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--INSTRUMENTS--
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we are one 2
Not classified
782
Piano & keyboards
Piano, Voice
347
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180
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77
Easy Piano
65
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27
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26
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23
Organ
16
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15
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10
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5
1 Piano, 6 hands
2
2 Accordions
1
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Harpsichord
1
Piano Quartet: piano, violin, viola, cello
1
+ 11 instrumentations
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40
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32
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2 Ukuleles
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+ 11 instrumentations
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150
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76
Choral 3-part
50
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24
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6
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High voice
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Tenor voice
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+ 12 instrumentations
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205
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99
Saxophone Quintet: 5 Saxophones
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5 Recorders
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1
Flute Quintet : 5 flutes
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Pennywhistle
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1
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1
+ 79 instrumentations
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Retract
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154
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117
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69
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64
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57
2 Trombones (duet)
54
Trumpet
42
Trumpet, Piano
32
French horn
29
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26
Trombone (band part)
26
2 Trumpets (duet)
25
Tuba
23
French Horn and Piano
19
Tuba and Piano
18
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14
Trumpet, Saxophone (duet)
13
Trombone ensemble
11
2 French horns (duet)
8
2 Tubas (duet)
7
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7
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6
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Trumpet (band part)
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5
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String Quartet: 2 violins, viola, cello
153
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43
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31
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26
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23
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9
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7
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2 Violins, Piano
1
String Trio: 2 violins, viola
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2 Cellos, Piano
1
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Retract
Orchestra & Percussion
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189
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68
String Orchestra
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50
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50 sheet music found
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1
26
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestra
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ADVANCED
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
We Are The World
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Orchestra
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INTERMEDIATE/ADVANCED
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USA For Africa
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Todd Sheehan
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We Are The World
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Todd Sheehan
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1267774 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Todd Sheehan. Contempora...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1267774 By USA For Africa. By Lionel Richie and Michael Jackson. Arranged by Todd Sheehan. Contemporary,Pop,Rock. Score and Parts. 98 pages. Todd Sheehan #860311. Published by Todd Sheehan (A0.1267774). The powerful 1985 single We Are The World, as recorded by USA for Africa. Â The guest vocal solos are all indicated in the score and piano/vocal part.Instrumentation: 1000 - 2asax - tsax - bsax - 2330 - drs - 2-3perc - pf - synth - egtr - synth bass (or ebass) - str / Guest vocalsists, SSATB Chorus.
$75.00
We Are The World
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Orchestra
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EASY
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Pop music
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USA For Africa
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Paul Lorenz
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Worship, World
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We Are The World
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by Paul Lorenz. Broadway, Contest, Festiv...
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Full Orchestra - Level 2 - Digital Download By USA For Africa. By Michael Jackson and Lionel Richie. Arranged by Paul Lorenz. Broadway, Contest, Festival, Multicultural, Musical/Show, Pop, Praise & Worship, World. Score and parts. 55 pages. Paul Lorenz #278277. Published by Paul Lorenz
$159.99
We're Off To See The Wizard
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Orchestra
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INTERMEDIATE/ADVANCED
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Film/TV
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E
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Patrick Sheehan
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rock selections
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We're Off To See The Wizard
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Patrick Sheehan
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1505858 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Patrick Sheehan. Film/TV. 53 pages...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1505858 Composed by E.Y. Yip Harburg and Harold Arlen. Arranged by Patrick Sheehan. Film/TV. 53 pages. Patrick Sheehan #1081255. Published by Patrick Sheehan (A0.1505858). Transcribed as recorded on the soundtrack to the 1939 MGM motion picture ‘The Wizard of Oz’.INSTRUMENTATION: Piccolo, Flute I, Flute II, Oboe I, Oboe II, Bassoon I, Bassoon II, Clarinet I (Bb), Clarinet II (Bb), Trumpet I (Bb), Trumpet II (Bb), Trumpet III (Bb), Horn I (F), Horn II (F), Horn III (F), Horn IV (F), Trombone I, Trombone II, Trombone III, Tuba, PERCUSSION I (Snare Drum), PERCUSSION II (Bass Drum), Mallet Percussion, DOROTHY, SCARECROW, Harp, Piano, Violin I, Violin II, Viola, Violoncello, Contrabass. ABOUT THE ARRANGER: Patrick Sheehan has served as a professional music arranger, transcriptionist and copyist since 1999, and has over 2,000 works in his catalog spanning various genres: wind band, orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creating arrangements and transcriptions that are true to the original definitive versions and strives to produce clean and easy-to-read music. For questions or more information, please contact the arranger at PatrickSheehanMusic@GMail.com.
