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--INSTRUMENTS--
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Reach
Not classified
771
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618
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219
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104
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37
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7
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Piano Quartet: piano, violin, viola, cello
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Melody line, Piano
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2 Pianos, 4 hands
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+ 12 instrumentations
-
Retract
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148
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90
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49
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+ 11 instrumentations
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Retract
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+ 18 instrumentations
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Retract
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63
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7
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Wind ensemble
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English Horn, Guitar (duet)
1
+ 68 instrumentations
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Retract
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Trumpet
74
Brass Quintet: 2 trumpets, horn, trombone, tuba
72
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39
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37
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34
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27
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25
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18
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16
Trumpet, Saxophone (duet)
15
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15
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14
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13
French horn
12
2 Trumpets (duet)
10
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7
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6
Tuba
5
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4
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4
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3
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2
Brass Trio
2
3 French horns (trio)
2
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2
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2
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1
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+ 38 instrumentations
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String Quartet: 2 violins, viola, cello
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17
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17
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14
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13
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11
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9
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8
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5
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1
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1
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1
String Trio: 3 violins
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1
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315
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87
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55
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6
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2
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1
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You've selected:
Reach
Orchestra
Sheetmusic to print
87 sheet music found
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1
26
51
76
Reach
#
Orchestra
#
INTERMEDIATE
#
S Club 7
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Kevin Riley
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Reach
#
Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 p...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 pages. Kevin Riley #1047399. Published by Kevin Riley (A0.1469378). Reach is a song by English pop group S Club 7. Released as the lead single from their second studio album, 7 (2000), on 22 May 2000, it is an up-tempo track co-written by Cathy Dennis and Republicakeyboardist Andrew Todd.Reach debuted at number two on the UK Singles Chart and spent three weeks at its peak, unable to dislodge Sonique's It Feels So Good from number one. The song has sold 600,000 copies in the UK, allowing it to receive a platinum sales certification from the British Phonographic Industry (BPI). Reach was the theme tune to the second series of the group's CBBC series, L.A. 7.
$60.00
within the reach of time
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Orchestra
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ADVANCED
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Contemporary
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ashley griffin
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within the reach of time
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Ashley Griffin
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1216180 Composed by ashley griffin. Classical,Contemporary. Score and Parts. 59 pages. Ashley Griffin...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1216180 Composed by ashley griffin. Classical,Contemporary. Score and Parts. 59 pages. Ashley Griffin #812785. Published by Ashley Griffin (A0.1216180). Short and fairly light piece for full orchestra and solo piano. Duration of c. 6'40.
$20.00
Reach
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Orchestra
#
INTERMEDIATE
#
S Club 7
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Chris Knapp
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Reach
#
Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.883649 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Chris Knapp. Dance. Score and parts....
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Full Orchestra - Level 3 - Digital Download SKU: A0.883649 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Chris Knapp. Dance. Score and parts. 35 pages. Chris Knapp #6436397. Published by Chris Knapp (A0.883649). A great concert number for any Orchestra, goes down particularly well with Youth Orchestras and audiences, a real crowd pleaser.
$49.99
Holding Back The Years
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Orchestra
#
INTERMEDIATE
#
Pop music
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Simply Red
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Kevin Riley
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Holding Back The Years
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1076562 By Simply Red. By Mick Hucknall and Neil Moss. Arranged by Kevin Riley. Pop. Score and parts. 30 pages. Kevin Riley #680701. Published by Kevin Riley (A0.1076562). Holding Back the Years is the seventh track on Simply Red's debut studio album Picture Book (1985). It remains their most successful single, having reached number one on the US Billboard Hot 100 and number two on the UK Singles Chart. It is one of two Simply Red songs (the other being their cover of If You Don't Know Me by Now) to reach number one in the US. It also reached number four on the Adult Contemporary chart. Holding Back the Years had initially been released in the UK the year before, reaching number 51. The song was nominated in the category of Best Pop Performance by a Duo or Group with Vocals at the 29th Annual Grammy Awards.
$60.00
Son-of-a-preacher Man
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Orchestra
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INTERMEDIATE
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Film/TV
#
Rock
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Dusty Springfield
#
Daryl McKenzie
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Son-of-a-preacher Man
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1190677 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Daryl McKenzie. Film/TV,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1190677 By Dusty Springfield. By John Hurley and Ronnie Wilkins. Arranged by Daryl McKenzie. Film/TV,Pop,Rock. 94 pages. Daryl McKenzie #789637. Published by Daryl McKenzie (A0.1190677). Arranged in the style of Dusty Springfield for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, BCl,2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of EFull audio demo (Sibelius Sounds): Click HereSame arrangement for Concert Band, Big Band or Small Band (3-5 Horns) available: hereNote: The youtube clip is th band arrangement which is the same as the Orchestra version.More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
The Cross Kirk and the lang walk
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Orchestra
#
INTERMEDIATE
#
Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Tradition...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
The Sound Of Philadelphia (t.s.o.p.)
