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Ave Maria - Catholic Latin
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You've selected:
Ave Maria - Catholic Latin
SheetMusicPlus
Orchestra
Sheetmusic to print
3 sheet music found
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'Ave Maria' (For Orchestra, Soprano, Baritone and Choir)
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Orchestra
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INTERMEDIATE/ADVANCED
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Sacred music
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Raymond Fenech
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'Ave Maria'
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Raymond Fenech
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.759812 Composed by Raymond Fenech. 20th Century,Easter,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.759812 Composed by Raymond Fenech. 20th Century,Easter,Praise & Worship,Sacred,Spiritual. Score and parts. 50 pages. Raymond Fenech #3071063. Published by Raymond Fenech (A0.759812). This is an original Ave Maria with Traditional Latin Lyrics, composed for full Orchestra and Soprano, Baritone and Choir (two voices). The level is Intermediate/ advance Intermediate. You will also get an Optional piano score which could be used for rehearsing the Choir and voices. The duration of this Ave Maria is 7.05 minutes and it could be reduced to 4.35 minutes if you omit the repeat.
$35.00
Jurame
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Andrea Bocelli
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Javier MartÃnez Maya
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Jurame
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score a...
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Full Orchestra - Level 4 - Digital Download SKU: A0.742593 By Andrea Bocelli. By Maria Grever. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 44 pages. Arte Nova Music Lab #6432101. Published by Arte Nova Music Lab (A0.742593). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. She is best known for the song What A Difference A Day Makes (originally Cuando vuelva a tu lado), which was popularized by Dinah Washington and has been covered by numerous artists. Grever wrote more than 1000 songs - the majority of them boleros - and her popularity reached audiences in Latin America, Europe, and the United States. She was said to have possessed perfect pitchand wrote most of her songs in one key. Her first piece of music, a Christmas carol, was composed when she was four years old. She wrote her first song when she was 18 years old, A Una Ola (To a Wave), and it sold three million copies.Taken from https://en.wikipedia.org/wiki/Mar%C3%ADa_Grever
$60.00
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
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