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24 sheet music found
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1
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasma
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
Children in a Meadow
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Orchestra
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INTERMEDIATE
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Classical
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Karlo Ackerman
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Orchestra
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Children in a Meadow
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KF Ackerman
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1007083 Composed by Karlo Ackerman. Romantic Period. Score and Parts. 48 pages. KF Ackerman #3029089....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1007083 Composed by Karlo Ackerman. Romantic Period. Score and Parts. 48 pages. KF Ackerman #3029089. Published by KF Ackerman (A0.1007083). This is 1 of 12 original pieces I wrote 10 years ago..it is beautiful music for Piano or Piano & Orchestra. None of these pieces have been publicly performed, but I would love to see it being played. Other pieces from such as A Moment in Paradise and Lullaby is also available.
$5.99
A Northern Ballad
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Orchestra
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Classical
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Horatio Parker
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Angus Armstrong
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A Northern Ballad
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Angus Armstrong
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.923527 Composed by Horatio Parker (1863-1919). Arranged by Angus Armstrong. Romantic Period. Score and parts. 8...
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Full Orchestra - Digital Download SKU: A0.923527 Composed by Horatio Parker (1863-1919). Arranged by Angus Armstrong. Romantic Period. Score and parts. 81 pages. Angus Armstrong #4385. Published by Angus Armstrong (A0.923527). A Northern Ballad was completed on March 11, 1899. The world premiere was on April 7, 1899, performed by the New Haven Symphony, with the composer also as conductor. Within a year, the piece had been performed by the symphonies of Boston, Chicago, New York, and Cincinnati. For a work that was initially so popular, the score has never been published, until now.
$50.00
A Northern Ballad - (orchestral parts)
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Orchestra
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ADVANCED
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Classical
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Horatio Parker
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Angus Armstrong
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A Northern Ballad -
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Angus Armstrong
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.923528 Composed by Horatio Parker (1863-1919). Arranged by Angus Armstrong. Romantic Period. Score an...
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Full Orchestra - Level 5 - Digital Download SKU: A0.923528 Composed by Horatio Parker (1863-1919). Arranged by Angus Armstrong. Romantic Period. Score and parts. 95 pages. Angus Armstrong #21259. Published by Angus Armstrong (A0.923528). A Northern Ballad was completed on March 11, 1899. The world premiere was on April 7, 1899, performed by the New Haven Symphony, with the composer also as conductor. Within a year, the piece had been performed by the symphonies of Boston, Chicago, New York, and Cincinnati. For a work that was initially so popular, the score has never been published, until now.
$50.00
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Individual Parts 1 (Woodwinds and Brass)
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Orchestra
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ADVANCED
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. Ja...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730492 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 484 pages. James Nathaniel Holland #4800547. Published by James Nathaniel Holland (A0.730492). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. INDIVIDUAL INSTRUMENT PARTS 1 (Woodwinds and Brass). Piano Score, Full Orchestral Score, Individual Parts (Part 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$70.25
The Satyricon, A Balletic Roman Sex Comedy in 3 Acts, Full Orchestral Score
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Orchestra
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ADVANCED
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James Nathaniel Holland
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The Satyricon, A Balletic Roma
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. Ja...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730493 Composed by James Nathaniel Holland. Contemporary,Musical/Show. Score and parts. 370 pages. James Nathaniel Holland #4800668. Published by James Nathaniel Holland (A0.730493). Advisory: Ballet story contains adult situation and themes. Not suitable for audiences or performers under the age of 18. FULL ORCHESTRAL SCORE (with stage directions). Piano Score, Individual Parts (Parts 1 and 2) Sold Separately. American composer, James Nathaniel Holland, brings a ballet adapted from the first century Roman novel by Gaius Petronius (cir. 50 A.D.) to the stage. An entertaining ballet for adults (not suitable for general audiences under the age of 18), celebrating the male ballet dancer's physique and a laugh at our own human sexuality. The comedy is a romp of three gay protagonists and their adventures and misadventure in ancient Rome and their characters; an ex-gladiator, Enclopius, his young lover, Giton, and an upper class snob, Ascyltos. It should also be said that this ballet is not pure gratuitous vulgarity, there is a interweaving story containing a deeper message of real human relationships, the satire of ancient Roman archetypes, and a humorous glimpse into ancient Roman life that still rings true even 2,000 plus years later. Regardless of the subject matter, Holland's original music is fantastic tapestry of counterpoint, set in a sort of atonal-ism and heavy percussion, evoking a period of history no longer available to us. Although not all cues and counterpoint is contained here, this piano score is extremely useful for either a performance with 2 pianos and percussion and a dance company, a director's/choreographer's score, or a concise conductor's score, or rehearsal score. Measure numbers line up with the full score. An orchestral, performance CD is available for those company's on a budget.