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Orchestra
#
INTERMEDIATE
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Mfsb/Three Degrees
#
Brett A Foster
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The Sound Of Philadelphia
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1159046 By Mfsb/Three Degrees. By Kenneth Gamble and Leon Huff. Arranged by Brett A Foster. Disco,Fil...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1159046 By Mfsb/Three Degrees. By Kenneth Gamble and Leon Huff. Arranged by Brett A Foster. Disco,Film/TV,Pop. Score and parts. 89 pages. Brett A Foster #759290. Published by Brett A Foster (A0.1159046). Relive the early days of Disco with the groundbreaking 1974 Hit - TSOP The Sound of Philadelphia. A classic example of the Philadelphia soul genre, it was written by Gamble and Huff as the theme for the American musical television program Soul Train, which specialized in African American musical performers. The single was released on the Philadelphia International Records label. It was the first television theme song to reach number one on the Billboard Hot 100,[1] and it is arguably the first disco song to reach that position. This chart is for full orchestra with optional parts to make it a Pops Orchestra chart including Piano, Bass Guitar, Rhythm Guitar and a Full Saxophone Section and Piano to add to the authentic feel of this classic soul disco fusion piece. You can also drop the String parts and it works as a Concert / Big Band Wok too. It will be a fantastic addition for any concert! Available to purchase and immediate download from: Sheet Music Plus: https://www.sheetmusicplus.com/publishers/brett-a-foster-sheet-music/3015160 Sheet Music Direct: https://www.sheetmusicdirect.com/Search.aspx?query=brett%20foster.
$60.00
Music
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Orchestra
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INTERMEDIATE/ADVANCED
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John Miles
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Kevin Riley
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Music
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1471998 Composed by John Miles. Arranged by Kevin Riley. 20th Century,Pop. 88 pages. Kevin Riley #104...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1471998 Composed by John Miles. Arranged by Kevin Riley. 20th Century,Pop. 88 pages. Kevin Riley #1049695. Published by Kevin Riley (A0.1471998). Music is a 1976 single by John Miles, from his album Rebel, produced by Alan Parsons. It was successful in Europe reaching #1 on the Dutch Singles Chart, #3 on the UK Singles Chart and #10 on the German Singles Chart. It reached #88 on the Billboard Hot 100.[4] In 1982 the song was rereleased in The Netherlands and reached #4.The song was re-released in November 2009, in collaboration with the Belgian dance-act Sylver, of which Miles's son (guitarist John Miles jr.) is part of.
$80.00
I Write The Songs
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Orchestra
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INTERMEDIATE/ADVANCED
#
Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and par...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Live And Let Die
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Orchestra
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INTERMEDIATE/ADVANCED
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Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/T...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
Gekijouban Shingeki No Kyojin Zenpen: Guren No Yumiya
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Orchestra
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INTERMEDIATE/ADVANCED
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Revo
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Kevin Riley
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Gekijouban Shingeki No Kyojin
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1437916 Composed by Revo. Arranged by Kevin Riley. 20th Century,Film/TV,Video Game. 90 pages. Kevin R...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1437916 Composed by Revo. Arranged by Kevin Riley. 20th Century,Film/TV,Video Game. 90 pages. Kevin Riley #1017982. Published by Kevin Riley (A0.1437916). Guren no Yumiya (Japanese: 紅蓮の弓矢, lit. Crimson Bow and Arrow) is one of two songs created by the Japanese band Linked Horizon for the double A-side track of their three-track single Jiyū e no Shingeki. The full version of the song was released by Pony Canyon on 10 July 2013, and would be most notable for its use as the first intro to the anime Attack on Titan.The song was the first anime theme the band Linked Horizon would create, being composed using a blend of musical genres as well as Japanese and German language lyrics. Since first being used in the anime, the song has had multiple musical artists perform cover versions of the song, and has been played most notably at the 64th NHK Kōhaku Uta Gassen and during major sporting events in Japan, including at the 2020 Summer Olympics. The song would reach the number one spot on the Billboard Japan Hot 100 and Hot Animation charts upon its debut, and would receive four awards for its melody and animation by the end of 2013. In May 2014, Guren no Yumiya earned a RIAJ 2x Platinum certification for half a million sales.This arrangement requires a large orchestra.
