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--INSTRUMENTS--
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL…
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
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EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUIT…
LUTE
MANDOLIN
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MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BA…
ORGAN
PANPIPES
PERCUSSION
PIANO
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SYNTHESIZER K…
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VIOLONCELLO - …
XYLOPHONE
ZITHER
And Thou Child
Not classified
648
Piano & keyboards
Piano solo
418
Easy Piano
246
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111
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47
Organ
25
1 Piano, 4 hands
14
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12
C Instruments
10
Piano Accompaniment
9
Piano Quartet: piano, violin, viola, cello
4
2 Pianos, 4 hands
3
Organ, Piano (duet)
3
Organ, Trumpet (duet)
1
Big Note Piano
1
+ 9 instrumentations
-
Retract
Guitars
Guitar notes and tablatures
51
Guitar
17
Melody line, (Lyrics) and Chords
12
Lyrics and Chords
9
Piano, Guitar (duet)
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Ukulele
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Banjo
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Guitar (band part)
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Dulcimer
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Retract
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171
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61
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59
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55
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19
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15
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14
Alto voice, Piano
9
Voice solo
5
Vocal duet
4
Choral
2
Medium voice, Piano
2
High voice
2
Tenor voice
1
Choral SSAATTBB
1
+ 10 instrumentations
-
Retract
Woodwind
2 Saxophones (duet)
61
Flute and Piano
48
Clarinet and Piano
46
2 Clarinets (duet)
41
2 Recorders (duet)
34
2 Flutes (duet)
30
Saxophone, Clarinet (duet)
28
Alto Saxophone and Piano
25
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23
Flute
23
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23
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23
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21
Clarinet
18
2 Oboes (duet)
17
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16
Oboe (band part)
16
Soprano Saxophone and Piano
16
Flute, Oboe, Clarinet, Bassoon
15
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13
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12
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11
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11
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11
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11
3 Clarinets (trio)
11
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11
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10
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10
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9
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9
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9
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9
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8
3 Saxophones (trio)
8
Tenor Saxophone
8
Flute, Violin, Piano
7
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6
Clarinet Ensemble
6
Clarinet, Trombone (duet)
6
Baritone Saxophone, Piano
5
Flute Trio: 3 flutes
5
Flute, Clarinet and Bassoon.
5
English horn, Piano
5
Clarinet, Bassoon (duet)
5
Recorder Quartet
5
Oboe, Cello
4
Flute Quartet: 4 flutes
4
Flute, Violoncello
3
Bass Clarinet, Piano
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Flute ensemble
3
Flute and Guitar
3
Flute Quintet : 5 flutes
3
3 Oboes
2
Flute, Oboe (duet)
2
Oboe and viola (duet)
2
Clarinet, Cello (duet)
2
Oboe
2
Bass Clarinet
2
Saxophone ensemble
1
Treble (Alto) Recorder
1
Clarinet Quintet: 5 clarinets
1
Flute, harp and violin
1
Flute, Viola and Piano
1
Oboe, Violin (duet)
1
Recorder Ensemble
1
Flute, Oboe, Bassoon
1
Flute, Oboe, Clarinet (trio)
1
Flute, Clarinet, Piano (trio)
1
Flute (band part)
1
Clarinet, Guitar (duet)
1
Clarinet, Harp (duet)
1
Saxophone and Harp
1
Oboe, Harp
1
English Horn, Guitar (duet)
1
Soprano Saxophone
1
+ 71 instrumentations
-
Retract
Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba
43
2 Trumpets (duet)
29
Trumpet
27
2 Trombones (duet)
23
Trombone and Piano
22
French horn
21
Trombone
20
Trumpet, Saxophone (duet)
19
Brass quartet : 2 trumpets, trombone, tuba
19
Trumpet, Piano
16
French Horn and Piano
15
Trumpet, Trombone (duet)
14
Tuba
12
2 French horns (duet)
10
Tuba and Piano
9
2 Euphoniums (duet)
8
2 Tubas (duet)
8
Brass Quartet: 2 trumpets, horn, trombone
8
Trumpet, Horn (duert)
5
English horn, Piano
5
Brass Quartet: 4 horns
3
Trumpet, Bassoon (duet)
3
Tuba and Organ
3
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2
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2
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2
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2
Trombone ensemble
2
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1
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3 French horns (trio)
1
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1
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1
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1
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1
Brass Quartet: 2 trumpets, 2 trombones
1
