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Music by Nat D
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842
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856
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121
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52
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31
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30
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7
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6
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2
Piano (band part)
2
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2
Piano Quartet: piano, violin, viola, cello
2
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1
Harpsichord
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+ 11 instrumentations
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105
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77
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+ 11 instrumentations
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4
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
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1
+ 74 instrumentations
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Trumpet
72
Brass quartet : 2 trumpets, trombone, tuba
46
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37
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35
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27
Trumpet, Piano
25
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22
French Horn and Piano
21
Tuba and Piano
17
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16
Trumpet (band part)
15
Brass Quartet: 2 trumpets, horn, trombone
10
Tuba
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8
Brass Quartet
8
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7
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5
Tuba (band part)
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5
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4
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1
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1
Trumpet, Trombone (duet)
1
2 Tubas (duet)
1
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140
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107
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84
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45
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32
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21
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17
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15
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7
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1
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Cello Ensemble
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Bulgarian National Anthem (Orchestre national d'Île-de-France Edition)
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Orchestra
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INTERMEDIATE
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Keith Terrett
#
Keith Terrett
#
Brass Quintet in my stores
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Bulgarian National Anthem
#
Keith Terrett
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Fest...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1470455 By Keith Terrett. By Tsvetan Radoslavov. Arranged by Keith Terrett. 20th Century,Contest,Festival,Historic,Multicultural,Patriotic,World. 30 pages. Keith Terrett #1048173. Published by Keith Terrett (A0.1470455). The national anthem of Bulgaria arranged for Symphony Orchestra, Mila Rodino (Мила Родино [miɫɐ rɔdino], translated as Dear Motherland or Dear native land) is the current national anthem of Bulgaria.There are alternative versions for Symphony & Brass Quintet in my stores.It is based on the music and text of the song Gorda Stara Planina by Tsvetan Radoslavov, written and composed as he left to fight in the Serbo-Bulgarian War in 1885. The anthem was adopted in 1964. The text has been changed many times, most recently in 1990.Between 1886 and 1944, the Bulgarian national anthem was Shumi Maritsa (Шуми Марица); from 1950 to 1964, it was My Bulgaria, land of heroes (Balgariyo mila, zemya na geroi, Българийо мила, земя на герои); in the brief period between these two, it was the march Republiko nasha, zdravey (Републико наша, здравей!).Originally written and composed by a Bulgarian student in 1885, as he went off to fight in the Serbo-Bulgarian war, the song was titled “Горда Стара планина” (“Gorda Stara planina”) [Proudly Rise the Balkan Peaks]. The original lyrics have undergone revisions since its original composition, the latest after the fall of the communist government in 1990 where verses not in the original lyrics speaking of friendship with Russia, the Communist Party, and fallen fighters were removed. As the national anthem its name comes from the first line of the chorus rather than the first line of the verse.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1 http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates & news on my Olympic bid!Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements. Contact Publisher.
$39.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
#
Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
#
Classical
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Souvenir d'un Musicien d'imprévu // Musician of Memory ..# ISRC 10256
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Orchestra
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ADVANCED
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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Souvenir d'un Musicien d'impr
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018807 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018807 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069305. Published by Réal Dubois (A0.1018807). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Le gars d'Edgar d'imprévu // Edgar's son reel ..# ISRC 10249
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Orchestra
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ADVANCED
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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Le gars d'Edgar d'imprévu //
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018801 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018801 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069267. Published by Réal Dubois (A0.1018801). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Zima la noire d'imprévu // The black Zima..# ISRC 10259
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Orchestra
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ADVANCED
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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Zima la noire d'imprévu // Th
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069325. Published by Réal Dubois (A0.1018811). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
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Orchestra
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ADVANCED
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Celtic/Irish
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Réal Dubois & Marcel Messer
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Réal Dubois & Gaétane Po
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La veillée chez l'voisin d'im
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitr...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitras & Marcel Messervier. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069265. Published by Réal Dubois (A0.1018800). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Une p'tite tournée de Mme Hébert d'imprévu // A little reel for Mrs. Hebert..# ISRC 10245
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Orchestra
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ADVANCED
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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Une p'tite tournée de Mme Hé
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018810 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018810 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069317. Published by Réal Dubois (A0.1018810). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
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Orchestra
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Celtic/Irish
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Réal Dubois
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Réal Dubois & Gaétane Po
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La tournée des Belltones d'im
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Con...