$32.50
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Piano Concerto in C minor ("Concert pt pian si orchestra in do minor") - full score&parts (272 pag)
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Orchestra
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ADVANCED
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Andrei-Lucian Drăgoi
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Andrei-Lucian Drăgoi
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Piano Concerto in C minor
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Andrei-Lucian Dragoi
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1026909 By Andrei-Lucian Drăgoi. By Andrei-Lucian Drăgoi. Arranged by Andrei-Lucian Drăgoi. ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1026909 By Andrei-Lucian Drăgoi. By Andrei-Lucian Drăgoi. Arranged by Andrei-Lucian Drăgoi. Contemporary,Contest,Festival. Score and parts. 272 pages. Andrei-Lucian Dragoi #632345. Published by Andrei-Lucian Dragoi (A0.1026909). Concerto for piano and medium-sized symphonic orchestra (or chamber orchestra) Music (sketched between 2002-2010; firstly published on May 8th, 2022) by `dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com) Dedicated to all my all my past and future music teachers and models Motivation*: Because my father bought me a guitar instead of a piano many years ago... (and I've thus decided to at least create a piano concerto instead of playing one!) I still ask myself if I'd ever created such a piano concert if my father would have bought me a vertical piano or even an electronic piano from the beginning... *Motivație: Pentru că tatăl meu mi-a cumpărat cândva o chitară clasică în locul unui pian acum mulți ani... De aceea am decis să creez un concert de pian, dacă nu am putut să cânt profesional la pian! Mă întreb și acum dacă aș mai fi ajuns să creez acest concert dacă tatăl meu mi-ar fi cumpărat atunci o pianină sau chiar și o orgă electronică... Full Score & parts (272 A4 pages) Târgoviște, May 2022.
$30.00
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Greater Adria Symphonic Poem in F-sharp major
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Orchestra
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INTERMEDIATE
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Contemporary
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Meng-Hsuan Gloria Lin
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Meng-Hsuan Gloria Lin
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Greater Adria Symphonic Poem i
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Meng-Hsuan Gloria Lin
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.925405 Composed by Meng-Hsuan Gloria Lin. Arranged by Meng-Hsuan Gloria Lin. Contemporary. Score and ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.925405 Composed by Meng-Hsuan Gloria Lin. Arranged by Meng-Hsuan Gloria Lin. Contemporary. Score and parts. 15 pages. Meng-Hsuan Gloria Lin #5038191. Published by Meng-Hsuan Gloria Lin (A0.925405). This is a symphonic poem I composed about the long-lost continent Greater Adria, which broke off from Northern Africa about 240 million years ago and began slipping beneath southern Europe about 100 million years ago. It’s so poignant and beautiful that after hundreds millions of years those prehistoric lives all disappeared the lost-continent which they lived on finally had been discovered . So that I created this symphonic poem.
$50.00
Hello Friend - Orchestra Concert Score - Score Only
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Orchestra
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INTERMEDIATE
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Zane Kuchera
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Zane Kuchera
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Hello Friend - Orchestra Conce
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Zane Kuchera Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1460432 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Arranged by Zane Kuc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1460432 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Arranged by Zane Kuchera. Broadway,Film/TV,Jazz,Musical/Show,Pop,Singer/Songwriter. 9 pages. Zane Kuchera Music #1039364. Published by Zane Kuchera Music (A0.1460432). 6/12/24 Zane Kuchera Music released “Hello Friend” (Pop/Jazz) performed by the BBC Symphony Orchestra, a professional library. Lyrics inspired 50 years ago during the viewing of a PBS series about Chopin and George Sands. This song is one friend speaking directly to the other about life, love, illusion, entrapment, reinvention and aspiration. Words by Paul Norman Tapp, music & performance by Zane Kuchera.Reviews:“Remarkable... the angles of Miles Davis, the flow and soar of Gershwin. No wonder the lyric waited 50 years for music. Crazy good dynamics. Wonderful.” - P.N.T.“It sounds like something off of Harry Potter. It's very beautiful.” - A.I.M.“So beautiful Zane. The sweeping ocean and dance timed perfectly to the sweeping tide and movements of life. Thank you!” - B.M.“Beautiful imagery, majestic music, breathtakingly brilliant masterpiece.” - E.M.J.