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1
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1
+ 38 instrumentations
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Retract
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81
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46
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45
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45
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41
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33
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26
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22
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19
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17
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16
Harp
16
Viola
15
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14
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13
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10
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5
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5
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4
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4
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3
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2
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2
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2
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2
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2
String quartet: 4 violins
2
Piano Trio: Violin, Viola, Piano
2
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2
String Trio: 2 violins, cello
2
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2
2 Harps (duet)
2
String Trio: 2 violins, viola
1
Harp, Violin (duet)
1
Harp, Cello (duet)
1
Viola and Bassoon
1
4 Cellos
1
Viola and Harp
1
Harp, Flute (duet)
1
Doublebass (band part)
1
Violin, Clarinet, Piano (trio)
1
+ 37 instrumentations
-
Retract
Orchestra & Percussion
Concert band
52
String Orchestra
47
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45
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18
Chamber Orchestra
16
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13
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8
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2
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2
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1
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1
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1
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And Thou Child
Orchestra
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45 sheet music found
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1
26
O Perfect Love - Orchestra/Concert Band Score and Parts PDF
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Orchestra
#
INTERMEDIATE
#
Sacred music
#
Richard Runciman Terry 1865-19
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Brendan Elliget MAGA 537
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O Perfect Love - Orchestra/Con
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BJE Music
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.751056 Composed by Richard Runciman Terry 1865-1938. Arranged by Brendan Elliget MAGA 537. Christian,...
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Full Orchestra - Level 3 - Digital Download SKU: A0.751056 Composed by Richard Runciman Terry 1865-1938. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 35 pages. BJE Music #6516483. Published by BJE Music (A0.751056). O Perfect Love – This hymn of probably the lesser-known tune, called Highwood, is often sung at weddings or funerals. The arrangement here is for both Orchestra and/or Concert Band with parts for Harp and Optional Piano (Both shown on the score). The only percussion part is for the Timpani. Various combinations of instrumentals from a small group with the keyboard to the full Orchestra are possible. There is a descant part for Oboe, Clarinet, or Trumpet in the final verse.Grade = 3 Duration = 2:25 mins. The MP3 was recorded with NotePerformer 3.Introduction – Verse 1: Oboe Solo, Strings, Piano, and Harp.Verse 2: +Woodwinds.Verse 3: +All Brass plus the Descant for Oboe, Clarinet, and Trumpet (Full Orchestra) plus Timpani.Tune: Highwood Meter: Irregular Style: Early 20th Century Composer: Richard Runciman Terry (1865 – 1938) Lyricist: Dorothy Blomfield Gurney (1867 – 1936)The lyrics:O perfect Love, all human thought transcending, lowly we kneel in prayer before thy throne, that theirs may be the love which knows no ending, whom thou forevermore dost join in one.O perfect Life, be thou their full assurance of tender charity and steadfast faith, of patient hope and quiet, brave endurance, with childlike trust that fears not pain nor death.Grant them the joy which brightens earthly sorrow; grant them the peace which calms all earthly strife, and to life’s day the glorious unknown morrow that dawns upon eternal love and life.
$15.00
Tombland Fanfare
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Orchestra
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ADVANCED
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Contemporary
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
#
SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Publ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
What Child We Sing?
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Orchestra
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INTERMEDIATE
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Robert Myers
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What Child We Sing?
