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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
ENGLISH HORN
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER K…
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDL…
VIOLONCELLO - …
XYLOPHONE
ZITHER
Composed by N
Not classified
1,838
Piano & keyboards
Piano solo
2,250
Piano, Voice
955
Easy Piano
206
Organ
103
Piano, Vocal and Guitar
66
1 Piano, 4 hands
48
C Instruments
29
Accordion
19
Piano Trio: piano, violin, cello
15
2 Pianos, 4 hands
10
Organ, Piano (duet)
9
Harpsichord
8
Piano Accompaniment
7
Piano Quartet: piano, violin, viola, cello
6
2 Accordions
4
Piano Quartet: piano, 2 violins, cello
2
Piano (band part)
1
Big Note Piano
1
Piano Quintet: piano, 2 violins, viola, cello
1
2 Pianos, 8 hands
1
Accordion, String(s)
1
+ 16 instrumentations
-
Retract
Guitars
Guitar
348
Piano, Guitar (duet)
184
Guitar notes and tablatures
94
2 Guitars (duet)
37
Ukulele
21
Melody line, (Lyrics) and Chords
17
Mandolin
15
Mandolin, Piano (duet)
11
Guitar Ensemble
11
Bass guitar
11
4 Guitars (Quartet)
10
3 Guitars (trio)
6
Guitar (band part)
2
Banjo
2
Plectrum Orchestra
1
Dulcimer
1
Guitar, Violin, Cello (trio)
1
+ 12 instrumentations
-
Retract
Voice
Choral SATB
591
Choral 3-part
130
Choral TTBB
59
Choral 2-part
58
Choral SSAA
51
Vocal duet
24
Choral Unison
20
Soprano voice, Piano
16
Vocal duet, Piano
13
High voice
7
Low voice, Piano
6
Alto voice, Piano
6
Voice solo
5
Tenor voice, Piano
5
Choral SSAATTBB
3
Choral Instrumental Pak
3
Medium voice, Piano
2
Low voice
2
Baritone voice, Piano
2
Choral
1
Choral SSATTB
1
Tenor voice
1
Mezzo-Soprano voice, Piano
1
Choral SSATB
1
Choral SSAATB
1
Choral SSAB a cappella
1
+ 21 instrumentations
-
Retract
Woodwind
Flute and Piano
285
Clarinet and Piano
248
Oboe, Piano (duet)
248
Alto Saxophone and Piano
231
Tenor Saxophone and Piano
217
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
196
Clarinet Quartet: 4 clarinets
142
2 Saxophones (duet)
135
Saxophone Quartet: 4 saxophones
109
Flute, Oboe, Clarinet, Bassoon
87
Flute
66
Saxophone Quintet: 5 Saxophones
56
Clarinet
56
2 Clarinets (duet)
50
Alto Saxophone
50
Clarinet Quintet: 5 clarinets
50
2 Flutes (duet)
49
Flute Quartet: 4 flutes
47
Flute and Guitar
37
Oboe (band part)
34
Saxophone, Clarinet (duet)
30
Clarinet Ensemble
28
Soprano Saxophone and Piano
25
3 Clarinets (trio)
24
Clarinet, Violin (duet)
23
Tenor Saxophone
21
Saxophone (band part)
21
Clarinet, Trumpet (duet)
20
Clarinet, Guitar (duet)
20
Flute, Clarinet (duet)
20
3 Saxophones (trio)
19
Flute ensemble
17
Clarinet and Viola
13
2 Oboes (duet)
13
Oboe, Bassoon (duet)
12
Oboe, Clarinet (duet)
12
Flute, Viola (duet)
12
Flute Trio: 3 flutes
11
Flute, Violin
11
Baritone Saxophone, Piano
11
Oboe, Flute
10
Flute, Saxophone (duet)
10
Flute Quintet : 5 flutes
8
Bass Clarinet, Piano
8
Flute, Clarinet and Bassoon.