$4.95
Twin Peaks Theme
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Orchestra
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EASY
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Contemporary
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Angelo Badalamenti and David L
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JohnBeale
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Twin Peaks Theme
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John Beale
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.984901 Composed by Angelo Badalamenti and David Lynch. Arranged by JohnBeale. Contemporary. Score and...
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Full Orchestra - Level 2 - Digital Download SKU: A0.984901 Composed by Angelo Badalamenti and David Lynch. Arranged by JohnBeale. Contemporary. Score and parts. 30 pages. John Beale #6436961. Published by John Beale (A0.984901). I have arranged this piece for a school orchestra made up of pupils of grades 1-3. It is a highly distinctive piece of music that I have liked since I first heard it 25 years ago. It is important that the bass guitar is loud – almost a solo. There is a piano part for support and filling in.
$49.99
Sleazy Louise
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Orchestra
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INTERMEDIATE
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Contemporary
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Richard Bowyer
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Sleazy Louise
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Richard Bowyer
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1009742 Composed by Richard Bowyer. Contemporary. Score and parts. 66 pages. Richard Bowyer #2026973. Published by Richard Bowyer (A0.1009742). Fat Fred and Sleazy Louise Got together one day; Fat Fred was easy to please, And she was going his way.... This is a reworking of a fun piece I originaally wrote over 30 years ago, and I have to admit that after all this time I can't actually remember why I gave it the title Sleazy Louise. But in the slow, smoochy middle section (not included in the sample recording) you'll hear that there is something a bit disreputable, down-at-heel and nicotine-stained about this lady. Scored for full orchestra, including alto and tenor saxophones, there are optional additional parts for baritone saxophone, Eb horn, treble clef trombone in Bb, easy violin and descant recorder. The violin cues in the clarinet part should only be played if the violins need reinforcing. Sleazy Louise has been performed in several countries, notably when some orchestral players fitted silly words to it and sang it to startled onlookers in Red Square, Moscow!
$50.00
Bell Fanfare - Orchestra Score and Parts PDF
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Orchestra
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INTERMEDIATE/ADVANCED
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Brendan Elliget MAGA 537
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Bell Fanfare - Orchestra Score
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.751026 Composed by Brendan Elliget MAGA 537. Concert,Contemporary,Graduation,Patriotic. Score and par...
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Full Orchestra - Level 4 - Digital Download SKU: A0.751026 Composed by Brendan Elliget MAGA 537. Concert,Contemporary,Graduation,Patriotic. Score and parts. 37 pages. BJE Music #6361991. Published by BJE Music (A0.751026). Initially a short Fanfare for Brass Group and Percussion - it has now been expanded and extended for a full orchestra featuring the Tubular Bells and includes 4 Horn Parts, 4 Trumpet Parts, and includes an optional Organ part (not on the Score). There is also an optional part for Euphonium BC or TC.​This original composition was written many years ago and revised in 2021. The organ part could be omitted.The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration 1 min.
$15.00
"Requiem for Jane" for full orchestra
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Orchestra
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ADVANCED
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Contemporary
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Kerry Barnes --- British Femal
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"Requiem for Jane" for full or
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kerry barnes
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts....
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Full Orchestra - Level 5 - Digital Download SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts. 11 pages. Kerry barnes #6065293. Published by kerry barnes (A0.969765). A symphonic work to remember my little sister Jane who died from breast cancer 5 years ago at the age of 47. This Requiem for Jane is my tribute in memory of her.Jane was a beautiful dancer, natural and graceful. I'm sure when she hears this in Heaven, she'll be working on 'some-moves' to go with it!!The climax of the piece is right at the end with all the power an orchestra has to evoke her final ascension into another world, where I will see her again one day. Amen!!