$50.00
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. J...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Symphony No. 2, In Praise to H
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. Jame...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
Till We Meet Again - Score Only
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Orchestra
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EASY
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George L
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Joshua Shum
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Till We Meet Again - Score Onl
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Joshua Shum
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1091275 Composed by George L.O. Strid and Mary Donnelly. Arranged by Joshua Shum. Classical,Spiritual...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1091275 Composed by George L.O. Strid and Mary Donnelly. Arranged by Joshua Shum. Classical,Spiritual. Score and parts. 12 pages. Joshua Shum #695445. Published by Joshua Shum (A0.1091275). Biological life may be limited, memories live on from one person to another, one picture to another, one story to another. Different voices of storytellers shall gather, and together, we could treasure the memories we all share through the voice of Music.
$4.99
Till We Meet Again
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Orchestra
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EASY
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George L
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Joshua Shum
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Till We Meet Again
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Joshua Shum
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1091687 Composed by George L.O. Strid and Mary Donnelly. Arranged by Joshua Shum. Classical,Spiritual...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1091687 Composed by George L.O. Strid and Mary Donnelly. Arranged by Joshua Shum. Classical,Spiritual. Score and parts. 34 pages. Joshua Shum #695840. Published by Joshua Shum (A0.1091687). Biological life may be limited, memories live on from one person to another, one picture to another, one story to another. Different voices of storytellers shall gather, and together, we could treasure the memories we all share through the voice of Music.
$49.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
Jesus Is The Way (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Jesus Is The Way
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 7...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestra
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EASY
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patrioti...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Melting Pot Overture
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Orchestra
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EASY
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Sy Brandon
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Melting Pot Overture
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon...
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Full Orchestra - Level 2 - Digital Download SKU: A0.755144 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 117 pages. Sy Brandon #3406725. Published by Sy Brandon (A0.755144). This overture was written for the York Junior Symphony and premiered at the Eastern Regional MENC Conference. It is divided into three sections, each based upon different poetry with a common theme, the unity of people on earth. The work uses folk songs from different ethnic origins in combination with each other to create a composition reflective of the title. A slow introduction leads into a spirited allegro after the narrator speaks the ending of Emma Lazarus’ poem The New Colossus, which appears on the pedestal of the statue of Liberty. This is followed by a slow section where the composer’s poem, I’m From America, is spoken over the music. The final section is also a spirited allegro where the composer’s poem, We Are One, is spoken among a set of variations on a Quapaw Indian Song. The score prints on legal size paper and the parts on letter.
$39.99
Merry-go-round Of Life
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Orchestra
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INTERMEDIATE/ADVANCED
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Kumiko
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Tom Maher
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Merry-go-round Of Life
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Tom Maher
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
Who Wants To Live Forever
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Orchestra
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INTERMEDIATE/ADVANCED
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Queen
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John Langley / Studio Orchestr
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Who Wants To Live Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1427918 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1427918 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008658. Published by www.studio-orchestrations.com (A0.1427918). This arrangement / score is set in D Minor, a tone / 2 steps below the original recorded song. Versions of this same score will be available on this website in both E Minor [original key] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]PianoElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings.
$140.00
Who Wants To Live Forever
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Orchestra
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INTERMEDIATE/ADVANCED
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Queen
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John Langley / Studio Orchestr
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Who Wants To Live Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1428141 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1428141 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008969. Published by www.studio-orchestrations.com (A0.1428141). This arrangement / score is set in C# Minor, a Minor 3rd / 3 steps below the original recorded song. Versions of this same score will be available on this website in both E Minor [original key] and also D Minor [Down a TONE / 2 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic. This recording is - like this score - also in C# Minor Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]PianoElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings.
$140.00
Who Wants To Live Forever
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Orchestra
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INTERMEDIATE/ADVANCED
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Queen
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John Langley / Studio Orchestr
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Who Wants To Live Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1428144 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1428144 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 114 pages. Www.studio-orchestrations.com #1008972. Published by www.studio-orchestrations.com (A0.1428144). This arrangement / score is set in E Minor, the original key of the recorded song. Versions of this same score will be available on this website in both D Minor [Down a Tone / 2 Steps] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]Piano/KeyboardElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings.