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WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and part...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976706 Composed by Robert Myers. 20th Century,Christian,Christmas,Contemporary,Sacred. Score and parts. 46 pages. WheatMyer Music #4604745. Published by WheatMyer Music (A0.976706). The title,What Child We Sing, is a play on two traditional Christmas carols, What Child Is This and Sing We Now of Christmas, which are the basis of this new work. What Child Is This is almost always paired wth the 16th Century English tune, Greensleeves, a ballad of unrequited love. Both the text and tune of Sing We Now of Christmas come from a traditional French Christmas carol, Noel Nouvelet, believed to be even older than Greensleeves. These two traditional Christmas carols blend together in several ways so as to make the compilation into one work a natural result. Both tunes are set in a minor mode with a very similar narrow melodic range that effortlessly flow together. The question of what child lies in the manger is answered in the refrain of Sing We Now of Christmas with the proclamation, Sing We Noel, the King is born, Noel. The result turns out not to be a medley but a melding of two distincts into one union, What Child We Sing?What Child We Sing best works in the Advent or Christmas seasons with its strong exposition of traditional Christmas carols and would be suitable in a sacred concert or as a prelude, offertory, or reflective music in either liturgical or unstructured service. It has sufficient artistic metric to be suitable for the concert stage as well, although it is not at all difficult, being suitable for intermediate or higher level musicians.
$75.00
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestra
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EASY
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patrioti...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Be Thou My Vision - "Bí Thusa 'mo Shúile" - Easy Orchestral Arrangement, Score and Parts
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Orchestra
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EASY
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Sacred music
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Mary E
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Daniel H Rosa
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Be Thou My Vision - "Bí Thusa
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Daniel H Rosa
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1156376 Composed by Mary E. Byrne / Eleanor H. Hull. Arranged by Daniel H Rosa. Children,Christian,Pr...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1156376 Composed by Mary E. Byrne / Eleanor H. Hull. Arranged by Daniel H Rosa. Children,Christian,Praise & Worship,Religious,Sacred. Score and Parts. 36 pages. Daniel H Rosa #756695. Published by Daniel H Rosa (A0.1156376). Easy Intermediate Orchestral Arrangement, Score and Parts.
$9.99
Thoughts in the Silent Night - Score Only
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Orchestra
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EASY
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Christmas
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Frances Newell
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Thoughts in the Silent Night -
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Frances Newell
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1206005 Composed by Frances Newell. Chamber,Children,Folk,New Age,Singer/Songwriter. 9 pages. Frances...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1206005 Composed by Frances Newell. Chamber,Children,Folk,New Age,Singer/Songwriter. 9 pages. Frances Newell #804196. Published by Frances Newell (A0.1206005). Lyrical, rich melody and orchestration set to Tang Dynasty poem about full moon shining through window and making you think of home.
$6.99
Thoughts in the Silent Night-Ancient Chinese Moonlight - Score Only
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Orchestra
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Christmas
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Frances Newell
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Thoughts in the Silent Night-A
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Frances Newell
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1207074 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 9 pages. Frances Newell #80525...
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Full Orchestra - Digital Download SKU: A0.1207074 Composed by Frances Newell. Chamber,Children,Folk,Instructional,New Age. 9 pages. Frances Newell #805253. Published by Frances Newell (A0.1207074). Tang Dynasty poem set to lyrical melody and rich harmonies.full moon shining through window makes you think of home.
$7.99
Funeral March from 'Songs without words'
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Orchestra
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EASY
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Classical
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Felix Bartholdy Mendelssohn
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Carl Rochford
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Funeral March from 'Songs with
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Carl Rochford
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1294208 Composed by Felix Bartholdy Mendelssohn. Arranged by Carl Rochford. 19th Century,Children,Rom...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1294208 Composed by Felix Bartholdy Mendelssohn. Arranged by Carl Rochford. 19th Century,Children,Romantic Period. Score and Parts. 26 pages. Carl Rochford #884632. Published by Carl Rochford (A0.1294208). Mendelsson's beautiful Funeral March from 'Songs without words' arranged for orchestra.
$9.99
Beauty And The Beast
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Orchestra
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EASY
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Celine Dion & Peabo Bryson
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Joseph Perkins
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Beauty And The Beast
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Joseph Perkins
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1470103 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Joseph Perkins. ...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1470103 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Joseph Perkins. Broadway,Children,Film/TV,Musical/Show. 52 pages. Joseph Perkins #1047851. Published by Joseph Perkins (A0.1470103). The title theme from the Disney Animated film Beauty and the Beast. Set for Grade 2 String/Full Orchestra. Can be performed with strings alone (with or without piano) up to full orchestra.Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone 2. Baritone Saxophone doubles Trombone 3.