8
Flute, Trumpet (duet)
8
Oboe, Guitar (duet)
7
Oboe, Clarinet, Bassoon (trio)
7
Clarinet (band part)
7
English horn, Piano
6
Clarinet Quintet: Clarinet, String Quartet
5
Oboe
5
Recorder Ensemble
5
Recorder
5
Saxophone ensemble
5
Descant (Soprano) Recorder
5
Soprano Saxophone
4
Flute, Violoncello
4
Clarinet, Bassoon (duet)
4
Flute (band part)
4
Baritone Saxophone
3
Clarinet, Cello (duet)
3
Piccolo, Piano
3
Bagpipe
3
English Horn, Guitar (duet)
3
Flute, Violin and Violoncello
3
Treble (Alto) Recorder
3
Flute, Organ (duet)
3
2 Recorders (duet)
3
English Horn
3
Recorder Quartet
3
Ocarina
2
Flute, Basso continuo
2
Flute, Tuba (duet)
2
Flute, Cello, Guitar
2
2 Flutes, Piano
2
Oboe and viola (duet)
2
Flute, Violin, Piano
2
Descent (Soprano) Recorder, Piano
2
Flute, Oboe, Bassoon
2
Saxophone and Organ
2
Oboe, Cello
2
3 Recorders (trio)
2
Saxophone and Guitar
1
Treble (Alto) Recorder, Piano
1
Flute, Harp and Cello
1
Wind ensemble
1
Flute, Cello, Piano (trio)
1
Flute, Trombone (duet)
1
Harmonica
1
Saxophone, Bassoon (duet)
1
Flute, Oboe, Clarinet (trio)
1
Bass Clarinet
1
Clarinette, Viola and Piano (trio)
1
5 Recorders
1
Flute, harp and violin
1
Oboe, Violin, Piano
1
+ 92 instrumentations
-
Retract
Woodbrass
Trombone and Piano
226
Trumpet
165
Trumpet, Piano
153
Brass Quintet: 2 trumpets, horn, trombone, tuba
143
Trombone
104
Brass quartet : 2 trumpets, trombone, tuba
75
Trumpet, Saxophone (duet)
32
French Horn and Piano
29
Trumpet (band part)
23
Euphonium, Piano (duet)
17
Brass Quartet
17
Brass Quartet: 4 horns
17
French horn
16
Trumpet, Trombone (duet)
15
Trombone (band part)
15
2 Trombones (duet)
14
Tuba and Piano
12
Tuba
12
2 Trumpets (duet)
12
Brass Quartet: 4 trombones
11
Brass Quartet: 2 trumpets, horn, trombone
8
Trumpet, Horn (duert)
7
English horn, Piano
6
2 French horns (duet)
5
French horn (band part)
5
Tuba (band part)
4
Brass Trio
3
English Horn, Guitar (duet)
3
Bass Trombone and Piano
3
English Horn
3
4 Tubas
3
Horn Ensemble
3
2 Euphoniums and 2 Tubas
2
Trumpet, Tuba (duet)
1
Trombone, Violin (duet)
1
Brass Quartet: 2 trumpets, 2 trombones
1
Trombone, Tuba (duet)
1
3 Trombones (trio)
1
Trombone ensemble
1
Trumpet, Euphonium (duet)
1
Tuba and Organ
1
2 Euphoniums (duet)
1
+ 37 instrumentations
-
Retract
Strings
String Quartet: 2 violins, viola, cello
381
Violin and Piano
348
Cello, Piano
273
Viola, Piano
238
Violin
145
Cello
71
Harp
59
Violin, Cello (duet)
59
2 Cellos (duet)
52
2 Violins (duet)
50
String Trio: violin, viola, cello
34
Viola
27
Violin, Viola (duet)
26
2 Violas (duet)
19
Harp, Violin (duet)
18
String Quintet: 2 violins, viola, cello, bass
18
Viola (band part)
17
Cello, Guitar (duet)
15
Viola, Guitar (duet)
14
Violin, Guitar (duet)
13
4 Cellos
13
Violin (band part)
12
Double Bass
12
Double bass, Piano (duet)
8
Piano Trio: Violin, Viola, Piano
5
String Trio: 2 violins, cello
5
Doublebass (band part)
4
Harp, String quartet
4
Harp, Flute (duet)
4
5 Harps
3
String Trio: 3 cellos
3
Cello Ensemble
3
String Quintet: 2 violins, 2 violas, cello
2
Cello (band part)
2
String Trio: 3 violins
2
Violin, Bassoon (duet)
2
Viola, Cello (duet)
2
String Trio: 3 violas
1
Harp and Piano
1
Violin, Basso continuo
1
2 Harps (duet)
1
Harp, Voice
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
541
String Orchestra
182
Orchestra
177
Jazz Ensemble
116
Chamber Orchestra
65
Brass ensemble
55
Handbells
27
Percussion Ensemble
19
Marching band
18
Drums
12
Jazz combo
11
Percussion (band part)
5
Marimba
5
Vibraphone
3
Xylophone
1
Percussion
1
Piano and Orchestra
1
2 Xylophones
1
Woodwind Quartet: any 4 woodwinds
1
Woodwind Quintet
1
Drum (band part)
1
+ 16 instrumentations
-
Retract
Others
Instruments
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DRUM
DULCIMER
ELECTRONIC …
ENGLISH HOR…
EUPHONIUM
FLUGELHORN
FLUTE
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
HORN
LUTE, THEOR…
MANDOLIN
MARCHING BA…
MARIMBA
MUSICAL COU…
NO SCORES
OBOE
ORCHESTRA -…
ORCHESTRA P…
ORGAN - ORG…
OTHER INSTR…
OUD
PANPIPES
PEDAL STEEL…
PERCUSSION
PIANO
RECORDER
SAXOPHONE
