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6 sheet music found
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1
The Young Bride - Arranged Marriage
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Orchestra
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EASY
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Carmen Almarza Salas
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Carmen Alma
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The Young Bride - Arranged Mar
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Chari Alma
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1487942 By Carmen Almarza Salas. By Bela Bartok and Carmen Andrea Almarza Salas. Arranged by Carmen A...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1487942 By Carmen Almarza Salas. By Bela Bartok and Carmen Andrea Almarza Salas. Arranged by Carmen Alma. 20th Century,Children,Classical,Film/TV,Multicultural,World. 21 pages. Chari Alma #1064873. Published by Chari Alma (A0.1487942). This is an arrangement, orchestration based on Béla Bartók - For Children : No. 17 Sz. 42 The Young Bride For Begginer - Intermediate Stage Orchestra By Carmen Alma @charimusicas.
$50.00
Ikons
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Orchestra
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Publish...
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Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00
Three Rondos on Slovak Folk Tunes, Orchestrated by A. Leytush
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Orchestra
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INTERMEDIATE
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Contemporary
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Arkady Leytush
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Arkady Leytush
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Three Rondos on Slovak Folk Tu
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1164892 By Arkady Leytush. By Bela Bartok. Arranged by Arkady Leytush. 20th Century. Score and parts....
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Full Orchestra - Level 3 - Digital Download SKU: A0.1164892 By Arkady Leytush. By Bela Bartok. Arranged by Arkady Leytush. 20th Century. Score and parts. 68 pages. Arkady Leytush #765229. Published by Arkady Leytush (A0.1164892).
$60.00
Béla Bartók - Romanian folk dances - arrangement for violin solo and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Béla Bartók, Zoltán S
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Apor Szüts
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Béla Bartók - Romanian folk
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Szüts Apor
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.917819 Composed by Béla Bartók, Zoltán Székely. Arranged by Apor Szüts. 20th Century. ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.917819 Composed by Béla Bartók, Zoltán Székely. Arranged by Apor Szüts. 20th Century. Score and parts. 58 pages. Szüts Apor #5336699. Published by Szüts Apor (A0.917819). Béla Bartók's Six Romanian folkdances has been arranged for a violin solo and a full symphony orchestra.
$24.99
"A dobei (Drum Dance)", op. 59
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Adrian Gagiu
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"A dobei
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1004732 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 54 pages. Adrian Gagiu ...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1004732 Composed by Adrian Gagiu. 20th Century,Contemporary. Score and parts. 54 pages. Adrian Gagiu #6456151. Published by Adrian Gagiu (A0.1004732). A short orchestral piece in C minor, in neoclassical style, based on ancient Romanian dances for the Winter Solstice rituals. Appropriate for advanced students wishing to get accustomed to an almost unknown ancient European culture transfigured in neoclassical style and with Bartok's influence. Duration: 3 min. Performing Rights Organization: SOCAN.
$15.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
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