$49.99
Rosary Sonatas: The Presentation
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Orchestra
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INTERMEDIATE/ADVANCED
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Presentati
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081594 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 79 pages. JMJ Arrangements #685710. Published by JMJ Arrangements (A0.1081594). [W]hen the time came for their purification according to the law of Moses, they brought him up to Jerusalem to present him to the Lord (as it is written in the law of the Lord, 'Every male that opens the womb shall be called holy to the Lord') and to offer a sacrifice according to what is said in the law of the Lord, 'a pair of turtledoves, or two young pigeons.' Now there was a man in Jerusalem, whose name was Simeon, and this man was righteous and devout, looking for the consolation of Israel, and the Holy Spirit was upon him. And it had been revealed to him by the Holy Spirit that he should not see death before he had seen the Lord’s Christ. And inspired by the Spirit he came into the temple; and when the parents brought in the child Jesus, to do for him according to the custom of the law, he took him up in his arms and blessed God and said, 'Lord, now lettest thou thy servant depart in peace, according to thy word; for mine eyes have seen thy salvation which thou hast prepared in the presence of all peoples, a light for revelation to the Gentiles, and for glory to thy people Israel.' And his father and his mother marveled at what was said about him; and Simeon blessed them and said to Mary his mother, 'Behold, this child is set for the fall and rising of many in Israel, and for a sign that is spoken against (and a sword will pierce through your own soul also), that thoughts out of many hearts may be revealed.' ... And when they had performed everything according to the law of the Lord, they returned into Galilee, to their own city, Nazareth. And the child grew and became strong, filled with wisdom; and the favor of God was upon him. (Luke 2:22-35, 39-40 RSV-CE).
$19.99
CONJUNCTION: The Christmas Star of 2020
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Orchestra
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INTERMEDIATE
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Christmas
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. Whea...
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Livin' On A Prayer
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Bon Jovi
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Brett A Foster
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Livin' On A Prayer
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1184446 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1184446 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Pop,Rock,Standards. Score and parts. 107 pages. Brett A Foster #784175. Published by Brett A Foster (A0.1184446). His classic power rock anthem has been reimagined for Symphonic Pops Orchestra with Optional SATB Choir by Brett A Foster. The arrangement works well for Full Orchestra without the optional vocal parts; however, their addition would make an amazing finish to concert. This piece will literally have the audience singing and dancing in the aisles. What a wonderful way to finish a Pops Concert! In addition to the standard symphonic instruments this arrangement also has optional Pops Orchestra parts for Alto and Tenor Saxophones, Keyboard / Piano, Electric Guitar, and Bass Guitar. Livin' on a Prayer is a song by the American rock band Bon Jovi and is the band's second chart-topping single from their third album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora and Desmond Child, the single, released in late 1986, was well received at both rock and pop radio and its music video was given heavy rotation at MTV, giving the band their first No. 1 on the Billboard Mainstream Rock chart and their second consecutive No. 1 Billboard Hot 100 hit.
$79.99
You Give Love A Bad Name
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Bon Jovi
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Brett A Foster
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You Give Love A Bad Name
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1260631 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Brett A Foster. 20th Century,Contemporary,Rock. Score and Parts. 12 pages. Brett A Foster #853824. Published by Brett A Foster (A0.1260631). You Give Love a Bad Name is a song by American rock band Bon Jovi, released as the first single from their 1986 album Slippery When Wet. Written by Jon Bon Jovi, Richie Sambora, and Desmond Child about a woman who has jilted her lover, the song reached No. 1 on the U.S. Billboard Hot 100 on November 29, 1986, and became the band's first number one hit. This Pops style arrangement for full orchestra (with optional parts for Saxophone and Rock Rhythm Section) is sure to be a sing along hit for your next concert. If you are looking for a great combined choral orchestral work, the arrangement also features optional parts for a TTBB Choir and Piano. The arrangement works with and without the choir. A TTBB Choral Arrangement is also available for separate sale, for those who don't have the luxury of a full orchestra.