$90.00
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestra
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ADVANCED
#
Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #94204...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Jesus Is The Way (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 7...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Minis Azaka
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Orchestra
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Michael DeVellis
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Minis Azaka
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Imagine Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: IZ.OMW202 Composed by Michael DeVellis. Score and Parts. 81 pages. Imagine Music - Digital #OMW202. Published by Imagin...
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Orchestra - Digital Download SKU: IZ.OMW202 Composed by Michael DeVellis. Score and Parts. 81 pages. Imagine Music - Digital #OMW202. Published by Imagine Music - Digital (IZ.OMW202). 9 x 12 in inches.This piece was commissioned by Georges Vilson and The Kandelab Foundation. Kandelab seeks to bring awareness to Haitian Folk and Vodou music. Vilson's book, Kandelab: 101 Notated Haitian Folk and Vodou Songs are transcriptions of this music that has otherwise been handed down through an aural tradition. Vilson's descriptions of the tales that go with these melodies were a great help in setting the tone of this work. Many thanks to Vilson and Kandelab for introducing me to these wonderful melodies and rich cultural heritage. Minis Azaka is known as the great Minister of Agriculture in Haitian Vodou. Iwa peasants bring grievances to him and also reach out to him for prosperity.An invitation is made to a gathering along the countryside and this piece introduces a dignified Minis Azaka entering a hall adorned for his arrival. His followers trail behind him. He sits to listen to their gripes, but also joins them in dance as he isalso a well known dancer. He exits with the same reverence he entered, then disappears into the fields with his entourage. This piece expresses a veil of mystery and darkness setting the tone of great honor and respect. The Nago drum reference is included with the parts. The pattern should be played in reference to the slash marking in the score. The reference is meant as a guide and liberty may be taken with the pattern.
$60.00
Into the Depths - Instrumental Parts
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Orchestra
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INTERMEDIATE
#
Christian Jesse
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Into the Depths - Instrumental
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Christian James Jesse
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian Ja...
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Full Orchestra - Level 3 - Digital Download SKU: A0.940132 Composed by Christian Jesse. Contemporary,Video Game. Score and parts. 148 pages. Christian James Jesse #6668913. Published by Christian James Jesse (A0.940132). Instrumental Parts for Into the Depths-Scoring:3.2.2.1 | 2.2.3.1 | Timpani | 5 Percussion | Piano | Harp | Strings-You are a knight, who is on a quest by order of the King. You arrive at a desolate cave with orders to kill a vile monster that slumbers within. After what seems like hours, you reach the bottom of the abyss. Nothing is there. A sigh of disappointment exits your body, but when you decide to turn back and exit the cave, an eerie feeling trails down your spine. Something was stalking you, waiting, and watching your every move. Your whole body begins to shake, as your shadow is overcome by the towering beast behind you. Your fight begins…*Winner of the 2017 UWO Spring Concerto Competition* Premiered by: University of Wisconsin Oshkosh's University Symphony Orchestra (May 4th, 2017)Conductor: Dr. Dylan Chmura-Moore
$20.00
Love Made a Way - Set of Parts (Digital Download)
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Orchestra
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Jay Rouse and Mary McDonald
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Love Made a Way - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Full Orchestra, Instrumental Parts - Digital Download SKU: LX.30-3739MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral ...
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Full Orchestra, Instrumental Parts - Digital Download SKU: LX.30-3739MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent, Christmas. Set of Parts (Digital Download). 579 pages. Lorenz Publishing - Digital Sheet Music #e30/3739MD. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3739MD). Downloadable Set of Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
$249.95
Symphony No. 3 in A minor, op. 17
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Orchestra
#
ADVANCED
#
Contemporary
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Adrian Gagiu
#
Symphony No. 3 in A minor, op.
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #94126...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Love Made a Way - Full Score (Digital Download)
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Orchestra
#
Jay Rouse and Mary McDonald
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Love Made a Way - Full Score
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Conductor's Score, Full Orchestra - Digital Download SKU: LX.30-3738MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral C...
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Conductor's Score, Full Orchestra - Digital Download SKU: LX.30-3738MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent, Christmas. Full Score (Digital Download). 166 pages. Lorenz Publishing - Digital Sheet Music #e30/3738MD. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3738MD). Downloadable Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
$99.95
Con Te Partiro (time To Say Goodbye)
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Orchestra
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INTERMEDIATE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
Goin' Home
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Orchestra
#
INTERMEDIATE
#
Gospel/Spiritual
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Antonin Dvorak and William Arm
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Felix Linsmeier
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Goin' Home
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Felix Linsmeier
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.985729 Composed by Antonin Dvorak and William Arms Fisher. Arranged by Felix Linsmeier. Classical,Fol...