$13.77
Symphonie Nr. 10
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Orchestra
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Classical
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Gustav Mahler
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Symphonie Nr. 10
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Schott Music - Digital
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SheetMusicPlus
Orchestra - Digital Download SKU: S9.Q41654 For large orchestra. Composed by Gustav Mahler. This edition: study score. Music Of Our Time. Download...
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Orchestra - Digital Download SKU: S9.Q41654 For large orchestra. Composed by Gustav Mahler. This edition: study score. Music Of Our Time. Downloadable, Study score. Op. posth. Duration 80' 0. Schott Music - Digital #Q41654. Published by Schott Music - Digital (S9.Q41654). Gustav Mahler’s Symphony Nr. 10 is the last and only unfinished symphony in his complete oeuvre. On 5 September 1910 Mahler wrote his last notes: exactly 100 years later, the 23-year-old conductor and composer Yoel Gamzou presented with great success his new reconstruction of this extraordinary work. The World Première with the International Mahler Orchestra took place at the Ryckestrasse synagogue in Berlin as part of the Jewish Cultural Days 2010.4 (4. auch Picc.) · 4 (3. u. 4. auch Engl. Hr.) · 4 (1., 2. und 3. auch in A, 3. auch in Es, 4. auch Bassklar. in B) · 4 (3. und 4. auch Kfg.) - 4 · 4 (1. auch Kornett, 3. und 4. auch Picc.-Trp.) · 4 · 1 - P. (1 Spieler, ad lib. 2. Spieler) S. (Glsp. · Trgl. · Beck. · Tamt. · kl. Tr. · gr. Tr. m. Beck.) (3 Spieler) - Hfe. - Str.
$43.99
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestra
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EASY
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patrioti...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
The Cross Kirk and the lang walk
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Orchestra
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INTERMEDIATE
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Graham Hamilton
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The Cross Kirk and the lang wa
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Hambone Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Tradition...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
Melodia dos Anos - Score Only
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Orchestra
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INTERMEDIATE
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Lucas Narciso and Pâmella C
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Lucas Narciso
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Melodia dos Anos - Score Only
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LUCAS DE ANDRADE NARCISO
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1045458 By Lucas Narciso and Pâmella Christina. By P.G.S. Zago and Pâmella Christina. Arranged ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045458 By Lucas Narciso and Pâmella Christina. By P.G.S. Zago and Pâmella Christina. Arranged by Lucas Narciso. Broadway,Film/TV,Folk,Musical/Show,Pop. Score and parts. 11 pages. LUCAS DE ANDRADE NARCISO #650039. Published by LUCAS DE ANDRADE NARCISO (A0.1045458). Melodia dos Anjos is a song made for the book Capsula do Tempo - 20 and Few Years, by PatrÃcia Zago. The song sung by the character Mia is the second song in the series and features the interpretation of Pâmella Christina and orchestra accompaniment.
$99.00
Lantern Festival
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Orchestra
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Contemporary
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é¦¬æ°´é¾ Ma Shui Lon
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Lantern Festival>
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Lantern Festival
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SpringAutumnmusic
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.961995 Composed by é¦¬æ°´é¾ Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. Sprin...