$79.00
The Trek
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Orchestra
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INTERMEDIATE/ADVANCED
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Phillip S
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The Trek
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Phillip Steven Ledesma
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1009813 Composed by Phillip S. Ledesma. Contemporary,Romantic Period. Score and parts. 7 pages. Phill...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1009813 Composed by Phillip S. Ledesma. Contemporary,Romantic Period. Score and parts. 7 pages. Phillip Steven Ledesma #49899. Published by Phillip Steven Ledesma (A0.1009813). A legion of migrants haul thousands of tons of timber and hand made bricks over a hundred miles to build a remarkable civilization before the first millennium A.D. and succeed at constructing a flourishing community in Chaco Canyon that wasn't matched by the neighboring communities! The trek is long and laborious, and the huge logs of timber had to be carried - NOT DRAGGED - to their spiritually appointed destination over the rough, dry, and rocky terrain of this unforgiving canyon! But there is confident hope in their vision and you can hear the building and thriving marketplaces and the children frolicking as the community takes shape, culminating in a sunset that warms the hearts of this new and vibrant community! Too romantic of a notion? Take this musical trek yourself through this Anasazi wonder!
$9.99
Rudolph The Red-nosed Reindeer
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Orchestra
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INTERMEDIATE
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John Denver
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Brendan James Elliget MAGA 537
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Rudolph The Red-nosed Reindeer
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1125751 By John Denver. By Johnny Marks. Arranged by Brendan James Elliget MAGA 537. Children,Christm...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1125751 By John Denver. By Johnny Marks. Arranged by Brendan James Elliget MAGA 537. Children,Christmas,Contemporary. Score and parts. 35 pages. BJE Music #726490. Published by BJE Music (A0.1125751). Rudolph the Red-Nosed Reindeer is a fictional reindeer created by Robert L. May. Rudolph is usually depicted as the ninth and youngest of Santa Claus's reindeer, using his luminous red nose to lead the reindeer team and guide Santa's sleigh on Christmas Eve. Though he initially receives ridicule for his nose as a fawn, the brightness of his nose is so powerful that it illuminates the team's path through harsh winter weather. Ronald D. Lankford, Jr., described Rudolph's story as the fantasy story made to order for American children: each child has the need to express and receive approval for his or her individuality and/or special qualities. Rudolph's story embodies the American Dream for the child, written largely because of the cultural significance of Christmas.†[Wikipedia] This arrangement is for a full Orchestra with an Optional Vocal – A Vocal Lead Sheet and Piano Part are included in the Score with an optional Violin 3 (sub-Viola). Grade = 3 Duration = 2:20 mins The MP3 was recorded with NotePerformer 3.
$50.00
RAGING FURIES - Goettinnen der Rache
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Orchestra
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INTERMEDIATE/ADVANCED
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classic...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Have You Heard? - Set of Parts (Digital Download)
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Orchestra
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Christmas
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Joel Raney
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Away in a Manger
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Have You Heard? - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Ad...
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Instrumental Parts, Full Orchestra - Digital Download SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (Digital Download). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
Livin' On A Prayer
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Bon Jovi
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Daryl McKenzie
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Livin' On A Prayer
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1365725 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Daryl McKenzie. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1365725 By Bon Jovi. By Desmond Child, Jon Bon Jovi, and Richie Sambora. Arranged by Daryl McKenzie. Pop,Rock. 109 pages. Daryl McKenzie #950068. Published by Daryl McKenzie (A0.1365725). Arranged in the style of Bon Jovi for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of EmNote: Playable without Saxes. Playable with 3 Trumpets and 3 Trombones.Full audio demo (Sibelius Sounds): click hereAlso available for Big Band or Small Band: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
If I Were A Rich Man
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Orchestra
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INTERMEDIATE
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Hines Hines & Dad
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Marek Czekala
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If I Were A Rich Man
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1198448 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by Marek Czekala. 20th Cent...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1198448 By Hines Hines & Dad. By Jerry Bock and Sheldon Harnick. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 59 pages. Marek Czekala #797590. Published by Marek Czekala (A0.1198448). If I Were a Rich Man is a show tune from the 1964 musical Fiddler on the Roof. It was written by Sheldon Harnick and Jerry Bock. The song is performed by Tevye, the main character in the musical, and reflects his dreams of glory. The title is inspired by a 1902 monologue by Sholem Aleichem in Yiddish, Ven ikh bin Rothschild (Yiddish: װען ×יך בין ר×ָטשילד; lit. “If I were a Rothschildâ€), a reference to the wealth of the Rothschild family, although the content is quite different. The lyric is based in part on passages from Sholem Aleichem’s 1899 short story The Bubble Bursts. Both stories appeared in English in the 1949 collection of stories Tevye's Daughters.WikipediaThis arrangement proves that even with a single cast of wind instruments, a piece can sound great.
