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16 sheet music found
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1
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for V
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Klezmer
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$130.00
PULVER Lev: "An Eye for an Eye", musical scenes from Act 3, for Symphony Orchestra (Full score + set
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Orchestra
#
INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: "An Eye for an Eye
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868918 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 118 pages. Really Good Music, LLC. #4835567. Published by Really Good Music, LLC. (A0.868918). Music to the performance of the Moscow State Yiddish Theater (GOSET) An oyg far an oyg (An Eye for an Eye) had been composed by theater’s musical director Lev PULVER (1883 – 1970) in 1942. The production was one of the earliest, if not the first, artistic incarnations of the theme of the Holocaust and the Jewish resistance to the Nazis. This publication is based on the autograph manuscripts of the orchestral scores of two episodes from Act 3 of the play, realized and edited by Sergei PICHUGIN. The editor hopes that the revival of the music to one of the most mysterious and tragic performances of the GOSET will be viewed as a modest tribute to the memory of the victims of the Holocaust and World War II. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of An Eye for an Eye.
$120.00
PULVER Lev: "Freylekhs" Suite for Symphony Orchestra (Full score)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Freylekhs" Suite
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868911 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868911 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 89 pages. Really Good Music, LLC. #4834501. Published by Really Good Music, LLC. (A0.868911). The music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET), was composed by Lev PULVER (1883 – 1970) in 1945. This is its first publication, based on the autograph manuscripts of the score, realized and edited by Sergei LEONOV. The music to Freylekhs is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Freylekhs.
$100.00
PULVER Lev: "Tevye Meets His Daughter" from "Tevye the Dairyman" for Symphony Orchestra (Full score
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Lev PULVER
#
Sergei PICHUGIN
#
PULVER Lev: "Tevye Meets His D
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868905 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868905 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show. Score and parts. 46 pages. Really Good Music, LLC. #4823941. Published by Really Good Music, LLC. (A0.868905). The publication is based on the autograph manuscript from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei Pichugin. This is the most significant surviving fragment of music from the legendary play of the Moscow State Yiddish Theater (GOSET) Tevye the Dairyman (1938), the very first stage embodiment of the characters by Sholom Aleichem. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of Tevye Meets His Daughter.
$90.00
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Klezmer
#
Lev PULVER
#
Sergei PICHUGIN
#
PULVER Lev: Jewish Dance for V
#
Really Good Music, LLC.
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Klezmer
#
Lev PULVER
#
Sergei PICHUGIN
#
PULVER Lev: Jewish Dance for C
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Really Good Music, LLC.
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance.
$90.00
PULVER Lev: "Oriental Dance" from "The Sorceress" for Symphony Orchestra (Full score + set of parts)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: "Oriental Dance" f
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868919 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show,World. Score and parts. 58 pages. Really Good Music, LLC. #4836055. Published by Really Good Music, LLC. (A0.868919). The full score of Oriental Dance by Lev PULVER (1883 – 1970) has been realized from the autograph manuscript and edited by Sergei PICHUGIN. This music, portraying the scene in the palace of an oriental sovereign, most likely is a ballet episode from the first production of the Moscow State Yiddish Theater (GOSET) The Sorceress (1922). Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Oriental Dance.
$70.00
PULVER Lev: "Duet of Dina and Bar Kokhba" from "Bar Kokhba" for Soprano, Tenor and Orchestra (Full s
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "Duet of Dina and
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868927 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868927 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 55 pages. Really Good Music, LLC. #5000189. Published by Really Good Music, LLC. (A0.868927). The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. Duet of Dina and Bar Kokhba is one of the three surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Bar Kokhba (1938). It is a duet of two main characters of the play, Dinah (Pnina) and Bar Kokhba. The text in Yiddish was written by Samuil (Shmuel) Halkin. The ranges of the solo voices are F#4–A5 and D#3–A4. Duet is definitely one of the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of the Duet.
$65.00
PULVER Lev: "The Oath" from "Shulamis", a duet for Soprano, Tenor (Baritone) and Orchestra (Full sco
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: "The Oath" from "S
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868921 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868921 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 52 pages. Really Good Music, LLC. #4883797. Published by Really Good Music, LLC. (A0.868921). The publication is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei LEONOV. The Oath is one of the two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Shulamis (1937). It is a duet of two main characters of the play, Shulamis and Avessalom. The ranges of the solo voices are C#4–G#5 and F#3–F#4. The Oath is definitely one of the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a detailed description of The Oath.
$60.00
PULVER Lev: "Tevye Meets His Daughter" from "Tevye the Dairyman" for Symphony Orchestra (Full score)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei PICHUGIN
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PULVER Lev: "Tevye Meets His D
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Really Good Music, LLC.
#
SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868904 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868904 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Musical/Show. Score and parts. 20 pages. Really Good Music, LLC. #4823945. Published by Really Good Music, LLC. (A0.868904). The publication is based on the autograph manuscript from musical archive of Lev PULVER (1883 – 1970). It has been realized and edited by Sergei Pichugin. This is the most significant surviving fragment of music from the legendary play of the Moscow State Yiddish Theater (GOSET) Tevye the Dairyman (1938), the very first stage embodiment of the characters by Sholom Aleichem. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of Tevye Meets His Daughter.
$50.00
PULVER Lev: Two Fragments from "Bar Kokhba" for Soprano, Tenor and Orchestra (Full score)
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Orchestra
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INTERMEDIATE/ADVANCED
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Lev PULVER
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Sergei LEONOV
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PULVER Lev: Two Fragments from
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Really Good Music, LLC.
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868932 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/S...
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Full Orchestra - Level 4 - Digital Download SKU: A0.868932 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 38 pages. Really Good Music, LLC. #5000199. Published by Really Good Music, LLC. (A0.868932). The publication of the scores of two surviving fragments of music to the Moscow State Yiddish Theater (GOSET) production Bar Kokhba (1938) is based on the manuscripts from musical archive of Lev PULVER (1883 – 1970). They have been realized and edited by Sergei LEONOV. The text in Yiddish was written by Samuil (Shmuel) Halkin. Duet of Dina and Bar Kokhba and Song of Pnina Arum mayn kop definitely are among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Bar Kokhba.
$50.00
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 p...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
I Write The Songs
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Orchestra
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INTERMEDIATE/ADVANCED
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and par...
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestra
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ADVANCED
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Contemporary
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjam...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
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