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Day by Day New age - Ambient
Not classified
1,791
Piano & keyboards
Piano solo
2,300
Piano, Voice
572
Easy Piano
450
Piano, Vocal and Guitar
379
C Instruments
114
Organ
86
Big Note Piano
65
2 Pianos, 4 hands
46
1 Piano, 4 hands
31
Piano Trio: piano, violin, cello
18
Piano Accompaniment
15
Organ, Piano (duet)
7
Harpsichord
6
Keyboard
5
Piano Quartet: piano, violin, viola, cello
5
Melody line, Piano
4
Piano (band part)
4
Piano Quintet: piano, 2 violins, viola, cello
3
Accordion, Voice
2
Piano Quartet: piano, 2 violins, cello
2
Organ, Trumpet (duet)
1
Solo instrument and Organ
1
+ 17 instrumentations
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Retract
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Guitar notes and tablatures
139
Piano, Guitar (duet)
113
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102
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61
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18
Bass guitar
15
Guitar (band part)
4
Dulcimer
4
Banjo
4
Lyrics and Chords
3
Lap Steel Guitar
3
Mandolin
2
Mandolin, Guitar (duet)
1
4 Guitars (Quartet)
1
Plectrum Orchestra
1
3 Guitars (trio)
1
+ 12 instrumentations
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Retract
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Choral SATB
825
Choral 3-part
265
Choral 2-part
190
Choral Unison
121
Choral TTBB
103
Choral SSAA
60
Vocal duet, Piano
54
Alto voice, Piano
28
Baritone voice, Piano
21
Vocal duet
20
Tenor voice, Piano
19
Soprano voice, Piano
19
Choral Instrumental Pak
19
High voice
8
Medium voice, Piano
6
Voice solo
5
Choral
5
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5
Tenor voice
3
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Soprano voice
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Choral SSAATTBB
1
Choral SATTBB A Cappella
1
Mezzo-Soprano voice, Piano
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Choral SSATTB
1
Choral SATBB
1
Choral SSAB, Piano
1
+ 22 instrumentations
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Retract
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74
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59
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50
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48
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42
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2 Oboes (duet)
34
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32
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30
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29
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28
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26
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22
3 Saxophones (trio)
22
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22
Oboe, Bassoon (duet)
22
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21
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19
Oboe
18
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18
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17
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17
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17
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16
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16
Clarinet (band part)
14
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14
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12
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11
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9
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8
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7
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6
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6
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5
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5
English Horn
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4
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3
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2
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1
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1
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1
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1
2 Flutes, Piano
1
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1
Eb Instruments
1
Flute, Tuba (duet)
1
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1
Oboe and viola (duet)
1
Flute, Bassoon, and Piano
1
Oboe, Violin (duet)
1
Saxophone
1
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1
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Retract
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203
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167
Trumpet
159
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155
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76
French Horn and Piano
66
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62
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56
2 Trumpets (duet)
53
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48
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48
French horn
39
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38
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38
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32
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29
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29
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21
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20
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19
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15
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14
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14
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12
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11
2 Tubas (duet)
9
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8
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8
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7
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4
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3
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3
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3
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2
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2
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4 Tubas
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Euphonium, Tuba (duet)
1
Brass Trio
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Retract
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378
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280
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271
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244
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98
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89
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82
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72
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66
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66
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59
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41
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39
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37
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31
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27
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26
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16
String Trio: 2 violins, cello
13
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12
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10
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8
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7
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6
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6
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6
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5
4 Cellos
5
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4
Harp, Flute (duet)
3
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3
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3
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2
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2
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2
String Trio: 2 violins, viola
2
Violin, Guitar (duet)
2
Violin, Bassoon (duet)
2
Violin, Clarinet, Piano (trio)
2
String quartet: 4 violins
2
Violin ensemble
2
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2
Viola, Guitar (duet)
1
3 Harps
1
String Quintet: 2 violins, 2 violas, cello
1
2 Violins, Piano
1
Flute, Doublebass (duet)
1
Harp, Voice
1
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642
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153
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137
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71
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64
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45
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27
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9
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7
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6
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6
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5
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3
Xylophone
2
Drum (band part)
2
Vibraphone and Marimba
1
Brass Quintet: other combinaisons
1
Flexible Instrumentation
1
Piano and Orchestra
1
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Retract
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Day by Day New age - Ambient
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137 sheet music found
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126
One Sows for the Benefit of Another Age - Orchestra
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Orchestra
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ADVANCED
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Contemporary
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Pu...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
New York Variations
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Orchestra
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ADVANCED
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Contemporary
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Jazz
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David Chesky
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New York Variations
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Pamaluc Music
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581....
