Full Orchestra)
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Orchestra
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ADVANCED
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Frederic Bernard
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Kitchen Fiasco – Conductor's
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Frederic Bernard
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.891104 Composed by Frederic Bernard. Concert,Contemporary,Film/TV,Holiday. Score and parts. 8 pages. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.891104 Composed by Frederic Bernard. Concert,Contemporary,Film/TV,Holiday. Score and parts. 8 pages. Frederic Bernard #3101861. Published by Frederic Bernard (A0.891104). A stunningly orchestrated, comic-esque full orchestral music piece, with a lot of challenging passages, making it a fantastic encore piece for your upcoming concert! Excellent work for your orchestra to really show of its guts! Note: this is only the conductors score, which is mainly meant for study- and perusal purposes. If you wish to include the piece into your concert program, you'd obviously have to buy the parts as well (these will be available on SMP soon). https://www.youtube.com/watch?v=aZ5z-EB3KYs
$19.99
New York Variations
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Orchestra
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ADVANCED
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Contemporary
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Jazz
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David Chesky
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New York Variations
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Pamaluc Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581....
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Full Orchestra - Level 5 - Digital Download SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581. Published by Pamaluc Music (A0.882383). From the Urban series. This work is an aural palette of modern day New York. Highly energized. The rhythms of the street collide with 21st century classical harmony. Works well for a ballet, as that was the composers intentions. Duration 23:00 min 3fl./ 2ob./ 2cl./ b.cl/ 2bs./ Cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 5 perc./ harp/ strings.
$34.98
Angel of Mons (Full score & complete set of parts)
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Orchestra
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ADVANCED
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James Bersey
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Angel of Mons
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James Bersey
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1198860 Composed by James Bersey. Historic,March,Multicultural,Patriotic,Spiritual,World. Score and p...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1198860 Composed by James Bersey. Historic,March,Multicultural,Patriotic,Spiritual,World. Score and parts. 147 pages. James Bersey #797947. Published by James Bersey (A0.1198860). ANGEL OF MONS - score & partscomposed byJAMES BERSEYThis work was composed in 2014 to mark the centanary of the Battle of Mons 1914.It will work well in any commemorative/memorial concert associated with war.INSTRUMENTATIONsop.choir,1 (picc) 2.2.3 (3rd+bass),24.3 (3rd=bugel).3.2timp.perc(3)stringsThe Angels of Mons is a story of the reputed appearance of a supernatural entity which protected the British Army from defeat by the invading forces of the German Empire at the beginning of World War I during the Battle of Mons in Belgium on 23 August 1914.PRINTING INSTRUCTIONSFor best results, print onto A3 paper & bind.Alternatively read direct from digital device.© Copyright protected - All rights reserved.
$20.00
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