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A Birthday - Vocal Score
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A Birthday - Vocal Score
Orchestra
Sheetmusic to print
11 sheet music found
<
1
Birthday of a King - Solo voice with SATB Chorus & Orchestra
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Orchestra
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INTERMEDIATE
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Christmas
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William Harold Heidlinger
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Paul Hemmer
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Birthday of a King - Solo voic
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PJMS MUSIC
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.798390 Composed by William Harold Heidlinger (PD. Arranged by Paul Hemmer. Christmas. Score and parts...
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Full Orchestra - Level 3 - Digital Download SKU: A0.798390 Composed by William Harold Heidlinger (PD. Arranged by Paul Hemmer. Christmas. Score and parts. 37 pages. PJMS MUSIC #6612553. Published by PJMS MUSIC (A0.798390). Birthday of a King is one of the most beloved religious Christmas classics. This orchestration features a solo voice with SATB chorus. It is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns in F, 2 trumpets, 2 trombones, Violin I & II, Viola, Cello, Double Bass, Harp, Timpani. It is certain to be an audience favorite.
$60.00
A Broadway Style Birthday for Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Richard J
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A Broadway Style Birthday for
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Richard J. Chiarappa
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.995188 Arranged by Richard J. Chiarappa. Broadway,Contemporary,Holiday. Score and parts. 26 pages. Ri...
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Full Orchestra - Level 4 - Digital Download SKU: A0.995188 Arranged by Richard J. Chiarappa. Broadway,Contemporary,Holiday. Score and parts. 26 pages. Richard J. Chiarappa #4793801. Published by Richard J. Chiarappa (A0.995188).
$60.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Carson Cooman: Flying Machine (2008) for orchestra , score
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Orchestra
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ADVANCED
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Contemporary
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Carson Cooman
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Carson Cooman: Flying Machine
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publish...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #3024993. Published by Musik Fabrik Music Publishing (A0.533576). Flying Machine (2008) for orchestra was commissioned by the Harvard-Radcliffe Orchestra incelebration of two anniversaries: the orchestra’s 200th season and James Yannatos’s 45th anniversaryas conductor. The work is dedicated to James Yannatos in celebration of his 80th birthday and hisyears of distinguished activity as conductor, composer, and mentor.The music is joyous in spirit, inspired by a sense of discovery and fulfillment—the exhilaration thatcomes from knowledge well-used. The poetic image is taken from the age of the invention of flight.The piece’s opening section is “workshop/construction†music—filled with a sense of unfolding,building, and assembly. The musical material is presented in a series of overlapping guises; the restof the work unfolds from these ideas. As the music gathers energy, the barn door is finally opened,and the behemoth is rolled out. After a pregnant pause, the music of flight begins—soaring andenergetic.The parts are available on rental from the publisher.
$25.95
The Second Day - Orchestra Score and Parts PDF
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Orchestra
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INTERMEDIATE
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Contemporary
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Brendan Elliget MAGA 537
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The Second Day - Orchestra Sco
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.750966 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 67 pages. BJE Music #5733...
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Full Orchestra - Level 3 - Digital Download SKU: A0.750966 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 67 pages. BJE Music #5733237. Published by BJE Music (A0.750966). This original composition started out as a round for 4 clarinets in 1982 and has now ( in 2020) been expanded into an arrangement for full Orchestra. Parts include Harp, Glockenspiel, and Timpani. There are still elements of the original theme and the round - There are interludes with a peaceful feel and a building up to a final climax! The composition was finished on 2nd May 2020 (my birthday) - hence the name The Second Day.The MP3 was recorded with NotePerformer 3.Grade = 3 Duration = 5:25 mins
$25.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
#
ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Snapshots
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Orchestra
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Contemporary
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Snapshots
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Schott Music - Digital
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SheetMusicPlus
For large ensemble. Composed by Mark-Anthony Turnage (1960-). This edition: study score. Music Of Our Time. Downloadable. Duration 3 minutes. Schott M...
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For large ensemble. Composed by Mark-Anthony Turnage (1960-). This edition: study score. Music Of Our Time. Downloadable. Duration 3 minutes. Schott Music - Digital #Q19667. Published by Schott Music - Digital
One of the movements in Scorched (arrangements of seventeen tunes by John Scofield for jazz trio and orchestra) has a coda, which repeats a dense, two-bar tag which sounded like it could be developed. Snapshots starts off by revealing bits of each of the two bars (with episodes placed in-between). The full two bars of music are then revealed at the end of the piece. Snapshots is a tribute to Olly [Oliver Knussen] on his 50th birthday.
Mark-Anthony Turnage.
$11.99
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Fritz Kreisler - Prelude and Allegro in the style of Pugnani, for Violin, Cello and Full Orchestra,
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Orchestra
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Contemporary
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Fritz Kreisler
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Arkady Leytush
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Fritz Kreisler - Prelude and A
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008430 Composed by Fritz Kreisler. Arranged by Arkady Leytush. 20th Century. Score and parts. 35 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008430 Composed by Fritz Kreisler. Arranged by Arkady Leytush. 20th Century. Score and parts. 35 pages. Arkady Leytush #6694177. Published by Arkady Leytush (A0.1008430). Arranging and orchestrating this opus, I exclusively prepared a kind of birthday cake for a full symphony orchestra, generously seasoned with virtuoso passages of violin and cello.A treat for musicians and listeners:).
$100.00
Bethlehem
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Orchestra
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Lloyd Larson
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Bethlehem
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - Digital Download SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrume...
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(Orchestra) - Digital Download SKU: H1.C5971ODP Composed by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 60 pages. Hope Publishing - Digital #C5971ODP. Published by Hope Publishing - Digital (H1.C5971ODP). Words by William H. Neidlinger & Phillips Brooks. Matthew 1:23 - Luke 2.Original anthem words by William H. Neidlinger & Phillips Brooks The 19th-century poet, Philips Brooks, was inspired on his journey to the Holy Land when he travelled to the town of Bethlehem one Christmas Eve. It became the basis of his famous poem, O Little Town of Bethlehem, for which Lloyd Larson has crafted a new melody in this charming choral anthem. The text also draws from William Neidlinger's The Birthday of a King. This setting comes from Lloyd's cantata Were You There on That Christmas Night (code no. 8611). Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax or Clarinet), Clarinet in B-Flat, Horn in F (or Clarinet), 2 Trombones (or Baritone T. C. ), Tuba, Percussion 1 & 2, Piano, Harp, 2 Violins, Viola, Cello, String Reduction.
$89.95
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