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Full Orchestra - Level 5 - Digital Download SKU: A0.882383 Composed by David Chesky. Contemporary,Jazz. Score and parts. 765 pages. Pamaluc Music #18581. Published by Pamaluc Music (A0.882383). From the Urban series. This work is an aural palette of modern day New York. Highly energized. The rhythms of the street collide with 21st century classical harmony. Works well for a ballet, as that was the composers intentions. Duration 23:00 min 3fl./ 2ob./ 2cl./ b.cl/ 2bs./ Cbsn/ 4hrns./ 3 tpts./ 3tbns./ tuba / tymp./ 5 perc./ harp/ strings.
$34.98
Ocean Voyage - (Full Orchestra) Full Set
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Nick Raspa
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Ocean Voyage -
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NJR Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.753997 Composed by Nick Raspa. Contemporary. Score and Parts. 206 pages. NJR Music #48329. Published by NJR Music (A0.753997). When I began this piece, I was thinking about my father and my grandparents and how they left their families and the comfort of familiar surroundings in Italy and immigrated to America for a new life during the early part of the 20th Century. Just as there is an element of danger in taking a trip across the ocean, there is the excitement of the voyage and the promise of a new experience visiting a place you have never been before.  The trip itself is an adventure since you will spend several days aboard the ship, and in days that have long since faded from the calendar, these trips took weeks and even months. This piece attempts to capture the spirit of the adventure and excitement of such a trip. The piece starts with the sounding of the horn and the ship embarks.  This leads to a beautiful lyrical section and later there is a spritely gigue.  Through these various sections I attempted to capture the various moods of the passengers during various stages of this long journey. Forces: 2222 4221 timp,glock,mar, perc,str</b  Click on the YouTube link to hear the entire piece.  ASCAP>.
$54.00
What Are You Doing New Year's Eve? - Score Only
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Frank Loesser
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Bryan Kidd
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What Are You Doing New Year's
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1285512 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. 15 pages...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1285512 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. 15 pages. BryanKiddMusic.com #876617. Published by BryanKiddMusic.com (A0.1285512). Tabloid-size (11x17) Score for What Are You Doing New Year's Eve? arranged by Bryan Kidd For letter-size full score and comlpete set of parts, click here Please visit BryanKiddMusic.com
$10.00
Fairytale Of New York
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Orchestra
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INTERMEDIATE
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The Pogues featuring Kirsty Ma
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Jack Bridger
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Fairytale Of New York
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Bridger Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1492086 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by Jack ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1492086 By The Pogues featuring Kirsty MacColl. By Jeremy Finer and Shane MacGowan. Arranged by Jack Bridger. Celtic,Christmas,Holiday,Irish,Pop. 43 pages. Bridger Music Publishing #1068759. Published by Bridger Music Publishing (A0.1492086). This timeless Christmas classic, arranged for Full Orchestra, will make the perfect addition to your festive programme and delight audiences young and old.Beginning with gentle woodwind solos and rich string accompaniments before breaking out into a lively jig, this piece is bound to have your concertgoers singing along!Instrumentation: Flutes 1&2 Oboe Clarinets 1&2 in Bb Bassoons 1&2 Horns 1&2 in F Trumpets 1-3 in Bb Trombones 1-3 in Bb Tuba Timpani Glockenspiel/Sleigh Bells Drum Kit Piano Violin 1 Violin 2 Viola Cello Double Bass
$54.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Carol, (Villagers All This Frosty Morn) - SATB Chorus and Orchestra from The Wind in the
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Orchestra
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INTERMEDIATE/ADVANCED
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James Nathaniel Holland
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Carol,
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.730316 Composed by James Nathaniel Holland. Christian,Christmas,Contemporary. Score and parts. 60 pag...
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Full Orchestra - Level 4 - Digital Download SKU: A0.730316 Composed by James Nathaniel Holland. Christian,Christmas,Contemporary. Score and parts. 60 pages. James Nathaniel Holland #2890667. Published by James Nathaniel Holland (A0.730316). NEW CHRISTMAS MUSIC!! Carol (Villagers All This Frosty Morn) from Kenneth Grahame's classic novel The Wind in the Willows and arranged from the ballet, The Wind in the Willows by American composer James Nathaniel Holland. Here in complete anthem form with orchestral accompaniment. Perfect for a children's Christmas concert.Instrumentation: Fl12, Ob12, EH, ClBb 12, BCl, Bsn 12, Cbsn, HrnF 1234, Trmp Bb12, Trmb, Tba, Timp, Perc (hand cym, sus. cym w/mallet, tri), glock, pno, stringsFull score in concert pitch and parts Included.Scene Synopsis: The scene opens as Rat has succumbed to winter hibernation in front of his cozy fire. Mole takes the opportunity to return to his home, once neat tidy this past spring, now abandoned and neglected due to his adventures with Mr. Toad and with Rat over the summer and autumn. Mole hears singing outside his window and opens the door to carolers. It's a winter wonderland and he dances to music of this carol, announcing the joy all the animals felt when the baby Jesus was born on Christmas day.