$140.00
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
A Lifetime Ago - Epic and Beautiful Fantasy - Full Orchestra
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Orchestra
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INTERMEDIATE
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Sid Acharya
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Jared Lane
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A Lifetime Ago - Epic and Beau
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Sid Achary
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1032883 Composed by Sid Acharya. Arranged by Jared Lane. 20th Century,Contemporary,Romantic Period. S...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1032883 Composed by Sid Acharya. Arranged by Jared Lane. 20th Century,Contemporary,Romantic Period. Score and parts. 36 pages. Sid Achary #5765581. Published by Sid Achary (A0.1032883). A fantasy-inspired piece driven by a romantic, epic and lush melody, with a nostalgic and bittersweet sound.Duration: ca. 4:15Instrumentation: 8 Violins I, 8 Violins II, 4 Violas, 4 Celli, 4 Contrabass, Piano, Flute 1, Flute 2, Piccolo, Oboe, English Horn, Clarinet in Bâ™ 1, Clarinet in Bâ™ 2, Bassoon, Horn in F 1, Horn in F 2, Trumpet in C 1, Trumpet in C 2, Trombone 1, Trombone 2, Tuba, Timpani, PercussionA Lifetime Ago was composed by Sid Acharya, an award-winning composer from Australia, and arranged by Jared Lane, an acclaimed composer and established multi-instrumentalist from the United States.This piece paints the story of reflection, and the feeling of looking back at one's life. As the melancholy rushes in, we become sad that life has changed but we also become happy and grateful to have experienced those great times at all.Appropriate to be performed at a variety of events and venues. The mood of this piece does not make it intrusive to church services or formal events. The intermediate difficulty of the performance and readability of the score also makes it ideal for school orchestras.Included in this package is the full symphony score, and all individual parts. Copyright POPCINEMA LLC and SID ACHARYA 2020
$59.99
Greater Is He (Anthem) - Orchestration
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Orchestra
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 1...
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Full Orchestra - Level 3 - Digital Download SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$49.99
Running, Searching (for Orchestra)
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Orchestra
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ADVANCED
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Contemporary
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Tito Abeleda
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Running, Searching
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.984543 Composed by Tito Abeleda. Contemporary. Score and parts. 72 pages. Visionary Quest Records #47...
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Full Orchestra - Level 5 - Digital Download SKU: A0.984543 Composed by Tito Abeleda. Contemporary. Score and parts. 72 pages. Visionary Quest Records #4794297. Published by Visionary Quest Records (A0.984543). Full Orchestra: Flutes 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Trumpet 1-2, Horn 1-2, Trombone 1-2, Timpani, Tom-Tom, Concert Bass Drum, Cymbal, Wood Blocks, Xylophone, Violin 1-2, Viola 1-2, Violoncello 1-2, ContrabassComposed by Tito Abeleda (1964 - ) Digital Download Music score plus parts = 72 PagesSometimes we need to run away. Sometimes we need to run towards something. Other times we are in need of searching for something important. Sometimes that search is frenetic or a matter of survival. Then there are those times we just need get away as quietly as possible. This encapsulates the essence of this piece Running, Searching (for Orchestra).Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$30.00
Carson Cooman: Orbital for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
American Patriotic Music for All, Volume 1 (Flexible Orchestra)
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Orchestra
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INTERMEDIATE/ADVANCED
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Various
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Randy Calistri-Yeh
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score...
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Full Orchestra - Level 4 - Digital Download SKU: A0.742743 Composed by Various. Arranged by Randy Calistri-Yeh. Folk,Holiday,Patriotic,Traditional. Score and parts. 401 pages. Custom Chamber Music #350877. Published by Custom Chamber Music (A0.742743). 2nd edition - new and improved.Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has seven songs and over 14 minutes of music that both you and your audience are sure to love. Each song is also available separately from the publisher link above.These arrangements can be played with anywhere from 3 to 7 parts, with a great deal of flexibility in instrumentation. This makes it ideal for bands of all types (full orchestra, string orchestra, chamber orchestra, school, community, or professional). This is one of the most versatile collections you'll ever use!The songs included in Volume 1 are:The Star-Spangled Banner (US National Anthem), by John Stafford Smith.America the Beautiful, by Samuel Ward.Battle Hymn of the Republic (Mine Eyes Have Seen the Glory).My Country, 'Tis of Thee (America, known as God Save the King/Queen in England).Stars and Stripes Forever, by John Philip Sousa.Washington Post March, by John Philip Sousa.Semper Fidelis, by John Philip Sousa.Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts. The difficulty level ranges from medium-easy to medium-advanced. The arrangements respect the original style of the composers while greatly expanding the instrument flexibility.This collection contains a full score, as well as individual parts in all the appropriate clefs and transpositions to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet (all with optional percussion).Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.Be sure to also check out our three volumes of Christmas Carols for All!
$45.00
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