$50.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestra
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Classical
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady...
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
What The World Needs Now Is Love
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Orchestra
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INTERMEDIATE/ADVANCED
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Jackie DeShannon
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Daryl McKenzie
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What The World Needs Now Is Lo
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1444487 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Contemporar...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1444487 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by Daryl McKenzie. Contemporary,Film/TV,Pop. 94 pages. Daryl McKenzie #1024379. Published by Daryl McKenzie (A0.1444487). Arranged in the style of Dionne Warwick for Vocal with Choir (Childrens Choir, Gospel Choir or Choir) and Pops Orchestra (2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, Perc, Piano, 2nd Keyboard (or 2nd Guitar), Acoustic Guitar, Acoustic Bass, Drums, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, Cb. Key of G Minor.Note: Playable without Saxes. Playable with 3 Trumpets & 3 Trombones.Also available for Big Band: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
Pere Marquette #1225, Op. 2
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Orchestra
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INTERMEDIATE
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Christian Moehrle, H
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Christian Moehrle
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Pere Marquette #1225, Op. 2
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Christian Frederick Moehrle
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1024376 Composed by Christian Moehrle, H. Owen Reed, and Winifred Lee Brent Lyster. Arranged by Chris...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024376 Composed by Christian Moehrle, H. Owen Reed, and Winifred Lee Brent Lyster. Arranged by Christian Moehrle. Children,Christmas,Contemporary,Folk. Score and parts. 29 pages. Christian Frederick Moehrle #5001315. Published by Christian Frederick Moehrle (A0.1024376). Another selection from my Steam Locomotive Songbook, this ballad was meant to musically describe the official state steam locomotive of Michigan, the Pere Marquette #1225, which is owned and operated by the Steam Railroading Institute in Owosso, MI. Most people should recognize this easily, as it starred as the titular train in the 2004 animated movie The Polar Express, starring Tom Hanks. And seeing that the #1225 is the real-life version of said Christmas train, that runs holiday-themed excursions based upon the original Chris Van Allsburg story, I'd thought it is appropriate to give it a Christmas theme. Again, much of this is my own work, although it also recycles material from the official Michigan State University Alma Mater, MSU Shadows, and the traditional German Hymn turned official Michigan State Song O Tannebaum/Michigan my Michigan. With all that being said, I also do not own the Pere Marquette railroad.
$7.65
This Is Halloween
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Orchestra
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INTERMEDIATE/ADVANCED
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Halloween
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Danny Elfman
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L
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This Is Halloween
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LCH Music
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Mu...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1105185 Composed by Danny Elfman. Arranged by L.C. Harnsberger. Broadway,Christmas,Film/TV,Holiday,Musical/Show. Score and Parts. 80 pages. LCH Music #708440. Published by LCH Music (A0.1105185). Danny Elfman’s classic song “This Is Halloween†from Tim Burton’s The Nightmare Before Christmas has been skillfully adapted for standard-sized orchestra with harp. This instrumental arrangement retains the “haunting†mood and colorful orchestration of the original, but makes it easily performed by any group with standard instrumentation. The harp and pitched percussion parts may be performed on electronic keyboards. Danny Elfman composed the music to Tim Burton’s 1993 classic stop-motion animated feature The Nightmare Before Christmas. Although Walt Disney Pictures feared the film might be too scary for children, it is now considered a timeless classic that has been re-released numerous times, and has been featured in the annual holiday-season version of Disney’s Haunted Mansion since 2001. Today the film is frequently screened with live orchestra and singers. “This Is Halloween†is the perfect piece to open or close your next fall or holiday concerts.Please note the following errata: In the flute 1, flute 2, and clarinet 1 parts, the arpeggio in measure 59 should be one measure later in measure 60.
$79.99
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