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--INSTRUMENTS--
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96
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47
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6
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3
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2
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C Instruments
1
Piano Quartet: piano, violin, viola, cello
1
2 Pianos, 4 hands
1
1 Piano, 6 hands
1
+ 8 instrumentations
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5
Guitar notes and tablatures
4
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3
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Voice
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11
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8
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8
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7
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+ 3 instrumentations
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21
2 Clarinets (duet)
13
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11
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11
Saxophone Quartet: 4 saxophones
9
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9
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7
2 Flutes (duet)
6
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5
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5
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5
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4
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3
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2
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2
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2
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2
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1
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1
Eb Instruments
1
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1
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3 Clarinets (trio)
1
Flute, Clarinet, Piano (trio)
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1
2 Recorders (duet)
1
Flute, Clarinet and Bassoon.
1
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11
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9
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8
Trumpet (band part)
8
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Trombone
1
Tuba (band part)
1
Trombone ensemble
1
4 Tubas
1
French horn (band part)
1
+ 17 instrumentations
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String Quartet: 2 violins, viola, cello
18
2 Double basses (duet)
14
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9
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5
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5
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4
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4
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4
2 Violas (duet)
4
2 Violins (duet)
3
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3
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3
String Trio: violin, viola, cello
2
String Quintet: 2 violins, viola, cello, bass
2
Double bass, Piano (duet)
1
Viola
1
2 Harps (duet)
1
Viola, Cello (duet)
1
+ 13 instrumentations
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38
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16
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5
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4
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4
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3
String Orchestra
3
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1
Percussion (band part)
1
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4 sheet music found
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1
Popular
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Orchestra
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INTERMEDIATE/ADVANCED
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Stephen Schwartz
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John Langley / Studio Orchestr
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Popular
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www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1473266 Composed by Stephen Schwartz. Arranged by John Langley / Studio Orchestrations. Broadway,Come...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1473266 Composed by Stephen Schwartz. Arranged by John Langley / Studio Orchestrations. Broadway,Comedy,Film/TV,Halloween,Musical/Show. 128 pages. Www.studio-orchestrations.com #1051065. Published by www.studio-orchestrations.com (A0.1473266). Popular is a comedy song (made famous and 'popular' by Kristen Chenoweth) taken from the Tony award winning Broadway musical WICKED, written by Stephen Schwartz. It subsequently opened in London's West End to great acclaim and in numerous theatres across the world. It is the prequel to the ever popular WIZARD of OZ and the origins of how the two main witches evolved into their infamous Good and Wicked personas. The central roles were created brilliantly by Idina Menzel and Kristen Chenoweth creating an enduring modern classic. This orchestration follows the key and structure of the original show with solo voice and concert orchestra:Instrumentation:2 Flutes2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2-3 Percussion [Mark Tree/Triangle/Wood Block/Tambourine/Finger Cyms./Glockenspiel/Xylophone/Vibraphone]HarpPiano(Optional 2nd Keyboard)Electric GuitarBass GuitarDrum KitStrings Look out for other similar orchestrations by John Langley and Paul Campbell at www.Studio-Orchestrations.com.
$140.00
Concerto for Electric Guitar and Orchestra
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Orchestra
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INTERMEDIATE
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Robert E
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Concerto for Electric Guitar a
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #...
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Full Orchestra - Level 3 - Digital Download SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
In Bleak Midwinter's Moonlight - Full Orchestra
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Orchestra
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INTERMEDIATE
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Christmas
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French Canadian Carol and Gust
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Mark R Lewis
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In Bleak Midwinter's Moonlight
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Mark R Lewis
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holid...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1375804 Composed by French Canadian Carol and Gustav Holst. Arranged by Mark R Lewis. Christmas,Holiday,Religious,Sacred,Traditional. 70 pages. Mark R Lewis #960352. Published by Mark R Lewis (A0.1375804). In Bleak Midwinter's Moonlight is a medley of two Christmas carols, In the Bleak Midwinter and Twas in the Moon of Wintertime. The first carol was originally written as a poem by Christina Rossetti and published in 1872. It has been set to music several times, but the tune most associated with the text, Cranham, was composed in 1906 by Gustav Holst. The second carol is a French-Canadian Christmas carol first written by a Jesuit missionary in 1642. This tune is also called the Huron Carol.This medley is written for orchestra with 3-5 octave bell choir and goes back and forth between the two carols several times. Every time the carol changes there is a key change, sometimes between related major and minor keys and sometimes between two closely related keys. The melody is carried by the low, middle, and high ranges of the bells at some point in the piece and the accompanying voices are quite active throughout most of arrangement. Within the orchestra parts, the melody switches between woodwinds, brass, and strings several times, exploring several different sound colors throughout the piece.In Bleak Midwinter's Moonlight is between the level 3 and level 4 range of difficulty. There are definitely passages that will require work and the multiple key changes require multiple handbell changes, but bell changes are never very abrupt and accidentals only happen in the transition passages. The most difficult part will probably be making sure the melody is always heard even when it is buried below active accompaniment. A few times the bass bells have quick passages that will require sharing of bells or a lot of practice. For orchestra, this piece should be playable by most intermediate players, though some brass parts push the comfortable extremes of the instrument.
$34.99
Scherzo-Langsam-Andante
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Orchestra
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Phillip S
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Scherzo-Langsam-Andante
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Phillip Steven Ledesma
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1009814 Composed by Phillip S. Ledesma. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 2...
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Full Orchestra - Digital Download SKU: A0.1009814 Composed by Phillip S. Ledesma. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 21 pages. Phillip Steven Ledesma #3011367. Published by Phillip Steven Ledesma (A0.1009814). Full Orchestral Score. This Scherzo is the 3rd movement of the 1st symphony and employs a humorous and playful opening as the woodwinds and strings play a lot of cat and mouse in their question and answer segments. This all switches to a brief adagio that gets us to the concluding Andante section introduced by a solo horn before the mood is set for pizzicato strings to pace the new direction the adventure takes. A recap utilizes some interesting changes in instrumentation with a clarinet solo that restates the opening theme at the same blistering pace the violas were relentlessly challenged by! The studio engineer that put the CD recording together liked this movement of the first symphony above all the others!
$9.99
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