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--INSTRUMENTS--
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ORGAN
PANPIPES
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Composed by N
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Sheetmusic to print
177 sheet music found
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51
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176
Allegretto (second movement) from the symphony n°7 - Ludwig Van BEETHOVEN
#
Orchestra
#
INTERMEDIATE
#
Classical
#
Ludwig van Beethoven
#
Marc GARETTO
#
Allegretto
#
Marc GARETTO - Harmonie Editions
#
SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Marc GARETTO. For Full Orchestra. Romantic Period,Classical Period. Intermediate. Score,Set of Parts. ...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Marc GARETTO. For Full Orchestra. Romantic Period,Classical Period. Intermediate. Score,Set of Parts. 64 pages. Published by Marc GARETTO - Harmonie Editions
$62.00
N. Leontovych - Carol of the Bells, "Щедрик", For Children Chorus (S/A) and Symphony Orches
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Orchestra
#
Christmas
#
N
#
A
#
N. Leontovych - Carol of the B
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush...
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Full Orchestra - Digital Download SKU: A0.1008427 Composed by N. Leontovych. Arranged by A. Leytush. Christian. Score and parts. 12 pages. Arkady Leytush #6629255. Published by Arkady Leytush (A0.1008427). Chedrik, chedrik, Carol of the Bells, written by the Ukrainian composer N. Leontovych is very well known in America as Christmas Carol. It takes one of the central piece in the bouquet of the best songs dedicated to Christmas. Orchestrating this work for a two-part children's choir and a symphony orchestra, I set myself the task of painting the score with all kinds of colors of a winter landscape and trying to create an atmosphere of the approaching Christmas.
$20.00
N. Medtner - Two Pieces, Op. 58, Orchestrated by A. Leytush - Score Only
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Orchestra
#
Contemporary
#
N
#
A
#
N. Medtner - Two Pieces, Op. 5
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Publis...
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Full Orchestra - Digital Download SKU: A0.1368041 Composed by N. Medtner. Arranged by A. Leytush. 20th Century. 153 pages. Arkady Leytush #952396. Published by Arkady Leytush (A0.1368041). Nikolai Medtner - Two Pieces, Op. 58, 1. Russian Round Dance 2. Knight Errant, Orchestrated by Arkady LeytushMedtner, one of the last romantic composers, remained in the history of music as the author of a number of piano compositions, three piano concertos, as well as vocal and chamber compositions. In addition to piano concertos, he unfortunately did not write a single work for a symphony orchestra. This can only be understood considering that he himself was a brilliant pianist and has been focused on this instrument throughout his creative life. Meanwhile, analyzing his piano compositions reveals not only mastery, a variety of development techniques, polyphony and multi-layered presentation, but also a symphonic scope and an assumed variety of timbres. In particular, his opus 58 Two Pisces for 2 pianos fully corresponds to what is written above. These circumstances prompted me to orchestrate this work for a large symphony orchestra and thereby try to expand its creativity and popularity.
$50.00
SONATE Nº5 - FIRST MOVEMENT
#
Orchestra
#
INTERMEDIATE
#
Classical
#
Wolfgang Amadeus Mozart
#
Germán Fernández Góme
#
SONATE Nº5 - FIRST MOVEMENT
#
Germán Fernández
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1370327 Composed by Wolfgang Amadeus Mozart. Arranged by Germán Fernández Gómez. Classical. ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1370327 Composed by Wolfgang Amadeus Mozart. Arranged by Germán Fernández Gómez. Classical. 53 pages. Germán Fernández #954703. Published by Germán Fernández (A0.1370327).