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Full Orchestra - Level 3 - Digital Download SKU: A0.985729 Composed by Antonin Dvorak and William Arms Fisher. Arranged by Felix Linsmeier. Classical,Folk,Romantic Period,Sacred,Spiritual. Score and parts. 31 pages. Felix Linsmeier #591388. Published by Felix Linsmeier (A0.985729). The famous theme from the Largo of the Symphony No. 9 was adapted into the spiritual-like song Goin' Home (often mistakenly considered a folk song or traditional spiritual) by Dvořák's pupil William Arms Fisher, who wrote the lyrics in 1922. This arrangement is based on Dvořák's original orchestration of the Largo as well as the cuts and changes made by Fisher for his piano edition. This orchestration is perfectly compatible with Fisher's piano score, which the singer may use. The instrumentation is 2.2(II=corA.).2.2 - 3.2.3.1 - timp - strings + solo singer (preferably baritone) In the UK, the theme gained traction among the general public after its use in an advert for the Hovis bakery. In 1981, Don Williams would record a different song written to the melody, by Roger Cook. The resulting composition, Miracles, would peak at number 4 on the Billboard country singles chart that July, and also reach number 32 on the adult contemporary chart.
$75.00
Unchained Melody
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Orchestra
#
INTERMEDIATE
#
Al Hibbler
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Kevin Riley
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Unchained Melody
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1272619 By Al Hibbler. By Alex North and Hy Zaret. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 43 pages. Kevin Riley #864843. Published by Kevin Riley (A0.1272619). Unchained Melody is a 1955 song with music by Alex North and lyrics by Hy Zaret. North wrote the music as a theme for the prison film Unchained (1955), hence the song title. Todd Duncan sang the vocals for the film soundtrack. It has since become a standard and one of the most recorded songs of the 20th century, most notably by the Righteous Brothers in 1965. According to the song's publishing administrator, over 1,500 recordings of Unchained Melody have been made by more than 670 artists, in multiple languages.In 1955, three versions of the song (by Les Baxter, Al Hibbler, and Roy Hamilton) charted in the Billboard top 10 in the United States, and four versions (by Al Hibbler, Les Baxter, Jimmy Young, and Liberace) appeared in the top 20 in the United Kingdom simultaneously, a record for any song.The song continued to chart in the 21st century, and it was the only song to reach number one with four different recordings in the United Kingdom until it was joined by Band Aid 30's Do They Know It's Christmas? in 2014.Of the hundreds of recordings made, the Righteous Brothers' version, with a solo by Bobby Hatfield, became the jukebox standard after its release. Hatfield changed the melody in the final verse and many subsequent covers of the song are based on his version. The Righteous Brothers recording achieved a second round of great popularity when featured in the film Ghost in 1990. In 2004, it was number 27 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
$70.00
Ten Thousand Bells - SATB with Full Orchestra Accompaniment - A Joyful Inspiring Song!!! Easy to sin
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Orchestra
#
BEGINNER
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Clyde Grabski
#
Ten Thousand Bells - SATB with
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Diamond Forest Publishing
#
SheetMusicPlus
Full Orchestra - Level 1 - Digital Download SKU: A0.943949 Composed by Clyde Grabski. Christian,Christmas,Pop,Spiritual. Score and parts. 50 pages. Diamo...
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Full Orchestra - Level 1 - Digital Download SKU: A0.943949 Composed by Clyde Grabski. Christian,Christmas,Pop,Spiritual. Score and parts. 50 pages. Diamond Forest Publishing #4834687. Published by Diamond Forest Publishing (A0.943949). The words and music of Ten Thousand Bells will inspire and uplift you. It will reach a hidden yearning in your heart, bringing joy and peace. Successful performances have been done by both school and community choirs. See youtube performance.A separate SATB choir with piano accompaniment package is available. Check SMP listings under Clyde Grabski.
$60.00
The Road to Perdition - Score Only
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
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Stephen Lines
#
The Road to Perdition - Score
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Stephen Lines
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1047173 Composed by Stephen Lines. Contemporary. Score and parts. 136 pages. Stephen Lines #651708. P...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1047173 Composed by Stephen Lines. Contemporary. Score and parts. 136 pages. Stephen Lines #651708. Published by Stephen Lines (A0.1047173). This requires a good imagination, a decent headset and 15-minutes of uninterrupted peace and quiet to be fully appreciated. The story begins in turmoil, but progresses through various emotive stages that are a reflection of what most of us experience as we mature and progress through life, the vicissitudes and small victories alike are depicted: you (the hero or heroine), must use your imagination to see your own life reflected in the evolutions and developments of the music - the chorale at the end indicates that you have, or will in the future, reach a state of wisdom, a far cry from the confusion and uncertainties reflected in the opening.
$60.00
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