$21.95
Thanksgiving Day
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Gert Th
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Gert Th
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Thanksgiving Day
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Gert Th. Walter
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1235208 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts....
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Full Orchestra - Level 4 - Digital Download SKU: A0.1235208 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 64 pages. Gert Th. Walter #830743. Published by Gert Th. Walter (A0.1235208). Are you looking for modern and spirited Christmas music for your Full Orchestra? Here you go! Picc - Fl 1.2 - Ob 1.2 - Engl. Hr - Clar 1.2 - Bs. Clar - Alto Sax 1.2 - Tenor Sax - Bsn 1.2 - D. Bsn / Hr 1.2.3.4 - Tr 1.2.3 - Tb 1.2 - Bs. Tb / Timpani / Mallets / Orchestra Perc - Latin Perc - Drum Set / Harp / Pianoforte / Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$69.90
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "Ne
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "Ne
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
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Orchestra
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INTERMEDIATE
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Contemporary
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
New Year's Day
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Orchestra
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INTERMEDIATE
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Rock
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U2
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Daryl McKenzie
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New Year's Day
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Daryl McKenzie
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SheetMusicPlus
By U2. By U2. Arranged by Daryl McKenzie. Pop, Rock. Score and parts. 124 pages. Daryl McKenzie #6691415. Published by Daryl McKenzie ...
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By U2. By U2. Arranged by Daryl McKenzie. Pop, Rock. Score and parts. 124 pages. Daryl McKenzie #6691415. Published by Daryl McKenzie
$89.99
New Year's Day
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Orchestra
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INTERMEDIATE
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Rock
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U2
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Daryl McKenzie
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New Year's Day
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.734205 By U2. By U2. Arranged by Daryl McKenzie. Pop,Rock. Score and parts. 124 pages. Daryl McKenzie...
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Full Orchestra - Level 3 - Digital Download SKU: A0.734205 By U2. By U2. Arranged by Daryl McKenzie. Pop,Rock. Score and parts. 124 pages. Daryl McKenzie #6691413. Published by Daryl McKenzie (A0.734205). Arranged in the style of U2 for Vocal with Pops Orchestra - Voice, Choir, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Am
$89.99
Liberation Ballet/a Brand New Day (Everybody Rejoic
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Orchestra
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INTERMEDIATE
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Luther Vandross and Quincy D J
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Ryan Shirar
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Liberation Ballet/a Brand New
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S-OAA
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1439148 Composed by Luther Vandross and Quincy D Jones. Arranged by Ryan Shirar. 20th Century,Contemp...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1439148 Composed by Luther Vandross and Quincy D Jones. Arranged by Ryan Shirar. 20th Century,Contemporary,Pop. 70 pages. S-OAA #1019172. Published by S-OAA (A0.1439148).
$99.99
Overture to the vaudeville 'Three Tens, or The New Two-day Adventure'
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Orchestra
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Classical
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Alexander Alyabyev
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Overture to the vaudeville 'Th
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V.H.
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.854098 Composed by Alexander Alyabyev. Classical. Score and parts. 163 pages. V.H. #460660. Published by V.H. (...
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Full Orchestra - Digital Download SKU: A0.854098 Composed by Alexander Alyabyev. Classical. Score and parts. 163 pages. V.H. #460660. Published by V.H. (A0.854098).
$25.00
Overture to the vaudeville 'Three Tens, or The New Two-day Adventure'
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Orchestra
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Classical
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Alexander Alyabyev
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Overture to the vaudeville 'Th
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V.H.
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.854099 Composed by Alexander Alyabyev. Classical,Romantic Period. Score and parts. 159 pages. V.H. #460661. Pub...
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Full Orchestra - Digital Download SKU: A0.854099 Composed by Alexander Alyabyev. Classical,Romantic Period. Score and parts. 159 pages. V.H. #460661. Published by V.H. (A0.854099).