$5.00
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
A
#
Arkady Leytush
#
A. N. Scriabin - Valse in A fl
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
#
Orchestra
#
INTERMEDIATE
#
Opera
#
Classical
#
Johann Simon Mayr
#
Fabrizio Capitanio & Michele G
#
Concerto n° 1 for cembalo [fo
#
Artistic Score Engraving di Galvagno Michele
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Centur...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00
O Trenzinho do Caipira - da Bachianas Brasileiras nº 2
#
Orchestra
#
EASY
#
Heitor Villa-Lobos
#
Eliseu Ferreira
#
O Trenzinho do Caipira - da Ba
#
Eliseu Ferreira
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.586427 Composed by Heitor Villa-Lobos. Arranged by Eliseu Ferreira. 20th Century,Holiday,Instructiona...
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Full Orchestra - Level 2 - Digital Download SKU: A0.586427 Composed by Heitor Villa-Lobos. Arranged by Eliseu Ferreira. 20th Century,Holiday,Instructional,Latin,Multicultural,World. Score and parts. 34 pages. Eliseu Ferreira #195716. Published by Eliseu Ferreira (A0.586427). Arrangement of the famous Trenzinho do Caipira (The Little Train of Caipira) from Bachianas Brasileiras nº 02, composed by famous brazilian composer Heitor Villa-Lobos.
$30.00
A. N. Scriabin - Poem "Vers la flamme", Op. 72, Orchestrated by A. Leytush
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Orchestra
#
Contemporary
#
A
#
A
#
A. N. Scriabin - Poem "Vers la
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008383 Composed by A. N. Scriabin. Arranged by A. Leytush. 20th Century. Score and parts. 28 pages. Arkady Ley...
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Full Orchestra - Digital Download SKU: A0.1008383 Composed by A. N. Scriabin. Arranged by A. Leytush. 20th Century. Score and parts. 28 pages. Arkady Leytush #5971049. Published by Arkady Leytush (A0.1008383).
$60.00
English Idylls N°1
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Georges BUTTERWORTH
#
Yorick DE BRUYCKER
#
English Idylls N°1
#
Quartet/Orchestral arrangements
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1085242 Composed by Georges BUTTERWORTH. Arranged by Yorick DE BRUYCKER. Celtic,Classical,Irish. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1085242 Composed by Georges BUTTERWORTH. Arranged by Yorick DE BRUYCKER. Celtic,Classical,Irish. Score and Parts. 85 pages. Quartet/Orchestral arrangements #689385. Published by Quartet/Orchestral arrangements (A0.1085242). A very talented English composer, born in Paddington (London), George Butterworth (1885 - 1916) is known for some of his orchestral pieces, notably his trilogy English idylls N°1; 2 and The Banks of green Willow. In his compositions he uses folk tunes which he is able to enhance with extremely colourful orchestrations. This arrangement for Concert Band is made from the symphonic score of English Idylls No. 1.
$71.00
Preludium in memoriam n. 2
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Orchestra
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Contemporary
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Helios D'Andrea
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Preludium in memoriam n. 2
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D'Andrea Helios
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.981528 Composed by Helios D'Andrea. Contemporary. Score and parts. 10 pages. D'Andrea Helios #4986801. Publishe...
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Full Orchestra - Digital Download SKU: A0.981528 Composed by Helios D'Andrea. Contemporary. Score and parts. 10 pages. D'Andrea Helios #4986801. Published by D'Andrea Helios (A0.981528). Preludium in memoriam n. 2 for symphonic orchestra dedicated to the victims of all wars
$3.00
Preludium in memoriam n. 4
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Orchestra
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Contemporary
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Helios D'Andrea
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Preludium in memoriam n. 4
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D'Andrea Helios
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.981530 Composed by Helios D'Andrea. Contemporary. Score and parts. 7 pages. D'Andrea Helios #4986805. Published...
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Full Orchestra - Digital Download SKU: A0.981530 Composed by Helios D'Andrea. Contemporary. Score and parts. 7 pages. D'Andrea Helios #4986805. Published by D'Andrea Helios (A0.981530). Preludium in memoriam n. 4 for symphonic orchestra dedicated to the victims of all wars
$3.00
Preludium in memoriam n. 1
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Orchestra
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Contemporary
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Helios D'Andrea
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Preludium in memoriam n. 1
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D'Andrea Helios
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.981526 Composed by Helios D'Andrea. Contemporary. Score and parts. 5 pages. D'Andrea Helios #4986799. Published...