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Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069263. Published by Réal Dubois (A0.1018799). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Les filles du café d'imprévu // The coffee girl's swing ..# ISRC 10250
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Orchestra
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ADVANCED
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Celtic/Irish
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Gaétane Poitras
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Gaétane Poitras & Réal D
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Les filles du café d'imprévu
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018805 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Gro...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018805 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069291. Published by Réal Dubois (A0.1018805). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Ma belle Christine d'imprévu // My beautiful Christine..# ISRC 10242
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Orchestra
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ADVANCED
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Celtic/Irish
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Gaétane Poitras
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Gaétane Poitras & Réal D
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Ma belle Christine d'imprévu
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018806 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Gro...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018806 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069301. Published by Réal Dubois (A0.1018806). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
- La randonnée d'imprévu // The hike..# ISRC 10262
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Orchestra
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ADVANCED
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Celtic/Irish
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Gaétane Poitras
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Gaétane Poitras & Réal D
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- La randonnée d'imprévu //
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Gro...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069259. Published by Réal Dubois (A0.1018798). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
La petite outarde d'imprévu // The little bustard ..# ISRC 10258
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Orchestra
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Celtic/Irish
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Gaétane Poitras
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Gaétane Poitras & Réal D
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La petite outarde d'imprévu /
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Réal Dubois
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic...
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Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069253. Published by Réal Dubois (A0.1018796). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
Moonlight Sonata (Movement II) for orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Scott Fields Davis
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Moonlight Sonata
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.998418 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.998418 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 12 pages. Scott Fields Davis #5986387. Published by Scott Fields Davis (A0.998418). Beethoven’s Sonata No.14, more commonly known as the Moonlight Sonata, is probably his most well-known piano work. Originally composed by Ludwig van Beethoven (1710-1827) and arranged for orchestra by Scott Fields Davis. This download contains the second of the three movements. This movement was originally in D flat Major. However, this arrangement is in A flat Major. The new key setting allows each instrument the opportunity to play in its optimal range. More music and contact information can be found at: compositionsbyscottfieldsdavis.com This download contains the conductor's score and all of the instrument parts for movement 2.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other two movements, click on the following links. Moonlight Sonata (Movement I) for orchestra Moonlight Sonata (Movement III) for orchestra  More music is available at: compositionsbyscottfieldsdavis.com.Please follow me on Facebook and Youtube.
$10.00
Moonlight Sonata for full Orchestra
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Orchestra
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EASY
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Classical
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Ludwig van Beethoven
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Ivan de Andrade
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Moonlight Sonata for full Orch
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Finesse Music
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.487331 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Tradition...
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Full Orchestra - Level 2 - Digital Download SKU: A0.487331 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 60 pages. Finesse Music #104906. Published by Finesse Music (A0.487331). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet (full score will work in A3). Concert key of D minor. Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review! Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 french horns, 2 trumpets, 2 trombones, timpani and string section.
$29.99
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
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Orchestra
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INTERMEDIATE
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Broadway
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace wi
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and par...
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
Concerto for Orchestra
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Orchestra
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20...
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
The Quiet
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Orchestra
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Chaya Czernowin
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The Quiet
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score....
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Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q48716. Published by Schott Music - Digital (S9.Q48716). The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)4 · 4 · 2 · 2 Bassklar. · 2 · 2 Kfg. - 6 · 4 · 2 Tenorpos · 2 Basspos. · 1 - P. (D-A/f-c') S. (3 P. [D-A] · Cel. · Crot. · Vibr. · Marimba · 3 Tamt. · 3 Buckelgongs · 3 Bong. · 3 kl. Tr. [h.] · 3 kl. Tr. [m.] · 3 gr. Tr. · 3 Peitschen · 3 Donnerbleche od. rain sticks · 3 Papiere) (3 Spieler) - Str. (14 · 12 · 10 · 8 · 6).
$21.99
Christmas (Baby Please Come Home)
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Orchestra
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INTERMEDIATE/ADVANCED
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Darlene Love
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Victor Pesavento
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Christmas
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Victor Pesavento
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1496317 By Darlene Love. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesaven...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1496317 By Darlene Love. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesavento. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. 75 pages. Victor Pesavento #1072885. Published by Victor Pesavento (A0.1496317). Solo Vocal with Background Choir & Orchestra + Rhythm Section arrangement of this Christmas song by Michael Bublé.Perfect for pops orchestra holiday concerts.Score & Parts (in the key of D) - Also available in the original key of Gb as a separate listing.About the arranger:Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Can and Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$85.00
Christmas (Baby Please Come Home)
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Orchestra
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INTERMEDIATE/ADVANCED
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Mariah Carey
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Victor Pesavento
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Christmas
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Victor Pesavento
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1496314 By Mariah Carey. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesaven...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1496314 By Mariah Carey. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesavento. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. 74 pages. Victor Pesavento #1072882. Published by Victor Pesavento (A0.1496314). Solo Vocal with Background Choir & Orchestra + Rhythm Section arrangement of this Christmas song by Michael Bublé.Perfect for pops orchestra holiday concerts.Score & Parts (in the original key of Gb) - Also available in the key of D as a separate listing.About the arranger: Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Can and Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$85.00
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
Gavotte: Cello
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Orchestra
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0016711_VC1 Cello. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement...
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Full Orchestra - Digital Download SKU: AX.00-PC-0016711_VC1 Cello. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016711_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016711_VC1). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$3.00
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