$25.00
Theme From "New York, New York"
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Orchestra
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ADVANCED
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Jazz
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Frank Sinatra
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Ken Naidu
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Theme From "New York, New York
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1377410 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Ken Naidu. Broadway,Film/TV,Holida...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1377410 By Frank Sinatra. By Fred Ebb and John Kander. Arranged by Ken Naidu. Broadway,Film/TV,Holiday,Jazz,Musical/Show. 53 pages. Scores by Ken #962002. Published by Scores by Ken (A0.1377410). Theme From New York, New York | Scores by Ken About the PieceArranged by Ken Naidu, New York New York is an instrumental score with great respect and resemblence to its original by Frank Sinatra. It induces the feelings of Nostalgia, Joy and Warmth. It's a perfect score to portray a New York scene. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Holiday Medley
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Orchestra
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Larry E
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Larry E
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Holiday Medley
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Larry E. Newman
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.480340 By Larry E. Newman. By Larry E. Newman. Arranged by Larry E. Newman. Children,Christmas,Classical,Folk,T...
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Full Orchestra - Digital Download SKU: A0.480340 By Larry E. Newman. By Larry E. Newman. Arranged by Larry E. Newman. Children,Christmas,Classical,Folk,Traditional. Score and parts. 34 pages. Published by Larry E. Newman (A0.480340).
$30.00
Autumn In New York
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Orchestra
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INTERMEDIATE/ADVANCED
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Jazz
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Bud Powell
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Kevin Riley
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Autumn In New York
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.850639 By Bud Powell. By Vernon Duke. Arranged by Kevin Riley. 20th Century,Film/TV,Jazz,Standards. Score and parts. 31 pages. Kevin Riley #457309. Published by Kevin Riley (A0.850639). Autumn in New York is a jazz standard and popular song composed by Vernon Duke in Westport, Connecticut in the summer of 1934. It was written without a commission or for a specific show, but Duke offered it to producer Murray Anderson for his Broadway musical Thumbs Up!. The play opened on December 27, 1934 where the song was performed by singer J. Harold Murray. Many versions of the song have been recorded over the years by numerous musicians and singers. The only version to achieve chart success as a single in the USA was that by Frank Sinatra which reached No. 27 in 1949. Jazz versions have been performed by The Hi Lo's, Charlie Parker, Billie Holiday, Bing Crosby, Stan Kenton, Sarah Vaughan, Sheila Jordan, Bill Evans, Tal Farlow, Ahmad Jamal, Buddy De Franco, Salvador Sobral, Al Haig, Diana Krall, and a duet version by Scottish singers Todd Gordon and Carol Kidd. The song was also recorded by Jo Stafford, and by Louis Armstrong and Ella Fitzgerald as a duet. This version for Solo Alto Saxophone and Orchestra requires your soloist to be able to improvise.
$60.00
Ah! Sweet Victory New Celebration Coronation Anthem for Orchestra
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Orchestra
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INTERMEDIATE
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James Nathaniel Holland
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Ah! Sweet Victory New Celebrat
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.730367 Composed by James Nathaniel Holland. Contemporary,Graduation,Holiday,Patriotic. Score and part...
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Full Orchestra - Level 3 - Digital Download SKU: A0.730367 Composed by James Nathaniel Holland. Contemporary,Graduation,Holiday,Patriotic. Score and parts. 67 pages. James Nathaniel Holland #2990941. Published by James Nathaniel Holland (A0.730367). 'Ah! Sweet Victory! Shine like the sun; the bright and glorious champion!' Following the tradition of the coronation anthem such as Handel 'Zadok the priest' this is a new, majestic piece arranged for ample orchestra but can be used with any arrangement (addition of chorus or complete band). Full score in concert pitch. Individual parts included. Perfect for soccer victory music, football victory music, fireworks orchestral music, sports victory music, or outdoor summer concerts.YouTube video presentation at: https://youtu.be/9fyv3Tt3JxoInstrumentation: Pic, f12, ob12, cl123, bcl, bsn 12, hrn 1234, trmp 123, trmb 12, bass trm, euph12, tba, timp, perc. (snare, bd, hand cym, ) glk, hrp, strings.Duration: 6'Choir vocal score sold separately.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$27.95
What Are You Doing New Year's Eve?
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Orchestra
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INTERMEDIATE/ADVANCED
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Christmas
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Frank Loesser
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Bryan Kidd
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French Horn, F-sharp 5
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What Are You Doing New Year's
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BryanKiddMusic.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score an...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486). A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters. Full Orchestra with Vocal Soloist (G3 to A-flat 4) Brass high note: Trumpet F 5; French Horn, F-sharp 5; Trombone E 4 Saxophones are optional NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$65.00
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