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Full Orchestra - Digital Download SKU: A0.981526 Composed by Helios D'Andrea. Contemporary. Score and parts. 5 pages. D'Andrea Helios #4986799. Published by D'Andrea Helios (A0.981526). Preludium in memoriam n. 1 for symphonic orchestra dedicated to the victims of all wars
$3.00
Preludium in memoriam n. 3
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Orchestra
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Contemporary
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Helios D'Andrea
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Preludium in memoriam n. 3
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D'Andrea Helios
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.981529 Composed by Helios D'Andrea. Contemporary. Score and parts. 10 pages. D'Andrea Helios #4986803. Publishe...
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Full Orchestra - Digital Download SKU: A0.981529 Composed by Helios D'Andrea. Contemporary. Score and parts. 10 pages. D'Andrea Helios #4986803. Published by D'Andrea Helios (A0.981529). Preludium in memoriam n. 3 for symphonic orchestra dedicated to the victims of all wars
$3.00
Preludium in memoriam n. 5
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Orchestra
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Contemporary
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Helios D'Andrea
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Preludium in memoriam n. 5
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D'Andrea Helios
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.981532 Composed by Helios D'Andrea. Contemporary. Score and parts. 9 pages. D'Andrea Helios #4986807. Published...
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Full Orchestra - Digital Download SKU: A0.981532 Composed by Helios D'Andrea. Contemporary. Score and parts. 9 pages. D'Andrea Helios #4986807. Published by D'Andrea Helios (A0.981532). Preludium in memoriam n. 5 for symphonic orchestra dedicated to the victims of all wars
$3.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Georg E. Goltermann - Cello Concerto n° 4, op. 65 - unmarked cello part (critical edition)
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Orchestra
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EASY
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Georg Eduard Goltermann
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Artistic Score Engraving by Mi
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Georg E. Goltermann - Cello Co
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.841343 Composed by Georg Eduard Goltermann. Arranged by Artistic Score Engraving by Michele Galvagno....
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Full Orchestra - Level 2 - Digital Download SKU: A0.841343 Composed by Georg Eduard Goltermann. Arranged by Artistic Score Engraving by Michele Galvagno. 20th Century,Children,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Artistic Score Engraving di Galvagno Michele #5310095. Published by Artistic Score Engraving di Galvagno Michele (A0.841343). The 4th Cello Concerto by G. E. Goltermann is a fundamental milestone in the repertoire for growing cellists! This edition faithfully reproduces the source by Goltermann, ensuring a correct and philological performance. .
$5.95
Prelude Nº 1 - Danseuses de Delphes (For Wind Orchestra)
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Orchestra
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Classical
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Claude Debussy
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Levy Nunes
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Prelude Nº 1 - Danseuses de D
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Cambiata
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contempor...
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Full Orchestra - Digital Download SKU: A0.487660 Composed by Claude Debussy (1892-1918). Arranged by Levy Nunes. 20th Century,Baroque,Classical,Contemporary,Instructional. Score and parts. 39 pages. Published by Cambiata (A0.487660). Danseuses de Delphes is a musical composition for piano by the French composer Claude Debussy. It is the piece that opens the first book of the Preludes, written between the end of 1909 and the beginning of 1910. The work is inspired by the “Dancers of Delphiâ€, a sculpture fragment from the temple of Apollo in Delphi, whose photo the musician had seen at the Louvre in Paris. The transcription was requested by the conductor of the UFRJ Wind Orchestra for the concert commemorating the 100th anniversary of the death of composer Claude Debussy. Wind Orchestra: Piccolo, Flute 1-2, Oboe 1-2, English Horn, Clarinet in Eb, Clarinet in Bb 1-3, Bass Clarinet, Alto Sax 1-2, Tenor Sax, Baritone Sax, Bassoon 1-2, Contrabassoon, Horn 1-4, Trumpet in Bb 1-3, Trombone 1-2, Bass Trombone, Euphonium, Tuba, Timpani, Bass Drum, Tamtam. Score - A3 Parts - A4.
$20.00
Georg E. Goltermann - Cello Concerto n° 4, op. 65 - annotated cello part (Carneiro)
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Orchestra
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EASY
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Georg Eduard Goltermann
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Marcio Carneiro & Michele Galv
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Georg E. Goltermann - Cello Co
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.841346 Composed by Georg Eduard Goltermann. Arranged by Marcio Carneiro & Michele Galvagno. Concert,I...