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Full Orchestra - Digital Download SKU: A0.961995 Composed by é¦¬æ°´é¾ Ma Shui Long. 20th Century,Contemporary. Score and parts. 20 pages. SpringAutumnmusic #48521. Published by SpringAutumnmusic (A0.961995). 《玩燈》1977年《玩燈─元宵節記趣》，管弦樂元宵夜，åšå…ƒå®µï¼Œæç‡ˆç± ï¼Œé€™æ˜¯ä½œè€…å…’æ™‚å¹´å¹´æ‰€ç›¼æœ›è€Œæœ€é«˜èˆˆçš„æ™‚åˆ»ã€‚é€™æ¸…æ–°çš„å›žæ†¶ï¼Œå°±æ˜¯æœ¬æ›²å¯«ä½œçš„æ›²æ„與動機。開始是一段åºï¼Œé‚£æ˜¯è¿Žç¥žçš„鑼鼓å¹å¥è²ï¼Œç”±é 而近。輕快活潑的主題由æ¤ä¸ä»‹å…¥å±•é–‹ã€‚家家戶戶å©å們，喜氣洋洋，æè‘—ç‡ˆç± çœ‹ç†±é¬§ã€‚å»Ÿå£å»£å ´ï¼Œæ¯å¹´é€¢æ¤ä½³ç¯€ï¼Œæ›´æ˜¯é»žç‡ˆçµå½©ï¼ŒèŠ±ç‡ˆæ¨£å¼ç³ç‘¯æ»¿ç›®ï¼Œç¾Žä¸å‹æ”¶ï¼Œæ›´æœ‰è¶£çš„是元宵節謎語晚會，舞é¾ã€èˆžç…，人山人海，一片熱鬧éžå¸¸çš„景象。曲ä¸ä¹ŸåŠ 入片段慢æ¿æ¨‚å¥ï¼Œé‚£æ˜¯å…ƒå®µç¯€ï¼Œå®¶å®¶æˆ¶æˆ¶åœ˜åœ“和氣至親的寫照。 全曲在輕快活潑的主題ä¸é€²è¡Œï¼Œæ¥å…¥é«˜æ½®ã€‚※本曲1977年應國家文化è—術基金會委託創作之作å“。åŒå¹´æ–¼å°åŒ—國父紀念館舉行世界首演，由廖年賦指æ®å°åŒ—世紀交響樂團擔任演出。1977< Lantern Festival>, for orchestra Hand lanterns and sweet yuanxiao rice dumplings are two traditional items children eagerly anticipate during the annual Lantern Festival; and the composer of this piece was inspired by recollections of this joyous time from his childhood. The composition starts with a brisk and lively prelude for drums, gongs and wind instruments to welcome the deity associated with the Lantern Festival. Delighted children everywhere carry lanterns and gather in the square in front of the local temple to celebrate this exciting event. Traditional activities include dancing dragons and lions, amusing riddles and numerous brightly-lit and beautifully decorated lanterns which complete the scene. The composer has also included adagio passages to portray the amiable mood of family reunion during this special holiday. The entire composition builds to a final crescendo in a lively pace. Lantern Festival was commissioned by the National Culture and Arts Foundation in 1977, and premiered the same year by the Taipei Century Symphony Orchestra, conducted by Nien-Fu David Liao Nianfu at Taiwan's National Dr. Sun Yat-sen Memorial Hall.
$14.99
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Halloween Theme
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Orchestra
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INTERMEDIATE
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Halloween
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John Carpenter
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Kevin Riley
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Halloween Theme
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1102324 By John Carpenter. By John Carpenter. Arranged by Kevin Riley. 20th Century,Film/TV,Halloween. Score and Parts. 44 pages. Kevin Riley #705731. Published by Kevin Riley (A0.1102324). Halloween is a 1978 American independent slasher film directed and scored by John Carpenter, co-written with producer Debra Hill, and starring Jamie Lee Curtis (in her film debut) and Donald Pleasence, with P. J. Soles and Nancy Kyes appearing in supporting roles. The plot centers around a mental patient, Michael Myers, who was committed to a sanitarium for murdering his babysitting teenage sister on Halloween night when he was six years old. Fifteen years later, he escapes and returns to his hometown, where he stalks a female babysitter and her friends, while under pursuit by his psychiatrist. Filming took place in Southern California in May 1978; the work premiered in October, whereupon it grossed $70 million, becoming one of the most profitable independent films of all time. Primarily praised for Carpenter's direction and score, many critics credit the film as the first in a long line of slasher films inspired by Alfred Hitchcock's Psycho (1960), and Bob Clark's Black Christmas (1974). It is considered one of the greatest and most influential horror films ever made. In 2006, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. Halloween spawned a film franchise comprising thirteen films which helped construct an extensive backstory for its antagonist Michael Myers, sometimes narratively diverging entirely from previous installments. A direct sequel of the film was released in 1981. A remake was released in 2007, which was followed by a sequel in 2009. An eleventh installment, which serves as a direct sequel to the original film that retcons all previous sequels, was released in 2018; this was followed by two direct sequels: Halloween Kills (2021) and the upcoming Halloween Ends (2022). Additionally, a novelization, a video game and comic book series have been based on the film.
$70.00
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