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Ave Maria: Oboe
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You've selected:
Ave Maria: Oboe
SheetMusicPlus
Orchestra
Sheetmusic to print
7 sheet music found
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1
Ave Maria (Bach/Gounod)
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Orchestra
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EASY
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Charles Francois Gounod and Jo
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Nuno Figueiredo
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Ave Maria
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Nuno Figueiredo
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1518777 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Nuno Figueiredo. B...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1518777 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Nuno Figueiredo. Baroque,Christmas,Opera,Religious,Singer/Songwriter. 51 pages. Nuno Figueiredo #1092900. Published by Nuno Figueiredo (A0.1518777). Version of Ave Maria for symphony orchestra (simple) with flexible winds. The piece has been transposed and orchestrated in such a way that any of these singers (alto or soprano) can perform it without the need to master very high vocal registers.Instrumentation (flexible / transpositions)WindsFlute 1Flute 2 (or oboe)Oboe (clarinet in Eb or soprano saxophone)Clarinet in Bb1Clarinet in Bb2Alto Saxophone 1Alto Saxophone 2Bassoon (tenor saxophone or euphonium, bass & treble clef)BrassTrumpet in Bb1Trumpet in Bb2Horn in F1 (or euphonium, bass & treble clef)Horn in F2 (or euphonium, bass & treble clef)Trombone 1Trombone 2Tuba (bass & treble clef)PianoPercussion (Timpani, Wind Chimes and Cymbals)StringsViolin 1Violin 2Viola (or Violin 3)VioloncelloContrabass.
$89.99
Ave Maria
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Orchestra
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Classical
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Franz Schubert
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Franz Liszt and Joshua Choe
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Ave Maria
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.727976 Composed by Franz Schubert. Arranged by Franz Liszt and Joshua Choe. Classical,Romantic Period,Sacred,We...
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Full Orchestra - Digital Download SKU: A0.727976 Composed by Franz Schubert. Arranged by Franz Liszt and Joshua Choe. Classical,Romantic Period,Sacred,Wedding. Score and parts. 42 pages. JMJ Arrangements #336242. Published by JMJ Arrangements (A0.727976). Instrumentation: 2 Flutes, 2 Oboes, 2 Clarinets (B-flat), 2 Bassoons, 2 French Horns (F), 2 Trumpets (B-flat), Timpani, Strings.
$39.99
Haydn - Symphony No.48 in C major, Hob.I:48 "Maria Theresia"
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Orchestra
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Classical
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Franz Joseph Haydn
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J
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Haydn - Symphony No.48 in C ma
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.819642 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 89 pages. J...
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Full Orchestra - Digital Download SKU: A0.819642 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 89 pages. J.G. Cuco Barber #5987623. Published by J.G. Cuco Barber (A0.819642). Composer Haydn, JosephOpus/Catalogue Number Hob.I:48Key C majorMovements/Sections 4 movements:Allegro (C major, 196 bars)Adagio (F major, 89 bars)Minuet (C major, 44 bars)- Trio (C minor, 40 bars)Finale. Allegro (C major, 160 bars)Year/Date of Composition 1768-69First Publication 1784 or earlier – Paris: Imbault and SieberAverage Duration 30 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: Orchestra:Oboe 1Oboe 2BassoonHorn in C/F 1 original & F transposedHorn in C/F 2 original & F transposedTrumpet in Bb 1 optionalTrumpet in Bb 2 optionalTimpaniViolin IViolin IIViolaVioloncelloContrabass
$28.00
Canongia - Air varié for Clarinet & Orchestra
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Orchestra
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Classical
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José Avelino Canongia
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J
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Canongia - Air varié for Clar
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1297680 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic ...
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Full Orchestra - Digital Download SKU: A0.1297680 Composed by José Avelino Canongia. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. Score and Parts. 143 pages. J.G. Cuco Barber #887655. Published by J.G. Cuco Barber (A0.1297680). Work Title Air varié pour la Clarinette avec acc. de Grande OrchestreComposer Canongia, José AvelinoKey F minorMovements/Sections1 section(Introduction: Allegro - Theme: Andante - variações 1-4 - Allegro - Adagio - variações 5 + 6 - Coda)First Publication 1805-16Dedication Maria da Glória, Rainha de PortugalAverage Duration 20 minutesComposer Time Period RomanticPiece Style ClassicalInstrumentation solo: clarinetorchestra: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, trombone, timpani, strings
$45.00
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
Cramer - Clarinet Concerto No.3 in E flat major
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Orchestra
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Giuseppe Maria Cambini
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J
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Cramer - Clarinet Concerto No.
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1349585 Composed by Giuseppe Maria Cambini. Arranged by J.G. Cucó Barber. 19th Century,Classical. 177 pages....
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Full Orchestra - Digital Download SKU: A0.1349585 Composed by Giuseppe Maria Cambini. Arranged by J.G. Cucó Barber. 19th Century,Classical. 177 pages. J.G. Cuco Barber #934347. Published by J.G. Cuco Barber (A0.1349585). Work Title Clarinet Concerto in E flat major No.3Composer Cramer, Franz SeraphKey E flat majorMovements/Sections 2 movementsYear/Date of Composition 1809Average Duration 20 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation clarinet, orchestraInstrDetail2 flutes, 2 oboes, 2 bassoons2 horns, 2 trumpets, timpani, strings.
$45.00
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
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