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Full Orchestra - Level 2 - Digital Download SKU: A0.841346 Composed by Georg Eduard Goltermann. Arranged by Marcio Carneiro & Michele Galvagno. Concert,Instructional,Romantic Period,Standards. Score and parts. 24 pages. Artistic Score Engraving di Galvagno Michele #5726201. Published by Artistic Score Engraving di Galvagno Michele (A0.841346). The 4th Cello Concerto by G. E. Goltermann is a fundamental milestone in the repertoire for growing cellists! This edition faithfully reproduces the source by Goltermann, ensuring a correct and philological performance.In addition, players will find bowing and fingering suggestions by Tchaikovksy Competition prizewinner and worldwide acclaimed teacher Marcio Carneiro. .
$5.95
Cello Concerto n° 4, op. 65 in G major - Critical Edition - Performing material
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Orchestra
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INTERMEDIATE
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Georg Eduard Goltermann
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Artistic Score Engraving by Mi
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Cello Concerto n° 4, op. 65 i
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.841345 Composed by Georg Eduard Goltermann. Arranged by Artistic Score Engraving by Michele Galvagno....
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Full Orchestra - Level 3 - Digital Download SKU: A0.841345 Composed by Georg Eduard Goltermann. Arranged by Artistic Score Engraving by Michele Galvagno. Concert,Instructional,Romantic Period,Standards. Score and parts. 196 pages. Artistic Score Engraving di Galvagno Michele #5712965. Published by Artistic Score Engraving di Galvagno Michele (A0.841345). Full performing material for the 4th Cello Concerto (op. 65) by Georg Eduard Goltermann.The PDF contains all parts carefully divided so that if you print everything two-sides it will already come perfectly arranged, no extra care needed! Included parts:2 flutes, 2 oboes, 2 clarinets in C (with alternate part in A), 2 bassoons2 horns in G/D (with alternate part in F), 2 trumpets in D (with alternate part in Eb)timpanistrings.
$129.95
Cello Concerto n° 4, op. 65 in G major - arr. for cello & string orchestra (score)
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Orchestra
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INTERMEDIATE
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Georg Eduard Goltermann
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Michele Galvagno
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Cello Concerto n° 4, op. 65 i
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Eduard Goltermann. Arranged by Michele Galvagno. Instructional,Romantic P...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.841365 Composed by Georg Eduard Goltermann. Arranged by Michele Galvagno. Instructional,Romantic Period,Standards. Score and parts. 52 pages. Artistic Score Engraving di Galvagno Michele #6136077. Published by Artistic Score Engraving di Galvagno Michele (A0.841365). Finally, after almost two years of work, we can present to the world the reconstructed score of Goltermann's Fourth Cello Concerto, a pillar, a fundamental milestone in the repertoire of every growing cellist. This arrangement allows students to get the feeling of playing this concerto with a full orchestra while using only strings. No orchestral part has been forgotten or misplaced. It requires at least 2 double basses but for the rest, an ordinary music school should be able to handle this with ease.This Critical Edition corrects every clear mistake and adds editorial markings where needed. A comprehensive 12-page comments section details all the notes found by our musicologists in the creation process. A solo cello part, both marked and unmarked, is available separately, along with performing material for this version and the original version as well.
$19.95
Passacaille - from Keyboard Suite nº 7 (HWV 432) - G. F. Handel
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Orchestra
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INTERMEDIATE
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G
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Stênio Caixeta
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Passacaille - from Keyboard Su
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Stênio Caixeta
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.924802 Composed by G. F. Handel. Arranged by Stênio Caixeta. Baroque,Christmas,Graduation,Wedding....
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Full Orchestra - Level 3 - Digital Download SKU: A0.924802 Composed by G. F. Handel. Arranged by Stênio Caixeta. Baroque,Christmas,Graduation,Wedding. Score and parts. 11 pages. Stênio Caixeta #6511847. Published by Stênio Caixeta (A0.924802). Arranged for guitar quartet, where it mixes parts that can be played by professional guitarists with beginner guitarists. Any questions you can talk to me through my Instagram: @steniocaixetamusic
$7.00
REDHEAD Nº 76 (Rock Of Ages)
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Orchestra
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EASY
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Sacred music
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Richard Redhead
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Albertino Fernandes
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REDHEAD Nº 76
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Albertino Fernandes
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1045379 Composed by Richard Redhead. Arranged by Albertino Fernandes. Contemporary,Praise & Worship. ...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1045379 Composed by Richard Redhead. Arranged by Albertino Fernandes. Contemporary,Praise & Worship. Score and parts. 16 pages. Albertino Fernandes #649952. Published by Albertino Fernandes (A0.1045379).
$2.00
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